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Table of Contents
Paper 1itene9
BIMONTHLY PUBLICATION OF THE
Cociety of Ptil2eP 'Noel Collectop4
Vol. XIII No. 6 Whole No. 54
November 1974
The story of Cyrus Durand, inventive genius who developed mechanical banknote engraving
Page 243
pRoFEssioNk
NUMISMPITIsis
%utio•iNc-
$1 FEDERAL RESERVE NOTES
Superb Crisp New Sets-Buy NOW at these Low Prices
Complete
Sets
Sets - Last
2 Nos. Match
Complete
Star Sets
1963 (12) 22.95 25.75 (12) 22.95
1963A (12) 20.95 22.75 (12) 21.95
1963B ( 5) 8.95 9.75 ( 4) 7.95
1969 (12) 17.95 19.75 (12) 18.95
1969A (12) 17.95 19.75 (11) 18.95
1969B (12) 17.95 19.75 (12) 20.95
1969C (10) 14.95 16.75 ( 9) Write
1969D (12) 16.95 18.75 Soon #
1963/1969D-All Eight Sets (87 Notes)
ALL-MATCHING NUMBERED SETS
1963/1969D (87)-all with the Same-Last Two Numbers 169.75
1963/1969B "Star Sets"-all with Same-Last Two Numbers 139.75
Ask for our List #2A-Small Size Notes, Blocks & Accessories
Star Set - Last
2 Nos. Match
24.95
23.95
8.95
20.95
20.95
23.95
Write
#
132.75
1963/1969B "Star Sets" (63 Notes) 105.75
IMPORTANT BOOKS-POSTPAID
It Pays BIG Dividends to KNOW Your Coins & Currency, send
$1 for Our Big Book Catalog-It Lists Hundreds of Titles-
and Free with Order.
Bradbeer's "Confederate & Southern States Currency".
Reprint includes 115 pages of Articles from the
Numismatist on Confederate Currency & Texas
Treasury Notes, as revised by the Noted late
Charles E. Green. Indeed a MUST on this Series 12.50
Criswell's "North American Currency". 2nd Ed. 942
1.95 pages; 2,669 Illustration Includes Canadian &
Mexican Currency; States Issues of Currency &
Bonds
SPECIAL - ABOVE BIG PAIR 22.50
Friedberg's "Paper Money of the United States" New
8th Ed.-Due in Dec.
1.50 Huntoon/Van Belkum's "National Bank Notes of the
Note Issuing Period 1863/1935". Lists all Charter
Banks (14,348)
Donlon's "U.S. Large Size Paper Money 1862/1923"
1969, New 3rd Ed.
2.95
BLOCK SPECIALS
1963 AA-BA-CA-DA-FA-KA Each $2.50; HA-IA-
JA Ea. $2.25; GA $2.00; EA $3.25; LA
3.50
1963A CA-CC-DC-DD-KB-KC Ea. $1.95; EE-EF-FA-
IA-JA-JB-KA Ea. $2.25; DB
4.00
AA-DA-GD-HB-HC Ea. $3.00; ED-LA Ea. $3.50;
EA-GH-HA Each
2.50
FC-GC Each $5.00; LB - Each $6.50; FB $4.50;
BB - Scarce 29.50
1963B BH-EG-GI-LG Each
1.65
1969 BB - BC-EB -EC-FB-GB -GC -GD-LB-LC Each
$1.65; DB-KB Each
1969A AB BD FC GE HB (B Each $1.65; AA
(5/$9.00) Each
2.00
1969B BB-EB-FB-GB-LB-LC Each
1.50
1969C DB-EC-FC-GD-JB-LD Each
1.50
1969D AB-BB-BC-BD-CB-DB-EB-EC-ED-FB-FC-
GB-GC-GD-HB-JB-LB-LC Each
WESTPORT CURRENCY ALBUMS
Beautiful Album Pages for following Sets:
$1 Federal Reserve Sets-1963, 1963A,
1969A, 1969B, 1969C, 1969D, each
$1 Block Set Pages-1963, 1969, 1969A, 1969B,
1969C, 1969D each
6.95
1963A $13.95; 1963B
3.50
Deluxe 3-Ring custom made Binder-each
4.95
NEW ANCO CURRENCY COVER
De Luxe Custom-made Album. Size 10 x 12. Ca-
pacity 96 Notes. Available in Blue-Brown-Green
or Red. State Color desired. (Add $1.50 mailing
charge) 12.95
$1 "R" & "S" EXPERIMENT ISSUE
1935-A $1 Red "R" "S" Special Issue Notes.
Superb Crisp New: Red "R" $89.75; Red "S"
$69.75; The Pair 149.75
Similar Pair - Crisp New (not as well Centered 124.75
Write
13.50
3.65*
Hewitt/Donlon's "Catalog of Small Size Paper Money",
New 10th Ed. 1.85*
Kemm's "The Official Guide of U.S. Paper Money"
1974 Ed.
1.15*
O'Donnell's "Standard Handbook of Modern U.S
Paper Money", Tells All You'll Want to Know
about Block Collecting. 3rd Ed. $2.65; 4th Ed.
9.75
Warn's Classic "The Nevada Sixteen" 15.00
Shafer's "Guide Book of Modern U.S. Currency". New
6th Ed. 2.65*
Werlich's "Catalog of U.S. & Canadian Paper Money"
Includes Confederate Currency & Fractional Cur-
rency. 1974 Ed. 3.95*
SPECIAL-Above BIG Five, Starred * 10.95
15.00
SELLING + BUYING + SELLING
UNCUT SHEETS (4, 6, 12, 18) Sample Buying Prices: For Perfect CN Sheet, Paying $10,000.00 for 1928-E $1 Silver Certifi-
cates. Send List of Others for our TOP Cash Offer. And, IF you wish to Buy, please send your Want List for Quotes.
LARGE SIZE NOTES=Scarce/Rare fall Issues except 1914 Federal Reserve). Please Describe fully in your First Letter.
Whether Buying or Selling there's a Better Deal for you at Bebee's. Now, Thousands Know That-and have told us so!
100% Satisfaction Guaranteed. Please Add $1.00 under $100.00. Nebraskans add Sales Tax.
"Aubrey and Adeline Bebee and their Staff, extend Very Best Wishes to all, for a Joyous Holiday Season and a New
Year of Peace-Health and Happiness."
MEMBER: Life #110 ANA, ANS, PNG, SCPN, SPMC, IAPN, Others.
Bebee ' s, inc.
"Pronto Service"
4514 North 30th Street Phone 402-451-4766 Omaha, Nebraska 68111
SOC1E I\1
PAPER >R ).N LS
COLLECTORS
INC
Founded 1961
PAPER MONEY is published every other
month beginning in January by The Society
of Paper Money Collectors, Inc., J. Roy Pen-
nell, Jr., P. 0. Box 858, Anderson, SC
29621. Second class postage paid at An-
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office, Federalsburg, MD 21632.
Annual membership dues in SPMC are
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© Society of Paper Money Collectors. Inc.,
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Inside Front &
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Advertising copy shall be restricted to
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All advertising copy and correspondence
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Paper /honey
Official Bimonthly Publication of
THE SOCIETY OF PAPER MONEY COLLECTORS, INC.
Vol. XI II - No. 6
Whole No. 54 November 1974
BARBARA R. MUELLER, Editor
225 S. Fischer Ave.
Jefferson, WI 53549
Tel. 414-674-5239
Manuscripts and publications for review should be addressed to the Editor. Opinions
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IN THIS ISSUE:
CYRUS DURAND—INVENTIVE GENIUS
—Craig J. Turner 243
ADDITIONS & CORRECTIONS TO THE COMPREHENSIVE CATALOG OF
U. S. PAPER MONEY
Gene Hessler 252
1929-1935 NATIONAL BANK NOTE VARIETIES: SUPPLEMENT II
—M. Owen Warns 253
RARE BANKNOTES, BANKS, AND BANKERS OF INDIANA
—Wendell Wolka 257
A COUNTERFEITING MYSTERY
—Harry G. Wigington 258
THE AMERIKANSKY AND RUSSIAN MONEY 260
WORLD NEWS AND NOTES
M. Tiitus 261
JAY COOKE, PATRIOT BANKER
—Brent H. Hughes 262
AN 8-NINES NOTE WITH IDENTICAL PREFIX AND SUFFIX
—Tom Morrissey 266
FEDERAL RESERVE CORNER
—Nathan Goldstein i I 266
SPMC BICENTENNIAL FEATURE: UNITED STATES LOAN OFFICE
CERTIFICATES
—Forrest W. Daniel 267
COUNTERFEITS OF CANADIAN BILLS: EXCERPTS FROM DYE'S COUNTER-
FEIT DETECTOR 270
The Society of Paper Money Collectors, Inc.
SPMC CHRONICLE 272
SECRETARY'S REPORT
—Vernon L. Brown 277
MONEY MART 279
society off Paper litenel Collectors
OFFICERS
President J Roy Pennell, Jr.
P. 0. Box 858, Anderson, S. C. 29621
Vice-President Robert E. Medlar
4114 Avenue Q, Lubbock, Texas 79412
Secretary Vernon L. Brown
P. 0. Box 8984, Fort Lauderdale, Fla. 33310
Treasurer M. Owen Warns
P. 0. Box 1840, Milwaukee, Wis 53201
APPOINTEES
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The Society of Paper Money Collectors was organized in
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under the laws of the District of Columbia. It is affiliated
with the American Numismatic Association and holds its an-
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MEMBERSHIP—REGULAR. Applicants must be at least 18
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Members of the A.N.A. or other recognized numismatic
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One of the stated objectives of SPMC is to "encourage
research about paper money and publication of the re-
sultant findings." In line with this objective, the following
publications are currently available:
OBSOLETE BANK NOTE LISTING SERIES
Hard-covered books profusely illustrated
Texas Obsolete Notes and Scrip
by BOB MEDLAR
Postpaid to members, $6.00
Others, $10.50
Florida Obsolete Notes and Scrip
by HARLEY L. FREEMAN
Postpaid to members, $4.00
Others, $5.00
Vermont Obsolete Notes and Scrip
by MAYRE B. COULTER
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WHOLE NO. 54
Paper Money PAGE 243
Cyrus Durand - Inventive Genius
By CRAIG J. TURNER
Division of Postal History
Smithsonian Institution
The following study first appeared in the June, 1974 issue of the SPA Journal, official publication -4-
of the Society of Philatelic Americans, and is reprinted here through the courtesy of Mr. Belmont
Faries, its editor. Illustrations were supplied by the Smithsonian Institution, Dr. Glenn Jackson, *
and George W. Wait.
C3
Although the orientation of the article is more philatelic than syngraphic, the applications to 2 1,'
the study of banknote design are quite obvious. Philatelic specialists have generally been more
aware of the activities of the various security printers and artisans than syngraphists. Therefore,
Mr. Turner's exposition should be of special interest to readers of PAPER MONEY.
BRM
4,
FROM the days of the caveman, the representation of
natural objects by means of a picture has been one
of the prime means of communicating ideas from
mind to mind. Over the years, the method of produc-
ing one picture at a time was found to be very unsatis-
factory as the speed of civilization increased. It was not
long before the discovery was made that a single picture
might be reproduced many times over by the processes
of engraving and printing.
The methods used in the 1800s to design, engrave and
print our classical United States postage stamps were the
identical processes employed to produce the paper cur-
rency of our early banks. From the 1820s to the 1890s
there existed in America a small group of artists, de-
signers, engravers and printers who worked interchange-
ably on banknotes, postage stamps, railroad bonds, rev-
enue stamps, stock certificates and other securities
required by our young nation to carry on the commerce
of the day.
Early in the century, banknotes were issued by pri-
vately owned banks; consequently, there was a steady
market for the engraving and printing skills of these
artisans. These versatile men often formed companies
among themselves, including in their midst clever in-
ventors who did much to advance the art of mechanical
engraving. Patents secured by these inventors usually
gave one firm an advantage over another, thereby pro-
ducing a competitive spirit which sharpened the talents
of the various artists even more.
Philadelphia, the early capital of our nation, was also
the early capital of American engraving, and many of
the more famous engravers worked there and lived
nearby. In 1781, the first hank in North America was
established in that city and from the very beginning, the
Philadelphia Mint employed some of America's most
prominent artists and engravers. These men, originally
die sinkers to the Mint, went on to become engravers of
the highest order. Soon these fledgling engraving firms
found it expedient to open branches in other cities, and
New York became the second most important center of
engraving in America.
These companies were, in reality, groups of engravers
banded together so as to offer different types of engrav-
Cl
Fig. 1 Etching of Cyrus Durand as a studious young
man.
ing skills to their customers. One man adroit in portrait
work would be the vignette engraver; another would be
script letterer; and a third would engrave the fancy
borders and frames surrounding the central designs.
Each man was assigned the task in which he was most
proficient.
With the advent of the adhesive postage stamp in the
1840s, postage stamp production provided an additional
outlet for the wizardry of these early engraving tech-
nicians. Competition became even more keen, and from
it all emerged some of the most beautifully executed
engravings ever accomplished by man.
In this country, all United States postage stamps
produced from 1847 to 1893 were engraved and printed
PAGE 244
Paper Money WHOLE NO. 54
by men who worked for these privately-owned engraving
concerns. This story deals with one of these gifted men
and his incredible accomplishments.
CYRUS Durand, machinist, banknote engraver and
inventor, was born in 1787, in Jefferson Village
(now Maplewood), Essex County, New Jersey.
Figure 1 is from an etching by F. Morin which shows
Cyrus Durand as a studious young man early in his
career.
Cyrus was the second child of seven sons and three
daughters of a watchmaker and his wife. All ten children
achieved some degree of fame through their mechanical
or artistic skills. Three of his brothers, Asher, John and
Theodore, were also engravers of some note and the
story of Asher, by far the most gifted engraver of the
four, will be the subject of a future article. His sisters
were proficient in wood block engraving, which was then
a method employed to transfer designs to cloth.
The Durand family, of French origin as the name
indicates, emigrated to this country from France around
the 1740s. Exactly where the family first settled in the
new world is unknown, but Cyrus' grandfather moved
from Darby, Connecticut to Jefferson Village in the
1750s. At that time, the area was chiefly a rural farm-
ing valley with little or no commerce with large cities.
Education in the valley was practically unknown, except
for the occasional Yankee, English, or Irish school-
master who happened into the valley. The summer
months were usually taken up with the crops while the
winter was reserved for study. Most of the crops were
safely stored by then and rudimentary reading, spelling,
writing and arithmetic were the courses pursued by the
Durand children. By the age of fourteen, Cyrus had
completed Webster's "Spelling Book," Lindley Murray's
"English Reader" and Dilworth's "Arithmetic" and
went on to work in his father's watchmaking shop where
he learned the use of tools.
In the next four years, he attempted various tasks,
among them the making of brass rings, sleeve buttons
and silver spoons. While working with silver ingots, he
became proficient in the arts of casting and forging
metals. By his eighteenth birthday, he had already
begun to steer a course towards his ultimate profession
of inventor. While visiting a local clockmaker, his active
mind worked out the details for an engine to cut clock
wheels. During this same period, he designed numerous
tools useful in the manufacture of clocks. Some of these
are still found in the New Jersey countryside and are
remarkable in that they still keep excellent time.
In 1808, Cyrus married, and due to a bitter depression,
found it difficult to make ends meet. During this time
of poverty, John Taylor, president of a Newark bank,
asked him to design a turning-lathe for the manufacture
of jewelry. There was only one firm furnishing jewelry
castings at the time, and the firm was based in New
York City. Newark, a city of 50,000 inhabitants, could
easily support a local jeweler and the bank president
required an additional income to meet expenses. Cyrus,
with the help of his brother Asher, designed the machine
for Taylor. Because of this feat. local factories called
on Cyrus to assist them to overcome their wartime pro-
duction problems through the use of his cleverly de-
signed machinery.
During 1812, Asher Brown Durand, a younger brother,
was apprenticed to Peter Maverick, the engraver, then
of Newark. Asher spoke so highly of Cyrus' mechanical
ability that Maverick commissioned the older Durand
to design a machine for ruling straight lines for bank-
note backgrounds. Figure 2 shows Durand's ruling
machine, and Figure 3 illustrates the effect achieved by
combining a vignette of an Indian maiden with the ruled
lines produced by Cyrus' ruling machine.
During the next two years, Cyrus designed other
engines for producing wavy lines as well as ovals. These
machines are regarded today as the beginning of a series
of improvements made by Durand which eventually led
to the geometric lathe used for banknote and postage
stamp work.
In 1814, Durand left Jefferson Village, moved to
Newark, and returned to silversmithing. In the fall of
the same year, he volunteered to serve as a drummer in
the war, and went to Sandy Hook for three months.
Everyone gave something of themselves during the war
and this was Durand's sacrifice to duty.
In 1815 we find him in Rahway, New Jersey, making
machines for spinning and carding hair for the manu-
facture of carpets at the Taurino factory. Four years
later, Cyrus went on to invent two machines of vastly
different character. At that time rope-reeded furniture
had become quite popular and one of his new inventions
turned the reeds into fashionable legs for tables, chairs,
beds, etc. His other machine was an improvement on
a past invention whereby he was able to produce wavy
ovals instead of plain ovals on one of his lathes.
In 1820, typhoid struck the Durand family and Cyrus
lost his wife and two brothers, one of whom possessed
Cyrus' extraordinary mechanical skills. The next year
he moved to Springfield, New Jersey, and in 1822 he
married again.
About this time in his life he began to give serious
thoughts to a career in the engraving field. It seems
that he was the only person capable of operating many
of the engines, machines and lathes that he had invented.
Consequently, in 1823, he moved his family and ma-
chines to New York City and entered into partnership
with C. C. Wright in banknote engraving. According to
city directories of the time, there were only five com-
panies engaged in mechanical engraving at the time—
one in Hartford, two in Philadelphia and two in New
York City.
During his first year in the engraving business he
invented a transferring machine which enabled his com-
pany to make multiple copies of the same engraving by
transferring the subject of the die to a flat plate many
times. Figure 4 is an early drawing of Durand's transfer
press. It was rumored that a similar machine was in
use in Philadelphia, but later it was proved that the
Philadelphia machine worked on an entirely different
principle than Durand's press. The transfer presses still
used today by the Bureau of Engraving and Printing
in Washington are based on Durand's original ideas and
still serve their purpose perfectly.
WHOLE NO. 54
Paper Money PAGE 245
Fig. 2 Drawing of Cyrus Durand's ruling machine.
Fig. 3 Engraving showing Durand's ruled lines in the background.
JERI
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