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Table of Contents
Origin & Demise of Educational Silver Certificates--Peter Huntoon
Entrepreneurial Holt Family--Bill Gunther
Origin of Fr. 1192a--Peter Huntoon
Try This Over Your Piano--Terry Bryan
Inverted/Mirrored Plate Numbers on Fractional Currency Sheets--Rick Melamed
Fargo--Bob Laub
2024 Paper Money Index
official journal of
Origin & Demise of the
Educational Series
LEGENDARY COLLECTIONS | LEGENDARY RESULTS | A LEGENDARY AUCTION FIRM
Consign Your United States Currency by January 29, 2025!
Artesia, California. $5 1902 Red Seal. Fr. 588.
The First NB. Charter #8063.
PMG Choice About Uncirculated 58 EPQ.
Serial Number 1.
Brawley, California. $5 1902 Date Back. Fr. 593.
The First NB. Charter #9673.
PMG Very Fine 30.
Livermore, California. $5 1902 Red Seal. Fr. 588.
The First NB. Charter #8002.
PMG Very Fine 30 EPQ.
Serial Number 2.
Oakdale, California. $10 1902 Red Seal. Fr. 613.
The First NB. Charter #7502.
PMG Choice Very Fine 35 EPQ. Serial Number 1.
Oakland, California. $20 1875. Fr. 1158.
The First National Gold Bank. Charter #2248.
PMG Choice Fine 15.
Paso Robles, California. $20 1902 Plain Back.
Fr. 653. The First NB. Charter #9844.
PMG Choice Fine 15.
Rodeo, California. $5 1902 Plain Back. Fr. 606.
The First NB. Charter #11201.
PMG Very Fine 30.
San Francisco, California. $100 1882 Brown Back.
Fr. 530. The Western NB. Charter #5688.
PMG Very Fine 20.
San Francisco, California. $5 1902 Red Seal. Fr. 587.
The Germania NB. Charter #6592.
PMG Very Fine 25. Serial Number 1.
San Jose, California. $10 1874. Fr. 1148.
The First National Gold Bank. Charter #2158.
PMG Very Fine 20.
Stockton, California. $20 1875. Fr. 434.
The First NB. Charter #2412.
PMG Very Fine 25.
San Francisco, California.
Imperial Government of Norton I. 1870s 50 Cents.
PMG Very Fine 25.
SBG PM Spring2025 HL 250101
Official Auction of the 2025 Whitman Spring Expo
America?s Oldest and Most Accomplished Rare Coin Auctioneer
1550 Scenic Ave., Ste. 150, Costa Mesa, CA 92626 ? 949.253.0916 ? Info@StacksBowers.com
470 Park Ave., New York, NY 10022 ? 212.582.2580 ? NYC@stacksbowers.com
Visit Us Online at StacksBowers.com
California ? New York ? Boston ? Philadelphia ? New Hampshire ? Oklahoma
Sacramento ? Virginia ? Hong Kong ? Copenhagen ? Paris ? Vancouver
Contact Our Experts: Peter Treglia: 949.748.4828 ? Michael Moczalla: 949.503.6244 ? Consign@StacksBowers.com
Highlights from the
Eric Agnew Collection Part II
Featured in the Spring 2025 Showcase Auction
Auction: March 31-April 4, 2025 ? Costa Mesa, CA
a_oM_om
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32%R[6DQ$QWRQLR7;SLHUUHIULFNH#EX\YLQWDJHPRQH\FRPZZZEX\YLQWDJHPRQH\FRP
$QGPDQ\PRUH&6$8QLRQDQG2EVROHWH%DQN1RWHV IRU VDOH UDQJLQJ IURPWRILYHILJXUHV
6 Origin & Demise of Educational Silver Certificates--Peter Huntoon
22 En trepreneurial Holt Family--Bill Gunther
28 Origin of Fr. 1192a--Peter Huntoon
33 Try This Over Your Piano--Terry Bryan
38 Inverted/Mirrored Plate Numbers on Fractional Currency Sheets--Rick Melamed
50 Fargo--Bob Laub
61 2024 Paper Money Index
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
1
Columns
Advertisers
SPMC Hall of Fame
The SPMC Hall of Fame recognizes and honors those individuals who
have made a lasting contribution to the society over the span of many years.?
Charles Affleck
Walter Allan
Mark Anderson
Doug Ball
Hank BieciukJoseph BolingF.C.C. Boyd
Michael Crabb
Forrest DanielMartin DelgerWilliam DonlonRoger Durand
C. John Ferreri
Milt Friedberg
Robert Friedberg
Len Glazer
Nathan Gold
Nathan Goldstein
James Haxby
John Herzog
Gene Hessler
John Hickman
William Higgins
Ruth Hill
Peter Huntoon
Brent Hughes
Glenn Jackson
Don Kelly
Lyn Knight
Chet Krause
Allen Mincho
Clifford Mishler
Barbara Mueller
Judith Murphy
Dean Oakes
Chuck O'Donnell
Roy Pennell
Albert Pick
Fred Reed
Matt Rothert
John Rowe III
From Your President
Editor Sez
New Members
Uncoupled
Chump Change
Obsolete Corner
Cherry Picker Corner
Small Notes
Quartermaster
Robert Vandevender 3
Benny Bolin 4
Frank Clark 5
Joe Boling & Fred Schwan 44
Loren Gatch 47
Robert Gill 48
Robert Calderman 52
Jamie Yakes 54
Michael McNeil 56
Stacks Bowers Galleries IFC
Pierre Fricke 1
Whatnot 21
World Banknote Auctions 27
PCGS-C 32
Fred Bart 36
Lyn Knight 37
FCCB 43
Greysheet 46
Higgins Museum 48
Bob Laub 51
Bill Litt 56
Whitman Publishing 60
PCDA IBC
Heritage Auctions OBC
Fred Schwan
Neil Shafer
Herb& Martha Schingoethe
Austin Sheheen, Jr.
Hugh Shull
Glenn Smedley
Raphael Thian
Daniel Valentine
Louis Van Belkum
George Wait
D.C. Wismer
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
2
Officers & Appointees
ELECTED OFFICERS
PRESIDENT Robert Vandevender II
rvpaperman@aol.com
VICE-PRES/SEC'Y Robert Calderman
gacoins@earthlink.net
TREASURER Robert Moon
robertmoon@aol.com
BOARD OF GOVERNORS
APPOINTEES
PUBLISHER-EDITOR smcbb@sbcglobal.net
ADVERTISING MANAGER
Benny Bolin smcbb@sbcglobal.net
Megan Reginnitter mreginnitter@iowafirm.com
LIBRARIAN
Jeff Brueggeman
MEMBERSHIP DIRECTOR
Frank Clark frank_clark@yahoo.com
IMMEDIATE PAST PRESIDENT
Shawn Hewitt
WISMER BOOk PROJECT COORDINATOR
Pierre Fricke
From Your President
Robert Vandevender II
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Paper Money * July/August 2020
6
jeff@actioncurrency.com
LEGAL COUNSEL
Robert Calderman gacoins@earthlink.com
Matt Drais stockpicker12@aol.com
Mark Drengson markd@step1software.com
Loren Gatch lgatch@uco.edu
Shawn Hewitt Shawn@north-trek.com
Derek Higgins derekhiggins219@gmail.com
Raiden Honaker raidenhonaker8@gmail.com
William Litt billitt@aol.com
Cody Regennitter
rman andrew.timmerman@aol.com
cody.regenitter@gmail.com
Andrew Timme
Wendell Wolka purduenut@aol.com
Once again, we are excited to start a new year of collecting. From my
perspective, 2024 just flew by. I trust each of you had a nice holiday season.
For Thanksgiving this year, we spent the weekend in Georgia visiting with my
sister Elizabeth and her family. She took us on a nice day trip to Savannah for
a tour, which included a stop at a very large candy store, just to add on a few
extra pounds as if the meal wasn?t enough! We were surprised at how many
fields were still full of cotton as we drove around the area. At Christmas time,
Nancy and I were joined in California by my daughter Holly and her family.
They helped us decorate the Odd Fellows Rose Parade Float this year. We all
attended the parade on New Years Day.
For those of you able to attend our annual breakfast event at the FUN Show
this month, I would like to thank you for your participation and support.
This year, we selected John and Nancy Wilson to appear on our annual
breakfast ticket, as well as honoring them with the introduction into our Hall
of Fame. They have both done so much over the years to support our
breakfast with planning, ticket sales, and taking photographs. Years ago, John
was even the printer of the tickets for the event. Other inductees into our
Hall of Fame this year were Albert Grinnell and Bob Medlar.
Last Fall, we learned that our SPMC website requires a significant upgrade
due to some specific software we use becoming obsolete. We have board
members helping to coordinate resolving that issue now. Sadly, this change
will require a significant expenditure from our treasury, but it must be
addressed to maintain the security of our site.
Looking forward, I expect my job in California to end in April, at which
time, I am going to try out being retired and see if I like it! That event should
give me more time to attend shows and pay more attention to my collection.
More to come on that topic.
Nancy and I plan to attend the Long Beach Expo again in February and
have an SPMC table set up to solicit memberships. If you attend that show,
please stop by our table and say hello.
In closing, I would like to remind our members that we would appreciate
any new articles written for publication in our Paper Money magazine. If you
have done some research, and think you have sufficient information to
support an educational or informative article, our Editor Benny would love to
hear from you. Benny can also help with constructing the article if you would
like the assistance.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
3
Terms?and?Conditions?
The?Society? of? Paper?Money? Collectors? (SPMC)? P.O.?? Box?7055,?
Gainesville,?GA??? 30504,?publishes??? PAPER??? MONEY?(USPS?? 00?
3162)? every? other? month? beginning? in? January.? Periodical?
postage? is? paid? at? Hanover,? PA.? Postmaster? send? address?
changes? to? Secretary? Robert? Calderman,? Box? 7055,?Gainesville,?
GA? 30504.??Society? of? Paper?Money? Collectors,?Inc.? 2020.? All?
rights? reserved.? Reproduction? of? any? article? in?whole? or? part?
without?written?approval? is?prohibited.? Individual?copies?of? this?
issue?of?PAPER?MONEY?are?available? from?the?secretary? for?$8?
postpaid.?Send?changes?of?address,?inquiries?concerning??? non??? ????
delivery??? and??? requests??? for??? additional?copies?of?this?issue?to?
the?secretary.?
MANUSCRIPTS?
Manuscripts?????not?????under??????consideration??????elsewhere?and?
publications? for? review?should?be?sent? to? the?editor.?Accepted?
manuscripts? will? be? published? as? soon? as? possible,? however?
publication? in? a? specific? issue? cannot? be?guaranteed.?Opinions?
expressed? by? authors? do? not?necessarily? reflect?those? of? the?
SPMC.???Manuscripts?should?be? submitted? in?WORD? format? via?
email?(smcbb@sbcglobal.net)? or? by? sending?memory?stick/disk?
to? the? editor.? Scans? should? be? grayscale? or? color? JPEGs? at?
300?dpi.?Color? illustrations?may?be?changed?to?grayscale?at? the?
discretion? of? the? editor.? Do? not? send? items? of? value.?
Manuscripts?are? submitted?with?copyright?release?of?the?author?
to? the? editor? for? duplication? and? printing?as?needed.?
ADVERTISING?
All?advertising?on?space?available?basis.?Copy/correspondence?
should?be?sent?to?editor.?
All?advertising?is?pay?in?advance.??Ads?are?on?a??good?faith??
basis.? Terms?are??Until?Forbid.??
Ads? are? Run? of? Press? (ROP)? unless? accepted? on? a? premium?
contract?basis.?Limited?premium?space/rates?available.?
To?keep?rates?to?a?minimum,?all?advertising?must?be?prepaid?
according?to?the?schedule?below.??In?exceptional?cases?where?
special? artwork? or? additional? production? is? required,? the?
advertiser? will?be?notified? and? billed?accordingly.? Rates? are?
not?commissionable;?proofs?are?not? supplied.? SPMC? does?not?
endorse?any?company,?dealer,? or? auction? house.? Advertising?
Deadline:?Subject?to?space?availability,?copy?must?be?received?
by? the? editor? no? later? than? the? first? day? of? the? month?
preceding? the? cover?date? of? the? issue? (i.e.? Feb.? 1? for? the?
March/April? issue).?Camera?ready?art?or?electronic?ads? in?pdf?
format?are?required.?
ADVERTISING?RATES?
Editor Sez
Benny Bolin
Required?file??? submission?format??? is??? composite??? PDF?v1.3?
(Acrobat?4.0???compatible).???If???possible,?submitted?files?should?
conform?to?ISO?15930?1:?2001?PDF/X?1a?file?format?standard.?
Non?? standard,? application,? or? native? file? formats? are? not?
acceptable.?Page? size:?must? conform?to?specified?publication?
trim? size.? Page? bleed:? must? extend?minimum? 1/8?? beyond?
trim?for?page?head,?foot,?and?front.? Safety?margin:? type? and?
other? non?bleed? content?must? clear? trim?by?minimum?1/2?.??
Advertising?c o p y ? shall?be?restricted?to?paper?currency,?allied?
numismatic?material,?publications,???and???related???accessories.???
The?SPMC? does? not? guarantee?advertisements,? but? accepts?
copy? in?good?faith,? reserving? the?right? to? reject?objectionable?
or? inappropriate? material? or? edit? ? ? copy.? The? ? ? ? ? SPMC??
assumes????? no????? financial?????? responsibility?for? typographical?
errors? in? ads? but? agrees? to? reprint? that?portion?of?an?ad? in?
which?a?typographical?error?occurs.? Benny (aka goompa)
Space?
Full?color?covers?
1?Time?
$1500?
3?Times?
$2600?
6?Times
$4900
B&W?covers? 500? 1400? 2500
Full?page?color? 500? 1500? 3000
Full?page?B&W? 360? 1000? 1800
Half?page?B&W? 180? 500? 900
Quarter?page?B&W? 90? 250? 450
Eighth?page?B&W? 45? 125? 225
4 months old?ain?t she the cutest and most wonderful
baby ever? Aren?t grandbabies wonderful? They brighten up
your life, give you joy and the best thing is?you can give
them back! If you said no, meet me in the parking lot at FUN
and I will put a good ole Texas size whupping on ya!
Welcome to 2025! I hope all of you are able to have a copy
of this issue to read/refer to at FUN ?25. FUN has become the
SPMC?s new Memphis, the show where we hold our meetings,
SPMC breakfast and Tom Bain raffle along with the venue
where we announce and bestow our yearly awards. If you are
reading this before Saturday January 11, come join us in the
fun (at FUN).
I am able to attend only a couple of big shows a year and I
always look forward to them. While I find very little in the
way of the things I collect, I most value them for the
camaraderie and getting back together with friends and
catching up. It is so nice to make new acquaintances and meet
old friends instead of interacting only via an electronic
thingamajig. I also love exhibiting and usually do not have that
opportunity anymore. However, I will be (hope to be) making
the trifecta with my exhibits this year?FUN, TNA and ANA!
But bad news for my peeps?my primary exhibit is round and
copper and not made of paper. Oh well, the dark side has its
high points also.
Hopefully this will be a year that we can enjoy without
having to worry about what is happening in the world and
about things we cannot control or impact. I know that is going
to be a hard adjustment, but just think how happy and less
stressed you will be dreaming of holding a grand watermelon
or a $1000 gold certificate. Who knows what you may find,
just by looking. I recently found two paper store cards in an
on-line auction that are payable in postage currency that we
did not know existed in my collecting circles.
Take the time you get back this year that you lost last year
having to listen to all those campaign calls and write me an
article. It is great to see your name in print. Write about your
passion or anything that interests you. Not an author you say?
Jot down some thoughts and send them to me and I will help
you turn them into an article.
Till next time! Stay safe and enjoy the upcomming year!
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
4
The Society of Paper Money
Collectors was organized in 1961 and
incorporated in 1964 as a non-profit
organization under the laws of the
District of Columbia. It is
affiliated with the ANA. The
Annual Meeting of the SPMC is
held in June at the International
Paper Money Show. Information
about the SPMC, including the
by-laws and activities can be
found at our website--
www.spmc.org. The SPMC does
not does not endorse any dealer,
company or auction house.
MEMBERSHIP?REGULAR and
LIFE. Applicants must be at least 18
years of age and of good moral
character. Members of the ANA or
other recognized numismatic
societies are eligible for membership.
Other applicants should be sponsored
by an SPMC member or provide
suitable references.
MEMBERSHIP?JUNIOR.
Applicants for Junior membership
must be from 12 to 17 years of age
and of good moral character. A parent
or guardian must sign their
application. Junior membership
numbers will be preceded by the letter
?j? which will be removed upon
notification to the secretary that the
member has reached 18 years of age.
Junior members are not eligible to
hold office or vote.
DUES?Annual dues are $39. Dues
for members in Canada and Mexico
are $45. Dues for members in all
other countries are $60. Life
membership?payable in installments
within one year is $800 for U.S.; $900
for Canada and Mexico and $1000
for all other countries. The Society
no longer issues annual membership
cards but paid up members may
request one from the membership
director with an SASE.
Memberships for all members who
joined the Society prior to January
2010 are on a calendar year basis
with renewals due each December.
Memberships for those who joined
since January 2010 are on an annual
basis beginning and ending the
month joined. All renewals are due
before the expiration date, which can
be found on the label of Paper
Money. Renewals may be done via
the Society website www.spmc.org
or by check/money order sent to the
secretary.
WELCOME TO OUR NEW MEMBERS!
BY FRANK CLARK
SPMC MEMBERSHIP DIRECTOR
NEW MEMBERS 11/05/2024
Dues Remittal Process
Send dues directly to
Robert Moon
SPMC Treasurer
403 Gatewood Dr.
Greenwood, SC 29646
Refer to your mailing label for when
your dues are due.
You may also pay your dues online at
www.spmc.org.
15776 Dan Roussin, Derek Higgins
15777 David Oppelt, C. John Ferreri
15778 Joel Podlaski, Website
15779 Jerome W. Hannigan, Frank Clark
15780 Paul R. Kavakko, Whitman Guide
Book of US Currency
15781 Kevin Ford, Website
15782 Robert Redden, Website
15783 Derik Shambaugh, Website
15784 Roger Macon, Website
15785 Edward Gibbs, Website
15786 James Roberts, Website
15787 Mark Curtis, Website
15788 James Jordan, Website
15789 Evan Saltis, Robert Calderman
15790 Nikolay Lomtev, Website
15791 Mark Bosje, Paper Money Forum
15792 John Wrasse, Robert Calderman
15793 Randall Ockerman, Frank Clark
REINSTATEMENTS
None
LIFE MEMBERSHIPS
None
NEW MEMBERS 12/05/2024
15769 Gary Foster, Website
15770 Michael Cheney, Robert Calderman
15771 Gary Johnston, A Guide Book of
United States Paper Money
15772 David Davis, Website
15773 Lauren Etter, Website
15774 Karl Zakhia, Robert Calderman
15775 Douglas Mehr, Website
REINSTATEMENTS
None
LIFE MEMBERSHIPS
None
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
5
Origin and Sudden Demise of
Series of 1896 Educational
Silver Certificates
?To most men the beauty of a United States note depends less on the artistic
value of the picture engraved upon it than on the size of the plain number
stamped upon its face.?
Double entendre by a wag reporter, New York Herald, Jan 13, 1895
Series of 1896 Silver Certificates
The new issue of silver certificates of 1896 have received universal commendation. These notes have
demonstrated the possibility of fine art being utilized to advantage in the production of bank notes, and
result in the most perfect security against counterfeiting.
John G. Carlisle, Secretary of the Treasury (1896, p. 569)
Secretary Gage has determined to call in and destroy the new one, two and five-dollar silver
certificates issued under the auspices of the last administration.
These notes or certificates were considered triumphs of high art by Chief Johnson, of the Bureau of
Engraving and Printing, and by his superior, Secretary Carlisle, but they have been decidedly unpopular
with the general public and merchants.
The notes are peculiarly liable to counterfeiting, most of the old-time checks having been removed
in order to make the pictorial finish of the notes satisfactory. Engravers are at work on new designs for
certificates to be issued in substitution for the current monstrosities.
Philadelphia Enquirer (May 1, 1897)
The designs of the Series of 1896 silver certificates were judged a failure in banking and
commercial circles right out of the chute in 1896. It took two years for the incoming Treasury officials who
served under newly elected President William McKinley beginning in March 1897 to replace the series with
the more traditional looking but far less glamorous Series of 1899. This is the story of that failure.
Authorization of the Series of 1896
The legal authority for the issuance of silver certificates originated with passage of the Bland-
Allison Act of February 28, 1878. The act authorized the purchase of silver by the U.S. Treasury for minting
into coin. The act also provided for the issuance of silver certificates of $10 and higher denominations
against a like amount of silver dollars held on deposit by the Treasury for their redemption. This currency
The Paper
Column
Peter Huntoon
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was a convenience to the public who preferred
not to carry the heavy dollars.
An act passed August 5, 1886
authorized the addition of $1, $2 and $5 notes
to the permissible dominations that could be
issued. The small denomination notes came out
in the Series of 1886, 1891, 1896, 1899 and
1923 (no 1923 $2) during the large-note era.
The various series dates represented the
adoption of new designs at the discretion of the
Secretary of the Treasury.
Seesaw at the Bureau of Engraving and
Printing
The Secretary of the Treasury and U.S.
Treasurer are patronage positions. So was the
Chief of the Bureau of Engraving and Printing
in the 1800s. Consequently, partisan issues
could seesaw within the Bureau. In fact, one
contentious issue had been simmering since the
1870s; specifically, controversy over the
quality of designs used for Federal currency.
At issue when Democrat Grover
Cleveland took office for his first term in March
1885 were so-called patchwork designs
wherein the vignettes, counters, lettering,
borders, etc., were laid into the plates as
discrete items, often minimally stitched
together by linking engraving. A flash point in
this regard was the widespread use of patented
lettering invented by BEP model designer George Casilear, later Chief Engraver and ultimately
Superintendent of Engraving and Transferring. This work consisted of preparation of numerous alphabetic
and numerical fonts wherein the individual letters were lifted to transfer rolls. The siderographers simply
rolled the letters in one at a time to spell out needed text on plates. The lettering often was the visually
dominant element on the notes (Huntoon, 2018).
The issue was articulated in 1877 when upon taking office, then Secretary of the Treasury John
Sherman appointed a committee to examine the operations of the Bureau. The chair of that committee was
Edward O. Graves, a Treasury employee who periodically served as a Treasury trouble shooter. The
committee reported ?that the continual use of this alleged invention [patent lettering] rendered all work
produced by its use stiff and inartistic, and made the silver certificates the ugliest notes issued? (Graves and
others, 1877).
Cleveland had campaigned as a reformer and specifically targeted the operations of the Treasury
Department. Once in, Daniel Manning, his Secretary of the Treasury, demoted Casilear from his position
as Chief Engraver and appointed Edward Graves as BEP Chief. Graves immediately discontinued the use
of patented lettering.
But, in March 1889 Cleveland was out and Republican President Benjimin Harrison was in.
Casilear was rehabilitated as Superintendent of the Engraving Division, allowing his design influence to
resume for another four years.
Cleveland vanquished Harrison in the 1892 election, thus assuming his detached second term in
March 1893. The Democrats were back in Treasury, but this time under new Secretary John Griffin Carlisle.
Carlisle brought with him a new BEP Chief named Claude M. Johnson. Both were Kentucky pols, where
Carlisle had gained national prominence having won terms in both the U.S. House and Senate, even serving
Figure 2. John G. Carlisle, Secretary of the Treasury
during Grover Cleveland?s second term and creator of the
Series of 1896 silver certificates. Wikipedia photo.
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as Speaker of the House. They came on board united in their opinion that currency design at the Bureau
was in a poor state. Casilear was asked to resign and did so on October 30, 1893 (Senate, 1898, p. 298).
The next day a fresh face for the Treasury Department named Thomas F. Morris assumed the office of Chief
of the Engraving Division.
Carlisle-Johnson Vision
Congressional acts authorizing currency issues during the 19th century consistently delegated
responsibility for their designs to the Secretary of the Treasury. Upon taking office, Secretary Carlisle
quickly seized this authority to replace the then current silver certificates with an entirely new series that
numismatists called the Educational Series. His vision was laid out in his 1894 annual report to Congress,
followed by a more detailed account provided by BEP Chief Johnson in his annual report to Carlisle
included in the same volume.
Carlisle (1894, p. XLV): It has been deemed advisable to improve the designs adopted by the
Department for the various bank-note issues of the Government, and to accomplish this end the best artists
of the country have been invited to contribute, and are now submitting designs to supersede the defective
and insecure forms used in the past. It is expected that the future notes and certificates issued by the
Government, if this policy is continued, will be not only highly creditable from an artistic standpoint, but
will be beyond the skill of counterfeiters to imitate to such an extent as to be at all dangerous to the public.
Johnson (in Carlisle, 1894, p. 722-723): Artistic skill applicable to the production of bank notes,
bonds, etc., has not advanced with time. Bank notes prepared twenty-five years ago are as finely engraved
as those of to-day. The bank notes produced by this Bureau and by the bank-note companies of the country
appear to have reached the highest standard of engraving and printing, but the designs, as a rule, are weak
and meaningless. The conventional design for bank notes which has been used for many years appears to
be wholly lacking in artistic merit, consisting as it does of a patchwork of engraving, including the portrait,
the title, and the lathe-work counters, having no connection with each other, and a vast improvement can
be made in designing the future issues of the Government. I consider the artistic beauty of a design for a
bank note to be as essential to protection against counterfeiting as the manner in which either the engraving
or printing is executed. In fact they must all be of the highest standard of excellence to afford perfect
protection. To attain this standard of excellence I have secured the services of some of the best engravers
and printers, and have received aid from some of the most talented artists in the country in preparing
designs for a new issue of silver certificates, and the result, in my opinion, will be not only a creditable
work from an artistic standpoint, but a series of notes which will be beyond the skill of counterfeiters to
imitate in a way to be at all dangerous to commerce. Such talent commands a high price, and it is an item
Figure 3. Silver certificate
design dominated by
Casilear?s patented lettering
process deemed by a
Treasury committee to be
among the ugliest notes
issued by the Treasury.
Heritage Auction Archives
photo.
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of expenditure which should have consideration in the
making of appropriations for this Bureau.
The numismatic moniker Educational Series
obviously was derived from History Instructing Youth,
the label for the vignette on the face of the $1. The
earliest use of the term I am aware of was by Albert
Grinnell (1937, p. 1007) in The Numismatist. Although
catchy, education was not the intent of Secretary Carlisle
and thus the label diminishes what he contemplated.
Secretary Carlisle?s objective was a visual
celebration of American prowess and genius, a jingoistic
expression of our nation?s coming of age on par with
heady notions of inventiveness, industrialization and
manifest destiny, which pervaded the ether of that era.
This comes through in the titles for the art on the faces
of the $2 and $5; respectively, Science presenting Steam
and Electricity to Commerce and Manufacture and
Electricity, the Dominant Force of the World.
New Series of Silver Certificates
A priority for Thomas Morris, the newly hired
Chief of the Engraving Division, was to shepherd the
new silver certificates to completion. Morris was a
meticulous diarist, which allowed his son Thomas
Morris II to mine those journals to yield an invaluable
insider?s view of the production of the new series of
silver certificates, albeit a defense of his father?s role in
the process.
Thomas F. Morris, born September 12, 1852,
died January 18, 1898, apprenticed at the American Bank Note Company beginning at age 16 in 1869. Ten
years later he was head of the engraving department. He moved on to become Superintendent of Design
and Engraving at the Homer Lee Bank Note Company in 1888. It was from that position that he was lured
to the BEP in 1893. (Hessler, 1993, p. 221).
Commissioning the Art
In the first interview incoming BEP Chief Claude Johnon had with Secretary Carlisle, Carlisle told
him that he understood that the work of the engraving division was not as good as that of the private
corporations. In particular, Carlisle didn?t look favorably on the designs of the currency. Johnson suggested
using outside artists to create improvements, an idea embraced by Carlisle (Senate, 1899, p. 326).
Procurement of the art for the new silver certificate faces was a task Secretary Carlisle assigned to
Johnson shortly after Morris arrived at the Bureau (Senate, 1899, p. 335). Johnson made trips to New York
City to discuss the idea with prominent artists there and to solicit concepts. In due course, he commissioned
the acceptable art through the BEP by means of single-source contracts with the individual artists.
Shunning the acceptable normal routine of open competition * * * the Treasury Department
commissioned prominent artists to do the work. The fee was $800 a design. * * *
Will H. Low was assigned the drawing for the most widely circulated $1 and $2 denominations,
Edwin Howland Blashfield the $50, and Walter Shirlaw received commissions for both the $5 and $10
certificates. The choice of Low and Blashfield was influenced by the fact that they were already engaged
on decorative murals for the new Library of Congress, in the course of construction. Blashfield offered the
additional recommendation of having exhibited his ?Angel with the Flaming Sword? at the Chicago fair.
Shirlaw was best known as an allegorist, but his painting ?Sheep shearing In Scotland? was perhaps the
Columbian Exposition?s most popular American work among rural visitors. * * * All the artists had studios
in New York. (Morris,1968, p. 51).
BEP Chief Johnson reassigned Blashfield?s $50 submission to the $2.
Figure 4. Claude M. Johnson, Chief of the
Bureau of Engraving and Printing, a Gold
Democrat who served through the entire Series
of 1896 silver certificate production saga. Photo
from BEP (2004).
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Morris, a currency designer, was responsible for mediating issues between the artists and the
engravers who committed the art to steel. His charge was to resolve presentation issues and render the whole
into pieces of currency that could effectively serve the practical needs of commerce. This job was
particularly challenging because for the first time in the history of the Bureau, the artists were muralists
whose creations were filling the entire faces of the notes. Their submissions consisted of 3- x 6-foot
paintings complete with their concepts for borders and counters.
The artists had to endure back and forth criticism and suggestions before their works were accepted.
Morris found himself modifying the border scroll work or even replacing it in order to move the designs
forward. One interesting directive from BEP Chief Johnson was that traditional anti-counterfeiting lathe
work was not to be used in the borders of the faces (Senate, 1899, p. 336).
The work of the Bureau picture engravers required the utmost skill in transforming the art to
engravings that covered the entire faces of the notes. Morris (1968), Hessler, (2004, p. 96-117) and Hellings
(2021) treat the transformation of the art work to the master dies.
Serious Production Delays
The production of Carlisle?s silver certificates was scheduled to begin with the $5s, followed in
succession by the $1s and $2s. The release date for the first of them was scheduled for 1895, thus the series
was dated 1895. This schedule was thwarted by the discovery that the $5 faces came out too dark, a problem
that also afflicted the $1s.
The story of the $5s will serve to illuminate what happened. As was typical for new series, the back
Figure 5. Comparison between the overly dark Series of 1895 and brightened Series of 1896 versions of the $5
faces. The preparation of the new $5 Series of 1896 die delayed the production of the series by seven months,
which resulted in revision of the series date. National Numismatic Collection, Smithsonian Institution photos.
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plates for a given denomination generally began to be made first and were put into production before the
face plates. This was consistent with the fact that backs were printed first.
There is a run of 104 $5 Educational Tillman-Morgan silver certificate 4-subject face plate proofs
among the BEP proofs in the National Numismatic Collection. The first three were not certified so those
plates weren?t used. The proofs lifted from them have a distinctly darker appearance than those that follow.
Also, the banners in the upper part of their left borders are labeled Series of 1895, not 1896.
The fact that they were made reveals that the master die carrying their image had been hardened in
order that a transfer roll?also hardened?could be lifted from it. Once hardened, alterations on the die
could not be made. Thus, a new master die was called for.
The die and roll ledgers coupled with the certification dates on the production proofs provide a
timeline for what transpired. The first $5 back roll, number 7216, was logged in August 30, 1895, followed
by the first two plates made from it that were certified September 14, 1895.
The dark Series of 1895 $5 full-face roll, number 7222, was logged in September 14, 1895, and
used to make face plates 5489, 5492 and 5496. These numbers are plate numbers from a set that threads
through all the Treasury plates of that vintage, not to be confused with plate serial numbers that were
assigned sequentially to like plates of a specific product that usually appear within each subject on the plate.
Plates 5489, 5492 and 5496 were the ones that weren?t certified. However, they can be dated because plates
5488 and 5490, which sandwich 5489, were assigned to $1 Tillman-Morgan Series of 1891 silver certificate
face plates respectively certified September 24 and October 9, 1895. The dark $5 plates were made then.
At this point, production of the $5s was on target for an 1895 release. However, the darkness of the
Figure 6. Details on the left from the $5 Series of 1895 and right from the Serries of 1896 engravings that
illustrate how the image was lightened. Notice in the second pair down how the shading in the S at the right was
removed from that letter.
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images sabotaged the schedule. The time-consuming preparation of a new master die with a brightened
image was required. Roll 7310 lifted from it was logged in April 16, 1896 and carried a revised series date
of 1896. The first light $5 face plate was 5770, certified April 29, 1896 and was sent to press that day
(Morris, 1995, p. 71). The result had been a 7-month delay.
The same dark affliction plagued proofs lifted from the $1 master face die. That dark die also carried
an 1895 series date. However, no dark $1 production plates were made from it before a brightened $1 master
was ordered. The new master carried a series date of 1896.
The first $1 back plate was certified April 17, 1896. The first brightened $1 face plate was certified
April 29th. Morris (1995, p. 71) states that printings of the faces commenced May 6, 1896.
The overly dark problem didn?t occur with the face on the $2 master die. The first $2 back plate
was certified May 18, 1896; the first face plate June 25th.
No $10 or higher back or face plates were made for the series, although denominations through
$1,000 were contemplated.
Thomas Morris? Design Work on the 1896 Series
One unique characteristic of the 1896 silver certificates is that they were the first U.S. issue of
currency to carry vignettes of Americans on their backs. As Chief of Engraving and thus chief designer,
Thomas Morris undertook all the design work for the backs. This was carried out by safely employing
without controversy vignettes of deceased icons Martha and George Washington on the $1, inventors Robert
Fulton and Samuel Morris on the $2, and Civil War Generals Ulysses Grant and Philip Sheridan on the $5.
Morris? son (1968, p. 68) points out that the ornamental head that adorns the top center of the $5 back is an
engraving of his mother.
Another of Morris? major efforts was to totally redesigned the borders, counters and scroll work for
Walter Shirlaw?s submission for the $5 face (Morris, 1968, p. 63).
Johnson-Morris-Smillie Triangle
Thomas Morris was hired as Chief of the Engraving Division at the Bureau of Engraving and
Printing on November 1, 1893. He was 41 years old and an accomplished currency designer. Although he
recognized that the use of mural art for currency posed serious challenges, Morris (1968, p. 54) wrote
?father could not be otherwise but wholeheartedly sympathetic with Secretary Carlisle?s ambition to adorn
government securities with the finest art the country could command.?
Shortly after Morris arrived, portrait and vignette engraver Fred Smillie was hired as Chief
Engraver on March 8, 1894. Morris was two years older than Smillie. The two had been professional
colleagues at the American and Homer Lee bank note companies and shared a good friendship. Morris fully
supported Smillie?s appointment.
George Frederick Cumming Smillie?born New York City November 22, 1854, died Washington,
DC, January 21, 1924?produced a lifetime output of some 450 portraits and vignettes. He studied at
Cooper Union and the National Academy of Design in New York City and under Alfred Jones and his uncle
James Smillie. He was employed at American Bank Note Company 1871-1887. At 17 in October 1872, he
completed his first engraving, The Reaper. On April 19, 1887 he joined the Canadian Bank Note Company;
then returned to New York March 7, 1888 to work for the Homer Lee Bank Note Company. From May
1893 to March 1894, he engaged in freelance work for the Hamilton and Western bank note companies. He
served at the BEP from 1894 to 1922, after which he returned to the American Bank Note Company for two
years until his death. (Hessler 1993, p. 280).
Smillie engraved the vignette on the face of the $5 Series of 1896 note, just one of the masterpieces
the preeminent engraver turned out for the BEP.
The chain of command at the BEP was Smillie reported to Morris and Morris reported to BEP Chief
Johnson. Morris was the appropriate interface between the artists and the Bureau. As the work progressed,
the dynamic that developed was that Johnson shunted aside Morris ?the note designer?to consult directly
with engraver Smillie on design issues. At issue was which should be visually dominant, the artists? murals
or the surrounding borders that encompassed scroll work, lettering and counters? Naturally, the artists felt
that the border work was subordinate to their creations, a stance that Morris strenuously argued against.
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Morris insisted that sound currency design elevated the display of the counters to top priority. This pitted
him against the artists, so they lobbied Johnson and Smillie directly to circumvent dealing with him. Smillie
consistently sided with the artists and Johnson fell in line.
Morris also found himself on the losing end of pleas for incorporation of two anti-counterfeiting
devices on the faces; specifically, white-line lathe work in the borders and sufficient open spaces in the
picture engravings to allow security threads in the paper to show. The lack of open space was particularly
acute on the $1s and $5s.
The situation placed Morris in an untenable position that simply could not come out well. The
tensions reached the point that early on, as the groundwork was being laid for the new silver certificates,
he seriously considered resigning (Morris, 1968, p. 56).
Then Secretary of the Treasury Lyman Gage in league with the Senate commissioned an an
investigation into the operation of the BEP in 1897 in which considerable attention was devoted to the
failure of the Series of 1896 silver certificates. The following testimony by BEP Chief Johnson is telling.
?There was pulling between the artists and Mr. Morris all the time, to such an extent that in several cases I
started to recommend Mr. Morris?s dismissal. He aggravated me so.? (Senate, 1899, p. 327).
At the end of Johnson?s testimony, the committee was questioning him about design flaws on the
face of the $1. He stated ?As I told you, Mr. Morris became an obstruction. He would not go in to see
[picture engravers] Mr. Smillie or Mr. Schlecht at all.? (Senate, 1899, p. 332).
Rollout, Reception and Fate
The first of the Series of 1896 notes consisted of $1 sheets delivered from the BEP to the Treasurer?s
office on July 14, 1896, where they were sealed before the notes were separated. The seals were an
innovation, small like those on Series of 1950 and 1953 small-size notes ringed with the same small
triangular spikes. The same day, Secretary Carlisle provided two impressions of the new seal that had been
made at the BEP with authorization for the Treasurer to use it (Carlisle, 1896a).
The New York Times (July 15, 1896), reporting on the delivery of the $1s to the Treasurer, added
that the design of the notes is ?a very beautiful change from the old conventional bank-note design * * *
and has been universally pronounced one of the most beautifully executed notes ever issued by the
Government, besides affording, on account of the fine and elaborately engraved work, the greatest security
possible against counterfeiting.?
?Aug. 14.?The new five dollar silver certificates were issued by the Treasury Department to-day.
* * * The delivery of the new two-dollar certificates has been slower than was anticipated and they will not
be ready for issue to the public for several days. The Treasurer desires to accumulate a good working supply
before beginning their distribution to the public? (NYT, Aug 15, 1896, p. 4).
Figure 7. The overly dark problem with the first $1 and $5 dies did not occur on the $2 die;
however, Blashfield?s scantily clad females drew fire when the notes were released despite this
aspect being toned down on the engraving. Heritage Auction Archives photo.
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The adulation heaped on the artistic
Series of 1896 notes faded quickly after they
entered circulation. ?By the time the climax of
the 1896 McKinley-Bryan campaign
approached, commercial and banking circles
were bringing great pressure on Secretary
Carlisle to withdraw the issue. He set plans in
motion to have the Bureau correct the major
deficiencies of lack of easily read counters,
overly-black faces and insufficient light and
shadow contrast. Since [BEP Chief] Johnson
had to absorb the brunt of the newspaper attack,
Mr. Carlisle sidestepped an unpleasant
personal chore by deciding to leave the fate of
the series to McKinley?s incoming Secretary of
the Treasury, Lyman J. Gage of Illinois?
(Morris, 1968. p. 76).
Thomas Morris wrote in his diary that
Blashfield?s vignette for the $2 face had caused
the Bureau the most concern from the start. At
issue was nudity. For example, The New York
World teased that Blashfield?s vignette
?consists of five partly nude female figures in
graceful poses? (Morris, 1968, p. 74). This
early puritanical indignation dissolved into
insignificance as practical concerns overtook
criticism of the designs.
Incoming Secretary Gage had no use
for the series from the outset so early in his
tenure he had to weigh a then-ongoing overhaul
of the series or replace it entirely. He made the
decision to cut Treasury?s losses on May 3, 1897 (BEP, 1990a). His solution was to move on to what would
become the Series of 1899 silver certificates. ?The next issue of new bills from the Bureau of Engraving
and Printing will be a radical departure from the style adopted a year ago as illustrated in the $1, $2 and $5
silver certificates. Secretary Gage discouraged the issuing of these bills as soon as he came into office and
the engravers at the Bureau were set to work several months ago upon new designs? (NYT, Oct 22, 1896,
p. 1).
The following extensive note in the New York Times (Aug 15, 1897, p. 20) clearly articulates the
practical complaints against the Series of 1896 silver certificates, early steps initiated by Secretary Carlisle
to alter them, and finally Gage?s decision to discontinue them.
Men who handle money like the notes * * * provided the denominations are clear and the individuality
of the notes well marked. All judges of good designs and workmanship have admitted the superiority of the
new notes to anything ever before produced by the Government. Bankers have generally denounced them
as the most unsatisfactory notes ever issued. The chief objection to them has been that they all looked too
much alike, and the second was that the denominations of the notes were not distinctly marked. Paying
tellers depend upon the figures in the corners, particularly the figure in the upper left-hand corner, to guide
the eye in counting bills rapidly handled. They attribute the success of the altered one?raise to a five?of
the new series to the obscurity of the figures in the corners.
Some months ago, when complaint was heard that the new notes became smudgy and suspicious-
looking with a little use, the Bureau of Engraving and Printing set about improving them to meet this
criticism, and that of the bankers that the designations were not distinctive enough. The engravers were put
at work on new dies that eliminated much of the shading on the ones, exposing a great deal of white paper
Figure 8 Republican President McKinley?s Secretary of the
Treasury Lyman Gage inherited the Series of 1896 fiasco
and killed the series, eventually replacing its notes with the
more traditional looking Series of 1899 silver certificates.
Wikipedia photo,
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now covered by clouds and fancy work. The reclining figure was thus brought out upon a brighter
background, the seal of the United States was to be printed upon a plain white surface instead of upon
shading, and some important alterations of design were to appear in the border. Then the ?one? was to be
converted into an unmistakable ?one? that could not [be] taken for a ?five,? and the expectations of counters
of money were to be met as far as possible, without entirely departing from the idea of the artist that mere
figures were to be subordinated to the effective general design. The fives were converted from the
decidedly dark notes into bright ones having more of the brilliancy of appearance of the twos. When
everything was about ready for this new edition of the artist series of silver certificates, Secretary Gage
reached the conclusion that it was not worth while to try the experiment with the picture certificates any
longer. When the next change is made it will be to return to the old style of notes?not necessarily to the
old designs. But when the decision is reached to stop printing from the plates with the designs of Blashfield,
Shirlaw & Low, the Bureau of Engraving and Printing will probably return to the production of notes upon
which the designs will be so distinctive that there will be little difficulty in telling a one from a five without
close inspection. It ought to be said that there has been little or no complaint about the backs of the latest
notes. They were difficult to imitate, they were distinctive and the designations of them were plain.
The following perspectives from two bank cashiers are particularly informative. ?The new
certificates, said the cashier of a big bank downtown, ?are an absolute nuisance when they get soiled from
use. It is next to impossible to decipher the numerals when the certificates get rumpled and worn. It is a
constant and bothersome eye strain where one has to count the worn ones by the thousands daily.? Still
another added ?They are not nearly so durable as the former issues, and that they tear very readily after they
have been folded up a number of times and carried in a pocketbook?? (New York Sun, Jan 23, 1897).
In the meantime, the Series of 1896 was taking another damaging hit. ?Dangerous and very
interesting counterfeits of the five-dollar silver certificates of the new issue?series of 1896?exist. They
are apparently the work of one man or one set of men. For each certificate a two-dollar silver certificate of
the new issue is used. The operation is technically known as ?raising.? * * * George W. Marior, Deputy
Assistant United States Treasurer, had two of these clever counterfeits at the Sub-Treasury yesterday. He
said many of them were in circulation.? (NYT, Jul 28, 1897, p. 1).
There are subtle considerations I have wondered about in the reception of the series. The advent of
the series was hyped to the hilt from every angle by the Treasury Department through Treasury press
releases and invited press scrutiny as the series moved from concept to distribution (Senate, 1899, p. 336).
Public anticipation over an event as formula as the release of a new series of currency was stoked to the
point that everyone was given license to be a critic. No aesthetic or technical nuance was missed once the
notes hit the streets. Also, a contrarian segment of the public bridled at being force-fed someone else?s
oversold elitist art. None of these factors played out well for reception of the series.
Design Flaws
Without piling on with every nitpicky complaint, the primary technical flaws in the designs of the
1896 notes were the following in decreasing order of importance.
1. The counters (numerals used to denote the denomination) in the corners on both the faces and backs
were not large or plainly presented.
2. The faces lacked traditional anti-counterfeiting devices that were considered effective at the time;
specifically,
a. white line lathe work in the borders (negative images made from geometric lathe engraving
machines),
b. open spaces allowing a view of the colored fibers built into the paper,
c. high-contrast scroll work in the borders.
3. The faces of the notes were entirely too busy, giving the different denominations a similar
appearance.
The poor presentation of the counters on the faces constituted the overwhelming complaint from
people who had to sort the notes. Clearly, the $1 faces served as the lightning rod for this criticism. However,
the problem with the counters applied to the other faces and all the backs as well.
A practical issue dogged the notes once they reached circulation. They didn?t wear well. Handlers
complained that they became increasingly difficult to sort as they became soiled.
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Figure 9. The backs of the Series of 1896 notes were designed by Thomas Morris. The
engravings cover most of the paper. Although the backs did not receive the scorn heaped on
the faces, all have small counters in the corners with none in the top corners of the $1, and the
$1 and $2 are virtual look-a-likes. These made it difficult for handlers to count the notes from
their backs, had they given up on doing so from their faces. The back borders did incorporate
repetitive white line geometric lathe work that was a good counterfeit deterrent missing from
the faces. Heritage Auction Archives photos.
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Figure 10. Prints from the redesigned silver certificate Series of 1896 master face dies as they
appeared at the time work on them had ceased. The redesign focused on giving prominence to the
counters in the corners and removing considerable shading to allow the security fibers in the paper
to be seen. The plan was to issue these as a new Series of 1897, but the series was canceled by
Secretary of the Treasury Lyman Gage. Photos from BEP (1990a,b,c).
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Attempt To Salvage the Series
The engravers at the BEP were in the process of hurriedly preparing new master face dies for the
Series of 1896 at the time Secretary Gage assumed office in March 1897. Their redesign was to provide
prominent counters in the corners and materially brighten the picture engravings by eliminating much
shading to allow security fibers in the paper to be seen. The plan was to issue the replacements as a new
Series of 1897.
The work on the dies was incomplete when work on them ceased. The BEP released a series of
three souvenir cards in 1990 that were made from the incomplete dies so we can see how far the work had
progressed (BEP, 1990a,b,c).
Fates of Johnson and Morris
Sound money Republican William McKinley was elected President over silverite Democrat
William Jennings Bryan. As the March 4, 1897 inauguration approached, it was assumed according to
tradition that BEP Chief Claude Johnson would be replaced by a Republican. However, Johnson was a so-
called Gold Democrat who wisely campaigned for McKinley in Johnson?s home state of Kentucky.
Kentucky, a crucial swing state in the election, went Republican. Johnson?s loyalty could not be ignored.
Ultimately, he was allowed by Secretary Gage to hang on for another four years, despite the Series of 1896
fiasco.
At Johnson?s urging, the title of Chief of the Bureau of Engraving and Printing was changed by the
Treasury Department to Director in order to distinguish the position from the subservient division chiefs in
the organization. Upon leaving the Bureau, Johnson served as an Indian Agent in Arizona Territory and
later headed a printing firm in England. He died at 66 in 1919 (BEP, 2004).
Thomas Morris? health was faltering during his tenure at the Bureau, His symptoms evolved into
incapacitating, blinding headaches. By 1897, he was aware that he had an incurable malignant tumor behind
his left eye. After a conference with Johnson on June 18, Johnson authorized a leave of absence with pay
from June 19th to June 30, 1897. Unstated was that Morris was being discharged as Chief of the Engraving
Department. A formal notice to that effect without explanation was sent to him by Secretary of the Treasury
Gage (Morris, 1968, p. 89-90; Senate, 1899, p. 350)).
Morris was called to testify by the committee investigating the BEP in which as part of the inquiry,
the committee was attempting to fix the blame for the failure of the Series of 1896. His testimony was heard
July 6, 1897, a week after he had been discharged from the Bureau.
He died January 18, 1898 at age 45
Post-Mortem
The Series of 1896 silver certificates foundered on technical grounds despite the sincerity and
enthusiasm that Secretary of the Treasury Carlisle brought with him in his desire to revamp and elevate
currency design. The face designs did not meet appropriate presentation standards essential for currency.
The worst fault lay in the counters in the corners, which were not easy to read. Second was excess shading
in the picture engravings that prevented a view of the security fibers in the paper.
The design failure can be laid to BEP Director Johnson in so far as he preferentially deferred to the
Table 1. Numbers of Series of 1896 Silver Certificates
delivered from the Bureau of Engraving and Printing
during the fiscal years ending June 30.
$1 $2 $5
1897 19,728,000 5,676,000 8,160,000
1898 20,508,000 5,596,000 11,116,000
1899 17,108,000 7,464,000 7,368,000
1900 0 1,916,000 8,288,000
Totals 57,344,000 20,652,000 34,932,000
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artists who argued against anything that detracted from visual focus on their work. This shift in emphasis
from the denomination ran counter to the advice of Thomas Morris, his Chief of the Engraving Division.
In retrospect, even the counters on the $5 faces didn?t pass muster although Morris totally redesigned them.
The problem with them was too much shading and the one on the left was too busy with superposition of
the Roman V over the 5.
The backs of the notes also suffered but did not receive the attention of the faces. One principle in
currency design at the time was to use radically different designs for the respective denominations so they
easily could be distinguished from one another. The $1 and $2 backs had identical layouts much to the
consternation of their handlers if they chose to sort the notes from their backs. Ironically, all the backs had
been designed by Morris, who knew better.
Secretary Gage made the decision to kill the series in 1897, a year after it was launched. However,
this did not stop production of the notes. The unceasing appetite for currency required the presses to keep
running. Production of the series continued through fiscal year 1900 as the employees of the BEP labored
to develop and push to production the new Series of 1899 to replace the small denomination silver
certificates.
The output of the Series of 1896 notes is summarized on Table 1. There was turnover in the Treasury
officials who served as Register and Treasurer during that interval. As a result, the following signature
combinations appeared on the notes; respectively, Tillman-Morgan and Bruce-Roberts on the $1s, $2s and
$5s with the addition of Lyons-Roberts to the list for the $5s.
Work was progressing on a $10 face die in the series using art entitled Agriculture and Forestry
submitted by Walter Shirlaw. Thomas Morris designed the lettering and borders. A die with Series of 1897
date was forthcoming before Secretary Gage killed the series but no plates were made from it. A souvenir
card with its image was issued by the BEP at the 1974 American Numismatic Association convention.
Morris submitted a design for the $10 back that was accepted and turned over to the engravers in
October 1896. Nothing is known about it or its fate (Morris, 1968, p. 77).
Secretary Gage, who inherited the Series of 1896, had little patience with the series. He quickly
moved on to a larger currency issue. He took heart in the practical plight faced by currency handlers who
had to contend with the heterogeneity of designs across the different classes of currency that they had to
deal with daily. The following New York Times article (Oct 23, 1897, p. 10) spells out his initiative to
standardize designs that was applauded but wasn?t realized during the large-note era. Its objective wasn?t
fully implemented until small-size currency was introduced in 1928, a year after he died.
Secretary Gage presented to the Cabinet to-day his proposition to change the designs of United States
paper money.
There are at present in current use three classes of Government paper money?silver certificates,
Treasury notes of 1890, and United States notes or greenbacks. In each of these classes there are nine
Figure 11. Image from the $10 master face die completed in 1897, thus it carried a Series of
1897 date. Photo from BEP (1974).
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denominations, making twenty-seven in all, each being represented by a special design entirely dissimilar
from the others.
Secretary Gage?s plan is to have practically one design for the three one-dollar notes, another for the
two-dollar notes, and so on up to $1,000. In order that the three classes of paper money may be distinguished
readily the seals and the numerals in each class would be printed in distinctive colors. The numerals on each
note would be made very prominent.
The Secretary argued that the new designs would prevent in a great measure the raising of the notes,
as the design of a bill at once would identify the denomination independent of the numerals.
The Secretary had with him at the Cabinet meeting to-day samples of the new designs, and all of the
Cabinet officers present expressed themselves as highly pleased with his scheme. Unless something
unforeseen occurs to prevent, this plan will be carried out as soon as the plates can be prepared.
Sources Cited and Sources of Data
Bureau of Engraving and Printing, 1875-1929, Certified proofs of national bank note face and back plates: National Numismatic
Collection, Museum of American History, Smithsonian Institution, Washington, DC.
Bureau of Engraving and Printing, 1869-1898, Record of dies received for United States Notes and Miscellaneous Work, dies 5-
8033: Ledgers pertaining to Dies, Rolls, Altos, Plates and Serial Numbers, 1863-1960, Record Group 318, Entry P 1
(450/79/17/01), U.S. National Archives, College Park, MD.
Bureau of Engraving and Printing, 1897-1900, Reports of the operations of the Bureau of Engraving and Printing for the fiscal
year: Government Printing Office, Washington, DC.
Bureau of Engraving and Printing, 1974, Series of 1897 $10 silver certificate master face die souvenir card: ANA August 1974 Bal
Harbor, FL
Bureau of Engraving and Printing, 1990a, Series of 1897 $5 silver certificate unfinished master face die souvenir card: 1890?s an
American Renaissance series, FUN 1990, Tampa, FL
Bureau of Engraving and Printing, 1990b, Series of 1897 $1 silver certificate unfinished master face die souvenir card: 1890?s an
American Renaissance series, CSNS 1990, Milwaukee, WI.
Bureau of Engraving and Printing, 1990c, Series of 1897 $2 silver certificate unfinished master face die souvenir card: 1890?s an
American Renaissance series, ANA Midwinter 1990, San Diego, CA.
Bureau of Engraving and Printing, 2004, A brief history of the Bureau of Engraving and Printing: BEP Historical Resource Center,
30 p.
Carlisle, John G., 1894, Annual Report of the Secretary of the Treasury on the State of the Finances for the Year 1894: Government
Printing Office, Washington, DC.
Carlisle, John G., 1896, Annual Report of the Secretary of the Treasury on the State of the Finances for the Year 1896: Government
Printing Office, Washington, DC.
Carlisle, John G., 1896a, Letter from the Secretary of the Treasury to U.S. Treasurer Daniel Morgan transmitting new seals and
authorization to use them for the Series of 1896 silver certificates: Record Group 53, Bureau of the Public Debt, Division of
Loans and Currency, Letters Sent, Mar 2, 1861-Apr 12, 1915, NC-120, Entry 462, vol. 183, p. 347-348, (53/450/52/25-/2),
U.S. National Archives, College Park, MD.
Graves, Edward O., Edward Wolcott and E. R. Chapman, June 10, 1877, Report on the Bureau of Engraving and Printing made by
the Committee of Investigations appointed by the Secretary of the Treasury: Government Printing Office, Washington, DC,
52 p. with 10-page supplement consisting of an exchange of letters written by Secretary of the Treasury John Sherman and
Chief of the Bureau of Engraving and Printing, Edward McPherson.
Grinnell, Albert A. Nov 1937, United States paper money from a collector?s perspective: The Numismatist, vol. L. p. 1005-1010.
Hellings, Benjamin Dieter R, Feb 2021, Fatal flaws in the designs of 19th-century U.S. bank notes featuring world-class artistry
caused their premature demise: The Numismatist, p. 37-40.
Hessler, Gene, 1995, The Engravers Line: BNR Press, Port Clinton, OH, 457 p.
Hessler, Gene, 2004, U. S. Essay, Proof and Specimen Notes, second edition: BNR Press, Portage, OH, 262 p.
Huntoon, Peter, Mar-Apr 2018, Patented lettering on Bureau of Engraving and Printing products: Paper Money, v. 57, 93-107
Morris II, Thomas F., spring 1968, The life and work of Thomas F. Morris (1852-1898) designer of bank notes and stamps, an
intimate account of the design, engraving and production of the U.S. Silver Certificates of 1896: Essay Proof Journal, v. 25,
p. 51-93.
New York Times, Jul 15, 1896, A new silver certificate, p. 2.
New York Times, Aug 15, 1896, New silver certificate issued, p. 4.
New York Times, Oct 22, 1896, New issue of small bills, p. 1.
New York Times, Aug 15, 1897, National Capital Topics, proposed new edition of the artist series of silver certificates not to be
issued, p. 20.
New York Times, Oct 23, 1897, Changes in paper money, p. 10.
Philadelphia Enquirer, May 1, 1897. Will Call in the Notes.
U.S. Senate, February 3, 1899, Report of Committee to Investigate the Bureau of Engraving and Printing: 55th Congress, 3rd
Session, Document 109, 594 p.
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?The Entrepreneurial Holt Family:
New York, Mobile and New Orleans
By Bill Gunther
I began my research for this article after noticing
that a note, issued by Asa Holt of Mobile was
redeemable at a location in New Orleans. It was not
unusual for merchants who issued scrip to indicate
redemption was available in another city or even in
another state! They also limited redemption to
multiples of the same denomination, e.g., $5 in $.10
notes (50 notes!) or $20 in $1 notes. Such actions
reduced the demand on merchants for redemptions
while effectively raising the price of merchandise that
was sold to the holder of these notes. While the
motives of many merchants were probably honorable,
others saw these redemption clauses as part of their
business model. Let?s learn more about this Asa Holt,
his family, and the redemption location of his notes.
The Holt Family: Some Background
Nicholas Holt (1602-1685), at the age of 35,
emigrated from Ramsey, Essex, England to the
Massachusetts Colony.1 The family mainly remained
in Massachusetts during the time of the American
Revolution. Nicholas?s great-grandson, Thomas Holt
(1712-1776) served as a ?minute man? at the
?Lexington Alarm,? Lexington, Massachusetts.2
Thomas?s son, Asa (1742-1793) served as a member
of a company of volunteers at Lexington and at the
Battle of Bunker Hill in 1775.3
Asa?s son, Stephen Holt (1772-1852), moved
from the family home in Salem, Massachusetts to New
York City in 1808 where he opened a ?small victualing
house, managed by his wife.?4 Stephen Holt had
married Mary Brown in Ipswich, Massachusetts in
1803 when she was 22 and he was 21. They had 10
children, 5 boys and 5 girls. Two of the boys were
Asa (1807-1873) and George Washington (G. W.)
Holt (1815- ?). By 1814, Stephen expanded his
offerings and was operating a boarding house for army
officers. After a fire destroyed that property, he
opened the highly successful Holt hotel in 1832. An
innovator as well as an entrepreneur, Holt installed a
steam powered lift to move baggage to the upper
floors. He also bored a well 370 feet that would ?yield
a constant supply of pure rock water, which by means
of a steam engine is conveyed to every part of the
building?.5 The hotel ??was, in its day, one of the
wonders of the town. It was the largest and most
magnificent hotel that had been erected up to that time,
and its price of $1.50 a day was considered
exorbitant.?6
The New York ?Evening Post? ran an ad in 1838
that illustrate the involvement of the family in the Holt
Hotel. The hotel was under the ?superintendence of
Stephen B. Holt? who was reportedly conversant in
Spanish, French, Portuguese, and Italian languages.
The dining department was managed by Asa Holt
(1807-1873), and the basement dining area was
managed by the ?senior? Stephen Holt (1782-1852).
The hotel advertised that its ?Refectory? (dining room)
was open all night.7 G. W. Holt, at age 21 in 1838,
was not mentioned in the ad, but most likely was
involved in the operations of the hotel.
Our numismatic Asa Holt (1807-1873), was the
third child born in Massachusetts just before the
family moved to New York and was named for his
grandfather. A younger brother to Asa was George
Washington Holt (1815-?), 8 years his junior.8 Both
Asa and G. W. grew up in New York around their
father?s business interests and they both apparently
inherited their father?s entrepreneurial spirt, but it was
Asa who first moved to the South. However, we will
begin with the younger Holt (G. W.) first.
*AO-316-$.25a.
Train in Oval Vignette.
Redeemable at 107 Gravier
in sums of $10.
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??
George Washington Holt
The earliest date that we find G. W. Holt in
Alabama is June 3, 1845, where at age 30 he married
Mary E. Gaylord in Mobile.9 Mary was two years
older than George, a somewhat unusual fact for the
time, and she was born in South Carolina. Presumably
they met in Mobile and it is likely that George arrived
between 1840 and before 1845.
By 1850, George Holt remained in Mobile and his
occupation was listed as a ?hotel keeper?.10 We
assume that George began his Alabama career in the
hotel business, perhaps funded by his father with some
?seed capital?. It is not clear whether George was the
owner or an employee of the hotel, but his experience
in New York with his father probably carried over into
his own career choice. There are 14 non-family
members listed in his hotel, suggesting that the hotel
was small or medium sized. Another Holt listed in the
hotel, a ?S. C. Holt?, was possibly the son of George
and Asa?s oldest brother, Stephen B. Holt, who?s first
born was a ?Saml B. Holt?, born in New York around
1835. (Mistakes in interpreting handwriting may
explain the difference in middle initials.) The younger
Holt in the hotel seems to be maintaining the family
tradition of training for a career in the hotel business.
By 1860, George and his wife had relocated
from Mobile to New Orleans and were operating a
coffee house.11 A New Orleans City Directory of 1861
lists George as living at 107 Gravier Street, which will
be explained later. G. W. Holt issued a wide variety of
scrip from this location in support of his coffee house
and hotel. The Census record for 1860 lists four non-
family member names in the hotel, none of whom were
on the Mobile hotel list of residents. This record
suggests that George and his wife were operating a
small boarding house.
Like many merchants in the early days of the
Civil War, specie was horded and to facilitate trade,
merchants issued their own ?scrip? (sometimes also
called ?change tickets?). The denominations issued by
G. W. Holt include two fractional issues, 25 and 50
cents, and four-dollar denominated issues, $1, $2, $3
and $5. While the fractional issues can be explained
by activities in the coffee shop, the higher
denomination suggest they were issued for the hotel
activities. The earliest date of issue for the scrip of G.
W. Holt is January 1, 1862. One issue, the $5, carries
the date of January 15, 1862. It is interesting that the
female ridding deer vignette appearing on some of G.
W. Holt?s scrip is the same vignette appearing on a
bogus Confederate note.
According to a Heritage Auctions cataloger
?George was one of the city?s most prolific issuers of
scrip in 1862 and was noted for not redeeming his
notes on more than one occasion.?12 His scrip stated
that they were redeemable in ?city currency? although
a few indicated they were redeemable in ?confederate
currency.? Only the $5 note carried a printer imprint:
Clark & Brisbin, Printers. The location of where the
redemption of these notes was to take place is not
listed, but was probably the same place where they
were issued.
When Union troops captured New Orleans in
the Spring of 1862, George Holt and a daughter, Jennie
Holt, returned to Mobile.13 After the war, the 1870
Census records indicate that George is the head of
household with Jennie and George?s older brother Asa,
as members of the household in Mobile.14 There is no
mention of the wives of George (Mary E.) or Asa
(Jerusha). George is listed as a ?dealer in fruit,? and
Asa is reported to be a ?ret. Liq. Dealer.? Jennie is
listed as ?house keeper?. A man named J. T. Heldrum,
also in the Holt household, is listed as a ?bar keeper.?
The Holt Hotel, Corner of Fulton
& Water Steet, New York City,
First published in 1831.
Source: ?Holt?s Hotel, Water
Street? (Wikimedia Commons)
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?The possibility that Asa still owned a bar and Heldrum
managed the bar for Asa.
Asa Holt
Asa was born on April 5, 1807 in Massachusetts
but the family moved to New York the next year. At
the age of 18, he married Jerusha Beeman, also age 18,
in New York. They had three children between 1830
and 1835, all born in New York.15 It is assumed that
Asa worked with his father in the hotel business in
1850 and was listed as a ?wine importer?. That same
year, Asa?s wife listed Real Estate valued at $8,000
while Asa listed no real estate, an unusual situation.
Between 1850 and 1860, Asa relocated to Mobile
and listed his 1860 occupation as ?whiskey seller.? It
is unclear if Asa was selling whiskey in a retail setting
or by wholesale. By 1861 however, the Mobile City
Directory clears that up when it states that he ran a ?bar
room? on North Royal Street.16 The 1870 City
Directory indicated that he ran a ?saloon? at the same
address on North Royal and his residence was listed at
the same address, suggesting that he may have lived
above the saloon.
He began to issue scrip on March 1, 1862 and
apparently limited the issues to two denominations, 25
cent and a 50-cent note. (There are two different
designs for the 25-cent note, one with a train in an
oval, and the second with a steamship in an oval.) In
addition, there are two color overprints, one green and
one red. The 50 cent note also carries a train vignette
in an oval and only comes with a red overprint.
Asa?s redemption clause on his scrip lists his
brother?s address in New Orleans, 107 Gravier Street.
The 25 cent notes require that they be redeemed in lots
of $10 (40 notes!) and the 50 cent notes redeemed in
lots of 10 (20 notes). All redemptions were to be paid
in Confederate currency. Given the low
denominations and relatively large number of notes
required, it seems unlikely that many individuals
would accumulate the required number of notes and
then travel to New Orleans for redemption in
Confederate notes resulting in providing Asa Holt a
source of profits for his saloon!
None of Asa?s family (three children and wife)
are listed as being with him in Mobile at this time. We
do know that Asa?s son, Asa Holt Jr., enlisted in the
Union army in 1862 in Connecticut as a Major and
served until 1865 discharged as a Lt. Colonel.18 This
suggests that the family left Alabama at the beginning
of the war. His wife, Jerusha is listed as ?widowed? in
the 1880 Census and living with her son-in-law in
Connecticut.19 Questions emerge on whether Asa?s
family left over political differences related to the war,
or did Asa remain Alabama only to protect his business
interests? Asa died on September 11, 1873 at the age
of 66 and Jerusha died in 1901 at the age of 90.20
S. B. Holt, Age 19
The name of a S. B. Holt appeared in the
household of George W. Holt in 1850. At the time, he
was listed as being 19 years old and born in New York.
There is no specific link to the Holt family discussed
here.
There are two known denominations that were
issued by S. B. Holt, both issued in 1862 in New
Orleans (see below). In 1862, he was, at age 33 years
old and old enough to be a merchant in his own right.
There is speculation that he might be the grandson of
the S. B. Holt discussed earlier.
The S. B. Holt notes carry a redemption clause
very similar to those of Asa Holt?s notes with the 50-
cent note requiring $10 (20 notes) in total for
redemption and the $3 note requiring $20 (7 notes) for
redemption. The vignette on the 50-cent note is
identical to the vignettes used on some of Asa?s notes
(train in oval). The vignette on the $3 note is unique
among the three Holt issuers. S. B. Holt was probably
related to George or Asa, but is not definitive but
seems possible.
S. B. Holt & Co. $3. 1862 S. B. Holt & Co. 50 cents. 1862?
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24
?A Final Observation
Asa Holt required holders of his scrip to redeem them at his brother?s coffee house in New Orleans but George
did not have such a restrictive clause on his scrip. George would probably have been aware of the advantage of
requiring redemption at some obscure location. However, if you did not intend to redeem your scrip, as was reported,
it makes little difference where that occurs.
Other Notes Issued by Asa Holt:
AO-316-$.25b. Train in Oval. March 1, 1862. AO-316-$.25d. Steamboat in Oval. March 1, 1862.
AO-316-$.50a. Train in Oval. March 1, 1862.
Notes Issued by G. W. Holt
G. W. Holt, 25 cents. Dog sitting by safe vignette.
January 1, 1862.
G. W. Holt. 50 cents. Indian (L) and horse (R)
vignettes. January 1, 1862
G. W. Holt. $1. Female riding deer vignette.
January 1, 1862. G. W. Holt. $2. Female ridding deer vignette. January 1, 1862.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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?
Acknowledgements
With gratitude to Judy Haywood for her fantastic editorial skills.
Images of scrip notes courtesy of Heritage Auctions archives. See www.ha.com.
Footnotes
*Catalog numbers for Asa Holt?s scrip are from Comprehensive Guide to Alabama Obsolete Notes, 1818-1885, by William Gunther and
Charles Derby, 2020. Privately printed.
1See Stephen Holt at ?A Century of Banking in New York,? Ancestry.com.
2The ?Lexington Alarm? refers to the first battle of the Revolutionary War, April 19, 1775. Paul Revere alerted the Americans of the coming
British. See ?The Society of Colonial Wars in the State of Connecticut?, at www.colonialwarsct.org/1775_lex_alarm.htm.
3See Thomas and Asa Holt, ?North American Family Histories, 1500-2000,? Ancestry.com.
4A victualing house was a ?formal name given to a public house or an alternative name for a sutler who sells provisions to an army.? See
Wikipedia.com.
5Fay, Theodore S. and Dakin, James H. Views of New York and its Environs from Accurate, Characteristic, and Picturesque Drawings on the
Spot Expressly for this Work. (New York: Peabody & Co., 1831).
6?A Century of Banking,? Ancestry.com.
7d in The Evening Post (New York City), Friday, May 4, 1838, p. 1.
8See Stephen Holt, Public Family Tree, Ancestry.com.
9ee Mary E. Gaylord, Alabama Select Marriages, 1819-1942, Ancestry.com.
10ensus of 1850, Ancestry.com.
11Census of 1860, Ancesry.com.
12See auction results for G. W. Holt, September 27, 2016 at Heritage Auctions (HA.com).
13See ?New Orleans? at www.americancivilwar.com.
14Census of 1870, Ancestry.com.
15Asa Holt, Public Family Tree, Ancestry.com.
16City Directory of New Orleans, 1861, Ancestry.com.
17Census of 1870, Ancestry.com.
18Asa Holt Jr., Public Family Trees, Ancestry.com.
19Census of 1880, Ancestry.com.
20See Find-a-grave for Asa Holt and Jerusha Holt at Ancestry.com.
?
G. W. Holt. $3. Female ridding deer vignette.
January 1, 1862.
G. W. Holt. $5. Indians (L), female (C) and Ship (R).
January 15, 1862.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Origin of Fr.1192a,
the $50 1882 Gold Certificate
with the wrong seal,
Treasurer?s Replacement Note
Purpose
This article will explain how the Fr.1192a rarity was created. The $50 note pictured on Figure 1 is
the only example of its type that has been reported. The peculiar thing about it is that it is a Rosecrans-
Huston note printed and serial numbered in FY 1891 but carries a small scalloped Treasury seal first used
on the Lyons-Roberts Department Series $50 gold certificates in FY 1900.
We will reveal that the note was from a group of sheets that was set aside at the Treasurer?s office
to replace misprinted sheets in the sealing operation there. Because the wrong Treasury seal for a Rosecrans-
Huston note was printed on it, it emerged as the only currently known note that we can definitively identify
as being a replacement note from the Treasurer?s operation. Normally, the replacement notes used in the
Figure 1. Fr.1192a is the most enigmatic type note sealed at the Treasury Department. It was from a group of
Rosecrans-Huston sheets set aside in the Treasurer?s sealing facility to be used to replace misprints in the
sealing operation there. It was used during the Lyon-Roberts era so a small scalloped seal was printed on it
instead of the large brown spiked seal normally used on Rosecrans-Huston notes. Heritage Auction archives
photo.
The Paper
Column
Peter Huntoon
Doug Murray
Shawn Hewitt
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Treasurer?s sealing operation are invisible to us because the only difference between them and normal notes
was that they carried an earlier serial number than the other notes in the pack in which they were inserted.
Sealing in the Treasury Department ? the Origin Story
The sealing of all non-national bank Federal currency was carried out by the U.S. Treasurer?s office
in the Treasury Building as the final printing step involved in monetizing the notes between 1885 and 1911.
The Bureau of Engraving and Printing carried out all the other printing steps including numbering the notes
and delivered them to the Treasurer?s office in sheet form. The Treasurer?s sealing operation overprinted
the Treasury seals on the sheets and separated the notes from them.
As in any printing operation, there was spoilage. In order to maintain counts, the Treasurer?s sealing
operators maintained a stock of sheets drawn from the BEP deliveries for each of the different types of
notes they handled. These were sheets without seals. When their inspectors found a mis-sealed sheet or
even a misprint that had escaped from the BEP, they replaced it with one from this reserve stock. They had
to add seals to those sheets.
Notice that this protocol preserved the counts in the packs that the Treasurer?s office delivered into
commerce. The replacement notes carried serial numbers that pre-dated the others in the pack. That was
their only difference.
In this operation, as well as at the Bureau of Engraving and Printing, there are three realties that
must be taken into account. First was that the Treasury placed great value on the intaglio work of the Bureau
so employees did everything possible to minimize wasting it. Second, something often overlooked by
collectors, is that these printing operations were industrial processes, not white-glove enterprises. The
object was to get the job done without dithering. Third, misprints represented a nuisance bottleneck in
production both at the Bureau of Engraving and Printing and the Treasurer?s office. When a misprinted
sheet was found during the final inspection at either facility, the procedure at the time was to replace it with
a make-up sheet. At the BEP, they took an unnumbered sheet and stamped the same serial numbers on it as
on the defective using a paging machine. At the Treasurer?s office, they took a sheet from the reserve stock
that already was numbered and overprinted the necessary seals.
No one in white gloves was going over the makeup sheets worrying about the Treasury signatures.
Use of sheets with obsolete Treasury signatures honored a cost-saving protocol to simply use them up.
In terms of Fr.1192a, the Treasurer?s operatives set aside a stock of unsealed sheets of $50 gold
certificates received in from the BEP during FY 1891 that bore then-current Rosecrans-Huston Treasury
signatures and serial numbers of FY 1891vintage. They slowly depleted this stock on an as-need basis. The
stock had not been depleted when they finished deliveries of $50s in FY 1891. They stockpiled the
remainders for future use.
No orders came in for more of the notes until FY 1900. The new printings from the BEP bore
Lyons-Roberts signatures. The old Rosecrans-Huston replacement stock with FY 1891 serial numbers was
resurrected. Recall that the replacement sheets didn?t carry Treasury seals, so those had to be added. By
then, the small scalloped red seals had been adopted so those were the seals that were affixed as the sheets
were withdrawn from the replacement stockpile. That detail made no difference to those doing the work,
Table 1. Characterization chart for Fr.1192a - the $50 1882 Department Series gold
certificate with the wrong Treasury seal.
Feature Date Printed Where Printed
Rosecrans-Huston intaglio face FY 1891a Bureau of Engraving and Printing
Serial C128690b FY 1891 Bureau of Engraving and Printing
Small Scalloped Red Sealc FY 1900 or later Treasury Department
a. FY 1891 = fiscal year 1891 = July 1, 1890-June 30, 1891.
b. Serial number printed on a paging machine, which was how notes were numbered at the time.
c. Seal centered under "gold coin" as on $500 and higher denomination notes instead of to right over "IN"
in coin.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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and probably wasn?t even noticed let alone taken into consideration as they pushed the order forward.
Upon withdrawing the sheet containing Fr.1192a from the stockpile to replace a defectively sealed
sheet, the operative had to run it through a sealing press set up for the 1882 series. However, instead of
using a press specifically configured for $50s where the seals were offset toward the right and higher, he
apparently fed it through a press for $500s or performed a custom setup so the seals came out centered
below Gold Coin. Compare the placement on Fr.1192a on Figure 1 with that on Fr.1193 on Figure 2.
Final Considerations
The small red scalloped seal found on Fr.1192a was adopted for use at the Treasurer?s office in FY
1891 and began to be employed on Rosecrans-Nebeker notes of all current classes at the time (Huntoon and
Murray, 2020). The new seal supplanted the large brown spiked seals used on the early Rosecrans-Nebeker
notes. By the time of this change, the last of the Rosecrans-Huston $50 departmental Series gold certificates
printed in FY 1891 had ceased so they were unaffected. Use of the new seals on the $50s was delayed until
FY 1900 when the Lyons-Roberts variety was being printed. The delay was the result of a lack of orders in
the interim. Consequently, the appearance of Fr.1192a with its Rosecrans-Huston signatures and small
scalloped red seal presented a conundrum when it was discovered.
As for the Fr.1192a pictured on Figure 1, it is the only note of its kind that has been reported. It
came about because it was from a group of Rosecrans-Huston sheets delivered to the Treasurer?s office in
FY 1891 that was set aside to replace defectively sealed sheets in the Treasurer?s sealing operation. It was
not consumed in FY 1891, instead being carried forward into the Lyons-Roberts era in FY 1900 when it
was used and sealed with the out-of-character younger small scalloped red seal.
It is the only replacement note from the Treasurer?s sealing facility that has been identified to date.
Its identity was given away as such because it carries the wrong Treasury seal for a Rosecrans-Huston $50
Departmental Series gold certificate.
It was one of 4 on the sheet. Was it the only sheet of its kind? Very, very doubtful. Other misprinted
sheets of the same vintage were created at the Treasurer?s sealing operation so the same stock supplied the
replacements until the stock was finally depleted. Notes from those other sheets circulated to oblivion
alongside their Lyons-Roberts brethren with which they were mixed.
If the replacement stockpile lasted long enough, Fr.1192a Rosecrans-Huston notes could have come
in packs with younger Treasury signatures than Lyons-Roberts. Check your packs of the younger notes.
The Fr.1192a shown here carries serial C128690. The serials delivered in FY 1891 were C40001-
C140000, and represent all the Rosecrans-Huston $50s made in the Department Series. The particular group
of sheets pulled for use as replacements that contained Fr.1192a was from one of the last deliveries of
Figure 2. This is a Fr.1193 Lyons-Roberts note sealed at the Treasury Department. Compare
the placement of the seal over the word Coin verses its placement on Fr.1192a on Figure 1. The
placement on Fr.1193 is specific to the $50 that carry these small scalloped red seals in the
series. Heritage Auction archives photo.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Rosecrans-Huston $50s received from the BEP in FY 1891. The later that delivery, the better were the odds
that the stockpile was not consumed in FY 1891. This allowed the remainders to be carried forward into
the Lyons-Roberts era nine years later.
Reference Cited
Huntoon, Peter, and Doug Murray, May-Jun 2020, Treasury seal varieties when sealing was carried out at the Treasurer?s office
between 1885 and 1919: Paper Money, v. 59, p. 179-187.
Letter to the Editor--while we normally do not have letters, this one came and I thought it warranted
publishing and a response. Joe Boling wrote about Lee Lofthus' article in the Nov/Dec issue, "What Time
is on the $100 Bill??
Folks, no time is shown on the pre-2009 $100 bill. The clock is broken, and has been stopped in its
impossible setting for over 95 years. Look at the hands. One points to the II and the other points between
the IV and the V.
There is no question which is the minute hand. With enough magnification, the lower one is clearly
longer - it extends past the inner circle on the clock face. Yes, it?s only a small bump over the line, but it
can only be representing the minute hand. With that hand being more than 1/3 of the way around the
face, the hour hand should point well past the II - 1/3 of the way to the III. It remains stuck on the II. The
clock is broken, and has been since series 1928. I can?t believe the Burean bigwigs did not acknowledge
that in their response to Mrs. Canty.
On the 2009 notes, it has been repaired. The minute hand points a bit to the left of the VI, and the hour
hand is appropriately halfway between X and XI.
I do not believe the attribution of the engraving of the new back belongs to the same man who engraved
the earlier note (Joachim Benzing). The styles are radically different. Thomas Hipschen engraved the face
of the new $100, and my impression has been that he was responsible for both sides, but I can find no
definite support for that.
Incidentally, the North Korean supernote $100 does not have the lower clock hand extending outside
the inner circle. That diagnostic was first reported by Japanese investigative news researchers who bought
supernotes at the China-Korea border some years ago and studied them closely.
Joseph E Boling
Author Lofthus' response
Thank you for sharing Joe Boling?s letter regarding my article ?What time is it on the $100 bill? With
the benefit of Joe?s magnification, I can see why he believes the clock is broken and the hour hand is
stuck on the II position. Given Treasury?s own uncertainty over the time, Treasury too may have
welcomed Joe?s enlarged image.
Regarding the engraving on the 2009 $100, I?ve seen one source with a general reference to Thomas
Hipschen engraving the vignettes, but a story in the September 2013 issue of Esquire magazine, ?A
Hundred Bucks Says You Won?t Read This Story,? by Chris Jones, provided an in-depth profile of the
new bill and attributed the engraving to BEP engraver Will Fleishell. Jones pointed out ?The engravings
on the new hundred-dollar bill are, in fact, old engravings. The Franklin portrait is the same one used on
the current hundred, created by Thomas Hipschen in 1992; * * * The vignette of Independence Hall on the
back of the bill was made by Joachim Benzing in 1929.? The article further explained Fleishell
?painstakingly revised the vignette of Independence Hall,? and that ?Fleishell digitally [italics in original]
touched up Benzing's engraving, making the windows crisper and changing the look of the sky.?
I?m not surprised that someone with Joe?s eye to detail would have noticed the changes and questioned
the identity of the engraver because of it. The Esquire story is a helpful addition to the discussion. My
original interest was not in naming the engraver but pointing out the use of a different source image of
Independence Hall, i.e., the north side image, was what occasioned the change to the clock time.
Lee Lofthus
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
31
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Try This Over on Your Piano
By Terry A. Bryan
Music publishers often included a few lines of songs
on back covers of sheet music, hoping that the buyer
would be hooked into buying other songs after
sampling the ads. ?Try this over? urges the player to
check out what else the publisher has to offer.
Money was no less central to life in the 19th
century than it is today. Composers are still writing
songs about it. People have always been interested in
the doings of the rich. Robber Barons, the stock
market, war bonds, taxes, banks and money itself
were, and are, newsworthy and song-worthy.
The familiar form of piano/lyrics sheet music
became common in the 1830s. The rise of a middle
class in the industrial United States, increased leisure
time, interest in live concerts and theater, widespread
music literacy, cheaper printing methods and cheaper
domestic piano manufacturing were all factors. Sheet
music, although relatively expensive, grew to be a
significant percentage of the music business by the
1860s. Songs heard in live performance could be
performed in your parlor. Musicianship was a
desirable skill among daughters in the family. Social
singing was once a common phenomenon. Today, it is
rare for a party to converge on the piano for a sing-
along.
Sheet music is a negligible part of the industry
today. Guitar lessons have overtaken piano lessons for
young musicians. There is still the lure of musical
?standards?. Modern vocalists cover old songs, and
dated melodies play in old movies on TV. Old sheet
music is quite collectible. Perhaps 3 million songs
have been written in the U.S. Even the least
distinguished music might be found with a beautiful
front cover. Cover artists from the classic era of
illustration, songs from musical theater, celebrities on
covers, nineteenth century color lithographs, and
popular composers are all common topics of
collections. The field is so large and varied that no
comprehensive guidebooks are available. This has
limited the value of collectible sheets. Judging rarity is
entirely a result of experience after looking at
thousands of pieces, hundreds of dealers? lists.
A musician and money collector might fall
naturally into collecting music on the topic of Money
and Finance. While old music does not start as a costly
hobby, it adds up after 40 years and thousands of
pieces. Money Music is not largely numismatic, of
course. Wealth and poverty are common themes.
Songs not related to the topic might have money
illustrated on the cover. Financiers, stocks, coins, gold,
bonds, theft, real estate, business, gambling, auctions,
millionaires?all are keywords for the topic.
Gene Hessler and others have written about
musical images on coins and paper money. The
variation on this theme is music about money, or
music illustrating money. For us, Joel and Liza sang,
?Money Makes the World Go ?Round?a Mark or
Yen, a buck or a Pound? in Cabaret (Kander-Ebb,
1972). Songs or music covers are found for many
categories of paper money collecting.
Paper money is illustrated on many music
sheets. Photos of actual money are rare. Publishers are
wary of laws against pictures of currency. Such things
were much more enforced in the nineteenth century.
Cover illustrations of money are still usually
cartoonish drawings. The currency used as models for
the artists are sometimes identifiable as to type and
contemporary with the music, but most resemble
money drawn by a child.
The most obvious piece is often seen at
dealers? bourse tables: Save Your Confederate Money,
Boys/The South Shall Rise Again (Markes-Fort-Stone,
1948). The Lovin? Spoonful quartette recorded Money
picturing the singers? portraits over Jeff Davis?s on
CSA T-16 fifties of 1861.?
The composers can have paper money
significance. Charles Gates Dawes (1865-1951) wrote
It?s All in the Game in 1912; it was a big hit for
Tommy Edwards in 1951. The single record is the only
song written by a Vice President and Nobel Peace
Prize laureate that made #1 on the Pop Chart. Young
Dawes became rich in industry and banking and
influential in Republican politics. He became an
important part of McKinley?s Presidential election
campaign, and he innovated mass mailing of fact
sheets and voter education materials. A general in
WWI, he followed up with U.S. Budget Committee
and European recovery efforts. Dawes was Vice
President during the Coolidge administration, and
afterward Ambassador to Great Britain. As Treasury?s
Comptroller of the Currency (1898-1901), Dawes
wrote banking regulation speeding the recovery from
the Panic of 1893. The Gold Standard, National
Banking system and paper currency issues of the
Confederate $50s
appear on Money,
credit the Lovin?
Spoonful, not Jeff
Davis.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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1890s were much influenced by Dawes? political
circles.
Franklin Roosevelt?s friend and first Treasury
Secretary William H. Woodin served for only 21
months during the depths of the Depression. He
presided over the Bank Holiday and the United States
abandoning the gold standard. He signed short series
of U.S. currency: (Woods-Woodin): 1928C $1 Silver
Certificate, 1928 $1 United States Note, 1928D $5
Federal Reserve Note. (Julian-Woodin): 1928D $1
Silver Certificate and 1933 $10 Silver Certificate.
Because of his poor health, his signature on currency
is scarce. Woodin was a considerable musician, and he
co-wrote (with Irving Caesar) The Franklin D.
Roosevelt March in tribute to his friend in 1933 and
composed many other pieces.
The Civil War brought on a spate of patriotic
songs. Keep in mind that a song that you liked in a live
music hall performance could only be reproduced in
another stage venue or performed at home. Comical,
current topical and sad songs were turned out by the
hundreds in the 1860s. The occasional numismatic
auction will include How Are You, Greenbacks!
(Powers-Glover, 1863) The cover features fantasy
money look-alikes enhanced with vivid green. This
1863 song was performed by the famous minstrel Dan
Bryant. Notes are signed by Bryant as Register and
William Pond (publisher) as Treasurer. Sets of
decorative stationery and envelopes were sold,
encouraging mail to the soldiers. A sheet of CW
writing paper from Magnus Printing has an image of
Treasury Secretary Salmon P. Chase above the 1863
lyrics. Chase was instrumental in the release of Federal
Greenbacks, National Bank Notes and Treasury Notes,
as well as founding the Bureau of Internal Revenue.
How Are You Greenbacks! has a lithographed vignette
pirated from a F.O.C. Darley bank note vignette.?
Similar CW money imitations are found on
covers for Greenbacks! by Emmitt and Secretary
Chase?s Grand March by Mack, both 1863. The
March has a nice mockup of a $50 Greenback with
Chase?s portrait.
Cartoon 1899 $1 SC, $2 SC, $5 SC, 1907 $5
LT, and 1901 $10 LT notes decorate quite a few music
covers. Unidentifiable notes show up elsewhere with
no obvious models for an artist, although laid out like
genuine notes. Good-bye Mister Greenback (Allen,
1906) has a sad man contemplating a $1 Black Eagle
note while many other winged notes fly away. The
Man with a Jingle (Friedlander-Mullen, 1905) holds a
fistful of $100 Gold Certificates. ?
Afloat On a Five-Dollar Note, (Lamb-Helf,
1906) features a couple sailing toward an amusement
park on a bill. The lyrics suggest that J. P. Morgan
couldn?t top the fun that they have on their date with
their five dollars. The cartoon could be taken from the
reverse of the 1899 $5 SC. Another Black Eagle plays
the title role in Every Dollar Carries Trouble of its
Own (Leighton-Leighton, 1908).
Nice fantasy Greenbacks sell
this comic satire from
Bryant?s Minstrels. Dan
Bryant, appears on this Ten.
The inspiration was the song
How Are You, Conscript!,
which referred to the large
numbers of drafted men,
rather than the large
number of Greenbacks
released from the Treasury.
Greenbacks! features more
fantasy currency. Two green
backs of notes are shown, along
with a $10 and $20. The music hall
comedy lyrics use the line, ?Now
Chase he is a clever laddy/But
father Abra?m is his daddy.? It
also mentions that the $300
bounty to avoid the draft is
nothing to the rich fellow with
?pockets lined with Greenbacks?.
Secretary Chase gets a
dedicatory Grand March, along
with some nice fantasy
Greenbacks. The public was
accustomed to a wild variety of
designs; these may not have
seemed quite so strange as they
appear today.
?Black Eagle? 1899
silver certificates fly
away from a tearful guy
on Good-bye Mister
Greenback.
Another Black Eagle note
carries TROUBLE on this 1905
cover.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Coupons, ration points, trading stamps and
War Savings Stamps have all been featured in Paper
Money magazine. These items have not been neglected
in music. Cigar store premium coupons are parodied
in I?m Saving Up Coupons to Get One of These
(Weston-Wilsky, 1914). A cute baby is pictured for a
vast number of coupons. Extra verses detail the guy?s
wife has 7,000 saved up, and she needs 6 million more
to get a new hat. The poor man won?t live long enough
to get what he wants, because of the number of cigars
he needs to smoke. They knew the dangers of tobacco
in 1914. For contrast, a baby is described as Worth
More Than Money (Ladd-Van Sickle, 1950) on a
music cover decorated with play money. If I Had Lots
of Coupons, I?d Be a Millionaire (Ritter, 1943) refers
to Britain?s war rationing quotas.
Actual photos of money are not often seen.
Just For Money (Hardcastle, 1985) shows corners of
FRN $10 and $50. Similarly, I?d Rather Be Rich
(Calloway-Gentry, 1989) has photos of $20 series of
1985 FRN from several districts, overlapped to
conceal most of the faces. Paying the Cost to Be the
Boss (King, 1968) has photo of a $1 FRN.
Some modern music uses paper money
themes. Across 110th Street (Womack-Johnson, 1973)
shows a movie scene with stage money piled on the
robbers? table. The late Fred Reed might have been
able to identify what issue of movie money was used.
The Kingston Trio sang about a Greenback Dollar
(Axton-Ramsey, 1963) and sold a million albums and
single records worldwide.
National Bank Note collectors are not left out.
I Am Not a Second National Bank, nor a Walking
United States Mint (Leh-Sherman, 1909) is the
complaint of a guy constantly hit up by friends and
relatives for dough. Sallie?s First National Bank/Poor
Sallie (Semans, 1914) tells the sad story of a girl who
goes dancing with her worldly goods concealed, um,
on her person.
Scrip is represented with Major Upham?s
Coupon March (Kingsbury, 1894) referring to store
scrip from the Wisconsin lumber industry. This
subject is covered in Paper Money #338, March/April,
2022.
U.S.
Fractional Currency
is the subject of O
Father, Dear
Father, Come Down
with the Stamps
(Wilder, 1867). The
lyrics describe Dad
needing to cover
daughter?s shopping
when a bill collector
comes to the door.
Postage Currency in the story?s context is abbreviated
as ?stamps? in the girl?s plea to daddy. Shin Plaster
Jig (Benson, 1864) has a good representation of a
second issue 25 cent U.S. Fractional Currency note
including a bronze oval.
Foreign-language songs are not as common as
American productions. The U.S. and England are
responsible for most popular music. Wekselek
(Harrymana-Teski, 1927) ?bill of exchange? in Polish,
shows a guy with a large check for 2,000 zlotys. The
song is described as a shimmy: world music being
influenced by American trends. The shimmy dance
was popularized by a Polish dancer performing in New
York in the 1920s. It is labeled ?a song about hard
times?.
Foreign currency appears on the covers of
Five Pound Polka (Glover, 1852) and Billets Bleus
(Popy, 1900). The Bank of England fives of 1852 and
French 1,000 francs of 1895 are rendered accurately
by the artists. ?
Obsolete notes appear occasionally. My
Counterfeit Bill (Sterling-Von Tilzer, 1911) clearly
illustrates an 1863 Georgia Savings Bank $20 from
Macon. A shifty man glances through a hole in the bill
at the lady. A Dollar or Two (Pease, 1859) pictures
Bust Dollars and full size $1 and $2 mockups. ?The
President, Directors & Company will pay the bearer
twenty-five cents in notes of crochets and quavers.
Cashier and President are C. Sharp and B. Flat.
When our main collection slows down, many
of us find new things to look for. No harm in whistling
a little tune in the process.
A good cartoon of a Fractional
Currency 25 cent note is decorated
with an oval of metallic ink on Shin
Plaster Jig from 1864. Image: Levy
Collection, Johns Hopkins
University.
Five Pound Polka shows
a montage of 1852 Bank
of England notes.
Billets Bleus music
cover has faithful
images of French 1,000
franc notes highlighted
by gold metallic ink
lettering. A beautiful
cover.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
35
Songs for common hobby situations:
?I?m worried about this auction?: If I Had a Dollar Bill Tree (Curtis, 1955)
?Hey, guys! Look at this odd denomination.?: Three Dollar Bill, Y?all (Durst-rivers, 1997)
?Honey, I know it was expensive, but??: Worth More Than Money (Ladd-Vansickel, 1950)
?Why didn?t they grade this higher??: The Dirty Little Dollar (McCosh-Emmert, 1900)
?I finally got an 1862 Legal Tender deuce.?: The Great $2.00 Bill Song (Bryan-Von Tilzer 1910)
?One last payment, and it will be mine.?: I Owe $10.00 to O?Grady (Kennedy, 1897)
?I guess I?ll never own a Territorial Note.?: If Money Grew on Trees (Line, 1941)
?This 1878 Woodchopper is really cool.?: I?ve Got Five Dollars (Rodgers-Hart, 1931)
?I intend to obtain what I want from this auction!?: Get the Money (Bivens, 1904)
?Yuck! Why are they doing this??: Foldin? Money (Felton-Bradley, 1947)
?I don?t get it. What?s a fin, fiver, half a sawbuck, a Lincoln??: Five Dollar Bill (Axton, 1966)
?What do you call this Continental #87??: A Good Old Dollar Bill (Mahoney-Morse, 1909)
?I didn?t bid enough for this Friedberg #6.?: Good-Bye Mister Greenback (Allen, 1905)
?What is this odd smell around the bourse??: Money Musk (Dow, 1786)
?Who spilled this white powder all over my notes??: Cocaine (Cale, 1976)
A real Georgia Savings
Bank note from 1863
illustrates My Counterfeit
Bill. It?s the boyfriend
who is the fake.?
A reasonable design for an 1859 bank note is
the $1 on A Dollar or Two. How many of these
were cut out and passed among the illiterate
public??
A Dollar or Two also has a Musical Bank $2
note, life-size, convenient for the opportunist.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
36
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Fr. 379a $1,000 1890 T.N.
Grand Watermelon
Sold for
$1,092,500
Fr. 183c $500 1863 L.T.
Sold for
$621,000
Fr. 328 $50 1880 S.C.
Sold for
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INVERTED/MIRRORED PLATE NUMBERS ON FRACTIONAL
CURRENCY: FIFTEEN NEW EXAMPLES UNCOVERED AT
THE SMITHSONIAN
By Rick Melamed
In previous issues of SPMC Paper Money (Jan./Feb. 2003 and Jan./Feb. 2006) I had written about
inverted and mirrored plate numbers on Fractionals. Back then, the population of known examples was
limited to what was publicly observed. However, with the relatively recent release of the BEP Fractional
sheet archives to the Smithsonian Institution (BEP/SI) a stunning fifteen new examples have surfaced
which have altered the landscape of known engraving plate number errors. The archives contain most of
the BEP produced Fractional sheets categorized by Treasury seal and sheet plate numbers. Additionally,
the BEP/SI archives have revealed the blue ended 4th issue notes (10? Fr. 1259, 15? Fr. 1271, and 25?
Fr.1303) which displayed inverted plate numbers are not actually engraving errors (see Jerry
Fochtman/Rick Melamed article in the Sept./Oct. 2023 issue of PM). They are a result of the t?te-b?che
layout. The notes in the left of the 16 subject sheets are right side up and the notes on the right are
upside down ? sharing the blue fibers running down the center. Two seal plate numbers were engraved -
in the center top and bottom, one inverted the other non-inverted. When the t?te-b?che (French: head to
tail) sheet was cut into individual notes sometimes the inverted seal plate number would find its way on a
right-side up note. A stunning visual, but not a plate number engraving error.
The fifteen new examples are all from the 2nd and 3rd issue; most have a pink BEP stamp and none
of the notes have any bronze surcharges. They were all digitally cut from the sheet for this article.
Unfortunately, the resolution of the images is not optimal. When enlarging the plate number, the images
are legible, but soft.
2nd Issue
None of the previous research revealed any mirrored or inverted plate numbers on regular 2nd issue
Fractionals. However, the BEP/SI archives uncovered six examples. It is puzzling that in more than
two decades of searching, no regular issue 2nd issue Fractional notes with an inverted or mirrored plate
number had surfaced.
Left: Mirrored plate #199 in the upper left corner on a 10? note. Right: Inverted plate #71 in the bottom left corner on a
10? note.
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Many of the BEP/SI archival scans are in black and white. Left: Mirror #222 in the upper left corner on a 25? back.
Right: Inverted #234 in the lower left corner on a 25? back.
Left: In a dyslexic oversight, just the ?9? in plate #219 is mirrored on the 25? back. Right: Plate #151 is mirrored on the
50? face. The plate number, usually found in the corner (it is in the intersection of the lower left quadrant of the uncut
sheet), is haphazardly engraved in the center bottom.
3rd Issue
A trio of plate number engraving errors on the 3rd issue 3? Fractionals (Fr. 1226/27). Left: An inverted #2 in the bottom
right corner on a regular issue. Center: Mirrored #9 on the bottom left of a BEP/SI archive note. Right: Inverted #24 on
the bottom left of a BEP/SI archival note.
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Left: Inverted plate #21 in the lower left corner on a BEP/SI archival 3rd issue 10? note (Fr. 1255/56).
Right: Inverted plate #22 located in the bottom left corner.
Left: Mirrored plate #130 in the lower left corner on a BEP/SI archival 3rd issue 10? note.
Right: Inverted plate #85 in the left corner on a BEP/SI archival 3rd issue 10? note.
Left: Inverted plate #83 on a regular issue note (Fr. 1255). Note
that this includes the ?10? bronze surcharge, something you will
not observe on the BEP/SI Fractionals.
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In the BEP/SI archives, there are quite a few sheets of an
alternative but unused design of the Fessenden 3rd
issue 25? reverse. This is the first time they are being
shown in a numismatic publication. On the top is an
inverted plate #18 and #20. Bottom Left: The 25?
design above has the same design elements of the 15?
Grant/Sherman Specimen. The note shown has a 90?
rotated plate #1; the result of favorable positioning
when the sheet of 5 horizontal, 3 vertical layout was cut
into individual notes.
Left: A BEP/SI archival (Fr. 1294-1300) Fessenden
back with inverted plate #22 in the upper right
corner. This is the reverse design used for regular
issue Fractionals and the only known Fessenden,
with the final design, displaying an inverted plate
number.
The 3rd Issue 50? Type 1 reverses were used on the Spinner and Justice notes on both the red and green
backs. All eight of the notes shown below were regular issue examples as evidenced by the bronze
surcharges. A perusal of the BEP/SI archives yielded no new inverted/mirrored plate numbers.
Left: Inverted plate #12 in the bottom left of a 50? Type 1 reverse. Right: Inverted plate #20 in the lower right corner.
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Left: Mirrored plate #21 in the lower left corner. This is the most common inverted/mirrored plate number with about
two dozen known. Right: Inverted plate #29 in the upper left corner.
Left: Inverted plate #32 in the bottom right corner. Right: Inverted plate #41 in the bottom right corner. This note
pedigrees from the John Ford sale from a Stack?s 2007 auction.
Left: Inverted #44 in the upper left corner. Right: Inverted plate #52. This could be unique; no other examples have
surfaced. This Fractional also pedigrees to the John Ford sale.
4th Issue
Left: The 4th issue 15? Columbia note displays a mirrored seal plate #5. This is the only known seal plate number
engraving error on 4th issue Fractionals. As stated above, all the inverted 4th issue inverted seal plate numbers were the
result of the t?te-b?che sheet layout; and not engraving errors. Right: Mirrored sheet plate #6 in the center top of a
regular 4th issue 25? (Fr. 1301) Fractional. The back was engraved by the American Banknote Company and is not part
of the BEP/SI archives. The mirrored 6 was the result of an untrimmed top selvedge. No other examples of any sheet
plate number on 4th issue backs are known to exist. This pedigrees from the Tom O?Mara 2005 Heritage auction.
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5th Issue
For the record, there are 230 examples of 5th issue Fractionals with mirrored plate numbers on the
BEP/SI proofs - all on 10? Meredith and 25? Walker backs. On the 10? note, 143 out of 263 sheets in the
archives have mirrored plate numbers. On the 25? note, 87 out of 194 sheets have mirrored plate
numbers. However, they appear in the top selvedge of the sheet, well distanced from the note?s design
portion ? never appearing on a regular issued note, though one may eventually surface.
Shown at left from the BEP/SI
archives is a 5th issue 10? Meredith t?te-
b?che pair with a mirrored plate # 122G.
This pair was digitally cut from the top of
the sheet of 14 (7x2) in the archives. All
the sheets have a plate number followed
by a single letter.
Shown at left is a 5th issue 25? Walker
back with mirrored plate #64E; also,
digitally cut from the top of a sheet of 14
(7x2).
The 50? 5th issue Crawford backs were not made by the Treasury; the plates were outsourced to
the printing firm of Joseph R. Carpenter in Philadelphia and no archival sheets are known to exist.
Please keep your eyes open for regular issue examples of the BEP/SI notes contained in this article.
It would be great to find one in public hands. Thanks must be extended to the Smithsonian for the proof
images contained in this article. Also, a great deal of gratitude must be extended to Jerry Fochtman,
former long-time editor of the FCCB Fractional Newsletter and member of the SPMC Board of
Governors. There are literally thousands of sheets in the archives, but they are not organized and finding
any specific sheet was literally hunting for a needle in the haystack. Jerry spent hundreds of hours
compiling a coherent and organized list of all the BEP/SI Fractional proof sheets. Sadly, Jerry passed
away a short time ago. All of us in the Fractional community miss him very much. His enthusiasm and
tireless research on all things Fractional have left a wonderful legacy.
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U N C O U P L E D :
PAPER MONEY?S
ODD COUPLE
Joseph E. Boling Fred Schwan
More on the Okinawa Reversion Cash
Recall that in the last number of Paper Money last
year (Nov-Dec 2023), I wrote about the yen notes paid
out during the dollars-to-yen currency conversion in
association with Okinawa being returned to Japanese
control in 1972. The Ryukyu Islands had been a US
trusteeship from the time of the 1952 post-WWII
peace treaty, and US currency had been circulating
there since 1958.
Kazuya Fujita?s article on this currency
conversion was published in the IBNS Journal earlier
this year, and I can now say more about the specific
serial blocks that were used for the yen notes involved.
All of them were printed by only one of the four
print plants used for Japanese notes in that period?the
Odawara plant. Each plant had a series of alphabetic
letters assigned for its use in serial number suffixes.
For the Odawara plant those letters were J-R, except
O. Prefix letters were used sequentially starting with
AA, AB, AC etc, also skipping O. Only 900,000 notes
were printed in each block, so they never had to deal
with the pesky seventh digit when a serial block ran
out at one million.
Four denominations of notes were prepared for the
reversion??500, ?1000, ?5000, and ?10000. More
than 900,000 notes were needed for each
denomination, so multiple blocks were needed. For
reasons not found in the literature, the Bank of Japan
did not use the same system for advancing serial
blocks for all denominations. For the two low
denominations, the prefix would remain static while
the suffix changed. For the two high denominations,
the suffix would remain static while the prefix
changed.
See Boling page
Christmas Part Two
? We looked at a variety of Christmas items last time.
When Editor Bolin gave us the assignment for that issue
I started digging around in my stuff for Christmas items.
At the same time I wrote to Jim Downey and asked him
if he had any images that we could use. I knew that he
would have some interesting Christmas items. I was
right about that, but his response was a few days late for
inclusion in the Christmas issue.
That left the question of using the images now or
saving them for next year. There was no real choice. I
want to share Jim?s items with you now. If I tried to hold
the images for next Christmas, there is a very good
chance that I would misplace them. In addition, Jim told
me that he has more, so next year I will ask him for
some of those.
Let?s look at Jim?s items. The three notes are all
similar. Each is a wartime issue with an English
language Christmas message.
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The other item is particularly interesting to me. It
is a rather routine United States Series E war bond.
The great part is that the bond is dated on Christmas
Day, December 25, 1944! It is actually quite common
to find bonds that were sold in December during the
war, but sales on Christmas Day are rare.
The sale took place at the facilities of Hoffmann-
La Roche in Nutley, NJ. During the war it was
common for companies to have bond sale offices on
their campuses. Often these were part of or collocated
with the company payroll office. Hoffmann-La Roche
was a Swiss-owned pharmaceutical company. The
company still exists, usually known as Roche. The
company campus in Nutley, NJ where this sale took
place continued in operation until 2016, when it was
sold.
The bond was purchased by (or possibly for)
Agnes Eckstein from Belleville, NJ. According to
Google that is only 1.9 miles from the company
headquarters in Nutley. That is really not surprising,
but it is tempting to think that we should be able to find
some additional connection between Eckstein and
Hoffmann-La Roche.
Now for a short commercial. It is time to think
about MPC Fest 2025. It will be held on the April 5
weekend. If you have ever thought about attending,
there is no better time. Want to talk about it? Contact
Joe or me (fredschwan@yahoo.com). We are
expecting another great event.
Boling continued
Not many ?500 and ?5000 notes were printed, so
not many blocks were needed. In the ?500 printing,
three full blocks of 900,000 notes resulted in a printing
of 2.7 million using blocks ZZ-P, ZZ-Q, and ZZ-R. The
rest of the ZZ block was used later, so not all ZZ notes
from Odawara are reversion cash. No ZZ notes from
other print plants were, either.
For the ?5000 notes, only one million were
printed?one full block and only 100,000 from a second
block. Those were ZZ-R (complete) and ZY-R (only
100,000).
The ?1000 and ?10,000 notes were the workhorses
of this operation. The former used thirteen complete
blocks?ZZ-J,K,L,M,N,P,Q,R (these used all the
available plant-code letters available for Odawara), and
YZ-M,N,P,Q,R. Figure 1 is the note I found at the
Pittsburgh ANA in August 2023, believed to be from
the last block printed. (The total numbers required were
established before printing started, and it is believed
that the blocks were used in reverse alpha order?thus
the L,K,J suffix letters in the YZ block remained unused
at that time.) Remember that these are black serial
numbers?when all black numbers had been used
(including blocks adjacent to the Okinawa blocks, but
printed years later), the ?1000 serials were changed to
blue. None of those existed at the time of the reversion.
Eight complete blocks of ?10000 yen notes were
printed, but the suffix was fixed at R. For these blocks,
the second letter of the prefix rotated from Z down to S.
Thus if you are watching for a ?10k note from these
issues, the serials must end with R and start with Z, with
the second letter somewhere on the S,T,U,V,W,X,Y,Z
ladder.
Figure 1
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Here is this data in tabular format.
All data from the website of SUZUKI Wasabur?, as accessed 2023.05.09.
Good luck finding any of these. This whole series
was withdrawn starting in 1984 (1982 for the ?500,
which was replaced by a coin), and there have been
two more series in 2004 and 2024. My opinion is that
airmen and marines serving on Okinawa during the
reversion will be the best sources, as their life holdings
enter the market in the US. The high denominations
will be especially tough. Their face values were higher
than any MPC of the period, and they likely did not
have the same souvenir quality that MPC had, so it was
even less likely that they would be set aside
intentionally.
Which brings me to a happy find in my unaccessioned
hoard recently?a ?5000 note, serial ZZ875179R
(figure 2). I have no accession data with it, and no recall
of where I acquired it?but several years ago when the
yen was strong and dealers had not yet marked up their
stocks of circulated yen, I was buying yen at under face
value, and it may have come from one of those
transactions. As I said, notes that trickled into the US
when service members and their families came home
from Okinawa. Watch for them.
?500 ZZ-R ZZ-Q ZZ-P
?1000
black
only
ZZ-R
YZ-R
ZZ-Q
YZ-Q
ZZ-P
YZ-P
ZZ-N
YZ-N
ZZ-M
YZ-M
ZZ-L ZZ-K ZZ-J
?5000 ZZ-R ZY-R
?10000 ZZ-R ZY-R ZX-R ZW-R ZV-R ZU-R ZT-R ZS-R
Figure 2
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When I began paying serious attention to paper
money some two decades ago, my interest was first
drawn towards emergency monies, particularly
depression scrip of the 1930s. In turn, within that
historical niche was an even smaller niche, the issues of
barter and self-help groups that have always fascinated
me. Going by names like the ?Organized Unemployed?
(Minneapolis), the ?Shirtsleeves Exchange? (Oklahoma
City), or the ?Put Cleveland to Work Society?, hundreds
of these local groups sought to help people get by in a
collapsing national economy. While the federal
government?s policies towards these groups were not
terribly encouraging, it did document their operations in
some detail. During the early 1930s, the pages of the
Monthly Labor Review, published by the U.S. Bureau of
Labor Statistics, regularly featured accounts of these
groups? activities under the general series title
?Production by Self-Help Cooperatives of the
Unemployed.? Given that many of the groups came and
went quickly and left few traces, these BLS reports have
come to represent the main (and sometimes the only)
documentation of how these groups operated.
Not all groups issued scrip currency; for those that
did, the mechanics of its use varied. With just a few
exceptions, most of this emergency money was
denominated in dollars and cents and was issued against
the promise of labor (or of labor?s products) in a way
that made it acceptable in trade. For instance, on the face
of the Put Cleveland to Work scrip the promise reads
?this is to certify that merchandise or labor contracts to
the face value of this note have been deposited with the
Society for its redemption.? While there is something
exotic about the utterly local extent of its validity, the
Cleveland scrip (and others like it) was issued in the
same way that a bank creates credit by discounting a bill
of exchange. Both involve taking some promise about
the future and turning it into a present useable value.
Reading about this happening on the smallest and
most concrete level raised two, related questions in my
mind. First, did these barter groups amount to social
experiments that, because of their small scale,
illuminated the nature of money? And second, is this
how money arose historically, as a human institution?
Giving a good answer to the second question is well
beyond my pay grade. As a rule, economists tend to
favor the view that money originates by solving the
problem that two people can barter directly only when
each has exactly what the other wants. Money relaxes
that restriction. A variant of this view sees money?s
origins in being a stable store of value in a world where
the things we really do value are continually rotting and
spoiling. Whether as a means of exchange or store of
value, this view sees money as a social convention
created through human choices. Another view, more
common among historians and anthropologists, looks to
money?s origins in debts and other relations of
obligation that give rise to a unit of account that clarifies
who owes what to whom. In this view, money arises not
to solve some problem of social coordination but is an
expression of hierarchy and power. Pharaoh needed a
way of measuring his grain requisitions, so that?s how
money came about.
Explaining money?s origins isn?t the same thing as
describing its nature, which in the conditions of our
modern world may be very different. As with the barter
groups of the Great Depression, incarceration also
creates tiny experiments in money creation. Inmates
can?t bring official money to prison but, once there, they
still have a need to trade so a kind of ersatz money
arises, whether cigarettes or ramen noodle packets or tins
of mackerel. There?s nothing inherent about those things
that predispose them to becoming money. What makes
them useful as money is just the mutual agreement that
something has to do money?s job.
The scrip issued by the Organized Unemployed in
Minneapolis was nicknamed ?Sauerkraut Money?
because the group spent time putting up sauerkraut in
jars. Obviously, people didn?t try to literally spend those
shards of pickled cabbage; but the labor and the product
gave backing to the little pieces of paper that did
circulate. By treating sauerkraut in this way, the
Organized Unemployed was making it liquid in the way
that money is liquid: something that passes hand to hand
without losing the value that people have agreed it
should have.
The liquidity?the moneyness?of anything is a
valuable privilege that, politically, powerful interests
fight will for. The recent presidential election represents
a resounding victory for crypto assets like Bitcoin. With
friendly regulation, Bitcoin and the like may finally
become the currencies that their promoters have always
claimed they are: less like tulip bulbs, more like
sauerkraut.
Chump Change
Loren Gatch
From Barter to
Paper Money
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The Obsolete Corner
The Tallahassee Rail Road Company
by Robert Gill
Happy New Year paper money lovers, we have
made it through another year. It?s been quite a year,
especially politically speaking. By the time you read
this the new Presidential Administration will be about
to take office. We can all hope that campaign
intentions will come to fruition. We are very
fortunate to be living it the greatest country in the
world, but we still have a lot of problems. But with
the integrity of American people, we can get
everything straightened out.
And now, let?s look at the Obsolete sheet
from my collection that I?ve chosen to share with
you, that being The Tallahassee Rail Road Company.
These notes are by no means rare in either sheet or
single note format, but they are a good representation
of the quality and beauty that the American Bank
Note Company came to be known for printing. Now
for the history that I?ve been able to find during my
research.
Aggressive railroad development began in
the United States during the 1820s and 1830s.
Initially, development was concentrated in
industrialized areas like Pennsylvania, Ohio, and
New York. Although not being a major industrial
area, it was only a few years before the railroad
arrived in Florida. The first railroad line in the State
ran between Tallahassee to Port Leon and was
approved in 1834.
The Tallahassee Rail Road Company, later
to become known as The Tallahassee St. Marks Rail
Road Company, was incorporated by an act of the
Territorial Legislature on February 10th, 1834. The
Legislation gave the Company half a million acres of
land and broad authority to take whatever land,
lumber or stones it needed along the route, provided
the owners received just compensation. As time went
on, it prospered and expanded.
This Rail Road was conceived and financed
by leading cotton planters who needed a way to get
their crops to textile mills in the New England area.
It was also used by Naval Store merchants and timber
interests of the area to transport their goods to East
Coast ports. In 1835, it received the first Federal
Land Grant given to a railroad. Also, that same year,
construction began. The Rail Road was completed in
1837, and began operation that year. It was a mule-
drawn operation that connected Tallahassee, Florida,
then the Territorial Capital, with the Gulf port of St.
Marks - a distance of twenty miles. By 1838, the
Rail Road extended three miles further South to Port
Leon.
In 1843, Port Leon was destroyed by a
massive hurricane, and the railroad terminal there
was moved back to St. Marks. In 1856, the wooden
rails were replaced by steel rails, and mules were
replaced by locomotives.
During the Civil War, the Confederate
Army used the Rail Road extensively to move troops,
artillery, and supplies in defense of Tallahassee. In
March of 1865, the Rail Road achieved its highest
military significance when it was used to deploy
Confederate troops quickly South from Tallahassee
in the face of an advance by Union troops. That
enabled the Confederacy to put enough men in place
to defeat the Union at the Battle of Natural Bridge on
March 6th, 1865.
Operations continued to run successful for
many years. And almost one hundred fifty years
after it came into being, in 1983, petitions were filed
to have the Rail Road abandoned between Capital
Circle in Tallahassee and St. Marks. In 1984, the
Florida Department of Transportation purchased the
abandoned right-of-way. The Tallahassee St. Marks
Rail Road has the distinction of being the longest
operating railroad in Florida, and served the area for
a hundred and forty-seven years.
So, there?s the history that I?ve been able to
put together on this beautiful sheet of notes. As I
always do, I invite any comments to my personal
email address robertdalegill@gmail.com or my cell
number (580) 221-0898.
Until next time, HAPPY COLLECTING.
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?Fargo?
Dakota Territory vs North Dakota
By Bob Laub
Dakota Territory: This area was created on March 2, 1861 and consisted of present-day North Dakota, South
Dakota, most of Montana, and Wyoming. The region remained a territory until both North Dakota, and South
Dakota became the 39th, and 40th states on November 2, 1889. It was rumored a simple coin toss was the deciding
factor as to which state entered the Union first.
The city of Fargo, originally called Centralia, was eventually changed to Fargo in honor of William F. Fargo
who was the Director of the Wells Fargo Express Company. Fargo actually began as a rough-and-tumble railroad
community. By 1880 the town?s population was 2,693, but by 1890 the town had doubled in size to 5,664
inhabitants. These two decades are specific to the year?s postal notes were being issued. U.S. censuses are officially
recorded every ten years which is an excellent means of determining a town, or cities growth.
The Postal Note Years: Postal Notes were basically a one-time usage document allowing the populous an
ability to forward more securely, small amounts of money (under $5.00) through the mail. This was even more
useful in more rural parts of the country, especially where certain areas were completely devoid of any credible
banking institutions. The series commenced on Monday September 3, 1883, and had a long successful continuous
run until June 30, 1894. During that time more than 70 million postal notes were issued, with over $126 million
forwarded through the U.S. Mail. These staggering numbers are a true testament to the wanton needs of the
American people.
Private Postal Note Census: About 40 years ago a postal note collector/writer/ researcher by the name of Jim
Noll started compiling census related information about series 1883-1894 Postal Notes. Over time Jim?s quest for
related statistics eventually led him to do periodically updated lists with his last of seven editions coming on June 7,
2004. Over the years Jim was very generous with his findings and for the cost of postage, and printing (15 double
sided pages?) he would forward one of his painstaking works. Of the more than 70 million notes sold by the U.S.
Postal Service, his census which took all souses into account, (private collections, auction sales, eBay) only
comprised a list of 1460 examples. According to Jim?s data, Dakota Territory was represented by only six notes.
Even more rare, the state of North Dakota, with only three notes known. (South Dakota, though not represented in
this article, had only seven examples).
A new generation making reference to census numbers came in the form of the 22-edition (2021) of Paper
Money of the United States, by Arthur, and Ira Friedberg. I was contacted through mutual friends to see if I would
be interested in contributing to a new chapter on Postal Notes. Once completed the short chapter consisted of only
four-pages with the last page showing the number of notes issued, and how many are still known from all States,
Territories, and Districts. Dakota Territory has now doubled to 12, while North Dakota has increased by one to
four. (South Dakota is currently up to 12 recorded).
A number of years ago, after Jim Noll sadly passed away in 2012, two writers/ researchers/collectors of postal
notes took over the census challenge, Kent Halland and Charles Surasky. Their combined efforts have seen an
increase in the number of notes which continue to be uncovered at a rate of close to 50 new notes annually.
Dakota Territory issued 605,967 Postal Notes while North Dakota remains low geographic region at 203,379.
(South Dakota, 396,230 notes) These numbers of current known, compared to original numbers issued, are being
presented to show a direct correlation of rarity connected with this area. Current census numbers show the entire
region being represented by only a very miniscule number of survivors.
Factoring in Fargo: What might the overall odds be of having a Fargo, Dakota Territorial Postal Note, and a
Fargo North Dakota Postal Note both surviving especially given the low numbers presented? The answer most
certainly would have to be astronomical.
A sole surviving Fargo Dakota Territory Type I, printed on yellow paper while the remaining type?s (II-V)
were all printed on an off-white paper. This serial number 5 was issued for 1-cent, and as such is a likely keep-sake
candidate. This particular note also has an unusual issuing cancelation which reads ?Money Order Department.?,
September 3, 1883, which in turn was the first official day of issue.
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Fargo, North Dakota, is also represented by a single surviving note. A Type V, serial number 31180, issued
May 11, 1894, for 2-cents and also considered to be of a souvenir denomination. This is also evidenced by a three-
cent administrative fee which was applied to each issued note. The question now arises as to why one would pay
this three-cent fee to only purchase a five-cent, or less, postal note? The overall general consensus shared by most
collector?s likely places these acquired notes as souvenirs.
These fragile paper documents were never intended to last 130 years, more like 130 days, also given this
region of the country was still notoriously considered to be the ?Wild West?. Now take into account natural
disasters such as tornados, floods, and one devastating fire which broke out on June 7th, 1893, and it?s a wonder any
postal notes ever survived. That one fire destroyed 31 blocks of the downtown area of Fargo, but thankfully the
towns people were resilient. They set out after the last of the flames were extinguished, rebuilding 246 buildings,
mostly out of brick, and were all completed within a year of the fire. The intensity of the fire must have been
horrifying, and the loss of property devastating.
In Conclusion: My goal is to show, from a postal note perspective, a brief historical look at the town of Fargo,
not only as a Territory, but also eventually from the state of North Dakota. A quick recap of statistics reviewed:
Only two notes from Fargo have survived, a Dakota Territory, and a North Dakota. That?s two examples from
2,315 notes thus far recorded, (April/2024) which are all that remains of the over 70 million initially issued.
I hope you enjoyed the true rarity of this series.
?Fargo / Dakota Territory vs. North Dakota. Any comments can be directed to me at
briveadus2012@yahoo.com. I would also enjoy hearing about any Postal Notes you may own. Many
thanks.
A Ty. I, serial number 5 issued from
Fargo Dakota Territory on the ?First
Day of Issue?, Sept. 3, 1883 in the
souvenir amount of 1-cent.
A Ty. V issued for 2-cents from Fargo,
North Dakota which became the 39th
state Nov. 2, 1889. Prior to that date any
postal notes issued from that area would
have been territorial issued.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Robert Calderman
Collecting the Nearly Impossible!
Amazing notes buried in collections can surface
randomly and often without warning. Are you paying
attention? Just a few days before Halloween an incredible
rarity sold on eBay for a price that can only be described as
the gift of a lifetime! While the actual price of admission
being ?a steal? can be argued about at length, there are no
questions whatsoever as to the rarity and importance of this
note and its legendary status as a coveted small size
variety. Here we have a 1934B Five Dollar Federal
Reserve Star Note. It is in very fine condition with nice
enough centering. Being a star note alone makes this a
collectible specimen, add to it the popular and short lived
Vinson signature, and the feverishly hoarded five dollar
Lincoln denomination, and it falls into a cult like following
of collectible treasures. The note is on the New York
District which seems commonplace and is generally
printed in high quantities when compared to the likes of a
typical Minneapolis or Dallas District note. Dallas
specifically was not even printed for this particular series
and denomination! There is more to the story here, and if
you are already in the know then there is no question in
your mind right now as to why this note is so incredibly
spectacular. If you are caught up on your study of Cherry
Picker?s Corner, then you may recall the recent installment
?When Size Matters? that appeared back in: Paper Money
? Vol. LXII ? No.5 ? Whole #347 ?Sep./Oct. 2023. There
we discussed an outrageous newly discovered changeover
pair on this very popular variety!
The specialized variety featured here is none other than
the ever so popular intermediate face plate size variety
#212!!! Sometimes referred to as an error, this printing
face plate serial number is not the earlier small ?Micro?
variety, nor is it the later revamped large ?Macro? variety
of type size numerals. It instead falls in-between and
makes for a very exciting collectible annomoly! The
1934B $5 FRN NY District is the only place you can find
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this intermediate size plate serial number. No other district
and no other series of five dollar issues feature this great
variety! To date, PMG has only graded a total of nineteen
non-star examples in all grades combined. This includes
the wild changeover pair we discussed here back during
fall 2023. Now unless you somehow missed it, the note
featured here is a star note!!! PMG has graded just one
example of this star Fp.212 monster, and surprisingly it is
not the note featured here. What is even more surprising,
and very entertaining, is the fact that the PMG graded
example and the note featured here, have both been
published before! Even though this trophy variety was for
a very long time thought to be unique!
In the nearly 100-year-old small size guide? cough-
cough, oh, I?m sorry. I meant to say nearly 14yr old book!
If you look at page #116 under the lowest observed serial
number for a regular issue 1934B $5 FRN Star Note, you
will see serial number B02162784*. Now look at the
bottom of the page, and under the Fp.212 variety the star
note serial number listed there is B02335987*. The two
notes have a gap between them of only 173,203 notes.
Remember that up to four different printing plates can be
on the press during the era these notes were printed. Just
because these two examples both feature Fp.212 in no way
means that when they were numbered, the other notes that
fall between these two also feature this epic variety. Out of
these two serial numbers, how do we know the serial
number that is not pictured here is also a Fp.212 star note?
Check eBay right now! As I type this article right this
exact moment, there is a Fp.212 star note for sale graded
PMG VF35!!! The lone example currently graded by
PMG. The only reason yours truly has not scooped up this
note is due to the current price listed and what appears to
be a washed out cleaned appearance to the note.
Regardless, it is a trophy worthy of any advanced small
size collection. Wild that the serial number was already
reported and published, but it is possible that the note had
not been observed at the time as a Fp.212 star note by its
previous owners!
The note we have featured here is an all-original
gorgeous example that has not been modified to appear
?supposedly? more attractive in an attempt to squeeze a
couple extra points on the Sheldon scale and subsequently
entombed into a plastic slab. What is even lovelier is the
old school sleeve and hand written label listing the note as
previously unknown at an asking price tag of $9500.00
wow! This note is the infamous original discovery example
of this outrageous star note Fp.212 variety! To my
knowledge, there has yet to be a major national auction
appearance of a Fp.212 star note, making this an even
more exciting survivor! (eBay marketplace doesn?t count)
So what did this featured note actually sell for just a few
short months ago? Did it exceed the $5499 of the other
currently listed eBay example, or match the hand written
$9500 stickered asking price pictured here? Incredibly, this
trophy note sold for nowhere near these lofty sums! The
note featured here sold for the absolute bargain sum of just
$1,276.00!!!
Now that we have regular issue 1934B $5 NY FRN
Fp.212 notes to collect, and two incredible star examples
known, and even a new changeover pair that has surfaced
earlier this year? the only thing collectors have left to
dream about now is the possibility of a Bp.637 Mule
featuring Fp.212!!! Based on the plate data, this is a 100%
possibility, but it is unfortunately not a 100% guarantee?
Whether we actually see one of these in the future or not,
the possibility exists for an example to appear in the form
of either a regular issue or star note. I know what I will be
asking Santa for this year! Happy hunting my friends and I
hope you all had a very Merry Christmas and are having a
very Happy New Year!
Do you have a great Cherry Pick story that you?d like to
share? Your note might be featured here in a future article
and you can remain anonymous if desired! Email scans of
your note with a brief description of what you paid and
where it was found to: gacoins@earthlink.net
Recommended reading:
? When Size Matters by Robert Calderman
Paper Money *Sep/Oct 2023* Whole No. 347
? $5 1934B New York Intermediate
Size Plate Number 212 by Peter
Huntoon Paper Money *March/April
1984 * Whole No. 110
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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$MALL NOTE$ By Jamie Yakes
?Press Record? Card for $5 Back Plate 629
Five-dollar back plate 629 was certified on December 29, 1933, as one of the last old gauge $5
backs made by the Bureau of Engraving and Printing (BEP). It wouldn?t be used for more than a decade,
and when it was created some of the most desirable $5 mules.
Gauge refers to the width of the gutters between each column of subjects on a printing plate.
Small-size plates had narrow gutters (i.e., old gauge) from the onset of small-size production in 1928. But
the narrow gutters had caused high spoilage rates during sheet printing when press operators mated
printed back sheets onto face plates.
The BEP increased the gutters on small-size plates starting with new gauge $1 faces in July 1934,
and moved forward to making plates for other denominations. The wider gutters on those plates yielded
more tolerance when mating back sheets onto face plates and led to reduced sheet spoilage.
The BEP started certifying all $5 back plates as new gauge with back 630 on January 31, 1935.
They typically rushed new gauge plates to press and canceled unused old gauge plates, a fate that met
backs 575-628. They saved back 629 as a model of the old gauge design.
In 1938 the BEP began salvaging master plates and finished them into production plates. These
salvaged plates, also known as late-finished plates, included varieties such as $1 back 470 and $5 back
637.1 To finish them as production plates, plate technicians etched plate serial numbers into each of the
twelve subjects on the plates, certified them, and sent them to the plate vault. Because salvaged plates
were finished years after they were made, they carried plate serials that were out of sequence with
contemporary plates. In some cases the plate serials were etched in the micro style that was current when
the plates had been produced.
Back 629, though, was not a true salvaged plate. All other salvaged plates were new gauge plates,
but 629 was simply an unused old gauge production plate. As seen in the press record card2 (above), back
629 was sent to press on November 24, 1947?fourteen years after it was finished. It spent the next ten
weeks in the press room, and in that time press operators lifted 35,225 sheets from it. A press operator
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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dropped it for repairs on February 2, 1948, for a ?K note worn,? and returned, or ?reentered,? the plate to
the engraving division to have the K position subject refurbished. That occurred the next day.
Someone subsequently noticed that 629 had an obsolete design that hadn?t been used for $5 plates
for a decade. Was it the same person who scrawled the directive ?Do not send to press? at the top of the
plate ledger page for back 6293 (see below)? We may never know. But it was enough that production
from the plate was immediately ceased to not further pollute production of new gauge sheets with sheets
from a single old gauge plate. The BEP canceled back 629 on February 17, 1948.
Back 629 sheets already printed were moved on to face printing and then serial numbering to
produce a plethora of mules with $5 Julian-Snyder faces: Series of 1934C Silver Certificates, Series of
1928E United States Notes, and Series of 1934C Federal Reserve Notes. Very few star notes with back
plate 629 are known. Regardless of the variety, all 629s are rare.
Sources:
1 For more information on salvaged plates see: (a) Huntoon, P., and Yakes, J. ?Salvaged Plates: Late-Finished and
other Exotic Plates Explained.? Paper Money 52, no. 6 (2013, Nov/Dec): 427-437; and (b) Huntoon, P. ?The
Enduring Allure of $5 Micro Back Plates 629 and 637.? Paper Money 54, no. 5 (2015, Sep/Oct): 304-326.
2 Press record card for $5 back plate 629 provided by Peter Huntoon, courtesy of the B.E.P. Historical Research
Center, Washington, D.C.
3 U.S. Treasury. Bureau of Engraving and Printing. Ledgers Pertaining to Plates, Rolls and Dies, 1870s-1960s. Entry
P1, Container 42. Record Group 318: Records of the Bureau of Engraving and Printing. National Archives and
Records Administration, College Park, Maryland.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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The front of the Type-39 Treasury note endorsed by Capt. Joseph N. Brown, Co. E, 14th S. C. Regiment
Image: Larry Jones
Capt. Joseph N. Brown
14th South Carolina Infantry
he Quartermaster Column is a venue for new
discoveries and deeper biographies of those who
endorsed and issued interest-bearing Confederate
Treasury notes, but it also gives me the opportunity
to correct previous errors and omissions. My book on
this subject has stood the test of time fairly well, but
in the process of writing a more detailed biography of
Joseph N. Brown, I realized that my book had
attributed the title of AQM to him, and there is no
basis for this.1 Brown served as a infantry officer,
rising from company Captain to the rank of full
Colonel; he was never assigned the duties of an
Assistant Quarter Master. Mea culpa.
The discovery note from Larry Jones is still
unique after more than a decade of searching by
many collectors for these endorsements. The obvious
reason that his endorsement remains rare is simply
that it was not his job to issue these notes ? he was
an infantry officer. This is now obvious when we
look carefully at the wording in the endorsement:
?In payment for serving
as Captain Co ?E? 14th
S(outh). C(arolina). Vol(unteer)s in 1862.
J. N. B.?
There is no specific date mentioned here, and
this is an excellent example of an endorsement, not a
statement of issue. This endorsement, however, is
rare in its wealth of information. A careful
examination of Brown?s 107 documents in the
National Archives files for South Carolina,
Fourteenth Infantry, Brown, Joseph N., on Fold3.com
showed that Brown served only as an infantry officer.
Life before and after the Civil War
Joseph Newton Brown was born on December
16th, 1832 in Anderson, South Carolina, the son of
Samuel Brown and Helen Turley Vandiver. Samuel
Brown was a merchant and a planter who owned
slaves.2 He was a member of his maternal
T
The Quartermaster Column No. 40
by Michael McNeil
Image: Larry Jones
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Joseph N. Brown, Image from the book Men of Mark in South Carolina,
see note 4.
grandfather?s Baptist Church, and served there for 49
years as a deacon. Brown studied law in Laurens,
South Carolina, and practiced law there from 1858 to
1860.3
Brown married Lizzie Bruce in February 1866,
and in a nod to their Confederate sympathies they
named their only child and daughter Varina Davis
Brown. Brown supported the public education system
in Anderson by buying nearly all the bonds that
financed it, carrying many of them to maturity.4
Brown practiced law for the rest of his life, both
alone and in partnerships, and ?acquired a large,
lucrative practice.? He ?virtually retired? from the
practice of law in 1888, having directed his efforts to
his duties as a member of the Lower House of the
South Carolina Legislature in 1886 and 1887. He
gave ten thousand dollars to help fund the public
library in Anderson, adding to and enabling the
amount offered by Andrew Carnegie. Brown was
very active in the financial sector as a director of the
Anderson Cotton Mills. He participated in the
organization of the State Savings and Insurance Bank
of Anderson in 1872 and the National Bank of
Anderson in 1873, the latter of which he was a
president for many years.5
Brown?s only child, Varina Davis Brown (1867-
1947), never married and wrote a biography of her
father?s life which contains many details of the
battles at Spotsylvania and Gettysburg.6
1861
At the age of 26, Joseph N. Brown traveled 97
miles to enroll and report for duty on August 16th at
Lightwood Knot Springs (today Lightwood Knot
Creek). He joined for the duration of the war and was
elected on September 10th as Captain of the Enoree
Mosquitoes (later Company E), reporting to the 14th
Regiment of the South Carolina Infantry. Muster rolls
reported him at this location until February 1862. An
infantry Captain was paid $130.00 per month.
1862
The 14th South Carolina Regiment participated
in the Seven Days Battles, 2nd Manassas, VA.,
Chantilly, VA., Sharpsburg, VA., Shepherdstown
Ford, and Fredericksburg, VA.7 The endorsement on
the Treasury note reflects a part of his pay for this
time. The Treasury Department was hard-pressed to
print notes at this time and many officers and troops
received payment months after it was due. It is not
known to what purpose Brown felt compelled to
endorse his Treasury note.
1863
The 14th South Carolina Regiment participated
in the battles at Chancellorsville (May 1st to 4th),
Gettysburg (July 1st to 3rd), Falling Waters (July 14th),
Bristoe Campaign (October 9th to 22nd), Mine Run
Campaign, VA., (November to December).8 Brown
was promoted to Major on February 4th, reporting to
the 14th South Carolina Regiment. He was appointed
and confirmed as Lt. Colonel on April 2nd, taking
rank retroactively to February 20th. The promotion
was delivered by Gen?l R. E. Lee. Brown was
appointed to a full Colonel on October 7th, taking
rank on September 10th. The appointment was
delivered by Gen?l R. E. Lee and confirmed by
Congress on February 16th, 1864. A muster roll dated
May & June noted that Brown was a Lt. Colonel and
commander of the Regiment, while also serving as
Inspector and Mustering Officer.
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?Capitol Prison? by War Department, Office of the Chief Signal
Officer. Brown was first imprisoned here in early 1864. Image licensed
under Public Domain via Wikimedia Commons.
?Fort Delaware,? painted by Seth Eastman ca. 1870-1875. After his
capture at the Battle of Spotsylvania Court House and his
incarceration at the Capitol Prison, Brown arrived here on June 17th,
1864. Image licensed under Public Domain via Wikimedia Commons.
1864
The 14th South Carolina Regiment participated
in the battles of Wilderness, VA, (May 5th to 6th),
Spotsylvania Court House, VA (May 8th to 21st), Cold
Harbor, VA, (June 1st to 3rd), and the Petersburg
Siege, VA, (June 1864 to April 1865).9 Brown?s
regiment defended the ?bloody angle? at
Spotsylvania, one of the most brutal battles in the
war. Brown was captured on May 23rd and sent to the
Old Capitol Prison in Washington, D.C., which
served as a temporary capitol of the United States
from 1815 to 1819. It was razed in 1929 and is now
the site of the Supreme Court. On June 15th Brown
was sent to Fort Delaware and on June 25th later
transferred via the ?Dragoon? to Hilton Head, South
Carolina in an exchange of prisoners.
An inspection report of September 27th located
Brown ?near Petersburg, Va,? and other rolls showed
him and his regiment at this location through the end
of 1864 as a part of McGowan?s Brigade of South
Carolina troops, Wilcox?s Division, 3rd Corps, Army
of Northern Virginia.
1865
After the collapse of Gen?l Lee?s army at
Petersburg, Col. Brown was captured on April 2nd at
the South Side Rail Road, Virginia, sent again to the
Old Capitol Prison in Washington, D.C., on April 6th.
He was transferred to Johnson?s Island in Sandusky,
Ohio, arriving on April 11th. This prison had one of
the lowest mortality rates of any prison during the
Civil War, and it was built exclusively for officers.
Brown was paroled and released on July 25th. Brown
enlisted the services of a lawyer to draft his oath of
loyalty to the United States, and it is a remarkable
document which makes a specific reference to the
rejection of slavery. Here is the text:
I Joseph N. Brown late Colonel of the
fourteenth (14th) Regiment South Carolina Volunteers
in the Confederate States Army by profession a
lawyer and formerly a resident of Laurens Court
House in the State of South Carolina do solemnly
swear in the presence of Almighty God that I will
henceforth faithfully support, protect and defend the
Constitution of the United States & the Union of the
States thereunder and that I will in like manner abide
by and faithfully support all laws and proclamations
which have been made during the existence of the
rebellion with reference to the emancipation of
slaves, so help me God.
Joseph N. Brown
Subscribed and sworn to
before me the 6th of July
1865 at Johnson?s Island
Chas. W. Hill, Col Comdg Post
United States Military Prison
Johnson?s Island Ohio
Brown?s parole document of July 25th stated that
?The Union Quarter Master?s Department will
furnish him with transportation to the point nearest
accessible to his home by rail or steamboat.? The
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58
The ?bloody angle? at the
Battle of Spotsylvania,
May 8th to 21st, 1864.
Image courtesy of the
National Park Service,
NPS.gov
document stated that Brown was 32 years old, had a
dark complexion, dark hair, grey eyes, and stood 5
feet 10 inches tall. Brown returned to Anderson, the
city to which the Confederate Treasury-note Bureau
had fled after Sherman razed Columbia, and it was
here that the Treasury-note Bureau met its end.
Reflections on the lessons of history
Joseph N. Brown was a complex man who
embraced public education but at the same time
fought to defend slavery and later became wealthy in
a Jim Crow economy. He was a lawyer who engaged
another lawyer to draft his oath of allegiance,
rejecting slavery, but was it a true conversion of
belief or a device to enhance the chances of his
release? The name given his daughter is a clue. Why
did responsible, intelligent, educated, and
accomplished citizens support the institution of
slavery? The great political philospher, Hannah
Arendt, came to the conclusion that evils like the
Nazi persecution of Jews were the result of the
?banality of evil,? the idea that evil is accepted when
it is commonplace. In the Old South, slavery was the
engine of its economy and it was commonplace.
After the Civil War the South used Jim Crow
laws to economically re-enslave its Black citizens. In
our time the passage of NAFTA and the subsequent
opening of our borders have done much to reproduce
the conditions created by Jim Crow laws in our
current society, and the attitudes of the Old South are
commonplace today in those who ask, ?Who will do
the work nobody wants?? Why do some societies
accept slavery? One clue is that you won?t find
economic slavery in societies which strongly regulate
their capital markets for the Common Good.
Carpe diem
?Those who do not remember the past are
condemned to repeat it.? ? George Santayana, 1906
References:
1. Michael McNeil, 2016. Confederate Quartermasters, Commissaries, and Agents, published by Pierre Fricke, 907 pages. See
pages 131-133.
2. James Calvin Hemphill, 1907. Men of Mark in South Carolina, Vol. 1, Men of Mark Publishing Company, Washington,
D.C. Researched by Charles Derby.
3. An obituary from the State Paper, January 25th, 1921, provided by Anna O?Quinn Richter. Researched by Charles Derby.
4. ibid.
5. Hemphill, 1907.
6. Varina Davis Brown, 1931. A Colonel at Gettysburg and Spotsylvania, The State Company, Columbia, SC. This book can
be accessed online at: https://babel.hathitrust.org/cgi/pt?id=wu.89059484600&seq=7 Researched by Charles Derby.
7. researchonline.net/sccw/unit146.htm, accessed 10 April 2024.
8. ibid.
9. ibid.
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
59
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If you enjoy paper money, visit greysheet.com for up-to-date news, pricing, and research on U.S. and world-wide bank notes.
An Index to Paper Money, Volume 63, 2024; Whole Numbers 349-354
Compiled by Terry A. Bryan
Yr. Vol. No. Pg.
Allen, Richard
Some Additional Odd Denomination Discoveries ........................................ 24 63 354 425
BANKS, BANKERS & BANKING
Picture This: The American Banker, Loren Gatch (Bankers? faces) ............ 24 63 351 226
Bolin, Benny
Demas Barnes-Patent Medicine Man ............................................................ 24 63 349 34
Santa Claus on U.S. Obsolete Notes ............................................................. 24 63 354 386
Boling, Joseph E., Schwan, Fred (Uncoupled Column)
Bernhard Refresher (Cft.Pound Notes) ......................................................... 24 63 349 46
Foreign Trade Payment Certificates (Japan) ................................................. 24 63 351 214
French Central Africa .................................................................................... 24 63 350 133
Holiday Greetings (Short Snorters, Asia) ..................................................... 24 63 354 430
Iran At War, .................................................................................................. 24 63 353 362
Patriotic Aviation Bonds-1941 ...................................................................... 24 63 352 291
Bryan, Terry A.
Damn the Shin Plasters ................................................................................. 24 63 354 397
Calderman, Robert, (Cherry Picker?s Corner column)
Are You ?Pack?ing? (Market forces, SC packs) ........................................... 24 63 353 366
Number One Notes in Disguise! (1950-B $5 FRN) ...................................... 24 63 350 142
Number One Notes in Disguise! (1950-B $5 FRN) ...................................... 24 63 351 222
Spilled Milk & Sour Grapes, (Face plate 307 $5SC) .................................... 24 63 349 56
Taming the Little Lion! ($10 1934C KC FRN Narrow Face, Star Variety) . 24 63 352 303
What a Difference a Decade Makes) (Back plate 204 $20 FRN) ................. 24 63 354 431
Chibbaro, Tony
It?s Not Just About the Vignettes: Steamer Etiwan, Silent Witness to Good Times & Bad
................................................................................................... 24 63 349 38
It?s Not Just About the Vignettes: William T. Smithson, Confederate Spy .. 24 63 350 120
Portraits on Parade: Miss Blackey, the Most Beautiful Woman in Virginia. 24 63 353 342
Clark, Frank
Kelsey Harris Douglass--Texas Merchant, Soldier, & Paper Money Issuer. 24 63 349 41
CONFEDERATE AND SOUTHERN STATES CURRENCY
Important New Information: The T-64 CSA $500 Note Survey, Steve Feller, Mark Coughlan
................................................................................................... 24 63 354 414
John Douglas, N.O. Engraver, Mark Coughlan (CSA notes & bonds) ......... 24 63 353 324
A Numismatic Stroll in the French Quarter of New Orleans, Steve Feller ... 24 63 350 121
The Tishomingo Hotel, James C. Ehrhardt (Mississippi) ............................. 24 63 353 359
Coughlan, Mark & Steve Feller
Important New Information on the T-64 CSA $500 Note Survey) ............... 24 63 354 414
John Douglas, New Orleans Engraver (CSA notes and bonds) .................... 24 63 353 324
Ehrhardt, James C.
The Tishomingo Hotel (Mississippi) ............................................................ 24 63 353 359
ENGRAVERS & ENGRAVING AND PRINTING
A Failed Partnership: The Security Bank Note Co. &d Cuba, R. Menchaca 24 63 350 109
Feller, Ray, Katherine Ameku
Money Used in Japanese American Internment Camps of WWII, Part I ..... 24 63 352 255
Money Used in Japanese American Internment Camps of WWII, Part II, .. 24 63 353 352
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Gatch, Loren (Chump Change column)
Back to the Future with the ?Bocade? (Argentina) ....................................... 24 63 354 443
Book Review?The Ruble: A Political History by Ekaterina Pravilova ...... 24 63 353 379
The Long Life of the ?Death Tax? ................................................................ 24 63 349 55
A Noteworthy Note ...................................................................................... 24 63 352 296
Picture This: The American Banker (Bankers? pictures) .............................. 24 63 351 226
A Requiem for the Bank Check. (Poor check security) ............................... 24 63 350 139
Gill, Robert (Obsolete Corner)
The Bank of Kensington, Michigan .............................................................. 24 63 350 144
The City Bank of New Haven, Connecticut, ................................................. 24 63 352 299
The City of Lynchburg, (Virginia) ................................................................ 24 63 354 435
The Florida Atlantic & Gulf Coast Railroad Co., ......................................... 24 63 351 224
The Fontenelle Bank of Bellevue, Nebraska, ............................................... 24 63 353 371
Treasurer of Ramsey County ........................................................................ 24 63 349 51
Gunther, Bill
Tuscaloosa?s Taliaferro F. Samuel: Jack-of-all-trades or Renaissance Man 24 63 350 114
Huntoon, Peter
1882 NBN Value Bank Face Plates without ?or other securities .................. 24 63 349 27
$50 Legal Tender, Series 1874,?75,?78?;80. Intaglio Face Plate Varieties ... 24 63 354 401
The FNB of Boston Issued Only 1929 Glass-Borah Amendment Notes ...... 24 63 350 103
In God We Trust on U.S. Currency............................................................... 24 63 352 269
New High & Low Series of 1928C Mule Serial Number Discovery, $2L ... 24 63 352 253
Uncirculated $5 #1 Brown Back, Ketchum, Idaho Territory ........................ 24 63 353 317
Unissued Series of 1899 Treasury Notes, .................................................... 24 63 352 247
Huntoon, Peter, Hewitt, Shawn, Murray, Doug
Large-Size Treasury Currency Pre-Star Replacements, New Insights,......... 24 63 349 16
Huntoon, Peter, Lofthus, Lee
Evidence for the Issuance of a $10 Series 1933A SC Sheet ........................ 24 63 350 80
National Bank Note Circulation Hit with a Forced 8% Decline by Redemption
Of the Loan of 1925 ............................................................................... 24 63 353 332
Huntoon, Peter, Murray, Doug
Treasury Sealing Assigned to the Treasurer?s Office in 1885 ..................... 24 63 351 202
Huntoon, Peter, Lofthus, Lee, Moffitt, Derek
Evidence for the Issuance of a $10 Series 1933A SC Sheet, w/Serial Nos. . 24 63 351 191
Huntoon, Peter, Lofthus, Lee, Stroup, Adam
Sherman, Texas Bank ................................................................................... 24 63 354 393
Laub, Bob
?Eighteen Ninety-Four? (printings of Postal Notes) ..................................... 24 63 353 369
The Intriguing Postal Notes of Spokane, Washington ................................. 24 63 354 444
A Link Between Specimen Postal Notes-Johnson, VT & Arkama, PA ........ 24 63 349 44
Postmaster Marshall: Left Holding the Bag! (PA Postal Note) ................. 24 63 351 220
The Sole-Surviving Postal Note from La Grange, Ohio ............................... 24 63 350 140
Lofthus, Lee
Aldrich-Vreeland Emergency Currency ....................................................... 24 63 351 159
Evidence for the Issuance of a $10 Series 1933A SC Sheet ......................... 24 63 350 80
Evidence for the Issuance of a $10 Series 1933A SC Sheet, w/ Serial Nos. 24 63 351 191
National Bank Note Circulation Hit with a Forced 8% Decline by Redemption
Of the Loan of 1925 ............................................................................... 24 63 353 332
Series of 1933 Silver Certificates, Ten-Year Census Update ....................... 24 63 349 6
Sherman, Texas Bank ................................................................................... 24 63 354 393
What Time is it on the $100 Bill? ................................................................. 24 63 354 421
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McNeil, Michael (Quartermaster Column)
Capt. Joseph B. Briggs .................................................................................. 24 63 349 58
Maj. William H. Thomas, Shreveport, LA .................................................... 24 63 350 150
Maj A. H. McLaws ....................................................................................... 24 63 351 227
Maj. Julian Agustus Mitchell, C. S. .............................................................. 24 63 352 301
Maj. John Lucien Brown, C.S. ...................................................................... 24 63 353 371
Harrisburg, Texas .......................................................................................... 24 63 354 441
Menchaca, Roberto
A Failed Partnership: The Security Bank Note Co. and Cuba ...................... 24 63 350 109
The Real Story Behind the CIA?s Counterfeit Cuban Banknotes of 1961 .... 24 63 353 344
Melamed, Rick
Benjamin Franklin?s Image on American Currency ..................................... 24 63 352 237
New Fractional Discovery-Second Issue 25 cents (Fr1286a) Slate Back with
Inverted ?S? Surcharge ........................................................................... 24 63 352 289
Moffitt, Derek
Evidence for the Issuance of a $10 Series 1933A SC Sheet, with Serial Numbers,
(with Lee Lofthus, Peter Huntoon) ......................................................... 24 63 351 191
Murray, Doug
Large-Size Treasury Currency Pre-Star Replacements, New Insights,
(with Shawn Hewitt and Peter Huntoon) (The Paper Column) .............. 24 63 349 16
Treasury Sealing Assigned to the Treasurer?s Office in 1885 ...................... 24 63 351 202
Nyholm, Douglas, Hur Dave
The Kirtland Safety Society Bank Ceremonial Bank First Signings ............ 24 63 352 279
OBSOLETE NOTES & SCRIP
Benjamin Franklin?s Image on American Currency, Rick Melamed ............ 24 63 352 237
Damn the Shin Plasters, Terry A. Bryan ....................................................... 24 63 354 397
Demas Barnes-Patent Medicine Man, Benny Bolin ..................................... 24 63 349 34
It?s Not Just About the Vignettes: William T. Smithson, Confederate Spy,
Tony Chibbaro (District of Columbia, Virginia, Confederacy) ............. 24 63 350 120
The Kirtland Safety Society Bank Ceremonial Bank First Signings,
Douglas Nyholm (with Dave Hur research) ........................................... 24 63 352 279
Kelsey Harris Douglass--Texas Merchant, Soldier, and Paper Money Issuer,
Frank Clark ............................................................................................. 24 63 349 41
A Numismatic Stroll in the French Quarter of New Orleans, Steve Feller ... 24 63 350 121
Santa Claus on U.S. Obsolete Notes, Benny Bolin ....................................... 24 63 354 386
Some Additional Odd Denomination Discoveries, Richard Allen ............... 24 63 354 425
Steamer Etiwan, Silent Witness to Good Times & Bad, Tony Chibbaro .... 24 63 349 38
The Tishomingo Hotel, James C. Ehrhardt (Mississippi) ............................. 24 63 353 359
Tuscaloosa?s Taliaferro F. Samuel: Jack-of-all-trades or Renaissance Man?
Bill Gunther (Alabama scrip) ................................................................. 24 63 350 114
Patrick, John S.
The 1963 $5 Legal Tender Series: A Study .................................................. 24 63 354 409
Rollins, Roland
UNESCO World Heritage Sites Depicted on Bank Notes?Antigua ........... 24 63 349 64
UNESCO World Heritage Sites Depicted on Bank Notes?Argentina ........ 24 63 350 144
UNESCO World Heritage Sites Depicted on Bank Notes?Armenia .......... 24 63 351 230
Saharian, Michael
The Lumbermens/Northern NB of Bemidji, Minnesota, Charter #8241 ...... 24 63 350 124
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Book Reviews
Engravers & Printers of Confederate Paper Money by Mark A. Coughlin
(Review by Michael McNeil) .................................................... 24 63 352 305
Interest Paid by Roger Adamek (Review by Michael McNeil) .................... 24 63 352 307
Coal Mine Company Obsolete Notes and Scrip by David Schenkman
(Review by Wendall Wolka) ..................................................... 24 63 352 311
The Signers and Issuers of Confederate Bonds by Charles Derby & Michel McNeil
(Review by David Crenshaw ..................................................... 24 63 353 376
The Ruble: A Political History by Ekaterina Pravilova (Loren Gatch) ......... 24 63 353 379
Stroup, Adam
Sherman, Texas Bank ................................................................................... 24 63 354 393
U.S. NATIONAL BANK NOTES
Aldrich-Vreeland Emergency Currency, Lee Lofthus. ................................. 24 63 351 159
1882 NBN Value Bank Face Plates without ?or other securities?, Huntoon 24 63 349 27
The FNB of Boston Issued Only 1929 Glass-Borah Amendment Notes,
Peter Huntoon ........................................................................................ 24 63 350 103
The Hastings, Nebraska National Bank Robbery (author not recorded) ....... 24 63 353 349
The Lumbermen?s/Northern NB of Bemidji, Minnesota, Charter #8241,
Michael Saharian. ................................................................................... 24 63 350 124
National Bank Note Circulation Hit with a Forced 8% Decline by Redemption
Of the Loan of 1925, Peter Huntoon, Lee Lofthus) ................................ 24 63 353 332
Aldrich-Vreeland Emergency Currency, Peter Huntoon, et al. .................... 24 63 354 393
Uncirculated $5 #1 Brown Back, Ketchum, Idaho Territory, Peter Huntoon 24 63 353 317
U.S. LARGE and SMALL SIZE NOTES
Benjamin Franklin?s Image on American Currency, Rick Melamed ............ 24 63 352 237
?Eighteen Ninety-Four?, Bob Laub (printings of Postal Notes) ................... 24 63 353 369
The Intriguing Postal Notes of Spokane, Washington .................................. 24 63 354 444
$50 Legal Tender, Series 1874,?75,?78?;80. Intaglio Face Plate Varieties,
Peter Huntoon) ........................................................................................ 24 63 354 401
In God We Trust on U.S. Currency, Peter Huntoon ..................................... 24 63 352 269
New Fractional Discovery-Second Issue 25 cents (Fr1286a) Slate Back with
Inverted ?S? Surcharge, Rick Melamed ................................................. 24 63 352 289
The 1963 $5 Legal Tender Series: A Study, John S. Patrick ........................ 24 63 354 409
Postmaster Marshall: Left Holding the Bag! , Bob Laub (PA Postal Note) 24 63 351 220
The Sole-Surviving Postal Note from La Grange, Ohio. Bob Laub24 ... 63 350 140
Treasury Sealing Assigned to the Treasurer?s Office in 1885,
Peter Huntoon, Doug Murray ................................................................. 24 63 351 202
What Time is it on the $100 Bill? Lee Lofthus ............................................. 24 63 354 421
FEDERAL RESERVE NOTES
$5 San Francisco FRN Face 52 Changeover Pair, Jamie Yakes ................... 24 63 352 297
New Back Plate 204 Discoveries & Undiscovered, Jamie Yakes ................. 24 63 350 148
Secret Marks on $10 1928B FRN, Jamie Yakes ........................................... 24 63 353 378
Series of 1934! $5 Cleveland FRNs, Jamie Yakes ....................................... 24 63 349 62
Yakes, Jamie
Changed Redemption Clauses on Small Size Silver Certificates ................. 24 63 354 429
$5 San Francisco FRN Face 52 Changeover Pair Discovered ...................... 24 63 352 297
New Back Plate 204 Discoveries & Undiscovered ($20 FRN) .................... 24 63 350 148
The New Deal?s Silver Inflation (Small Notes column) ............................... 24 63 351 231
Secret Marks on $10 1928B FRN (Small Notes column) ............................. 24 63 353 378
Series of 1934! $5 Cleveland FRNs, (Small Notes column) ......................... 24 63 349 62
SPMC.org * Paper Money * Jan/Feb 2025 * Whole Number 355
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Fr. 2003-D? $10 1928C Light Green Seal
Federal Reserve Star Note
PMG Choice Uncirculated 63 EPQ
From The Ronald R. Gustafson Collection
Serial Number 1 Fr. 2050-K $20
1928 Federal Reserve Note
PMG Choice Uncirculated 64 EPQ
From The Ronald R. Gustafson Collection
Fr. 1502? $2 1928A Legal Tender Star Note
PMG Gem Uncirculated 65 EPQ
From The Highland Park Collection
of Small Size Legal Tenders
Fr. 1528* $5 1928C Mule Legal Tender Note
PMG Gem Uncirculated 66 EPQ
From The Highland Park Collection
of Small Size Legal Tenders
Fr. 1072a $100 1914 Federal Reserve Note Red Seal
PMG Superb Gem Unc 67 EPQ
From the Charlton Buckley Collection
Fr. 1132-J $500 1918 Federal Reserve Note
PCGS Banknote About Unc 55
From the Charlton Buckley Collection
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