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Table of Contents
PAPER MONEY
OFFICIAL JOURNAL OF THE SOCIETY OF PAPER MONEY COLLECTORS
VOL. XLIX, NO. 5, WHOLE NO. 269 WWW.SPMC.ORG SEPTEMBER/OCTOBER 2010
The Indian
Princess Vignette
Used on
Obsolete
Currency
By Joseph J. Gaines Jr.
Sept-Oct cover 8/10/11 5:52 AM Page 1
Thanks
a bunch,
Lyn Knight
You throw a great party.
Memphis International Paper Money Show
June 2010 was a blast.
- Your friends at SPMC
Sept-Oct cover 8/10/11 5:52 AM Page 2
Paper Money • September/October 2010 • Whole No. 269 321
TERMS AND CONDITIONS
PAPER MONEY (USPS 00-3162) is published every
other month beginning in January by the Society of
Paper Money Collectors (SPMC), 92 Andover Road,
Jackson, NJ 08527. Periodical postage is paid at
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to Secretary Jamie Yakes, P.O. Box 1203, Jackson, NJ
08527.
© Society of Paper Money Collectors, Inc., 2010. All
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Advertising copy shall be restricted to paper currency,
allied numismatic material, publications, and related
accessories. The SPMC does not guarantee advertise-
ments, but accepts copy in good faith, reserving the
right to reject objectionable material or edit copy.
SPMC assumes no financial responsibility for typo-
graphical errors in ads, but agrees to reprint that por-
tion of an ad in which a typographical error occurs upon
prompt notification. v
Official Bimonthly Publication of
The Society of Paper Money Collectors, Inc.
Vol. XLIX, No. 5 Whole No. 269 September/October 2010
ISSN 0031-1162
FRED L. REED III, Editor, P.O. Box 118162, Carrollton, TX 75011
Visit the SPMC web site: www.spmc.org
FEATURES
The Paper Column: Controversy Led to Purging $5 Face Plates 324
By Peter Huntoon
Canada’s ‘Diefendollar’ & the Election of 1962 . . . . . . . . . . . . . . 332
By Loren Gatch, PhD
Central City, CO Today: The New Local Currency, TITOS . . . . . 338
By Jim Noll
Harriet B. Sammons, National Bank President . . . . . . . . . . . . . . 340
By Karl Sandford Kabelac
Update on Panama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
By Joaquin Gil del Real
Jim Downey reports update on Smileage Books, Coupons . . . . . 349
Indian Princess Vignette Used on Obsolete Currency . . . . . . . . . 355
By Joseph J. Gaines Jr.
National Bank Notes from Bowling Green, KY, Part 1 . . . . . . . . . 363
By Fred Maples
The Buck Starts Here: $100 note could recognize famous women . 384
By Gene Hessler
The Paper Column: Discovery of an unexpected West Orange Variety 386
By Peter Huntoon
SOCIETY NEWS
Information and Officers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .322
Important Announcements About Your SPMC Membership . . . . . . . . . . . 337
Fred Maples Wins SPMC George W. Wait Memorial Award . . . . . . . . . . . 341
New Members . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
SPMC Project 6000 Recruiters: You can earn a Peter Maverick print . . . 353
President’s Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .382
By Mark Anderson
Money Mart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .383
Money Mart Ads Work for You form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .383
Memphis 2010
SPMC Honors Members for Variety of Achievements at Memphis . . . . .394
Scene at Memphis: Photos by Bob Van Ryzin, Bank Note Reporter . .395
Our 7th Annual SPMC Authors Forum, another hit . . . . . . . . . . . . . . . . .396
Hands across the waters; SPMC & IBNS execs partner for dual 50 fetes . .396
What’s on Steve’s Mind Today? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
By Steve Whitfield
Paper Money
*Sept/Oct 2010 Paper Money 8/9/11 11:58 AM Page 321
Paper Money • September/October 2010 • Whole No. 269322
Society of Paper Money Collectors
OFFICERS
ELECTED OFFICERS:
PRESIDENT Mark Anderson, 115 Congress St., Brooklyn, NY 11201
VICE-PRESIDENT Pierre Fricke, Box 52514, Atlanta, GA 30355
SECRETARY Jamie Yakes, P.O. Box 1203, Jackson, NJ 08527
TREASURER Bob Moon, 104 Chipping Court, Greenwood, SC
29649
BOARD OF GOVERNORS:
Mark Anderson, 115 Congress St., Brooklyn, NY 11201
Pierre Fricke, Box 52514, Atlanta, GA 30355
Shawn Hewitt, P.O. Box 580731, Minneapolis, MN 55458-0731
Matt Janzen, 3601 Page Drive Apt. 1, Plover, WI 54467
Robert J. Kravitz, P.O. Box 6099, Chesterfield, MO 63006
Fred L. Reed III, P.O. Box 118162, Carrollton, TX 75011-8162
Michael B. Scacci, 216-10th Ave., Fort Dodge, IA 50501-2425
Lawrence Schuffman, P.O. Box 19, Mount Freedom, NJ 07970
Neil Shafer, Box 17138, Milwaukee, WI 53217
Robert Vandevender, P.O. Box 1505, Jupiter, FL 33468-1505
Wendell A. Wolka, P.O. Box 1211, Greenwood, IN 46142
Jamie Yakes, P.O. Box 1203, Jackson, NJ 08527
APPOINTEES:
PUBLISHER-EDITOR Fred L. Reed III, P.O. Box 118162,
Carrollton, TX 75011-8162
CONTRIBUTING EDITOR Gene Hessler, P.O. Box 31144,
Cincinnati, OH 45231
ADVERTISING MANAGER Wendell A. Wolka, P.O. Box 1211,
Greenwood, IN 46142
LEGAL COUNSEL Robert J. Galiette, 3 Teal Ln., Essex,
CT 06426
LIBRARIAN Jeff Brueggeman, 711 Signal Mountain Rd. # 197,
Chattanooga, TN 37405
MEMBERSHIP DIRECTOR Frank Clark, P.O. Box 117060,
Carrollton, TX 75011-7060
PAST PRESIDENT Benny Bolin, 5510 Bolin Rd., Allen, TX 75002
WISMER BOOK PROJECT COORDINATOR Pierre Fricke, Box
52514, Atlanta, GA 30355
REGIONAL MEETING COORDINATOR Judith Murphy, P.O. Box
24056, Winston-Salem, NC 27114
BUYING AND SELLING
HUGH SHULL
P.O. Box 2522, Lexington, SC 29071
PH: (803) 996-3660 FAX: (803) 996-4885
CSA and Obsolete Notes
CSA Bonds, Stocks &
Financial Items
Auction Representation
60-Page Catalog for $5.00
Refundable with Order
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The Society of Paper Money
Collectors was organized in 1961 and
incorporated in 1964 as a non-profit
organization under the laws of the
District of Columbia. It is affiliated
with the ANA. The annual SPMC
meeting is held in June at the Memphis International Paper Money Show.
Up-to-date information about the SPMC, including its bylaws and activities
can be found on its web site www.spmc.org. SPMC does not endorse any
company, dealer, or auction house.
MEMBERSHIP—REGULAR and LIFE. Applicants must be at least 18 years of
age and of good moral character. Members of the ANA or other recognized
numismatic societies are eligible for membership; other applicants should be
sponsored by an SPMC member or provide suitable references.
MEMBERSHIP—JUNIOR. Applicants for Junior membership must be from 12
to 18 years of age and of good moral character. Their application must be
signed by a parent or guardian. Junior membership numbers will be preced-
ed by the letter “j,” which will be removed upon notification to the Secretary
that the member has reached 18 years of age. Junior members are not eligi-
ble to hold office or vote.
DUES—Annual dues are $30. Members in Canada and Mexico should add $5
to cover postage; members throughout the rest of the world add $10. Life
membership — payable in installments within one year is $600, $700 for
Canada and Mexico, and $800 elsewhere. The Society has dispensed with
issuing annual membership cards, but paid up members may obtain one
from the Secretary for an SASE (self-addressed, stamped envelope).
Members who join the Society prior to October 1 receive the magazines
already issued in the year in which they join as available. Members who join
after October 1 will have their dues paid through December of the following
year; they also receive, as a bonus, a copy of the magazine issued in
November of the year in which they joined. Dues renewals appear in a fall
issue of Paper Money. Checks should be sent to the Society Secretary. v
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Paper Money • September/October 2010 • Whole No. 269 323
"Grooming authors for the next 50 Years" TM
Next Year 2011
SPMC Celebrates its 50th Anniversary.
As part of the Society’s celebration
we are sponsoring an award program
for new authors to PAPER MONEY.
The last 50 years have introduced many
excellent authors to the hobby.
We’re now looking for those who will
carry the ball in the next half century.
FIVE New Author Awards of $100
will be offered for the five best
short articles (1200 words or less)
by authors new to PAPER MONEY
for short articles published here in 2011.
Money to fund this program has been donated
by a Society member who, himself, enjoys writing for PAPER MONEY.
The donor “remembers the special joys of his first published article -- proposing it,
researching it, writing it, choosing the illustrations, writing the captions for the illustrations,
sending it off, and then seeing it in print.”
YOU too can feel this same joy. But don’t wait.
Send off your best efforts to the Editor (fred@spmc.org) as soon as possible.
Multiple submissions are encouraged.
*Sept/Oct 2010 Paper Money 8/9/11 11:58 AM Page 323
Paper Money • September/October 2010 • Whole No. 269324
THE LETTERING IN THE EARLIEST TITLEblocks on the $5 Series of 1882 National Bank Noteswas engraved using what was called a patent letteringprocess. Patent lettering refers to letters in the title
blocks made from proprietary engraving machines sold to, or
licensed to, the Bureau of Engraving and Printing. These machines
could engrave letters on a die in an infinite variety of fonts.
The patent lettering machines were used between 1882 and 1885 to cre-
ate the title blocks on the new $5s, but this work was halted. Beginning in 1887,
and continuing over succeeding years, many of the plates with patent lettered title
blocks were purged and replaced.
We wouldn’t know much about these layouts, or the reasons they were
phased out, except for a letter inspired by a jealousy that developed in the hearts
of some bankers in north central Kansas sometime around the beginning of 1888.
This is that story, and the insights that flow from it.
The Paper Column
by Peter Huntoon
Controversy Led to Purging
$5 1882-5 Vintage Brown
Back Face Plates
Above: Typical looking 1882-1885
vintage $5 Series of 1882 title block
made using a patent letter engraving
machine. Use of these machines drew
strong fire from the bank note engrav-
ing industry.
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Paper Money • September/October 2010 • Whole No. 269 325
Inferior Layouts
Bureau personnel came to consider the patent lettering work inartistic
and inferior as a result of outside agitation. Consequently, the face plates con-
taining patent letter title layouts began to be purged.
The following letter from Edward O. Graves, Chief of the Bureau of
Engraving and Printing to J. Abrahams, Deputy Comptroller of the Currency,
dated April 25, 1888, nicely explains the motivation behind this rash of replace-
ments.
I am in receipt of your letter of the 24th instant in-closing, with the
request that I will inform you whether its wish can be complied with,
a letter from the Peoples National Bank of Clay Center, Kansas, No.
3345, asking if a change in the character of the title on its plate can be
made so as to remedy its excessive plainness, and stating that a similar
When The First National Bank sudden-
ly began to receive spectacular circus
poster $5s, the officers of The Peoples
National Bank down the street wanted
better looking notes as well! They
didn’t get any, but the correspondence
over the matter (see page following)
gave us insights into the use of patent
lettering machines, and why many of
the plates using title blocks made from
them were purged!
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Paper Money • September/October 2010 • Whole No. 269326
favor has been accorded the First National Bank of that place; No.
3072. The letter of the Peoples National Bank is herewith returned
with the information that the change in the plate of the First
National Bank was made for the reason that the engraving of the
title on its former plate was inferior and inartistic, being produced by
the patent lettering process, and that a new plate engraved in a more
artistic style was prepared, not as a favor to the bank, but for the
credit of this Bureau. This course has been pursued at the discretion
of the officers of the Bureau to the extent that the state of the work
permitted with those National Bank Notes plates on which the let-
tering was conspicuously inferior. As the Peoples National Bank
does not fall within this category, I would not feel warranted in hav-
ing a new plate prepared for it. In any event, it would not be desir-
able to have the titles of two banks in the same town engraved in the
same style (Bureau of Engraving and Printing, various dates).
Clay Center Envy
As the illustrations on the preceding page show, the replacement plate
for The First National Bank of Clay Center was a spectacular circus poster.
The subjects on the plate were lettered E-F-G-H, and it was made in
September 1887, to replace the patent letter A-B-C-D plate made in 1883. It
was certified for use September 27th. The patent letter plate that it replaced is a
classic looking product from the lettering machines, and this one certainly is
plain looking.
The Director of the Bureau of Engraving and Printing made it clear
that they weren’t going to replace the plate for the competing Peoples National
Bank. The reason was that the title blocks on the Peoples plate were made from
engravings. The officers of the Peoples National Bank couldn’t know this fact,
they just saw theirs were pale in comparison to those coming out the front door
of the bank down the street!
Whether the explanation for the Bureau’s recalcitrance was forwarded
to the president J. B. Quinby and cashier F. H. Head at The Peoples National
Bank by the Deputy Comptroller is unknown. It wouldn’t have made any dif-
ference, those bankers felt seriously embarrassed each time people in town con-
trasted their staid notes to those now being issued by the First!
The Politics of the Times
The workmanship at the Bureau of Engraving and Printing was under
intense fire in the early- to mid-1880s. Discontent had been building since
1875, when the work for producing National Bank Notes began to be taken
away from the private bank note companies and turned over to the Bureau.
The criticism reaching Congressmen, and others in influential posi-
tions, generated considerable heat for the BEP. The primary source for the dis-
content was none other than lobbying by the private bank note companies
which no longer were getting government contracts to design, engrave and print
National Bank Notes. They enlisted their engravers and other employees to
participate in these attacks. The last of those contracts had terminated in 1877,
causing bitter and deep resentments within the engraving industry. The work
lost by the bank note companies to the Bureau was compounded by the loss of
other huge government security printing contracts, including postage and rev-
enue stamps, during the same period.
The faces and centers of the backs of the $5 Series of 1882 were the
first National Bank Notes to circulate that were designed and engraved entirely
by Bureau of Engraving and Printing personnel. The result was that the $5s
were particularly reviled. A focal point for dismissive commentary was the
patent lettered title blocks on them, which, because they were mechanically pro-
duced, were deemed inferior to engraved work.
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Bureau personnel responded in two significant ways. First, they simply
borrowed title blocks from the $5 Original Series, transferring the work from the
old title block dies or rolls to the new series when banks were extended. They
also constructed title blocks for new banks by borrowing needed lines of text
from various old dies and rolls. How could the bank note company engravers
fault their own work!
The Bureau engravers began to produce their own hand engraved title
blocks in late 1885. The early efforts were modest, but with maturing self confi-
dence, the momentum of this effort led to the rollout of ever improving prod-
ucts. Soon the BEP engravers began to labor in-house to surpass themselves.
The contracts were not going back to the bank note companies, primari-
ly owning to cost savings. Gradually, a new order set in as the Bureau started to
become a key player in the engraving industry, despite the fact that it was a child
of the government.
Lavish circus poster and Princess Leia layouts arrived in December,
1886. These works of art surpassed anything done previously at the bank note
companies, and made exceptional use of the large canvas provided by the new
fives. One baroque layout was produced about this time that was deemed so far
over the top, it was never used on a note! Fortunately, the design survives in
proof form.
Notable title block innovations continued to gestate, and they flowed
forth on notes through the end of the century.
Replacement Program
The purging of plates with patent letter layouts seems to have flourished
in the 1887-1890 period followed by a lull in 1890-1891, as the glut of 1889-
1890 territorial to state alterations took priority for Dakota, Montana,
One means to counter the flack over
the use of engraving machines was to
recycle the title blocks made by the
bank note companies for the Original
Series! How could the bank note com-
panies and their engravers complain
that they were inferior?
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Paper Money • September/October 2010 • Whole No. 269328
Washington, Idaho, Wyoming, and belatedly, Colorado. Some purging contin-
ued sporadically after 1891, and continued at least through late 1903, based on
approval dates on replacement proofs, but the program lost its fervor.
The new plates continually incorporated the latest available layouts as the
replacement program unfolded. Not by coincidence, many of the early replace-
ments utilized the showcase circus poster layouts, with the Clay City case being a
case at point. But even the circus posters were abandoned as replacements by the
end of 1887, as successive waves of new preferences came on line.
The replacement program was done as work loads permitted.
Consequently, during the almost two decades during which replacements were
made, every new layout design found its way onto at least some replacement
plates.
Irony
In general, the patent lettered layouts have a very quaint look that seems
to epitomize the popular gingerbread Victorian artistic tastes in vogue during the
early 1880s. They are highly sought because of this, and, in fact, many were very
creatively fashioned, distinctive and aesthetically pleasing. Ironically, some that
were replaced by circus posters are now considered to be among the most spectac-
ular of the genre!
Pairs of notes from the same bank, one a patent letter, the other some
successor layout, are highly prized. The challenge is to find the patent lettered
variety because there was severe attrition of those early notes.
Bureau sideographers routinely borrowed from earlier work to compose
new bank title blocks, having gotten especially good at it during the height of the
controversy over the patent lettering machines when they borrowed heavily from
the bank note company layouts. By the early 1890s, after the consternation over
the patent letting machines had died down, they even began to borrow parts from
Top: The engraved Princess Leia lay-
out was used for four banks between
December 1886 and January 1887.
It was one of several spectacular lay-
outs that nicely answered criticisms
leveled at the BEP engravers for turn-
ing out inferior looking title blocks.
Above: Mockup of the baroque title
block layout that was designed in the
mid-1880s for the $5 Series of 1882
notes. This one never was used
because it was so over the top.
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the old patent letter layouts for new title blocks!
Once the idea of replacing poor or obsolete looking layouts gained trac-
tion, the practice spread to the other layouts. Consequently, the replacing of
inferior layouts was not confined to patent letter layouts, or even to the $5s.
Some truly unimaginative engraved $5 title blocks made in the late 1880s were
rightfully replaced. Similarly, aesthetically improved replacements can be found
for every denomination used in the Series of 1882.
Significance
The Clay Center episode has great numismatic significance to collectors
of $5 Series of 1882 National Bank Notes. What we now know to be patent let-
ter title blocks are avidly sought because they are such period pieces. Generally
they are scarce.
The replacement of the patent letter layouts also explains why new plates
were made for banks with small $5 issuances. The patent letter plate didn’t wear
out or become damaged, it was deemed inartistic.
Graves’ letter tells the story. You can imagine my delight when I found
it!
Sources of Data and Reference Cited
Bureau of Engraving and Printing. Certified proofs of National Bank Note face
and back plates, National Numismatic Collections, Museum of American
History, Smithsonian Institution, Washington, DC, 1875-1929.
Bureau of Engraving and Printing. Correspondence to and from the Bureau of
Engraving and Printing: Record Group 318, U. S. National Archives,
College Park, MD, various dates. v
Paper Money • September/October 2010 • Whole No. 269330
Two plates were made for this
Boston bank. The first is a patent let-
tering layout that I call the quilt vari-
ety which was used only for this
bank. The second sports a more tra-
ditional looking engraved title block
made to replace it. Which would
you rather own given the choice?
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Paper Money • September/October 2010 • Whole No. 269332
THE U.S.-CANADIAN EXCHANGE RATE ISnot just a financial relationship between twointerdependent economies, but also serves asbarometer of the ambivalence and even anxiety
that Canadians sometimes experience towards their larger
southern neighbor. At times, the value of the “loonie” has
symbolized the ability of Canada to maintain its distinct
economic and cultural identity. One such historical
moment that crystallized these concerns was the
“Diefendollar” election campaign in the spring of 1962.
Throughout the 1950s, the Canadian economy had
been growing smartly. The United States had replaced
Great Britain as its main trading partner, and American
capital chased investment opportunities in its northern
neighbor. Canada’s prosperity depended upon the develop-
ment and export of the country’s abundant raw materials to
feed its appetite for imports of finished goods, particularly
American. The result was a persistent trade deficit that was
financed by inflows of foreign capital—above all, from the
United States. As a consequence, the US-Canadian
exchange rate took on a distinctive significance in Canada’s
economic development.
Canada’s ‘Diefendollar’
& the Election of 1962
by Loren Gatch, PhD
Progressive Conservative Finance Minister Donald Fleming nails a devalued
dollar part way up the flagpole in this May 4, 1962, cartoon by Peter Kuch.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 332
Unlike other major developed economies, Canada since 1950 had opted
out of the Bretton Woods system of fixed exchange rates in favor of a flexible
regime managed by the Bank of Canada. By 1952 the Canadian dollar was consis-
tently trading above parity with its American counterpart, partly thanks to the
tight-money policies of James E. Coyne, governor of the Bank of Canada. Yet
this stability represented a precarious balance. A strong currency attracted the
funds to finance Canada’s external deficits but crimped exports. A weak currency
advantaged exports but limited the ability of Canadian consumers to buy imports.
Key to this balance was maintaining the confidence of foreign (and domestic)
investors in the value of their Canadian assets.
For their part, Canadians feared dependence on the immense American
market and control of their economy by American interests. Canadians pushed
back in a variety of ways against American domination. Even the advent of mid-
dle-class prosperity in the American style had its detractors. As the eminent nov-
elist Hugh MacLennan counseled, Canada should resist the pull of “a sleazy mass
culture not our own” (clearly, this sentiment predated the birth and export of
Pamela Anderson to the United States).
One politician who pushed back against the Americans was John George
Diefenbaker (1895-1979), who became Canada’s 13th Prime Minister on June
21st, 1957. The populist leader of the Progressive Conservative Party, “Dief the
Chief” styled himself as a nationalist defender of “One Canada” against American
influence. He also took the side of ordinary Canadians against the elitism of
Lester Pearson’s Liberals and their American allies in the Democratic Party.
Concerned with rising unemployment in the late 1950s, the economic policies of
Diefenbaker and his finance minister Donald Fleming combined tax cuts, spend-
ing increases, and measures to ease credit. In particular, by June 1961
Diefenbaker had engineered the resignation of the Liberal-appointed Coyne,
whose tight monetary policies at the Bank of Canada seemed to place to needs of
foreign investors above those of Canadians at home.
John G. Diefenbaker honored by this First Day Issue
333Paper Money • September/October 2010 • Whole No. 269
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Paper Money • September/October 2010 • Whole No. 269334
April 1962 appeared a good moment for the Tories to dissolve
Parliament and call a national election for June 18th. In retrospect their timing
was terrible, for shortly after the announcement the Canadian dollar came under
severe speculative attack. Pressures had been building since the beginning of the
year, as the currency drifted below parity, but the movement turned into a rout as
international confidence evaporated even in the face of massive support from
Canada’s Exchange Fund. On May 2nd the government threw in the towel and
announced a peg of the Canadian dollar at 92.5 American cents. Speculative
pressure on the new rate nonetheless continued unabated.
While a lower loonie was a good thing for Canada’s balance of payments,
the crisis was a blow to the country’s self-regard and politically disastrous for the
Diefenbaker government. Erupting in the middle of an election campaign, the
devaluation crisis was seized upon by the Liberals who turned the contest into a
referendum on Tory mishandling of the Canadian dollar’s value as a symbol of
the country’s economic vitality and independence. Diefenbaker’s jowly facial fea-
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 334
tures begged for caricature, and were the particular target of Peter Kuch, staff
cartoonist with the Winnipeg Free Press and longtime interpreter of the
Diefenbaker visage. As shown on the previous page, Kuch depicted Fleming
nailing a devalued dollar to the mast in a May 4, 1962, cartoon.
Editorial cartoons lampooning Diefenbaker were shortly followed by
the production of “Diefendollars” or “Diefenbucks” that circulated by the
thousands at opposition campaign rallies.
Two main varieties of the 92.5 cent denominated Diefendollar are
extant. The first note (shown opposite above), issued by the “Bunk” of
Canada, features a rather addled-looking Donald Fleming in the place of the
Queen, with the right portion of the bill labeled “71⁄2¢” marked off with
dashed lines indicating that portion of the Canadian dollar that had been
‘detached’ by the May 2nd devaluation. The signature of the former Bank of
Canada governor Coyne is crossed out, as the bank was now “under new man-
agement.” The back further hammers home the loss in Canadian purchasing
power which the Diefendollar represented. This note first appeared at
Vancouver election rallies.
The second variety (shown opposite) was derived from Kuch’s May
4th caricature of Diefenbaker. Kuch’s dyspeptic rendering of “the Chief” was
printed and distributed by Orson Wright, publisher of the Northern Mail in
Le Pas, Manitoba. This parody issue of the “Bank of Kuch” became a staple of
Liberal Party electioneering.
Clever as were the anti-Diefenbacker props politically, the economic
analysis implied by these Diefendollars was somewhat unfair to their name-
sake. The 92.5 cent peg didn’t really represent a 7.5 cent devaluation, given
the recent downward float of the currency. Moreover, there were sound
macroeconomic reasons for a lower level.
For their part, Diefenbacker’s supporters pushed back with a green
bill of their own enlarged to about 81⁄8 inches across. It also had a tab stressing
economic development successes. The Progressive Conservative “100%
Stable Canadian Dollar” (above and right) claimed the Liberals were lying to
the public, and boasted their party’s economic policies had pushed up the
country’s Gross National Product, Income, Profits, Exports, Tourism and
output of key heavy industries. A much more flattering image of
Diefenbacker appears on the note’s face, while a unflattering caricature of a
decrepit Lester B. Pearson is posted on the back of the handbill.
Pearson's nickname was “Mike,” and “Nuclear Mike” seems to be a
reference to the Liberals’ more favorable attitude towards the stationing of
American atomic weapons on Canadian soil. The nuclear issue was
Diefenbaker's real beef with the U.S during the early 1960s. Nonetheless, the
political damage was done. Speculators had pushed the Canadian dollar below
parity, and this had happened on Diefenbaker’s watch. Faced with increasing-
335Paper Money • September/October 2010 • Whole No. 269
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 335
ly skeptical and raucous crowds Diefenbaker and the Conservatives lost ninety-two seats in the June elections, and
limped along in power as a minority government until 1963, when Pearson’s Liberals took over. Particularly galling
for ordinary Canadians was the sudden end to American merchants’ willingness to accept Canadian currency for
routine transactions. As a result, Tory election losses in the June 1962 debacle were concentrated in districts along
the American border where the lower dollar hurt Canadians’ purchasing power.
As if on cue, just a few days after the election the currency crisis came to an end when Canada announced
an austerity package of tax increases, import surcharges and credit-tightening measures. These moves, combined
with help from the U.S. Federal Reserve and the International Monetary Fund, ended the drain on the country’s
foreign exchange reserves, which had fallen from over US$ 2 billion at the beginning of the year to just over
US$1.2 billion by the end of June. In his memoirs, Diefenbaker accused the Kennedy administration of master-
minding the crisis as a way of attacking an opponent of American foreign policy. A less conspiratorial view of the
episode faulted Canadian authorities for mismanaging expectations about the exchange rate, thus encouraging capi-
tal flight.
Canada stuck with its 92.5 cent peg until 1970, after which the currency again floated. As Diefenbaker
later noted bitterly and correctly, the U.S.-Canadian exchange rate subsequently fell to far lower levels under
Liberal governments. Indeed, long after Diefenbaker’s death, the loonie eventually reached a nadir of 65 U.S. cents
by 2002. That it has since managed to rebound towards parity only reminds us again of the “Diefendollar” episode
and of the sometimes-intimate connection between money and national identity.
References
Diefenbaker, John G. One Canada: The Tumultuous Years. Toronto: Macmillan, 1977.
Kuch, Peter. ‘Dief’ the Incredible Chief. Winnipeg: P. Kuch, 1977.
Palmer, Bryan D. Canada’s 1960s. Toronto: University of Toronto Press, 2009.
Stursberg, Peter. Diefenbaker: Leadership Gained 1956-1962. Toronto: University of Toronto Press, 1975.
Wonnacott, Paul. The Canadian Dollar 1948-1962. Toronto: University of Toronto Press, 1965. v
Paper Money • September/October 2010 • Whole No. 269336
Both Diefenbaker and his finance minister Donald Fleming are lampooned on this double-header Diefenbuck.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 336
IMPORTANT ANNOUNCEMENTS ABOUT YOUR SPMC MEMBERSHIP
Annually Members have the opportunity to further the goals of the Society’s George W.
Wait Memorial Fund, which provides grants for researchers of book-length works in paper
money-related fields, and the Society’s D.C. Wismer Memorial Fund, which furthers the
book publishing efforts of the Society and its members.
An easy check off appears on the MEMBERSHIP/DUES ENVELOPE THAT YOU
WILL FIND ENCLOSED in your issue of Paper Money. Your donations help keep both
these programs vital parts of SPMC’s ongoing efforts. Even if you are a Life Member and
don’t owe dues for 2011, you can still use the envelope enclosed in your issue to make a gift
to SPMC. We remind you that SPMC is a 501(C)3 not-for-profit educational organization,
and your contribution is tax deductible subject to the current U.S. income tax codes. Please
check with your tax attorney regarding your personal circumstances.
SPMC thanks those members who have given funds to the Society for these purposes in the
current year. The include:
Michael Burke Ed Charnin Brian J. Cote
Dennis P. Coughlin Dean Davis George Decker
Jeffrey L. Ferrand Glenn H. Fishe Louis H. Geser
John Glynn Richard L. Horst Peter Jones
Michael J. Kissinger Bob Kosmo Lee Lofthus
Tim Mitchell Allen L. Munro Russell Pike
Ellen J. Richardson Dennis Schafluetzel Harton Semple Jr.
Bruce Spence Leon H. Stacey Jr. Greg R. Super
W. McNair Tornow
IMPORTANT ANNOUNCEMENT FOR NEW MEMBERS ESPECIALLY
DON’T DELAY . . . RENEW TODAY!
Last year the SPMC Board of Directors approved a change in the billing of new member-
ships only. Memberships for New Members who joined SPMC since January 1, 2010, will
not expire until one year after their membership began. Prior to this change, first year mem-
bership in the Society ended at the end of the calendar year for members who joined prior to
October 1. THIS CHANGE DOES NOT AFFECT MEMBERS WHO JOINED PRIOR
TO DECEMBER 31, 2009. YOUR DUES ARE DUE NOW. YOUR MEMBERSHIP
EXPIRES DECEMBER 31, 2010. YOU HAVE ONLY ONE ISSUE LEFT ON YOUR
MEMBERSHIP. SO PLEASE USE THE ENCLOSED ENVELOPE TO MAIL YOUR
CHECK TODAY SO YOU DON’T MISS ANY ISSUES OF PAPER MONEY.
All New Member names are published in our bimonthly
journal Paper Money. When New Members’ names are
published a statement of expiration of membership is
also published. Members to whom this change in billing applies have PM13218 or above.
This number appears above your name on all mailing envelopes in which issues of the maga-
zine were sent to you, including the one in which the present issue was sent.
PM13218 -- PM13246 expire 3/7/11 PM13247 -- PM13268 expire 5/5/11
However, new members who renew now & roll over memberships save SPMC time & expense.
337Paper Money • September/October 2010 • Whole No. 269
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 337
Paper Money • September/October 2010 • Whole No. 269338
The Paper Money article on currency of Central City, CO in the late 1800s by Q. David Bowers(September/October 2009) mentioned that “In the late 20th century gambling was legalized in CentralCity and Black Hawk, along with Cripple Creek to the south. Store fronts were converted to casinoswith banks of slot machines, and novelty shops and restaurants enjoyed good business for a time.”
Starting in 1991 a number of casinos opened in Central City. Some lasted for only a few months; some
lasted for several years, but many (about 30) went under, some of which were re-openings in the same place as prior
efforts. By the early 2000s the number of active casinos in Central City had dropped below 10 and a big change was
in the wind.
Until the early 2000s the gaming establishments had used chips for their table games and tokens, coin, and
currency(in) for their slot machines. But in 2005 the Fortune Valley Casino, which is the first casino on the road in
from Black Hawk, began installing TITO using slot machines.
These TITOs are dollar-sized. They removed the need for handling tokens, or coin in servicing the slot
machines and reduced the labor required to operate the casino. The TITO slot machines take currency or TITOs
in and pay out with TITOs. The TITOs can then be cashed at the issuing casino cage or in more recent years
through ATM like machines in the issuing casino.
Fortune Valley Casino has over the last five years used three different design TITOs shown below that dif-
fer only in minor changes in the text and text layout.
Two casinos have closed within the TITO-issuing period to date: Scarlet’s Casino (above) and Teller
House Casino (below); the Teller House Casino, which was only open about five months in 2005. Yes this is the
same Teller House at the location mentioned and pictured in the Paper Money article.
Three Casinos still operating in Central City continue to use tokens and/or coin and currency (in) to oper-
ate their slot machines: Doc Holiday Casino, Dostal Alley Casino and Famous Bonanza Casino. These are all small
operations and may convert as time and finances allow. In June 2010 a new casino opened in Central City, Johnny
Central City CO, Today:
The New Local Currency --
TITOs (Ticket In Ticket Out) Gaming Casino Cashout Tickets
by Jim Noll
Last line of text starts “right” Last line of text starts “withhold”
Last line of text starts “and” Common face design
Jim Noll is the author of the just-published Ver. 2.01 of the TITO Collectors Catalog on CDRom in Word & PDF formats. For more infor-
mation contact the author at jenca@pacbell.net
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 338
Paper Money • September/October 2010 • Whole No. 269 339
Z's Casino, and it employs TITOs too. The new Johnny Zs TITO is shown below.
In July 2009 betting limits at Colorado casinos were increased, casino hours were expanded and new table
games introduced. These revised rules hope to reduce casino failures and turnovers.
TITOs as a currency substitute are a valid collectable that can be obtained by paying in $1 on the slot
machine and playing it down to a small amount and printing out a ticket to add to your collection, if you are lucky
you may see your $1 double or more as a winner then it is time to cash the ticket and enjoy your winnings.
Thanks to Allen Banick and his www.cochips.com web site for research material used in preparing this arti-
cle. Additional research material provided by E. Barker. v
Easy Street Casino (above) and Century Casion (below) are also using TITOs.
Two casinos have closed within the TITO-issuing period to date: Scarlet’s Casino (above) and Teller House Casino (below).
Johnny Zs Casino is the most recent casino at Central City, and it employs TITOs too.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 339
Paper Money • September/October 2010 • Whole No. 269340
HARRIET BELLE (AMSDEN) SAMMONS AND HER HUSBAND,Dr. George W. Sammons, were early settlers of Farmington, NewMexico, arriving there in 1908.
Farmington, in the northwestern corner of the state, is the largest com-
munity in San Juan County. In 1910 it had a population of 800; today it is more
than 45,000.
She was born on October 8, 1873, in Manchester, Iowa, and her husband
was a native of Kansas. They had met while students at Oberlin College in Ohio,
where both graduated in 1900. He then attended Rush Medical College in
Chicago.
The First National Bank of Farmington was founded in 1902 (charter
#6183) when New Mexico was still a territory. Its first cashier was Avery M.
Amsden, Harriet’s older brother. He had come to New Mexico for his health. A
building for the bank was built and opened at Orchard and Main Streets in 1907.
Amsden continued as cashier while his uncle, William H. Avery, a Los Angeles
investor and businessman, had become the president. With Avery’s death in 1912,
Amsden became president of the bank.
In 1908, Harriet became the assistant cashier of the growing bank. She
served in that capacity until 1922 when she purchased her brother’s interest and
became president, an important role in the community she would have for almost
30 years, until October 1951.
Her presidency spanned the Roaring ’20s (which in that part of New
Mexico were not always so “roaring”), the Depression of the 1930s, the Second
World War, and the postwar period of growth. The deposits in the bank grew
from about $300,000 to around $6,000,000 during her administration.
Charles C. Culpepper, the long-time cashier of the bank, was hired short-
ly after she became president. It is said that they ran the bank as a team.
An oral history project in Farmington interviewed nearly 20 people who
remembered her. She was recalled as a small woman with gray hair, well dressed,
cultured, reserved, conservative, professional looking, precise, and cautious with
loans. Perhaps reflecting her upbringing, she was against alcohol, dancing, and
card playing.
She was not involved in politics or in social affairs. She smoked, but
never in public.
It was said that some in the community didn’t like her, perhaps because
she had turned them down for loans. And there were some that she didn’t like.
She sold her interest in the bank and retired in October 1951. Her hus-
band had practiced medicine for several decades after their arrival, until health
problems caused his retirement. He then occupied himself with the farms they
Harriet B. Sammons,
National Bank President
by Karl Sanford Kabelac
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 340
Montgomery, MD National Currency collector J.Fred Maples, SPMC #10629, earned the 2010
SPMC George W. Wait Memorial Award, a research
award presented annually to the author
of a book length work on a field related
to paper money and banking.
The Award honors an SPMC
“Founding Father” who was instrumen-
tal in launching the Society’s very suc-
cessful Wismer series of State-by-State
obsolete bank note catalogs. Up to
$500 may be awarded to a winner.
Maples got the maximum award.
Maples’ projected book, Maryland
National Bank Notes: A Guide to the
Currency and Bank Officers, is expected
to be about 275 pages in length. Each chapter focuses
on the National Banks in one of Maryland’s 22 counties.
He has been working on this project for about a decade,
including conducting extensive inter-
views to research bank and bank officer
histories.
Maples states that he has written two
earlier paper money books, and con-
tributed several articles to hobby jour-
nals, including the article coincidentally
starting on page 363 of the present issue.
The official announcement, rules,
and deadlines for the 2011 George W.
Wait Memorial Award will appear in
these pages in our upcoming Nov/Dec
2010 issue. Get your entries ready! v
Paper Money • September/October 2010 • Whole No. 269 341
owned. He died in February 1952, just a few months after she retired from the
bank. She died while hospitalized in Los Angeles, on June 9, 1954, and was
buried in her hometown of Manchester, Iowa. They were childless, and her
estate, estimated at half a million dollars, was left to various relatives, acquain-
tances and organizations. Some residents found that their personal debts to her
were cancelled in her will.
The bank itself was taken over by Wells Fargo in 2000.
Sources and acknowledgements
At the time of the bank’s 75th anniversary in 1977, it published In the
Early Days, an overview booklet on its history. Diana Lynn Ohlson interviewed
those who remembered Mrs. Sammons and compiled the interviews into a book-
let, A Financial Genius in a Small Western Town: H. B. Sammons ‘First Woman
Bank President in New Mexico’ (December 4, 1991). Dr. Sammons’ obituary
appeared in the Farmington Daily Times for February 6, 1952. A long article on
Harriet B. Sammons, “With a Woman President, Bank Here Has a Remarkable
Record,” had appeared shortly before in the same paper, on January 26, 1952.
Unfortunately, the microfilm of the local newspaper is missing the issue for June
10, 1954, which would have had her obituary. A notice about her funeral
appeared in the newspaper the following day and an article about her will
appeared in the paper on June 25, 1954. I am grateful for help from Juris G.
Odins of the Farmington Public Library and of Debbie Doggett of the
Farmington Museum. v
Series 1929 Type 1 note on The First
National Bank of Farmington with
the facsimile signatures of H. B.
Sammons as president and C. C.
Culpepper as cashier. (Courtesy
Heritage Auctions)
National Bank Note collector Maples wins George W. Wait Award
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 341
Paper Money • September/October 2010 • Whole No. 269342
Introduction
D
URING THE LAST FEW YEARS, I HAVE HAD THE GOOD
fortune that Paper Money has published some of my articles dealing in
a subject that is of particular interest to me: the Banks and Paper
Money of Panama. Since publication, many bits and pieces of infor-
mation, from various and varied quarters, continue to “come in.” These new
items so enhance and enrich the subject matter that I would be delinquent were I
not to share them with you. My thanks to the Editor of Paper Money, Fred Reed,
for humoring me.
Banco de Perez y Planas (Paper Money, vol. 36 no. 2, March-April 1997)
The American Bank Note Company printed 10,000 each of the 2-, 3-, 5-
and 10-peso notes. The portrait of Antonio Planas (father of Ricardo Planas, co-
founder of the bank) was engraved by Charles Burt (1823-1892). 1
The vignette in the center of all four bills is a combination of two pieces
of work. The center item, entitled Globe, was engraved by Luigi Delnoce (1822-
1890) and is ordered by a ship on one side and a locomotive on the other, entitled
Transportation. This was engraved by George W. Hatch (1804-1866). 2 This
vignette was quite popular. Other users include: El Banco Navia (Uruguay), 1865;
Tesoreria Jeneral de los Estados Unidos de Colombia (Colombia), 1865; Banco
Nacional de Colombia (Colombia), 1881; Hawaiian Islands, 1879; 3 and by the
Panama Railroad, projected bond issue of 188-, as well as on its stock certificate of
1904.
Update on Panama
by Joaquin Gil del Real
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Paper Money • September/October 2010 • Whole No. 269 343
Though no five (5) peso example has yet surfaced, other denominations
have been offered, i.e.:
2 peso note, Christie’s Auction, November 28-29, 1990;
10 peso note, Almanzar’s Auction, July 31, 1981.
The last were apparently part of an ABNCo presentation album present-
ed to heads of state. Over time these albums were cannibalized and many notes
entered the market. How many albums there were is not known. So far, no cir-
culated, signed or serial-numbered example of this issue has surfaced, nor have we
seen nor heard of a five peso note, sample or otherwise. We would be delighted
were one of these to come to light!
Banco de Panama, 1869-1874 (Paper Money, vol. 41 no. 4, July-August 2002)
Successor to the Banco de Perez y Planas. The five (5) and ten (10) peso
notes of the Perez y Planas Bank were altered to read Banco de Panama. New
plates were made for the 1-, 20- and 50-peso notes, using the portrait of Antonio
Planas, and the same Globe/Transportation vignette. 39,000 notes were printed:
25,000 1 (one) peso $25,000
10,000 5 (five) peso $50,000
2,000 10 (ten) peso $20,000
1,500 20 (twenty) peso $30,000
500 50 (fifty) peso $25,000
39,000 $150,000
On June 4th, 1873, the Banco de Panama issued $32,000 pesos into cir-
culation. No records have been found indicating the quantities of each denomi-
nation issued. Our only guide, so far, has been the discovery of signed notes that
are numbered. Those that we know are:
4
Globe and Transportation
vignette appears on notes of
Banco de Perez y Planas and of
the Republic of Hawaii.
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Paper Money • September/October 2010 • Whole No. 269344
1 (one) peso numerous
5 (five) peso #0996 Museum of History, Panama
#1118 Museum of History, Panama
10 (ten) peso #309 private collection
#335 private collection
Some 5- and 10-peso notes, numbered, but unsigned,
are seen now and then in the auction markets, and we try to
keep a tally of these. Our interest, however, is in those that are
signed. No 50-peso, signed bill has been reported, though an
unnumbered remainder was auctioned in the recent past. 5
In the old part of the City of Panama (San Felipe) we
were able to identify the building (shown at left) where both
the Perez y Planas and Panama Banks were located. While
Perez y Planas opened on one side of the building, the Banco
de Panama opened on the side facing the Cathedral on Sosa
Street. The edifice was originally two floors. A conflagration
in 1874 not only destroyed the building but confirmed the
demise of the bank.
Some years later the property was sold to a commer-
cial enterprise. They were shipping agents and purveyors of
naval stores, and a third floor was added. When we visited the
site it was quite deteriorated and not in use. Present owners
were considering restoring the building. Curiously, on the
ground floor there was still a large vault. Whether this was the
original bank vault or not is another matter.
Globe and
Transportation
vignette appears
on these notes of
El Banco de
Panama. The
bank’s original
building is shown
below.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 344
Paper Money • September/October 2010 • Whole No. 269 345
Exchange Bank of Colon, 1866-1872 (Paper Money, vol. 40 no. 5, Sept/Oct 2001
We were able to locate the original, handwritten, 2nd Patente (license)
which authorized the issue of a second lot of $5,000 pesos into circulation (shown
following on pages 346-347).
By mere chance (a friend of a friend of a friend) we came across a
descendant of Walter Perry Field, founder of the exchange Bank of Colon.
Family commentaries indicate that Walter Perry was a very rude, crude and
tough individual. In the Daily Alta California of February 27, 1854, we read
that a “Mr. Field” arrived in Panama aboard the Steamer El Primero of the
Central America Steam Navigation Company on February 21, 1854. Mr.
Field apparently went to Aspinwall (Colon), the Atlantic terminus of the
Panama Railroad. That city was described as: “It had a monopoly on the
vices,” and commenting on the residents: “. . . were the misfits of many
nations. Many of them had left their country for their countries’ good. . . .
They left to save their governments the expense of hanging them. . . . They
existed in a sort of cannibalistic way off the California travel . . .” 6
From the above we begin to get an idea of what sort of person this
Mr. Field was. By 1866 he had accumulated some properties and founded
the bank. Due to economic difficulty, the bank ceased operations by 1872.
In 1885 the son of Walter Perry, Walter Joseph, was now 25 years
of age and a businessman in his own right. In January of that year he had
formed his own company, Field Brodie & Co., and was organizing the
Savings Bank of Colon. In March Panama was going through one of its
normal political convolutions, and the City of Colon was burned down. At
the same time, after 30 years of experimentation, the federal system of gov-
ernment was abolished and Panama reverted to a mere Department. With
a bleak economic outlook for the future, Walter Perry began liquidating his
holdings with a view to “moving on.” According to family accounts, his son
found out about his father’s intentions and had him locked into his own
house. In the meantime, the son met all creditors and obligations in his and
his father’s name.
With what little was saved, Walter Joseph decided to go to
California. En route, he stopped for a few days in San Jose, Costa Rica, and
stayed for some 40 years. 7 While in Costa Rica he acquired some coffee
plantations and with his banking background co-founded and was first
President of the Banco Internacional de Costa Rica in 1912. 8 The Bank
was chosen by the government of Costa Rica as the Official Emitting Bank
of the Republic. The Bank opened its doors to the public on November 3,
1914. 9 Walter Joseph Field’s portrait graces the 10 colon note of 1916.
By the early 1920s, Walter Joseph liquidated his holdings in Costa
Rica and finally managed to go to California. There he invested his where
withal in the New York Market. Within a short time the market “burst”
and he lost all. Walter Joseph died on August 8, 1931, in Los Angeles,
where he is interred.
Above: Walter Perry Field. Below:
Walter Joseph Field. He is also shown
on the Banco Internacional de Costa
Rica 10 Colones note, at bottom.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 345
Paper Money • September/October 2010 • Whole No. 269346
Above & right: Original 2nd Patente (license) authorizing second issue of $5,000 pesos of the Exchange Bank of Colon.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 346
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*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 347
Paper Money • September/October 2010 • Whole No. 269348
Estado de Panama, 1861 (Paper Money, vol. 41 no. 5, Sept/Oct 2002
This was the first issue of Treasury bills in Panama. While the Law that
created these notes stated: “. . . the Bills shall be of twenty, ten and five pesos, in
the amount of each class that the Executive considers convention,” all we can do
is speculate as to how many were printed. There is a scarcity of background
material. Certain legislative memoranda, of a later date, as well as direct mention
in government correspondence to the bills of “35” pesos leads us to speculate that,
indeed, sheets (as was the practice of the time) of 5-, 10- and 20-pesos were print-
ed with said specific denomination.
While the Law referenced above limited the issue to a total of $25,000
pesos overall, this indicates, we presume, at least 714 sheets of $35 pesos each.
Such a quantity of sheets does not seem proper, and we would be more inclined
towards an amount of 1,000 sheets as more appropriate. Of the amount over the
basic, required maximum, those extra sheets could have been printed sans denom-
ination. Witness to this last comment is that the only known surviving example of
this issue is dated 1868 and the denomination is handwritten. Further, no serial
number has been noted, as required by Law. 10
The printers of this item, Snyder, Black & Sturm of New York, had an
extended life, lasting, under a shortened name, until the early 1920s, when they
disappear from the New York telephone directories. 11
There is still much work to be done here in what is an extremely sparse
documentary environment.
Estado Soberano de Panama, 1865 (Paper Money, vol. 41 no. 5, Sept/Oct 2002)
Many examples of this issue have survived, some in excellent
condition, while others have a signature cancellation, which is the right
hand portion scissored-out.
In 1866 the ABNCo printed 10,000 sheets of 1-, 2-, 3- and 10-
peso numbered notes. All four items have a common central vignette,
entitled Tropics, which was designed by Henry W. Herrick (1824-1906).
This design, with modification by engraver W.W. Rice (1820-1860) was
quite popular in Latin America. Some who share this vignette include
Argentina, Colombia, Costa Rica, Dominican Republic, Ecuador,
Guatemala, Hawaii and Venezuela. 12 Some private banks of the era also
utilized this design. 13
The portrait of General Tomas Herrera, that appears on all
four notes, was engraved by James Bannister (1821-1901). The one peso
bill, front left, has an effigy of Liberty done by Charles Schlecht (1843-
1932), 14 which is also shared by Argentina’s 10 peso note of 1867 (PS
Sir Thomas Lawrence’s 1823 paint-
ing The Calmady Children appears
on the Estado Soberano de Panama,
1865 note issue.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 348
Paper Money • September/October 2010 • Whole No. 269 349
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website: www.executivecurrency.com
(586) 979-3400
PO Box 2 • Roseville, MI 48066
e-mail: Bart@executivecurrency.com
BUYING AND SELLING
PAPER MONEY
U.S., All types
Thousands of Nationals, Large and
Small, Silver Certificates, U.S. Notes,
Gold Certificates, Treasury Notes,
Federal Reserve Notes, Fractional,
Continental, Colonial, Obsoletes,
Depression Scrip, Checks, Stocks, etc.
Foreign Notes from over 250 Countries
Paper Money Books and Supplies
Send us your Want List . . . or . . .
Ship your material for a fair offer
LOWELL C. HORWEDEL
P.O. BOX 2395
WEST LAFAYETTE, IN 47996
SPMC #2907 (765) 583-2748 ANA LM #1503
Fax: (765) 583-4584
e-mail: lhorwedel@comcast.net
website: horwedelscurrency.com
Fred:
I read your article on Smileage Coupons in the recent issue of Paper Money. I had been
researching them and it looks
like I was beaten to the
punch on getting something
published. Here is a scan of
the B and C booklets as well
as a scan of a sheet of C tick-
ets. The B booklet is a medi-
um green; B tickets are light
green. Unfortunately, my
booklet is empty (the only
empty booklet I have seen). I
do not have a scan of the B
ticket but I have seen them.
The C booklet is blue; C
tickets are torquoise.
SMILEAGE BOOK, $1.00,
portraits, and serial numbers
on these booklets’ faces are
printed in red as is the head
and number on the ticket.
-- Jim Downey
Fred,
A seminar on merchant scrip from Nashville, TN was held by SPMC at the Whitman Expo in Nashville
Friday May 23rd. Dennis Schafluetzel displayed images of more than 100 different pieces of Nashville scrip. More
than half of the scrip is unlisted in the Tennessee catalogs. The images will be included in a new book on Tennessee
Obsoletes being written Tom Carson and Dennis Schafluetzel. Scrip includes issues from the 1820s, the Hard
Times period of 1837-1842 the Civil War, Reconstruction and company store issues from the later 1800s..
-- Judith Murphy v
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 349
Paper Money • September/October 2010 • Whole No. 269350
1577), and the Farmers and Merchants Bank of Greensborough, Maryland,
among others. The two peso note has an allegory to Agriculture, with cherubim,
shared with Ecuador, Mexico, Peru and Greece. An anchor appears on the three
peso note, representing solidity. Also utilized by many banks that operated in
Canada and the United States maritime region, during the early 1840s-1860s. 15
Last, but not least, is the ten peso bill, depicting The Calmady Children, painting by
Sir Thomas Lawrence in 1823, and engraved by Joseph P. Ourdan (1828-1881)
and Alfred Jones (1819-1900). 16 This vignette was most popular with private
All four denominations have Tropics
as the central vignette. Liberty
appears on the one peso, and also
notes such as the Farmers and
Merchants Bank $3, shown opposite
An anchor appears on the 3 pesos
note and also the Searsport Bank $5
shown following.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 350
Paper Money • September/October 2010 • Whole No. 269 351
banks of that time. The original painting can be seen at the Metropolitan
Museum of Art in New York.
As mentioned previously, there is no scarcity of these notes. This has led
some collectors to acquire these strictly by signature, which may total to as many
as 14 different combinations. 17 In 1869 ABNCo also printed a second set of
10,000 sheets, but unnumbered. 18 The financial requirements of the Isthmus
must have been dire indeed. Few unsigned examples are known.
Tropics also appears on notes of the
Hawaiian Islands and Republic of
Costa Rica. Liberty appears on U.S.
obsolete notes.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 351
Paper Money • September/October 2010 • Whole No. 269352
Estado Soberano de Panama, 1880 (Paper Money, vol. 41 no. 5, Sept/Oct 2002)
This issue totalled $20,000 pesos in three different denominations: 20,000
fifty (0.50) centavos; 6,000 one (1.00) pesos; and 2,000 two (2.00) pesos notes.
Two new examples came to light in recent years, both in excellent condi-
tion: a fifty (0.50) centavos note, serial #5537, and a one (1.00) peso bill, serial
#3996. Both are shown below. Previously only a fifty (0.50) centavo with serial
#13510, and a one (1.00) peso note with serial #1237 were known. These bills are
approximately:
fifty (0.50) centavos 6.8 cm X 11.3 cm (211⁄16” X 4”)
one (1.00) peso 8 cm X 12 cm (31⁄8” X 415⁄16”)
The whole issue was printed in Panama by the Star and Herald Co.
the local newspaper printed the
small denomination notes of
1900.
An anchor appears on many obso-
lete U.S. notes of the maritime
states.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 352
Paper Money • September/October 2010 • Whole No. 269 353
SPMC NEW MEMBERS - 06/05/2010
These memberships expire in one year, 6/5/2011.
13269 Doug Merenda (C), Website
13270 Hal R. Hopson, 333 Eden Isles Drive, Slidell, LA
70458 (C, Obsoletes and Legal Tenders), Fred Reed
13271 Lance Koslowsky, 1419 Lowe, El Dorado, KS 67042
(C, Gold & Silver Certificates, Error Notes, US Large),
Frank Clark
13272 Calmer J. Halverson II, 1440 Shadow Lane, Sparks,
NV 89434-1777 (C, US Large & Small), Frank Clark
13273 Mark A. Adcock (C), Jason Bradford
13274 Larry Bagnera (C), Jason Bradford
13275 Dennis Bechtel (C), Jason Bradford
13276 Paul Bonamarte (C), Jason Bradford
13277 Charles Bondurant (C), Jason Bradford
13278 Troy Bordeaux (C), Jason Bradford
13279 Arthur Broniszewski (C), Jason Bradford
13280 Mark Butler (C), Jason Bradford
13281 Alvin Cochran (C), Jason Bradford
13282 Craig Cope (C), Jason Bradford
13283 Daren Barry (C), Jason Bradford
13284 Theodore Galusha (C), Jason Bradford
13285 Robert Goldstein (C), Jason Bradford
13286 David Goodrich (C), Jason Bradford
13287 Randy L. Hare (C), Jason Bradford
13288 Keith Hughes (C), Jason Bradford
13289 Richard Jones (C), Jason Bradford
13290 Cort Kenaston (C), Jason Bradford
13291 Chris Ketchmark (C), Jason Bradford
13292 Terry Knight (C), Jason Bradford
13293 Jeff Marcley (C), Jason Bradford
13294 H.W. Martin (C), Jason Bradford
13295 Samar Mohamed (C), Jason Bradford
13296 Thomas Mol (C) Jason Bradford
13297 Brian Moody (C), Jason Bradford
13298 Arthur Morton (C), Jason Bradford
13299 Richard Moynihan (C), Jason Bradford
13300 Ronald Papso (C), Jason Bradford
13301 Jason Philis (C), Jason Bradford
13302 John Reid (C), Jason Bradford
13303 Eric Schaub (C), Jason Bradford
13304 Robert Sebastian (C), Jason Bradford
13305 Joe Schremser (C), Jason Bradford
13306 Keith Schultz (C), Jason Bradford
13307 Terry Smith (C), Jason Bradford
13308 Anthony Stein (C), Jason Bradford
13309 Eugene Szestak (C), Jason Bradford
13310 Andrew Twedt (C), Jason Bradford
13311 Fred Myers, 13799 Piedmont Vista Drive, Haymarket,
VA 20169-3217 (C, Nationals), Allen Mincho
13312 Robert L. Jones, 9812 Coalinga Avenue, Montclair,
CA 91763-2821 (C, United States), Website
13313 Joe Farrenkopf (C), Website
13314 Philip Hughes (C) Website
13315 John L. Ellis (C, Southern Obsoletes), Website
13316 Walter Bennett Shoemaker (C), Mark Anderson
SPMC NEW MEMBERS - 07/05/2010
These memberships expire in one year, 7/5/2011.
13317 John V. Spinelli (C), Robert Moon
13318 Daniel R. Richards (C), Frank Clark
13319 Larry B. Vohs, 116 Hudson Ave, Cohoes, NY 12047-
3731 (C & D), Website
13320 Brad Porter, 210 West Main Street, Loudonville, OH
44842 (US Large & Small), Website
13321 Robert M. (Mike) Sunderland, 69 Olde Spring Road,
Columbia, SC 29223-6002 (C), Website
13322 George Padro, PO Box 10001, Caparra Height
Station, San Juan, PR 00922-0001 (C, US Small), Tom
Denly
13323 Peter Symes, GPO Box 933, Sydney NSW 2001,
Australia, (C, World), Mark Anderson
13324 Edward Henley, PO Box 514, Greenville, IN 47124
(C & D), Jeff Brueggeman
13325 Douglas A. Gregory, 212 Briarcliff Drive, Castle
Hills, TX 78213 (C), Frank Clark
13326 Alessandra Maiocchi, Via Gardone N. 18, Milan, Italy
20139 (D, World), Mark Anderson
13327 Anthony Della Volpe, Via G. Leopardi N. 20, Milan,
Ialy 20123 (D, World), Mark Anderson
13328 Jai Chandrasekhar, 522A Henry Street Apt 2,
Brooklyn, NY 11231 (C, World, Britain, France, India),
Website
13329 Nelson T. Perry, 119 Gibson Road, Louisville, KY
40207 (C, Confedrate), Website
13330 David Bing (C), Website v
SPMC Project 6000 Recruiters*
Paul Burns, Bob Cochran, Q. David Bowers, Greg
Culpepper, Tom Denly, Ron Horstman, Jason
Bradford, Bryn Korn, Arri Jacob, American
Numismatic Rarities, Larry Adams,
Jack Levi, Rob Kravitz, Benny Bolin, Hugh Shull,
Andrew Korn, Judith Murphy, Lowell Horwedel,
Michael Moczalla, Allen Mincho, Fred Reed,
David W. Moore, Jeff Bruggeman
Robert S. Neale, Wendell Wolka, Robert Moon,
Kathy Lawrence, Mark Anderson, Lowell
Horwedel, D. Schafluetzel, Frank Clark,
John Wilson, Scott Lindquist
*SPMC Project 6000 is a plan adopted by the
SPMC Board to raise awareness and memberhip
rolls in the Society with a goal of reaching 6,000
paid up members. A Project 6000 Recruiter, is an
SPMC member who recruits two new members.
Non-SPMC Board Members who do so get a free
Peter Maverick souvenir card as “thanks.”
WORD ADS WORK FOR YOU
Use Money Mart ads to sell duplicates.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 353
Paper Money • September/October 2010 • Whole No. 269354
Arias or “Seven Day Notes,” 1941 (Paper Money, vol. 41 no. 5, Sept/Oct 2002)
Another of the supposedly burnt and disposed one Balboa notes has sur-
faced, serial #594,371. So far, this makes seven bills that were to have been “offi-
cially incinerated,” on June 19, 1942, that have somehow risen from the ashes. 19
Following are the serial numbers of known bills:
589,088 589,126
589,210 594,371
594,400 595,422
595,348
Well, that’s about it for now. We hope this information helps appreciate
and better understand what little is known about Panama’s paper money. As we
continue to search and expand our knowledge, you can be sure we will share with
you whatever information we obtain.
End Notes
1. Correspondence, American Bank Note Co., January 24, 1995.
2. Hessler, Gene, The Engraver’s Line, Port Clinton, OH: BNR Press, 1993,
pps. 100, 162.
3. Christie's auction catalog, November 28-29, 1990, p. 59.
4. Correspondence, ABNCo, January 24, 1995.
5. Christie’s, p. 65.
6. Guinn, J.M., “To California via Panama in the Early ’60s,” read before The
Pioneers, March 1, 1898, Historical Society of Southern California and Pioneer Register,
vol. 5 part 1, Los Angeles, 1900.
7. Correspondence, Field family descendants.
8. La Gaceta, No. 60, September 10, 1912, San Jose, Costa Rica.
9. Carranza, A., Jose A., Historia de lost Billetes de Costa Rica, Fundacion Museo
Banco Central, Editorial Lil, S.A., San Jose, Costa Rica, 2000, p. 142.
10. Gaceta del Estado, No. 209, November 20, 1861, Panama.
11. Gaceta del Estado, No. 212, February 26, 1862, Panama.
12. Hessler, p. 169.
13. Haxby, James A., Standard Catalog of United States Obsolete Bank Notes, 1782-
1866, Iola, WI: Krause Publications, 4 vols., 1988.
14. Hessler, p. 265.
15. Haxby, passim.
16. Hessler, pp. 231, 180.
17. Alba, Manuel Maria, Indice Cronologico de lost Governantes de Panama, 1510-
1967, Imprenta Nacional, Panama, 1966, pp. 384-385.
18. Correspondence, ABNCo, January 24, 1995.
19. Ministerio de Hacienda y Tesoro, Memoria, 1943, pp. 531-551. v
This note was reported incinerated
on June 19, 1942.
*Sept/Oct 2010 Paper Money 8/9/11 11:59 AM Page 354
Paper Money • September/October 2010 • Whole No. 269 355
The Indian
Princess Vignette
Used on
Obsolete
Currency
By Joseph J.
Gaines Jr.
For many years the Indian Princess note has been considered to be
the rarest Confederate note.
More recent surveys
of Indian Princess
note serial numbers
suggest it is the
second or
third rarest
Confederate
note. Use of the
Indian Princess
vignette on obsolete
notes is of interest to collectors of both state bank notes and CSA notes.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 355
Paper Money • September/October 2010 • Whole No. 269356
The Indian Princess note is catalogued as Type 35 by Criswell and is list-
ed as #39 in the book 100 Greatest Currency Notes by Bowers and Sundman.
This note was authorized by an Act of the Confederate Congress of
August 19, 1861. It is a crudely produced lithograph printed by Confederate cur-
rency contractors Hoyer and Ludwig in Richmond, Virginia in 1861 to the extent
of 7160 Indian Princess notes issued. Approximately 115 are known today.
The Indian Princess note is almost always found in Very Good or worse
condition as the notes were heavily circulated and were produced on very poor
quality paper. In many cases the printing of the note is irregular and impaired.
Most of existing notes have condition issues such as holes, repairs, stains or tears.
The vast majority of existing examples are poorly cut.
The Confederate Indian Princess note was produced with two vignettes.
In the lower left corner of the note is a roughly executed vignette of a wharf scene
where two black workers are loading bales of cotton presumably onto a river boat
for transport to market. In the background are the smoke stacks of a riverboat
along with other river crafts. To the best of the author's knowledge, this vignette
was a custom vignette for the Indian Princess note . The author is not aware of a
single obsolete note that is imprinted with this vignette.
The right upper corner of the note is adorned with the famous Indian
Princess vignette. The vignette features an Indian Princess standing on a path
with trees next to and behind her. The Indian Princess wears what appears to be a
leather dress. A decorated head band and left arm band are present. She wears a
beaded necklace and loop earring. Her left foot is covered with a moccasin.
The plate for the Confederate Indian Princess note was borrowed by
Hoyer and Ludwig from the Bank of Charleston South Carolina. The Bank of
Charleston $5 note is very similar to the Confederate States of America Indian
Princess note with the same border shading imprinted “FIVE DOLLARS,” the
same “5” counters in the left upper and right lower corners, and of course with
the same Indian Princess vignette.
$5 Confederate States of America
Indian Princess Note Criswell Type
35.
$5 Bank of Charleston, Charleston
South Carolina, Sheheen 52, R-
Indian Princes
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 356
Paper Money • September/October 2010 • Whole No. 269 357
Four varieties of the $5 Bank of Charleston note with the Indian Princess
vignette are known. The Indian Prince vignette from the left side of the $5 Bank
of Charleston note was erased for the most part on the Confederate Indian
Princess note with only the remnants of a few palmetto leaves from this vignette
being visible around the “5” counter in the upper left corner. One might specu-
late the remaining palmetto leaves in the Confederate Indian Princess note are a
subtle tribute to the state of South Carolina.
The other elements of the Confederate Indian Princess note were cus-
tomized by Hoyer and Ludwig to complete the note in accordance with
Confederate specifications. The Indian Princess vignette is one that had been in
use since the late 1830s. The earliest notes with this vignette were issued in 1837.
At least nine different entities issued obsolete notes with the Indian Princess
vignette producing thirteen different obsolete notes.
On nine of these notes the Indian Princess vignette is paired with an
Top, $5 Bank of Charleston,
Charleston South Carolina, Sheheen
50, R-Indian Princess
Middle: $5 Bank of Charleston,
Charleston South Carolina, Sheheen
53, R-Indian Princess
Bottom: $5 Bank of Charleston,
Charleston South Carolina, Sheheen
51, R-Indian Princess
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 357
Paper Money • September/October 2010 • Whole No. 269358
Indian Prince vignette on the opposite side of the note. In all examples the Indian
Princess is located on the right side of the note. The central vignettes vary from
navigation and sea faring vignettes to the Moneta with Chest vignette used for the
Type 14 Confederate note.
Eight of the known notes are from Southern issuers and five are from
Northern issuers. All of the pre-Civil War obsolete notes with the Indian Princess
vignette were produced by Draper, Toppan, Longacre & Co. or Draper, Toppan &
Co. Two 1865-dated City of Columbus, Georgia notes were produced by J.T.
Paterson of Augusta, Georgia, and a Brooks County, Quitman, Georgia, note dated
1869 was printed by R.H. Howell of Savannah, Georgia.
J.T. Paterson also produced some Type 18, 28, 36, 40, and 41 Confederate
States of America notes. In addition, J.T. Paterson later bought out Hoyer And
Ludwig's Richmond operation which may explain how Paterson obtained the
Indian Princess vignette.
Top: $1 Brooks County, Quitman
Georgia, Haxby-UNL R-Indian
Princess
Middle: $50 Calhoun County Bank,
Marshall Michigan, Haxby MI255-
G14, R-Indian Princess
Bottom: $50 Bank of Illinois,
Shawneetown Illinois, Haxby
IL740-Design 50A, R-Indian
Princess
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 358
Now available
Ron Benice
“I collect all kinds of Florida paper money”
4452 Deer Trail Blvd.
Sarasota, FL 34238
941 927 8765 Benice@Prodigy.net
Books available mcfarlandpub.com, amazon.com,
floridamint.com, barnesandnoble.com, hugh shull
Paper Money • September/October 2010 • Whole No. 269 359
MYLAR D® CURRENCY HOLDERS
PRICED AS FOLLOWS
BANK NOTE AND CHECK HOLDERS
SIZE INCHES 50 100 500 1000
Fractional 4-3/4" x 2-1/4" $21.60 $38.70 $171.00 $302.00
Colonial 5-1/2" x 3-1/16" $22.60 $41.00 $190.00 $342.00
Small Currency 6-5/8" x 2-7/8" $22.75 $42.50 $190.00 $360.00
Large Currency 7-7/8" x 3-1/2" $26.75 $48.00 $226.00 $410.00
Auction 9 x 3-3/4" $26.75 $48.00 $226.00 $410.00
Foreign Currency 8 x 5 $32.00 $58.00 $265.00 $465.00
Checks 9-5/8 x 4-1/4" $32.00 $58.00 $265.00 $465.00
SHEET HOLDERS
SIZE INCHES 10 50 100 250
Obsolete Sheet
End Open 8-3/4" x 14-1/2" $20.00 $88.00 $154.00 $358.00
National Sheet
Side Open 8-1/2" x 17-1/2" $21.00 $93.00 $165.00 $380.00
Stock Certificate
End Open 9-1/2" x 12-1/2" $19.00 $83.00 $150.00 $345.00
Map & Bond Size
End Open 18" x 24" $82.00 $365.00 $665.00 $1530.00
You may assort note holders for best price (min. 50 pcs. one size). You may
assort sheet holders for best price (min. 10 pcs. one size).
SHIPPING IN THE U.S. (PARCEL POST) FREE OF CHARGE
Mylar D® is a Registered Trademark of the Dupont Corporation. This also
applies to uncoated archival quality Mylar® Type D by the Dupont Corp. or the
equivalent material by ICI Industries Corp. Melinex Type 516.
DENLY’S OF BOSTON
P.O. Box 51010, Boston, MA 02205 • 617-482-8477
ORDERS ONLY: 800-HI-DENLY • FAX 617-357-8163
See Paper Money for Collectors
www.denlys.com
Harlan J. Berk, Ltd.
“The Art & Science of Numismatics”
31 N. Clark Street
Chicago, IL 60602
312/609-0016 • Fax 312/609-1305
www.harlanjberk.com
e-mail: info@harlanjberk.com
A Ful l -Serv ice Numismat ic F irm
Your Headquarters for
Al l Your Col lect ing Needs
PNG • IAPN • ANA • ANS • NLG • SPMC • PCDA
HARRY
IS BUYING
NATIONALS —
LARGE AND SMALL
UNCUT SHEETS
TYPE NOTES
UNUSUAL SERIAL NUMBERS
OBSOLETES
ERRORS
HARRY E. JONES
7379 Pearl Rd. #1
Cleveland, Ohio 44130-4808
1-440-234-3330
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 359
Paper Money • September/October 2010 • Whole No. 269360
Vignette Denom State Reference Issuer Imprint
Indian Princess $5 SC Sheehen 50 Bank of Charleston, Charleston 1850s DTL
Indian Princess $5 SC Sheehen 51 Bank of Charleston, Charleston 1850s DTL
Indian Princess $5 SC Sheehen 52 Bank of Charleston, Charleston 1830s-40s DT
Indian Princess $5 SC Sheehen 53 Bank of Charleston, Charleston 1840s DT
Indian Princess $20 WI Krause WI120-G10 Bank of Fox River Hydraulic Co., Depere 1830s DTL
Indian Princess $50 IL Haxby IL740-Design 50A Bank of Illinois, Shawneetown 1850s DTL
Indian Princess $1 MI Haxby MI385-G2 Bank of Saline, Saline 1830s DTL
Indian Princess $50 MI Haxby MI255-G14 Calhoun County Bank, Marshall 1830s DTL
Indian Princess $3 AL-GA Haxby GA-UNL Irwinton Bridge Company, Irwinton 1830s DTL
Indian Princess $1 GA Haxby GA-UNL Brooks County, Quitman April 26, 1869 Howell
Indian Princess $1 RI Durand-1555 The Mechanics Bank, Providence 1840s-50s DTL
Indian Princess $5 GA Haxby GA-UNL City of Columbus, Columbus 1865 Paterson
Indian Princess $10 GA Haxby GA-UNL City of Columbus, Columbus 1865 Paterson
Indian Princess Variant $10 ME Haxby ME-UNL Bangor Mills & Manufacturing Co., Bangor 1830s DTL
Indian Princess Variant $100 ME Haxby ME-UNL Bangor Mills & Manufacturing Co., Bangor 1830s DTL
Indian Princess Variant $1 MI Haxby MI375-G2 Commercial Bank of Michigan, St. Joseph 1838 DTL
Indian Princess Variant $5 NY Haxby NY1620-G22 The Fulton Bank, New York 1830-40s DTL
Indian Princess Variant $10 PA Haxby PA-UNL Schuylkill Savings Institute, Philadelphia 1830s DTL
Indian Princess Variant $2 RI Haxby RI340-UNL The Mechanics Bank, Providence 1830-40s DTL
DTL = Draper, Toppan, Longacre & Co. DT = Draper, Toppan & Co.
Above: $10 City of Columbus, Columbus Georgia, Haxby-UNL, R-Indian Princess
Below: $5 City of Columbus, Columbus Georgia, Haxby-UNL, R-Indian Princess
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 360
Paper Money • September/October 2010 • Whole No. 269 361
Collecting obsolete notes with the Indian Princess vignette is an inter-
esting complement to a collection of Confederate States of America currency
notes. All of the obsolete notes with the Indian Princess vignette can be obtained
for less than the cost of a single decent grade Confederate Indian Princess note.
Many of these obsolete notes are scarce to rare and this is a collection that can-
not be completed overnight or with just a few phone calls to dealers. Patience
and some luck are requirements.
The illustrations and table (shown opposite) list the obsolete notes
known to the author with the Indian Princess vignette and a variant Indian
Princess vignette. This interesting similar vignette is found on several obsolete
notes that is clearly an altered Indian Princess vignette wearing American dress
of the period rather than Indian dress (shown following). The Indian Princess
in this variation is now holding a wreath in her right hand with an anchor and
possibly a musical instrument or maritime implement resting next to her. The
Top: $1 Mechanics Bank, Providence
Rhode Island, Durand-1555, R-Indian
Princess
Middle: $1 Bank of Saline, Saline
Michigan, Haxby MI385-G2, R-Indian
Princess
Bottom: $20 Bank of Fox River
Hydraulic Company, Depere,
Wisconsin, Haxby WI120-G10, R-
Indian Princess
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 361
Paper Money • September/October 2010 • Whole No. 269362
adjacent foliage is different, but is similar in layout next to and behind the Indian
Princess.
An example of the Confederate States of America Indian Princess note is
included for comparison by readers. This list is a trial list, and not claimed to be
complete. If readers are aware of additional obsolete notes with the Indian Princess
vignette they can contact the author by email at joegcsa@aol.com.
The author would like to thank Hugh Shull for his assistance in finding
many of these notes and Gary Doster for allowing use of the scan of the Brooks
County note. v
Top: $10 Bangor Mills &
Manufacturing Company, Bangor
Maine, Haxby ME-UNL, R- Variant
Indian Princess
Above: $100 Bangor Mills &
Manufacturing Company, Bangor
Maine, Haxby ME-UNL, R-Variant
Indian Princess
Looking for Specific Serial Numbers
Trying to complete a series collection of all 256 possible
combinations of 0s and 2s in an 8-number serial number.
Denomination and type note does not mtter but MUST BE
some form of Uncirculated. Need the following 8 serial
numbers to complete the collection:
(1) 02200002 (5) 22000000
(2) 20020000 (6) 22000002
(3) 20200000 (7) 22000022
(4) 20220000 (8) 22200002
Robert McGowan, 909 E. Court St., Janesville, WI 53545
(608) 758-9612 robert5203@charter.net
HIGGINS MUSEUM
1507 Sanborn Ave. • Box 258
Okoboji, IA 51355
(712) 332-5859
www.TheHigginsMuseum.org
email: ladams@opencominc.com
Open: Tuesday-Sunday 11 to 5:30
Open from mid-May thru mid-September
History of National Banking & Bank Notes
Turn of the Century Iowa Postcards
Be wise . . . advertise, or patronize those who do!
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 362
Paper Money • September/October 2010 • Whole No. 269 363
Introduction
ICAUGHT THE BUG ABOUT 15 YEARS AGO. A GOOD FRIEND,Howard Daniel, introduced me to paper money collecting and I’ve beenhooked ever since. I’m originally from Bowling Green, KY. Howard taughtme that collecting one’s home town is a neat way to start a paper money col-
lection. I had collected coins for years, but once I started researching and collect-
ing nationals, I was hooked. In this article I share what I’ve learned about nation-
al bank notes from Bowling Green.
Bowling Green is located in Warren County, about two hours south of
Louisville, and one hour north of Nashville. Bowling Green is a college town,
and home to Western Kentucky University.
I’ve collected as many Bowling Green nationals as I can afford. I’ve col-
lected 24 of the 25 known combinations of type and denomination, and have a
fair number of duplicates and signature combinations. Bowling Green supported
six national banks, with notes reported from four of the six banks. Notes from
two of the four known banks are fairly common, while notes from the other two
banks are rare. Bowling Green had large notes from all three charter periods –
although the first charter notes are unreported. Bowling Green had small notes
including Type 1s and Type 2s. I’ve had fun with all my notes, but I’ve especially
enjoyed studying Brown Backs and Red Seals. My only disappointment involves
not being able to collect $5 Brown Backs – no Bowling Green bank issued them.
Even for notes that I couldn’t acquire, I’ve learned as much about them
as possible. I’ve learned about the different bank officers and their signature
combinations. I’ve contacted several descendents of the officers hoping notes
were passed down as heirlooms. I’ve learned which notes had the S-South geo-
graphic letter. I’ve learned which notes had treasury numbers different from seri-
al numbers. I’ve researched many records from the Kentucky Library on the
banks and officers. I’ve researched records from the U.S. National Archives and
National Numismatic Collection at the Smithsonian Institution. I’ve retrieved
officers’ names from many of the Comptroller of Currency Annual Reports.
Through all this research I’ve kept a detailed census of all notes I’ve seen, includ-
ing serial and treasury numbers, grade, and owner.
National Bank Notes
from Bowling Green, KY
Part I
J. Fred Maples
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The Citizens National Bank, charter #5900
I begin with the large notes of Citizens National Bank, chartered July
1901, with charter #5900. The bank succeeded the Warren Deposit Bank and
was organized July 6, 1901, when its first board of directors held its initial meet-
ing. Five days later, the Comptroller of the Currency in Washington, D.C., cer-
tified his approval of the new organization. Within four days the bank was open
for business, at 10 a.m., July 15, 1901, in the same location it occupied for 56
years. Despite two world wars, a trio of financial panics, and a number of reces-
sions, the bank was a prolific issuer of Series of 1882 Brown Backs, Value Backs,
and Date Backs, and 1902 Series Plain Backs. The bank issued $3,064,830 with
$250,000 unredeemed in 1935.
The idea for the bank first came from Max B. Nahm. Nahm was a mem-
ber of Citizens’ board of directors, but was never president or cashier, and there-
fore never signed notes. So I haven’t researched Nahm very much. Citizens
National Bank was indeed a wonderful bank for Bowling Green. I agree with a
1957 Park City Daily News article that reported: “It is a notable tribute to the
soundness of the Citizens Bank that it was one among 31,000 banks in 1921 and
when it reopened in 1933 following the bank holiday declared by President
Roosevelt, it was one of only 15,000 banks that survived the turbulent twenties
and the Black Friday of 1929.” The bank never failed to open, except during the
bank holiday in 1933 declared by the President when every bank in the United
States was ordered to close. The bank reopened on the first day the President
permitted banks to reopen.
Describing the administrations of Citizens National Bank is pretty sim-
ple. There were only three presidents and one cashier during the entire national
Figure 1: Series of 1882 $10 Brown
Back, charter #5900, Fr. 490. Pen
signed by Robt Rodes, Jr., President,
and T.H. Beard, Cashier. This bank
issued 4,900 sheets of 10-10-10-20
Brown Backs. Notice the Kentucky
state seal on the left side of the back
and the American eagle on the right
side.
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banking period. Thomas J. Smith served as president from 1901 to 1904.
Robert Wells Covington served as president from 1904 to 1906, and Robert
Rodes, Jr. served as president from 1906 to 1950. Thomas H. Beard served as
the only cashier from 1901 to 1950. The vast majority of large notes (and all
small ones) were signed by Rodes and Beard. I’m aware of only two notes signed
by Covington and Beard. I know of no notes signed by Smith and Beard.
Citizens National Bank issued 4,900 sheets of 10-10-10-20 1882 Brown
Backs, 8,700 sheets of 1882 Date Backs and 5,100 sheets of 1882 Value Backs.
Citizens National Bank issued 26,923 sheets of 10-10-10-20 1902 Plain Backs.
There are several Brown Backs on Citizens available and three nice examples are
pictured in Figures 1, 2, and 5. Rodes or Beard must have put aside several
sheets of Brown Backs because there is a nice run of Uncirculated notes known,
from serials 3376 – 3394. There are a few 1882 $10 Value Backs known, but
only one $20 Value Back known. Finally there are a few 1882
$10 Date Backs known, but only two $20 Date Backs known.
Geographic lettering occurred for all national banks
from March 1902 to March 1924. The nation was divided
into six regions: N-Northeast, E-East, S-South, M-Midwest,
W-West, and P-Pacific. Bowling Green was in the S-South
region. The Brown Backs from Citizens were issued 1901 to
1908 and straddle the beginning of geographic lettering. All
the known Brown Backs (serials 1695 and above) have the S-
South lettering, so they must have been issued March 1902 or
later. All 1882 Date Backs and Value Backs from Citizens
have the lettering since they were issued 1908 to 1916 and
1916 to 1921 respectively. The Plain Backs from Citizens
were issued 1921 to 1929 and straddle the end of geographic
lettering. So the early Plain Backs had lettering while the
later Plain Backs did not. I don’t know exactly which sheet of
Plain Backs received the last overprint lettering (obviously
about March 1924), but I know bank serials 11495 and higher
don’t have the lettering.
Treasury serial numbers were used for all national
banks until August 25, 1925, when treasury serials were
replaced with duplicate bank serials. All 1882 Brown Backs,
Date Backs, and Value Backs from Citizens contain treasury
serials. Most of the Brown Backs contain treasury serial num-
bers like N000000N, where they are prefixed with an N, then
followed by six digits, and suffixed with an N. Notice the
Brown Back in Figure 5 where only five digits are between
two Ns. Treasury serials on the 1882 Value Backs and Date
Figure 3. Postcard from the Citizens
National Bank, Bowling Green, KY.
Figure 2: Series of 1882 $20 Brown
Back, Fr. 504. Also pen signed by
Robt Rodes, Jr. and T.H. Beard. This
bank issued 4,900 sheets of 10-10-10-
20 Brown Backs. In later notes,
Rodes dropped the “Jr.” signing as
Robt Rodes or Robert Rodes. The left
vignette is titled Battle of Lexington,
and the right vignette is Loyalty.
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Backs are prefixed with a letter, then follow with six digits, and no suffix (see
Figures 6 - 7).
The 1902 Plain Backs from Citizens were issued 1921 to 1929 and strad-
dle the period of treasury serials. So the early Plain Backs had treasury serials
while the later Plain Backs did not. In my research at the U.S. National Archives,
I reviewed the Comptroller of Currency’s Delivery Schedules which are the offi-
cial records showing when the Comptroller received printed notes from the BEP.
From the Delivery Schedules, I know Plain Back sheets 1 – 14800 have treasury
serials and sheets 14801 – 26923 don’t have treasury serials. Treasury serials on
the Plain Backs are prefixed with a letter, then followed by five or six digits (usu-
ally six), and suffixed with another letter (see Figure 9).
All of the 1882 Brown Backs on Citizens used plate positions A-B-C-A.
The Brown Back plates for Citizens were altered to support Date Backs and later
Value Backs, so all 1882 Date Backs and Value Backs have D-E-F-B plates. All
1902 Plain Backs on Citizens used plate positions A-B-C-A.
Now I’ll describe the presidents and cashiers of Citizens National Bank.
I’ll begin with Robert Rodes, Jr., then follow with Thomas H. Beard, Robert W.
Covington, and Thomas J. Smith.
As a long time banker, Robert Rodes, Jr. was well known in Bowling
Green. Rodes was born in Bowling Green on February 16, 1868, the son of
attorney Robert Rodes and Mary Grider Rodes. He was one of six children.
Rodes attended Ogden College before entering business. He was married and
had three daughters. Rodes was county sheriff for a period, then spent a phe-
nomenal 45 years as president of Citizens National Bank. Rodes was also associ-
ated with the Bowling Green Bank and Trust Co., a trust company affiliated with
Citizens National Bank.
Surely Rodes was proud of a Park City Daily News article of March 1,
1911. that said: “Conservatism has signalized the management of this institution
since the first and placed it in the front ranks. Its policy is to extend courteous
treatment alike to the humblest depositor as well as the capitalist.”
After his years of service as president, Rodes continued as chairman of
Figure 4: A c. 1950 photograph of
Thomas H. Beard, left, and Robert
Rodes, Jr., right. Rodes is holding a
$10 1882 Brown Back signed by
them. Rodes spent a phenomenal 45
years as president of Citizens
National Bank (1906 to 1950).
Beard served as its only cashier dur-
ing the national banking period
(1901 to 1950).
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the board of directors for many years. Indeed Rodes worked well into his 90s. A
more colorful side of Rodes’s life involved his 50-year love of dog breeding and
fox hunting. For many years Rodes bred and raised the popular Trigg hounds,
and eventually produced a national champion. “Robert Rodes still loves to hear
the full cry of the hunt from a pack of hounds hot on the trail,” a close friend said
at Rodes’ 90th birthday party. Rodes even set aside a separate “fox huntin’ room”
in his bank – a kind of customer lounge – that housed pictures and drawings of
prized dogs he owned. Rodes died in February 1963 at the age of 94 or 95.
Rodes signed his name three different ways including Robt Rodes, Jr.,
Robt Rodes, and Robert Rodes. Notice the 1882 Brown Backs in Figures 1 and
2 with the Jr. Next see the vanity signatures on the 1882 Date Back in Figure 7,
and the 1902 Plain Back in Figure 9, where Rodes dropped the “Jr.” And finally
look at Figures 8 and 10 where he used a smaller signature and spelled out
Robert.
Thomas H. Beard was also well known in Bowling Green as a banker.
He was born in Butler County, Kentucky on April 2, 1872, the son of William P.
and Mary Porter Beard. Beard was a banker for 58 of his 84 years, and served as
the cashier from 1901 to 1950. At the time of his death on April 26, 1956, Beard
was the bank’s executive vice president. Although twice married, Beard had no
children. I’ve contacted a nephew of Beard, who canvassed the family and found
no heirloom notes that were passed down. The nephew reported the bank gave
Beard a gold watch for his years of service that remains a family heirloom. Beard
signed his name T.H. Beard on all the notes. Figure 5 shows an example of a
large size note signed by Beard and Figures 10 – 13 show examples of small size
notes.
Robert W. Covington was born on the family farm in Warren County,
Kentucky, on August 3, 1856, the only son of Dr. Albert Covington and
Josephine Wells Covington. Covington’s two sisters were also born on the 900
acre family farm which was called “The Grove.” Covington married Mary
Wickliffe Cooper in 1892. Together they had two sons, Euclid M., and Robert
Wells, Jr., and two daughters, Margaret, and Wickliffe.
Covington attended school in Bowling Green and was tutored by private
teachers. He graduated from Warren College, which later became Ogden
College of Western Kentucky University, in February 1875, and the University
of Virginia Law School in 1877. Covington practiced law for nine years with a
partner, Virgil Potter, until Potter’s death in 1886. Soon afterward Covington
took over the family farm when his father died in October 1887.
Covington farmed full time until 1901 when he helped organize the
Citizens National Bank. Covington was a vice president and charter director.
When Thomas J. Smith passed away about three years later, Covington became
Figure 5: Series of 1882 $10 Brown
Back, charter #5900, Fr. 490. Pen
signed by R.W. Covington and T.H.
Beard. Most of 5900’s Brown Backs
have a six digit treasury serial, but
this Brown Back has only five digits.
The left vignette is titled Franklin and
Electricity and the right vignette is
America Seizing Lightning.
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president. Covington held the office only until his cousin, Robert Rodes, Jr.’s
term expired as county sheriff. Then Rodes became president and Covington
became vice president. Covington continued as vice president and director until
he resigned in January 1945.
While maintaining his banking duties Covington continued farming.
Interestingly Covington and his partner Argo Claggett were well known for hav-
ing the largest strawberry farm in the area. Just before the first World War when
refrigeration became available, the farm harvested 16,000 boxes of strawberries for
shipment.
Here are some interesting facts about Covington and his family. During
World War I, Covington was appointed food administrator for Warren County by
Figure 6: Series of 1882 $10 Value
Back, charter #5900, Fr. 577.
Faded signatures of Robert Rodes
and T.H. Beard. Treasury serials on
Value Backs are prefixed with a let-
ter, then six digits, and no suffix.
This bank issued 5,100 sheets of 10-
10-10-20 Value Backs.
Figure 7: Series of 1882
$10 Date Back, charter
#5900, Fr. 545. Signed
by Robt Rodes and T.H.
Beard. Treasury serials
on the 1882 Date Backs
are prefixed with a let-
ter, then six digits, and
no suffix. This bank
issued 8,700 sheets of
10-10-10-20 1882 Date
Backs.
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Senator Frederick M. Sackett. Everyone called him “Major,” a title he secured in
an old militia company at Bowling Green. Covington’s grandfather, Elijah M.
Covington, was known as General Covington for his service in the militia.
Covington’s maternal grandfather was U.S. District Judge Robert W. Wells of
Jefferson City, Missouri, who first decided the famous Dred Scott Case.
Covington was a trustee of Mammoth Cave before it was bought by the State.
The Covington name is well known in Bowling Green – there is a municipal park
and golf course called Covington Woods Municipal Park.
A flattering August 4, 1936, Bowling Green Times-Journal article said “The
Times-Journal does not know of a man in Warren County who is held in higher
esteem, not only as an able, conscientious and splendidly equipped banker, but as
a gentleman of the highest type, whose word is his bond and who has the utmost
confidence and respect of all those who've known him.” Covington was an active
member of the Episcopal Church and served as a delegate from the Diocese of
Kentucky at 12 general conventions over 36 years. For some time Covington was
president of the Board of Trustees of Ogden College.
Covington died March 19, 1949, at the age of 92. I’ve contacted one of
Covington’s granddaughters, who canvassed the family and found one note that
was passed down, a Series of 1882 $20 Brown Back. See Figure 5 where
Covington penned his name R.W. Covington on a second note, a Series of 1882
$10 Brown Back.
Thomas J. Smith was the first president of Citizens National Bank and
served from 1901 to 1904. Smith, a colonel in the Army during the Spanish-
American War, was called T.J. and ran a book store in Bowling Green. Smith
died March 21, 1904, and had one son and one daughter. I haven’t found any-
Figure 8: 1902 Series $10 Plain
Back, charter 5900, Fr. 633. Notice
the stamped black signatures of
Robert Rodes and T.H. Beard.
Purple ink was sometimes used. This
bank issued 26,923 sheets of 10-10-
10-20 1902 Plain Backs.
Figure 9: 1902 Series $20 Plain
Back, Fr. 659. With Treasury Serial
and stamped signatures of Robert
Rodes and T.H. Beard. Charter
#5900 Plain Backs were issued 1921
to 1929 and straddle the end of geo-
graphic lettering.
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thing about Smith’s wife. I’ve located a grandson who doesn’t know of any notes
signed by his grandfather, and I haven’t located any notes. Smith’s grandson tells
me there were four generations of bankers beginning with Thomas J. – pretty
impressive.
Among the small notes of Citizens National Bank, Type 1s were issued
from July 1929 to May 1933. Type 2s were issued from May 1933 to July 1935.
This bank issued 7,102 sheets of Type 1 $10s, 1,940 sheets of Type 1 $20s, 54
sheets of Type 2 $5s, 1,473 sheets of Type 2 $10s, and 290 sheets of Type 2 $20s.
None of the Bowling Green banks, including Citizens National Bank, issued
small size $50s or $100s.
Of course all small size nationals bear two pairs of printed signatures. At
the top left of each note is the signature of E.E. Jones, Register of the Treasury.
At the top right is the signature of W.O. Woods, Treasurer of the United States.
The bank officer signatures of T.H. Beard and Robert Rodes appear at the lower
left and right. The Type 1s on Citizens National Bank are fairly common. Take
a look at Figures 10 and 11 for two examples of Type 1s. Serials on all Type 1s
are prefixed with an A, B, C, D, E, or F, followed by a six digit number, and an A
suffix. I know of no Uncirculated Type 1s for this bank, and no serial 1s. Known
serials on the $10s run from 8 to 7019 and serials on the $20s run from 67 to
1762. The known notes span the grade spectrum from VG to AU.
Plate letters for Citizens’ Type 1s include A-B-C-D-E-Fs and G-H-I-J-
K-Ls. See Figure 10 for an example of plate letter I. From the Delivery
Schedules in the U.S. National Archives, for Citizens National Bank, I found the
first delivery of 1,228 sheets of Type 1 $10s and 402 sheets of Type 1 $20s on
September 9, 1929.
The Type 2s on Citizens National Bank are fairly rare. Type 2s were
issued from May 1933 to July 1935. No notes are known from the limited 54
sheets of Type 2 $5s. I know of only a few Type 2 $10s and $20s and Figures 12
and 13 are two nice examples. Again, all the small notes on Citizens were signed
by Rodes and Beard. Of course the prefix letter of A was used on all Type 2s, fol-
lowed by a six digit serial. Here is an interesting fact regarding Type 2 $10s from
Top, Figure 10: 1929 Type 1 $10,
charter #5900, Fr. 1801-1. Facsimile
signatures of Robert Rodes and T.H.
Beard. This bank issued 7,102 sheets
of Type 1 $10s. Notice this note has
a plate letter I.
Above, Figure 11: 1929 Type 1 $20,
charter #5900, Fr. 1802-1. Signed by
Robert Rodes and T.H. Beard. This
bank issued 1,940 sheets of Type 1
$20s.
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this bank. Kelly reports 8834 Type 2 $10s were issued which isn’t a multiple of
six. So the last sheet was a partial sheet containing only two notes, which was cut
by the comptroller before being sent to the bank.
The plate letters for Citizens’ Type 2s include A-B-C-D-E-Fs and G-H-
I-J-K-Ls. See Figure 12 for an example of plate letter E.
The American National Bank, charter #9365
The American National Bank was chartered February 1909, with charter
#9365. The American National Bank and Trust was organized on September 6,
1886, as the Barclay-Potter & Company’s Bank. A new partner was introduced in
1895 and the name was changed to Potter-Matlock & Company Bankers. The
bank began to offer trust services, which soon made up a large part of the firm’s
activities. The institution’s name then became Potter-Matlock Bank and Trust
Company in 1905. On April 1, 1909, the firm was divided into two companies:
the American National Bank to handle the commercial banking affairs and the
Potter-Matlock Trust Company to handle trust responsibilities. The two compa-
nies shared the same president and a common lobby.
During the depression years, both institutions weathered the financial
storms that caused so many other institutions to fail, including the bank holiday
of 1933. Kentucky Governor Laffoon ordered a bank holiday March 1, 1933, and
restricted withdrawals to 5% per month. American National Bank had special
checks devised by March 3, that could be used to pay bills within Warren County,
and a local committee set up a plan for the use of scrip money during the emer-
gency. The scrip was available by March 8, in two denominations: 20 cents and
$1, and was the size of regular bills. The difficult period ended on March 18,
when banks were allowed to reopen.
The American National Bank issued $1,989,870, with $125,000 total
unredeemed notes in 1935, and just $6,900 in unredeemed large notes in 1935.
This bank had only three presidents and two cashiers during the national banking
period. J. Whit Potter served as president from its founding until February 19,
Top, Figure 12: 1929 Type 2 $10,
charter #5900, Fr. 1801-2. Signed by
Robert Rodes and T.H. Beard. This
bank issued 1,473 sheets of Type 2
$10s.
Above, Figure 13: 1929 Type 2 $20,
charter #5900, Fr. 1802-2. Signed by
Robert Rodes and T.H. Beard. This
bank issued 290 sheets of Type 2
$20s. No notes are known from 54
sheets of Type 2 $5s.
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1923, when he died. Then, S.M. Matlock was elected president and continued
until April 16, 1924, when he resigned. Then, Garland D. Sledge, who had
served as cashier since 1915, was elected president and served until 1948. S.M.
Matlock served as cashier from its founding until 1915, followed by Garland D.
Sledge until 1924. Roy Cooksey served as cashier from late 1924 to 1935. Most
of the large notes and all the small notes were signed by Sledge as president and
Cooksey as cashier (see Figures 19 – 21). I’m aware of a few notes signed by
Potter as president and Matlock or Sledge as cashier — see Figures 14 – 16. I
know of no notes signed by Matlock and Sledge.
The American National Bank issued 11,700 sheets of 10-10-10-20 1902
Date Backs, but only a handful remain today. The 1902 Date Backs for this bank
were issued from 1909 to 1915. All of the Date Backs were probably signed by
Potter as president and Matlock as cashier. I certainly have no evidence other-
wise. I’ve seen other banks where the vice president signed, but I have no evi-
dence that occurred here. The Plain Backs had three different president-cashier
signature combinations: Potter-Sledge, Matlock-Sledge, and Sledge-Cooksey.
I have a copy of the initial 1902 Series proof sheet for American from the
Smithsonian showing approval April 6, 1909. A second proof sheet was approved
November 13, 1924, with a “Heads Reentered” notation. Presumably the plates
were worn near McKinley and McCullough’s images.
Again, geographic lettering occurred for all national banks from March
1902 to March 1924, and Bowling Green was in the S-South region. All 1902
Date Backs from American have the lettering since they were issued 1909 to
1915. The Plain Backs from American were issued 1915 to 1929 and straddle the
period of geographic lettering. So the early Plain Backs had lettering while the
later Plain Backs did not. I don’t know exactly which Plain Back sheet received
the last overprint lettering (obviously about March 1924), but I know bank serials
24788 and higher don’t have the lettering.
Treasury serial numbers were used for all national banks until August 25,
1925, when treasury serials were replaced with duplicate bank serials. From the
Delivery Schedules in the U.S. National Archives, I know sheets 1 – 24800 have
treasury serials and sheets 24801 – 31612 don’t have treasury serials. Treasury
serials exist on all of American’s 1902 Date Backs and are prefixed with a letter,
then followed by five or six digits (usually six), and optionally suffixed with anoth-
er letter. The 1902 Plain Backs from American were issued 1915 to 1929 and
Here is a nice advertising postcard
from the early days of The American
National Bank that says “Thrift and
Economy will enable you to take the
vacation you have been promising
your family and yourself for so long
past.” Signed by S.M. Matlock who
served as cashier from its founding
until 1915.
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straddle the period of treasury serials. So the early Plain Backs had treasury seri-
als while the later Plain Backs did not. Treasury serials on the 1902 Plain Backs
are prefixed with a letter, then followed by five or six digits (usually six), and suf-
fixed with another letter. Bank serials on American’s Plain Backs range from
11701 to 31612.
I’ve seen a $20 Plain Back with serial 17934 signed by Potter and Sledge,
so I know at least serials 11701 to 17934 were signed by them. Again, I know of
no notes signed by Matlock and Sledge. All of the 1902 Date Backs and Plain
Backs on American National Bank used plate positions A-B-C-A.
Now I’ll describe the presidents and cashiers of American National Bank.
I’ll begin with J. Whit Potter then follow with Samuel M. Matlock, Garland D.
Sledge, and Roy Cooksey.
J. Whitfield Potter, American National Bank's founder, was born near
Bowling Green on November 6, 1851, one of 13 children of David and Deborah
Potter. Before J. Whitfield there were 150 years of Potters in Bowling Green and
a number of them were bankers. Indeed as of 1923 a bank in Kentucky had been
named for a Potter for more than 75 years. Potter’s great-grandfather, Thomas
Potter, was born in Virginia in 1748 and moved his family to Bowling Green
around 1780, just five years after Daniel Boone settled Boonesborough,
Kentucky. The early Thomas produced an impressive family tree. A newspaper
article from 1923 reports that 353 descendents of the early Thomas held a family
reunion at the old home in Bowling Green. One of the children of the early
Thomas, the grandfather of J. Whitfield, had 13 children, and three of these chil-
dren married three sisters, each of whom had 13 children. There should be no
superstition about this supposedly unlucky number, for most of these children
lived to a ripe old age. One lived to be 104 and several passed 90.
Potter was also involved in business matters separate from banking.
Figure 14: 1902 Series $10 Date
Back, charter #9365, Fr. 618.
Stamped purple signatures of J. Whit
Potter, President, and S.M. Matlock,
Cashier. This bank issued 11,700
sheets of 10-10-10-20 1902 Date
Backs.
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Potter served as deputy sheriff of Warren County from 1873-79 and then entered
into business for himself selling livestock, real estate and insurance. In 1886 he
opened his own bank, in partnership with James P. Barclay, as Barclay, Potter,
and Company's Bank. Barclay-Potter became immediately successful with the
small merchants and farmers of Warren County, and the bank prospered, even
though the country was entering into some of its hardest times. When Barclay
left Bowling Green in 1895, Potter brought S.M. Matlock into the firm for the
beginning of a thirty-year business friendship and partnership. Renamed Potter,
Matlock and Company, on January 1, 1895, the bank continued its service and
success. With the close of one century and the beginning of another, the bank's
popularity and reputation grew steady.
In 1911 the Park City Daily News wrote about Potter and his bank: “Its
growth in business and in popular favor was little less than phenomenal, but has
always had its head men noted for their financial ability, for their conservative
methods and for their disposition to adhere to only legitimate banking.” Perhaps
Potter's most important work was his successful efforts in having the Western
Kentucky Normal School (now Western Kentucky University) founded in
Bowling Green in 1906, against substantial local opposition.
Potter married Blanche Jamison on January 12, 1881. Potter and his
wife had a daughter Nellie who died in infancy, and a son Julian W. who died
unmarried at age 36. So Potter didn't leave any direct descendents and I've not
found any indirect descendents. Potter was one of Kentucky's most active and
beloved citizens and even mentioned as a potential Democratic nominee for
Governor of Kentucky. Potter died of pneumonia in February 1923. One of
Potter's friends kindly eulogized him with “The passing of this man was a person-
Figure 15: 1902 Series $20 Date
Back, charter #9365, Fr. 644.
Illegible signatures of J. Whit Potter,
President, and S.M. Matlock, Cashier.
This bank issued 11,700 sheets of 10-
10-10-20 1902 Date Backs.
Figure 16: 1902 Series $10 Plain
Back, charter #9365, Fr. 626. Notice
the stamped black signatures of J.
Whit Potter and G.D. Sledge. Purple
or green ink was also used on notes
of this bank, which issued 19,912
sheets of 10-10-10-20 1902 Plain
Backs.
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al loss to all of his townspeople, to whom he had been a father, adviser, and
friend.” Potter had a nice signature and signed all his notes as J. Whit Potter.
Potter's son Julian was quite the banker himself. Julian Potter was born
in Bowling Green on April 14, 1889. Julian graduated from the Kentucky
Military Institute and later the University of Virginia. At age 15 Julian obtained
his first banking experience in his father's institution working as a messenger in
the summer when not attending school. On leaving the University of Virginia he
served as a bank clerk, and in 1917 at the age of 28, became Vice President of the
American National Bank. Remarkably, young Julian left Bowling Green for big
city Wall Street banking of New York in 1920. The Guaranty Trust Company
recruited Julian Potter to New York to become their Assistant Treasurer.
Reflecting on this important milestone in his career, Julian said the move “caused
me considerable concern. You see I was the first member of my family to leave
Bowling Green. It was quite a step for me to take. But I finally decided it was the
thing for me to do, and now I am sure of it. Although I can tell you a city bank is
quite different from a country bank.”
Julian was very successful at the Guaranty Trust Company. Indeed
Julian was instrumental in the rehabilitation and reorganization of one of the
largest Italian banks in the country. Julian’s success in this task won him the dec-
oration of the Order of the Chevalier of the Crown from the King of Italy. Julian
was so successful that he was elected president of The Coal and Iron National
Bank of the City of New York, charter #7203. At the age of 33, Julian was the
youngest bank president in the city. Describing his own rapid climb in life, Julian
was quoted as saying that he hadn’t attained success, but merely improved the
opportunity offered him to be successful. Julian and J. Whitfield were wonderful
men and wonderful bankers. Julian W. Potter died January 1, 1926, age 36, of
typhoid fever.
Samuel M. Matlock was born around 1859. Matlock was known as
“Cage.” Matlock married Elizabeth Matlock around 1885, and had three daugh-
ters, Elise, Louise, and Florence. I’ve been unable to determine when Matlock
died and unable to locate any direct descendents. I have talked with indirect
descendents of Matlock (related by marriage) who believe no heirloom notes
exist. See Figure 14 where Matlock signed his name as S.M. Matlock as cashier.
Garland D. Sledge was born July, 6, 1883, in Allen Springs, Kentucky,
the son of Miles Henry Sledge and Georgia Ann Myers. Sledge had two broth-
ers, Excell, and Felix, and one sister, Jewel. As a young man Sledge displayed a
keen interest in public affairs. As a teen Sledge served as an attendant in the
Kentucky General Assembly while his father served as a representative. Sledge
received his education in the public schools and Bowling Green Business
University. Sledge became associated with Potter-Matlock and Company
Figure 17: 1902 Series $10 Plain
Back, Fr. 626. Signed by G.D. Sledge
(now as president), and Roy G.
Cooksey.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 375
Paper Money • September/October 2010 • Whole No. 269376
bankers in January 1904, and served through the reorganization of that company
into the Potter-Matlock Bank and Trust Company. Sledge also served through
the separation of the bank and trust departments when the banking division was
converted into the American National Bank and the trust department became the
Potter-Matlock Trust Company. Sledge was the first secretary-treasurer of the
trust company. Sledge married Mamie Lou Hall on January 24, 1906, and had
two children, a daughter named Mary Catherine, and a son named David. In
October 1947, Sledge married Genevieve Taylor, presumably after becoming a
widower.
Sledge became president in 1923 and served in that capacity until his
retirement in 1947. The only interruption in his service with American National
and Potter-Matlock institutions came in 1914, when he became cashier of the
Warren National Bank, which was merged into American National Bank 12
months later. At that time, Sledge became cashier of the enlarged institution.
Sledge’s genius for organization was displayed in December 1923 when he direct-
ed the transaction of American National Bank assuming the assets of Liberty
National Bank. Sledge died April 12, 1950, age 66, after a long illness. Sledge’s
death was deeply regretted by the hundreds of friends he made during his bank-
ing career.
Frequently Sledge was asked by friends for his secrets to success. On one
occasion he replied “Whatever little success I may have attained so far, I attribute
largely to my getting a real pleasure out of doing business with my friends and
acquaintances, taking an interest in their welfare or troubles and being able to
keep in close touch with them. This is largely an agricultural town and I am just
one of the ‘country boys’ with them.” I like those words, and I’m sure I would
have liked Garland D. Sledge. Sledge signed all his notes as G.D. Sledge.
Roy G. Cooksey was born April 2, 1887, to Clint and Mattie Goode
Cooksey. Cooksey was educated in public schools in Bowling Green and gradu-
ated from Ogden College. After completing further studies at the Bowling Green
Business University, he studied law under James A. Mitchell, attorney for the
Louisville and Nashville Railroad Company. Following the death of Mr.
Mitchell, Cooksey was associated with the law firm of James C. Sims and Judge
John B. Rodes (Rodes Jr.’s brother). Cooksey married Lillie Haley Cooksey, who
was born around 1894, and died December 23, 1988. Cooksey had a son and
daughter. Cooksey died December 20, 1949. He became connected with
Citizens National Bank in 1914, and was an assistant cashier when he joined
American National Bank January 1, 1925 as vice president and cashier. Cooksey
was elected executive vice president of the Bowling Green Bank and Trust on
March 1, 1935, and was named president January 1, 1948, when Robert Rodes
retired.
Cooksey served as president of the Kentucky Bankers Association in
Figure 18: 1902 Series $20 Plain
Back, Fr. 652. With nice signatures
of J. Whit Potter and G.D. Sledge.
This bank issued 19,912 sheets of 10-
10-10-20 1902 Plain Backs.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 376
1943-44 and as vice president in 1942-43. Cooksey was also treasurer of the
Kentucky Chamber of Commerce. A veteran of World War I, Cooksey was
active in affairs of American Legion and the Forty and Eight Society. I have
talked extensively with Cooksey’s son, who has a nice collection of large and small
notes signed by his father. Outside my own collection, Cooksey’s son has the
broadest collection of Bowling Green nationals. Cooksey signed all his notes as
Roy G. Cooksey. See Figures 17 and 19 for two examples.
American National Bank also issued small size notes. This bank issued
3,504 sheets of 1929 Type 1 $10s, 998 sheets of Type 1 $20s, 854 sheets of Type
2 $10s, and 234 sheets of Type 2 $20s. I know of several Type 1 $10s from this
bank, ranging from VG to XF condition, and a few Type 1 $20s.
I know of no Uncirculated Type 1s, and no serial 1s from this bank.
Known serials on the Type 1 $10s run from 478 to 3202 and serials on the $20s
run from 329 to 811. Figures 19 and 20 show nice examples of a Type 1 $10
and $20.
Again from my research at the U.S. National Archives, I found official
ledgers showing when the Comptroller received notes from the BEP. For
American National Bank I found the first delivery of Type 1s was October 31,
Paper Money • September/October 2010 • Whole No. 269 377
Top: Figure 19: 1929 Type 1 $10, Fr.
1801-1. Signed by G.D. Sledge and
Roy G. Cooksey. This bank issued
3,504 sheets of Type 1 $10s.
Middle, Figure 20: 1929 Type 1 $20,
Fr. 1802-1. Signed by G.D. Sledge
and Roy G. Cooksey. This bank
issued 998 sheets of Type 1 $20s.
Bottom, Figure 21: 1929 Type 2 $10,
Fr. 1801-2. Signed by G.D. Sledge
and Roy G. Cooksey. Charter 9365
issued 854 sheets of Type 2 $10s. No
notes are known from the limited 234
sheets of Type 2 $20s.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 377
Paper Money • September/October 2010 • Whole No. 269378
1929, for 1,204 sheets of $10s and 420 sheets of $20s.
The Type 2s on American National Bank are fairly rare. Type 2s were
issued from May 1933 to July 1935. No notes are known from the limited 234
sheets of Type 2 $20s. I know of only a few $10s. Serials range from 646 to
2830. Figure 21 shows a nice example of a Type 2 $10. Again, all the small
notes on American were signed by Sledge and Cooksey.
Here is another interesting fact regarding Type 2 $10s from this bank.
Kelly reports 5119 Type 2 $10s were issued which isn’t a multiple of six. So the
last sheet was a partial sheet containing only one note (cut by the comptroller).
The Liberty National Bank, charter #11589
Liberty National Bank was chartered January 1920, with charter #11589.
In the late teens and early ’20s Bowling Green experienced an “oil boom” econo-
my which brought many new people to town. The oil boom lead some to feel
there was room for another bank in Bowling Green. Thus Liberty National Bank
was organized. In 1923 Liberty Trust Company was formed as an adjunct insti-
tution. The Liberty National Bank issued $479,900 in 1902 Series $10 and $20
Plain Backs. There were two administrations during Liberty’s brief history.
Henry H. Denhardt was president and Roy Claypool was cashier from January
1920 to April 1923. Bun P. Eubank was president and Nixon Pickard was cashier
from April 1923 to January 1924. Liberty National Bank was liquidated January
1924 into American National Bank with $125,000 unredeemed.
A flattering April 5, 1923, Park City Daily News article said: “The Liberty
National Bank, under the management of General Denhardt and Mr. Claypool
has made prodigious strides toward first position among the financial institutions
of Bowling Green since its organization some four years ago. With the trust
company added the institution’s opportunity for growth and development will be
greatly enhanced and the prediction is freely made that an unusually bright future
is in store for the bank, the personnel of the directorate being among the
strongest in the city.”
Liberty National Bank issued 9,598 sheets of 10-10-10-20 1902 Series
Plain Backs, but only seven notes remain today, four $10s and three $20s. I have
a copy of the 1902 Series proof sheet from the Smithsonian (Figure 22) showing
approval June 9, 1920. Figure 24 shows a wonderful $10 Plain Back, with clear
red stamped signatures by B.P. Eubank, President, and Nixon Pickard, cashier.
Exactly how many notes were signed by each administration is unknown. I know
at least serials 1 to 3350 were signed by Denhardt and Claypool. Signatures on
the $20 serial 3333 in Figure 23 have faded, but it was signed by Denhardt and
Claypool. Eubank and Pickard presided for a short period, but obviously serials
Figure 22: 1902 Series $10 Plain
Back proof impression from the
National Numismatic Collection.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 378
Paper Money • September/October 2010 • Whole No. 269 379
8075 and higher were signed by Eubank and Pickard.
All notes from Liberty National Bank have the S-South designation since
they were issued within the period of geographic lettering. Again treasury serial
numbers were used for all national banks until August 25, 1925, when treasury
serials were replaced with duplicate bank serials. Treasury serials on the known
Liberty National Bank Plain Backs are prefixed with a letter, then followed by six
digits, and suffixed with another letter. All of the 1902 Plain Backs on Liberty
National Bank used plate positions A-B-C-A.
Now I’ll describe the presidents and cashiers of Liberty National Bank.
I’ll begin with Henry H. Denhardt then follow with Roy Claypool, B.P. Eubank,
and Nixon Pickard.
Holy smokes, was Henry H. Denhardt a fun character to read and learn
about! Henry H. Denhardt was born in 1876, in Kentucky, to distinguished par-
ents of German descent. At the age of 22, he saw active service in the Spanish-
American War. Around 1901 Denhardt settled in Bowling Green and married
Elizabeth Glaze. Denhardt was an Army veteran of three wars rising to the rank
of Brigadier General. Denhardt and his brother became publishers of the Bowling
Green Times-Journal and grew to be powers in the state.
Denhardt was widely respected as a lawyer, but I’ve found no records
where Denhardt attended law school. Denhardt was a Warren County judge for
at least one term around 1915. Socially Denhardt was extremely popular in his
early years, yet he had a fiery temper with a fighting nature. Gradually, through
the 15 years following the Armistice of World War I, Denhardt became a heavy
drinker, and prone to release his restless energy in wild bouts and parties. Later
Denhardt was called domineering, officious, cruel, portly, and inhuman. Ouch!
In 1933, having stood all she could during the 32 years of marriage, Elizabeth
quietly divorced Henry. Denhardt had no children.
Strangely Denhardt was a devoted member of the Presbyterian Church,
and was a Mason. In 1914 he again answered the call to arms and served as an
officer in the Mexican border campaign under Pershing. From Mexico he went
into World War I and fought with gallantry at Saint-Mihiel, France and was cited
by Major General Hunter Liggett. After the war and during Bowling Green’s oil
boom of 1920, Denhardt helped organize Liberty National Bank and became its
first president. Denhardt retired as president of Liberty National Bank in 1923
to run for Lieutenant Governor as a Democrat. Denhardt won the Lieutenant
Governorship and served four years. Denhardt retained his large holdings in the
bank and was elected chairman of the board of directors. Afterwards Denhardt
was appointed Adjutant General during the administration of Governor Ruby
Laffoon.
The most interesting part of Denhardt’s story involves his death and
events leading up to his death. On September 20, 1937, Denhardt was gunned
Figure 23: One of three known 1902
Series $20 Plain Backs, charter
#11589, Fr. 659. This bank issued
9,598 sheets of 10-10-10-20 Plain
Backs. This note was likely signed by
H.H. Denhardt, President, and Roy
Claypool, Cashier.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 379
Paper Money • September/October 2010 • Whole No. 269380
down by the Garr brothers — Dr. E.S. Garr, Roy Garr and Jack Garr — outside the
Armstrong Hotel in Shelbyville, Kentucky. The three brothers blamed Denhardt
for killing their sister, Verna Garr Taylor, an attractive 40-year-old widow, and
Denhardt’s fiancé. On the night of November 6, 1936, Mrs. Taylor was found dead,
mysteriously shot. Charged with her murder, Denhardt claimed Taylor committed
suicide, and at his first trial, in New Castle, the jury deadlocked. The night he was
slain, Denhardt and his lawyers were in Shelbyville preparing for the second trial, set
to begin the next day. The Garr brothers admitted killing Denhardt. Even though
Denhardt wasn’t carrying a weapon, the Garr brothers claimed self-defense, and
were acquitted. It seems Eastern Kentucky was a rough and tumble area in the
1930s!
I conversed via email with Denhardt’s nephew who didn’t know of any addi-
tional notes signed by his uncle. Denhardt’s nephew was using email at a spry 90
years old – very impressive! Denhardt signed his name H.H. Denhardt on the
known notes.
Roy Claypool was born May 15, 1879, in Warren County, the son of
Thomas J. and Elizabeth C. Claypool. Claypool married Lena Motley, who died at
an early age of 30. Claypool had two daughters. Claypool remarried to Sarah
Mitchell in 1917 who lived to the age of 84. The 1920 Census for Warren County
includes a reference for Roy Claypool at age 40 and says “Roy and Sarah living with
father in law William H. Mitchell, cashier in Liberty National Bank, wife Sarah
Claypool, age 31.” When Denhardt retired as president in 1923, Claypool was pro-
moted from cashier to vice president of the bank and president of the trust company.
Active in community life, Claypool served for 24 years on the City Board of
Education. At one time Claypool headed the state Woodmen of the World organi-
zation. He was also a former state president of the Travelers Protective Association.
At the time of his retirement, Claypool was a lumber dealer. Claypool died
February 23, 1957, at the age of 77. I’ve been unable to locate any relatives to
inquire about possible notes. Claypool signed his name Roy Claypool on the only
known note with his signature.
B. (Bun) P. Eubank was born May 5, 1865, a son of the John W. and
Americus Eubank. Eubank attended school near his home and later graduated with
honors from Ogden College, which later became part of Western Kentucky
University. Eubank married Fannie Walton around 1889, and they had three
daughters. Fannie passed away in 1904, and in August 1919 Bun married Mrs.
Grace Trimble Garretson, of Russellville. Eubank was connected with the Liberty
and American National Banks for more than 50 years, and was American’s vice pres-
ident at the time of his death. Earlier Eubank worked with the great J. Whit Potter
in the Potter, Matlock and Company. Eubank served as assistant cashier at
American National Bank for a number of years. Eubank died July 4, 1936, at the age
of 71, following several months of illness.
Nixon Pickard was born February 17, 1877, the son of Peter and Julia
Pickard. Peter Pickard was an important man in Tennessee. Peter was a Colonel in
the Confederate army as a sharp shooter until he was wounded and lost his arm near
Dalton, Georgia in 1864. After the war Colonel Pickard held a number of impor-
tant political positions including State Comptroller from 1883 to 1889 and supervi-
sor of the 1900 Census for Tennessee's 6th Congressional District. Around 1900
Colonel Pickard moved to Ashland City, Tennessee and founded the Ashland City
Bank & Trust Company, where he served as cashier and active manager for many
years. The story of Colonel Pickard's children and grandchildren as musicians is
interesting too. Known to listeners as the Pickard Family — Obed, Obed Jr., Ruth,
and Ann — the popular group played music of the barn dance days that included
melodies strummed from the mouth harp. The Pickard Family played venues as
varied as Nashville's Grand Ole Opry and the sidewalks of New York. Finally I'll
say that Colonel Pickard wins my award for the neatest names for sons: Obed,
Nixon, and Tavel.
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Paper Money • September/October 2010 • Whole No. 269 381
Before moving to Bowling Green, Nixon lived in Tennessee with his
parents. For several years Nixon was a bank cashier in Cumberland City
Tennessee, living with his wife and kids. Nixon married Annie Daugherty
around 1900 and they had two daughters, Lula Dye and Nancy. After moving
to Bowling Green, Pickard was assistant cashier of the Liberty National Bank
for several years, and was elevated to cashier in 1923 when Denhardt resigned.
Later Pickard moved over to American National Bank and was a vice president
there for a period.
On June 30, 1913, there was a robbery at the Cumberland City bank,
and Nixon Pickard was shot. The robbery was reported by national newspapers.
The July 1, 1913, Atlanta Constitution reported "Con Barnes a railroad section
worker, turned bandit today, according to his own confession, attempted to hold
up the Cumberland City bank, shot the cashier, and when pursued by citizens
with nothing more formidable than stones for weapons, threw down his repeat-
ing rifle and automatic pistol and meekly surrendered. Incidentally his victim,
Nixon Pickard, with a bullet through his right breast and another through his
arm, may die.” It seems odd the Atlanta Constitution reported Pickard's injury as
incidental. Fortunately Pickard survived the wounds from the robbery, but died
September 30, 1935, at the age of 58.
To Be Continued . . .
Figure 24: 1902 Series $10 Plain Back,
Fr. 633, with red stamped signatures of
B.P. Eubank, President, and Nixon
Pickard, Cashier. This bank issued
9,598 sheets of 10-10-10-20 Plain
Backs.
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 381
Paper Money • September/October 2010 • Whole No. 269382
Dear Fellow Paper Money Lovers:
Even though collecting Paper Money and the related documents
we all delight in is a year-round passion, and the activities of your
Society run all year long, there is unquestionably a “seasonal peak” of
sorts, centered around the Memphis International Paper Money
Show, usually held in June, and this year no exception. In addition to
the show being the largest paper-only event in the U.S., and possibly
the world, it is also chock-a-block full of meetings, exhibits, discus-
sion groups, seminars, and all of the many social interactions that
make this a great hobby. We had a very busy weekend, and there is
certainly more to report than will fit into this issue’s column.
However, I feel certain you will hear from me on related issues and
updates in future reports.
Events started Friday morning with our traditional breakfast at
the Crowne Plaza, fully sold out at 104 attendees. The breakfast
changes little in format year to year, although we did “pre-package”
raffle tickets this year, in an effort to make that process a little easier.
Despite a small delay in seating everybody, we began proceedings just
about on time at 8:05 a.m. After introductions, Past President Benny
Bolin took over and handled the awards process. We awarded the
Founder’s Award for contributions to the Society during the year to
George Tremmel, the Forrest Daniel Award for literary excellence
went to Don Kelly, the Nathan Goldstein Award for recruitment to
Jason Bradford/PCGS and the Nathan Gold Award, the Society’s
highest annual recognition, for lifetime achievement to Len Glazer.
In very brief acceptance remarks, Len observed the he made the
move from collector to dealer after much thought, but that some of
the obvious advantages were “not having to get up early in the morn-
ing, not having to wear a tie, and not having to shave.” Since he was
at a 7:30 a.m. breakfast in a suit and tie, he conceded that “one out of
three wasn’t too bad.” Thanks are due Benny Bolin for smooth and
organized stewardship of the awards process at both the breakfast and
at the membership meeting on Saturday. We also had healthy sup-
port from several donors for the Tom Bain raffle, and after Wendell’s
entertaining and masterful conduct of the raffle, we finished on time,
getting everybody out and on their way to the bourse or other activi-
ties. My thanks to all who worked so hard to once again make this the
great annual event it is.
At Saturday’s board meeting we worked through an ambitious
schedule of reports, updates, and ideas, which will be detailed in min-
utes to come, but we started with Bob Moon’s Financial Report [the
SPMC is healthy], and discussed the impact of the breakfast and raffle
[additive]. Past President Frank Clark’s Membership Report and dis-
cussion at the table underscored the Society’s continuing need to
work on this key aspect of our mission. Fred Reed provided reports in
both his capacity as our journal’s editor and as the principal driving
force behind the Society’s annual Author’s Forum. Judith Murphy,
unfortunately and unavoidably absent from Memphis for the first
time in this writer’s experience [and I believe, ever], provided a
Regional Meetings report in absentia, which summarized the
Society’s activities around the country since FUN January, 2010 and
plans for the remainder of the year. As always, members are encour-
aged to contact Judith if they wish to hold a regional meeting, attend
one, or have ideas for activities or topics for the meetings. Ron
Horstman reported on the Society’s Educational Grants provided in
2010. As head of the Internet and Publications Committees, Vice
President Pierre Fricke reported on the discussions as to how the
Society’s web site may be improved and provided an excellent and
detailed draft of a long-needed procedures document which outlines
“best practices” for the Society’s publishing activities going forward.
Mike Scacci provided a report on the Audit Committee’s plans for
the coming year. Benny Bolin summarized the new awards process
adopted for the coming years, and Robert Moon spoke on the
upgraded approach to the Memphis exhibits and Martin Delger’s
continuing role under Lyn Knight’s management of the show. The
board was briefed on the Maastricht discussions with the IBNS for a
possible approach to celebrating the IBNS and SPMC 50th anniver-
saries. Discussions of the Society’s position on grading, the continu-
ing progress of Neil Shafer’s book on Panic Scrip, and Shawn
Hewitt’s very interesting concept on a 21st century approach to the
creation of a comprehensive obsolete database were also held, and Jeff
Brueggeman closed us out with a report on library activities.
Throughout the weekend, and discussed at several points during
our Board Meeting, were the many and substantive changes made by
Lyn Knight’s organization to the stewardship of the Memphis
approach. From changing the entrance point and streamlining the
sign-in procedure, to the complete re-orientation of the bourse floor,
to the prominent centering of the exhibits, to the significantly
expanded scope, size and quality of the exhibits, to a new and com-
prehensive series of educational seminars in the convention center,
the overwhelming opinion was that Lyn has done an outstanding job
of refreshing the Memphis show, and in myriad, innumerable ways,
made the experience of attending the show more fulfilling and even
more memorable.
The Saturday Membership meeting was well attended, and after
introductions and a brief update from Treasurer Moon for the benefit
of the members in attendance, Benny Bolin took over and handed out
the Society’s 2010 literary and exhibit awards, with the exception of
the last winner, selected and awarded by Krause Publications/F&W
Publications, for the most exhibit most likely to inspire paper money
collecting. As our speaker, we had a treat – Don Mark, a long-time
collector of Iowa Nationals, a Board Member of the Higgins
Museum, a Memphis fixture, and a seasoned player acquainted with
both pivotal figures John Hickman and William Higgins. Don pro-
vided our audience with a very fine talk, weaving his early collecting
experiences into how he became introduced to collecting Nationals,
and, with examples of some of the more interesting titles and rarer
survival stories, gave everybody a feel for not only why collecting
Iowa is his passion, but also provided background on the significance
both Mssrs. Hickman and Higgins had on the hobby overall. After a
brief “commercial” for the Higgins Museum in Okoboji, he wound
up his talk with the particularly poignant account of the receipt of a
$5 1902 Blue Seal from his home town of Adel. Well done, Don, and
thank you.
The year 2010 has already been quite an eventful and change-
filled year, for the Society as well as its “seasonal high point” – the
Memphis IPMS. I have enjoyed it so far, and look forward to the
other paper hobby opportunities for the rest of the year and into the
next. I hope I get to continue meeting more of our members - visit
with us at the table we will share with the Early American Coppers
folks at Boston’s ANA in August - and please keep an eye out for
developments on our 50th anniversary in the coming year.
Sincerely,
The
President’s
Column
Mark
v
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 382
Paper Money • September/October 2010 • Whole No. 269 383
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v
*Sept/Oct 2010 Paper Money 8/9/11 12:00 PM Page 383
Paper Money • September/October 2010 • Whole No. 269384
$100 note could recognize
two famous U.S. women
WHENEVER THERE IS AN ANNOUNCEMENTabout a possible change in coinage or paper
money designs, collectors are often asked for their wish
list of subjects for each, and if not asked we will tell you
anyway.
Just prior to the 2003 announcement of a new U.S.
$20 I received telephone calls from newspaper reporters
around the country wanting historical background on
earlier paper money emissions. They also wanted to
know my thoughts on the new design, which I like.
T h e
query that I
enjoyed the
most came
from Laura
Pulfer, an
award-win-
ning colum-
nist for the
C i n c i n n a t i
Enquirer. I
mentioned
that most countries honor their cre-
ators: musicians, painters, poets, writ-
ers, etc. When Laura asked me for my
dream note, I said I had more than one. Then I thought
I would expand upon them here.
I can picture Thomas Edison with his portrait on
the face of the note. Considering all his inventions,
there would be no difficulty in creating a back design. I
can see an image of an early light bulb on the note
printed in variable colored ink. When tilted the black or
green bulb would turn to silver or gold.
Duke Ellington probably wrote more compositions
than any other composer. I can see his smiling face on
the face of this imaginary note. Since the numeral “1” is
synonymous with A(ce), I can see an engraving of a New
York subway “A” train as it approaches 125th Street in
Harlem on the back of this $1 note. For those who are
too young or lack an interest in jazz, Take the “A” Train,
written by Billy Strayhorn, was Duke’s theme song.
This subway train took you to the Apollo Theater in
Harlem, and I traveled on it often.
Black, Brown and Beige and Mood Indigo, two compo-
sition by Duke Ellington, could be represented on the
note with imaginative uses of those colors. Other com-
positions including Caravan, I Let A Song Go Out Of My
Heart, and Sophisticated Lady, would provide any imagi-
native designer with material for design elements to
honor this musician.
My final note would be a design that would recog-
nize two American women and an event that would lit-
erally be etched in our minds by the engraved lines on
the note. The women, one the wife of a president and
the other a daughter of black parents from Philadelphia.
Marian Anderson (1897-1993) began her music
studies in Philadelphia and furthered those studies in
Europe. She was the first black woman to sing at the
Metropolitan Opera in New York City in 1955; her
contralto voice was heard in Verdi’s A Masked Ball.
In 1939, as war and oppression in Europe made
headlines, Marian Anderson was engaged to sing at
Constitution Hall in Washington, DC, however, the
Daughters of the American Revolution (DAR) refused
to grant her access to their facilities. Hearing of this
injustice, Eleanor Roosevelt, wife of President Franklin
D. Roosevelt ignored the advice of others and
publicly resigned from the DAR, and was instru-
mental in arranging for Ms. Anderson to sing on
the steps of the
L i n c o l n
Memorial on
Easter Sunday
in 1939. More
than 75,000
people attend-
ed the concert.
A panor-
amic view of
the singer sur-
rounded by the
enthusiastic ethnically diverse crowd, with the statue of
Lincoln in the background would fill the back of the
bank note that I would like to see pass through hands of
all colors. Three decades in the future a Series 2039
bank note would mark the 100th anniversary of the
Anderson concert. To mark this celebration I can visual-
ize a $100 bank note
The title of Marian Anderson’s autobiography, My
Lord, What a Morning (1956) describes that wondrous
day that made a statement against segregation. With a
portrait of Eleanor Roosevelt (such as Tom Hipschen’s
stamp portrait) and the Marian Anderson concert image
on the back, all I can say is: “my Lord, what a bank note!”
Reprinted with permission from
Coin World September 22, 2003 v
A Primer for Col lec tors BY GENE
HESSLER
THE BUCK
Starts Here
Series
2039
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ONE THING THAT PAPER MONEY COLLECTING HAStaught me is that if you think you have completed some-thing in the form of a set of notes, there is a note outthere waiting to prove you wrong.
The simple desire to collect a complete set of 1929 notes from my birth-
place, West Orange, New Jersey, drove this point home during the summer of
2003.
The town, a suburb of Newark, and now a bedroom community for New
York City, 14 miles distant, had only one bank, The First National Bank of West
Orange, charter #9542. Series of 1929 Types 1 and 2 $5, $10 and $20 notes were
issued from the bank. All have the same bank signatures; specifically, T. H.
Power Farr, president, and Edward D. Smith, cashier.
Obviously the complete Series of 1929 set should consist of six notes. I
began collecting notes from the bank in 1965, but the first note I got was a 1902
Plain Back $10 from Tom Settle.
The small notes proved elusive. I couldn’t find one for sale or in any-
one’s collection no matter where I looked. All my New Jersey contacts at the
time came up empty handed. I found myself searching a barren landscape for
several years!
My luck changed June 17, 1970, when I returned to northern New Jersey
from my then current home in Arizona to visit my uncle in Clifton. I talked him
into riding over to West Orange so I could look at the old bank building, which
was then a branch of the National Newark and Essex Bank. It is an imposing
building faced with tall columns at the heart of downtown on Main Street near
the intersection with Northfield Avenue.
Discovery of an Unexpected West Orange
1929 Variety, and Discovery
of the Reason for Large Signature Plates
The Paper Column
by Peter Huntoon
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I walked in and began asking about notes. The receptionist had no idea
what I was talking about, so referred me to the branch manager.
He advised delightedly that someone happened to bring in a $20 about a
year before which he had kept. He offered it to the son of the president who
lived within a couple of miles of the bank and whose signature was on the note,
but the gentleman was not interested. The manager graciously got it out from
his safe deposit box so I could see it. It was a Type 1 with serial A000436A that
graded Very Good.
I was ecstatic because it was the first 1929 note I had seen from the bank.
Upon sensing my enthusiasm, the manager asked if I would like to buy it. I tried
to size up the situation in terms of offering a fair price, but also a high enough
figure so the deal would close. I didn’t want this particular fish to get away by
being stupid and low-balling the offer.
Finally I blurted out $50. The fellow looked bemused, and said: “No,
no, just give me $21 for it. That will allow me to recoup the interest I tied up in
it this year.”
I left the bank not only happy with my purchase, but astonished with my
good fortune that it had even happened. My small size set was launched.
The 6-note 1929 set offered a good chase because none of the other five
came any easier. Finally, after 30 years, New Jersey specialist Bob Hearn sold me
a Type 1 $5 to complete the set in 1995. At least that was what we all thought at
the time.
Then the Smythe 2003 Memphis sale catalog arrived. I was delighted to
find a Type 1 $5 from West Orange listed as lot 4177, because it was the first new
one to go by in quite some time. The catalogers did not think enough of the note
to picture it, and the description belied their ambivalence. “No. A000277A. Fine,
but with some light but blotchy discoloration. Although there are a fair number
of both Large and Small notes known for this Essex County bank, they are sel-
dom available. ($200-250).”
I had that base covered, and the catalogers even served up the serial
number, so I didn’t even have to hunt the note down to get the serial number for
the West Orange census I keep.
Early morning June 1981 photo of
the former home of The First
National Bank of West Orange. New
Jersey, on Main Street near the inter-
section with Northfield Avenue.
View is toward the west. Bob Hearn
took this photo at my request, then
was pursued by the fellow who sold
me my first note fearing Bob was cas-
ing the bank! By then MidLantic
National Bank had taken over The
National Newark and Essex Bank,
which had purchased the West
Orange bank.
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I got to Memphis the day before the show opened that year, so to make
beneficial use of the extra time, I viewed some lots of interest in the sale late that
afternoon. Since I was there, I figured that I had better at least look at the West
Orange piece to bring some sort of closure to it. I asked for the bundle contain-
ing it.
I was astonished to see that the note laid before me had a different look
than my others. It had the same bank signers, but the lettering in the overprint
was bolder. More telling was the fact that the letters in the bank title were so
crisp and well formed. In contrast, the white spaces within the letters used to
spell West Orange on all the notes I had were largely filled so they appear over
inked. The logotype plate used to print them had not been prepared carefully.
Yes, this one was different.
Suddenly it dawned on me. This was a note printed from one of the so-
called large signature overprinting plates.
The principle telling characteristic of such notes is that they have the
same bank signers as found on later notes, but usually one or both of the signa-
tures are considerably larger and from different handwriting specimens. In
addition, the left charter number on many of these plates appears to be displaced
down about one digit too low. In some cases, the layout of the bank title can be
dramatically different from those that followed, such as being laid out in two
lines rather than three.
The signatures on the Smythe note were only about 10 percent larger.
The left charter number was noticeably dropped, which is a typical characteris-
tic of the large signature notes.
Very revealing was that the lettering in the bank title was set in closely
packed letters made from the largest font of American extra condensed type
used on 1929 notes. This particular font is the most common font found on this
class of notes, and the close packing is a giveaway for a large signature note.
Banks that received notes from these plates generally have charter num-
bers in the 9500 to 13300 range, with another cluster in the mid 3500s as well.
There were others of course. Obviously the West Orange case is in range, but I
had never suspected it because I had never thought about the 1929 issues from
the bank in this context.
Only the first Series of 1929 printing was made from these plates. That
first printing generally involved all the different denominations ordered by the
bank.
I made an arrangement with Bob Hearn to bid on the note, and left for
DC before the sale.
Armed with the serial number from the Memphis sale, I dug out the
ledgers for West Orange in the National Archives the following week. The
objective was to pinpointed the Type 1 changeover sheet serials numbers
between the printings from the earlier and later plates.
This was the discovery small size note
for me from my home town, sold to me
by a banker there for $21 on my offer
of $50 in 1970. I wonder who is hold-
ing you now, my sweet chickadee, and
if he loves you now as much as I did
back then in those first tender
moments that we shared!
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They are as follows:
$5 1526-1527
$10 774-775
$20 258-259.
Sheets representing all three denominations from it were logged into
the Comptroller’s office on October 14, 1929. The first printing from the sec-
ond plate arrived October 21, 1930.
Now the question was, how had this interesting variety eluded me for so
long? I faithfully have collected serial numbers from West Orange notes for
decades. That list now has 20 Series of 1929 entries.
A quick look at the census revealed the answer. The Smythe $5, with
serial A000277A, is the only specimen that I have logged in from the critical first
printing. How could any of us have known the variety was out there before this
discovery piece?
Word reached me from Bob that I had won the note. It arrived in the
mail in due course. Yes, it is stained, but it holds an exalted allure for me.
Even the stain is distinctive, ranging from dull pinks to bluish tones. I
know that stain. It looks exactly like the stains on the pages of my passport after
I dried it out on the window sill of a bus station in Kashgar, China.
My passport slipped out of my pocket, so I had to fish it out of a trench
latrine there. Probably this note suffered a similar fate in some flooded base-
ment or worse on its way to me. Even with the stain, the vibrancy of the over-
print still stands heads and shoulders above higher grade notes from the second
plate.
Over the decades, I have devoted a substantial effort in Washington,
DC, to chasing down information on the so called large signature plates for
other banks. The issue comes up frequently because the large signature variety
occurs on the notes from several Arizona and Wyoming banks, and because
many collectors have run into them from their favorite banks and have wanted
to know what was going on.
In fact, requests for an explanation for the variety is the most frequent
Both of these notes have the same
bank signers, but different title block
layouts. The top note is from a BEP-
GPO plate, the bottom from a
Barnhart Brothers & Spindler logotype
plate. The title on A000277A is set in
a distinctive closely packed large
American extra condensed font, the
left charter number is unusually low,
and the bank signatures are about 10
percent larger, all characteristics of
the BEP-GPO plates.
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of questions directed to me by collectors about the series. My search for an
explanation had been in vain for some 30 or more years.
In May 2007, while visiting friends in Tucson, four of us happened to
walk past the University of Arizona library one evening while out for a stroll. A
bell rang. When I was a student there in the 1960s, I found a very rare partial set
of BEP annual reports in the government documents section, and occasionally
extracted some printing figures from them.
Suddenly I developed an overpowering urge to see if I could find them
the next day. I did. The library was in a new building, so they had been moved,
but otherwise they had been untouched since the day I last looked at them
decades ago. No one had looked at them since I had in the 1960s.
Leafing through the report for fiscal year 1929-1930, I discovered the
following paragraph on page 18 in a section labeled Engraving Division:
During September, October, and November etchings of the signa-
tures of bank presidents and cashiers were made in this section for
use in overprinting national bank currency. While logotypes have
generally been adopted for use in connection with this printing, this
method was resorted to in order that deliveries of national-bank cur-
rency could be expedited at a time when logotypes were not being
received as rapidly as required. A total of 1,376 sets (12 signatures to
a set) were made during this period.
Eureka! The September-November period referred to was in 1929,
exactly during the period when the large signatures plates were used. My
research over the years revealed that they were not used thereafter.
Subsequent digging in old files of the Bureau of Engraving and Printing
in the National Archives revealed the following.
The Bureau of Engraving and Printing contracted with Barnhart
Brothers & Spindler in Chicago, a subsidiary of the American Type Founders
Company of Jersey City, New Jersey, to make the Series of 1929 logotype plates.
They were made in sets of six 1-subject flat plates that were mounted together
on typographic overprinting presses.
Barnhart Brothers & Spindler couldn’t keep up with orders for their
logotype plates, so the BEP had to fabricate stopgap plates of their own to get
the job done during the August to October 1929 period. BEP personnel pro-
duced deep-etched zinc forms containing the bank signatures and linotype forms
containing the bank information. They then enlisted the Government Printing
Office to make electrotype plates from those forms. The BEP-GPO plates came
in sets of six 1-subject plates similar to the BBS logotypes.
These BEP-GPO plates created the large signature varieties that have
intrigued small size national collectors for so long. They were used only once
before being replaced by BBS plates once they arrived. The documents in the
National Archives reveal BEP-GPO plates were made for 1,375 banks, not 1,376
as reported in the 1929 BEP annual report.Considerably more information will
be forthcoming on the Series of 1929 overprinting plates now that we know what
was going on.
References Cited
Bureau of Engraving and Printing. Bureau of Engraving and Printing Central
Correspondence Files, Record Group 318, U. S. National Archives,
College Park, MD, 1913-1939.
Bureau of Engraving and Printing, fiscal year ending June 30, 1930, Annual
report of the Director of the Bureau of Engraving and Printing: U. S.
Government Printing Office, Washington, DC. v
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Paper Money • September/October 2010 • Whole No. 269394
M
ANY SPMC MEMBERS WERE HONORED DURING VARIOUS CEREMONIES DURING
the recent Memphis International Paper Money Show. Our Nathan Gold Lifetime Achievement
Award was presented to Len Glazer at the Friday morning breakfast. Len was honored for his
many years as a dealer in partnership with his wife Jean, and then with Allen Mincho in Currency
Auctions of America, and most recently with Heritage Auctions. In a humorous acceptance Len said he’d gone into
numismatics so he could grow a beard and other perks, which brought a round of laughter.
Other honors bestowed during the jam-packed introduction to the Society’s “Tom Bain” charity auction
included, the Nathan Goldstein Memorial Recruitment Award to J. Bradford once again. The award is given annu-
ally to the top recruiter of new members to the Society. The Society’s D.C. Wismer Award (Book of the Year) was
presented to Fred Reed for Abraham Lincoln; The Image of His Greatness (Whitman, 2009), published last year to
commemorate the bicentennial observance of Lincoln’s birth. Our Founder's Award for Contributions during the
Year was announced in abstentia to George Tremmel, who stepped down last December after more than a decade
of service to SPMC by annually indexing our magazine. Tremmel picked up his award at the membership meeting.
Literary awards for articles in Paper Money honored some of the top writers in our Society at our annual
membership meeting. Honored were:
• Federal Notes, 1st, Lawrence Schuffman, “Funding of the First World War through The Liberty and
Victory Loan Bonds;” and 2nd, Peter Huntoon, “Colonel Edward H.R. Green, Colletor
Extraordinaire.”
• Foreign, 1st, Hal Hopson, “John Law and the Coming of Paper Money to France;” and 2nd, Harold
Don Allen, “Note Numbers May Encode Information.”
• Nationals, 1st, Peter Huntoon & Bob Kvederas, “Connecticut Challenges the Definition of ‘Town’ on
National Bank Notes;” and 2nd, Frank Clark, “The Vice President Notes of Fairmont, West
Virginia;”
• Obsoletes, 1st, Q. David Bowers, “Central City, Colorado Territory and the Famous First National
Bank $5 Black Charter Notes;" and 2nd (Tie), Loren Gatch, “The Professor and a Paper Panacea:
Irving Fisher and the Stamp Scrip Movement of 1932-34,” and Dennis Schafluetzel, “Western and
Atlantic Rail Road Scrip.”
• Miscellaneous, 1st, Gene Hessler, “‘Jim the Penman’ Drew Fakes with Fine, Artistic Brush Strokes;”
and 2nd, Fred Reed & Jason Houston for “BerkShares Experiment Now in Third Year.”
Other Literary Awards presented during the Memphis show included the Forrest Daniel Excellence in
Literature Award to Don C. Kelly for his books on National Currency. The Glen Jackson Literary Award for an
article on essays, proofs and specimens went to Nelson Page Aspen for “A Suggested Classification of Bank Notes
(from Conception to Resurrection).”
SPMC Exhibit Awards honored four members. The SPMC Best in Show Exhibit Award was given to
Raymond Waltz for “Paper Money and Stamps of the Same Design.” Honorable Mention Exhibit Awards honored
Mack Martin for “Georgia's Naughty Ladies,” and a second Honorable Mention Exhibit Award was presented to
Len Glazer for “Christmas Money Cards.” The Julian Blanchard Exhibit Award went to John Jackson the best
exhibit at Memphis featuring proofs, essays and vignettes. Also at the SPMC meeting, Bob Van Ryzin presented
past SPMC president Benny Bolin the Bank Note Reporter “Most Inspirational Exhibit” Award for the exhibit most
likely to inspire a non-collector to take up the hobby. Bolin exhibited pedigreed Fractional Currency along with
images and information about the famous collectors whose notes they had once been. v
SPMC Honors Members
for Variety of Achievements
at Memphis
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Paper Money • September/October 2010 • Whole No. 269 395
Scene at Memphis
Photos by Bob Van Ryzin, Bank Note Reporter
Refer to article opposite for details, from L-R are Bob Van Ryzin and Benny Bolin, Len Glazer and Jason Bradford.
Refer to article opposite for details, from L-R are Fred Reed, Ray Waltz, Bob Kvederas and Mack Martin.
Refer to article opposite for details, from L-R are Frank Clark, George Tremmel, John Jackson and Dennis Schafluetzel.
*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 395
Paper Money • September/October 2010 • Whole No. 269396
Six outstanding authors of new paper money books head-
lined our 7th Annual SPMC Author’s Forum. The event was
held at the downtown Memphis Marriot Heritage Ballrooms
on Friday June 18th during the recent Memphis International
Paper Money Show. SPMC President Mark Anderson gave
the traditional welcome to speakers and guests.
Able emcee Wendel Wolka returned for another year.
He provided leitmotif between presentations.
Accommodations for the forum were provided by show pro-
prietor Lyn Knight and show chairman Doug Davis. The
forum was organized again by Paper Money Editor Fred Reed.
“This forum was conceived as a way for authors and
prospective authors of paper money books to exchange ideas,
‘tricks of the trade,’ and form mutual support on the long
road between conception and publication of a worthwhile
book,” Anderson said. “This Forum, in tandem with our
Society’s George W. Wait Memorial Prize which supports
research of book length paper money projects, is part of
SPMC’s outreach to hobbyists in support of numismatic edu-
cation. Our Author’s Forum is unique in the hobby,” he said.
“We invite all prospective authors and others interested
in paper money books to attend and participate in this event
annually,” Anderson said. Once again, this year’s presenters’
works covered a diversity of topics, both U.S. and internation-
al, to try to offer something of interest to most hobbyists.
All presenters were experienced and well known in vari-
ous facets of the hobby. Speakers this year and their new
books included:
Fredrick J. Bart
Fredrick J. Bart holds a med-
ical degree, and completed a surgi-
cal residency under auspices of the
Johns Hopkins Hospital. He has
lectured throughout North
America to other surgeons, pub-
lished 40 articles in medical litera-
ture, and performed emergency and
elective reconstructive surgery.
Bart is a nationally recognized
authority on U.S. paper money. He
has been interviewed on NBC and
CNN, and quoted in USA Today.
He is the author of three books
and a DVD on paper money
errors. His book has 550 b&w
photographs plus a price guide in
three grades. Bart also unveiled
his self-help financial book Middle
Class to Millionaire. Purchasers of
the book at www.MiddleClassto-
Millionaire.com who enter the
organization code “SPMC” earn
SPMC a $4/book donation.
Donations started with five book
purchases at the Authors Forum.
Cory Frampton
Cory Frampton started col-
lecting U.S. coins in grade school
and became interested in Mexican
coins and currency in the ’80s. In
the late ’90s he opened Mexican
Coin Company and deals exclu-
sively in Mexican coins and cur-
rency. Cory has an extensive per-
sonal collection of banknotes and
type coins from all eras. In 2007
he decided to publish a new book
on Mexican paper money. After
three years of work and extensive
assistance from his co-editors, the
book was published this year.
Mexican Coin Company carries an
extensive inventory of coins and
currency. Together with Duane
Douglas, Alberto Hidalgo and
Elmer Powell, this book is the first
serious effort in over 20 years to
catalog all known Mexican curren-
cy. This major reference includes
more than 2,800 images, most of
which are new digital color images
obtained from a variety of major
public and private collections.
Morland Fischer
Morland Fischer was born and
raised in Philadelphia, and resides
in Orange, California. Morland
graduated with a B.S. in electrical
engineering. He later earned a
Juris Doctor and is now a patent
and trademark lawyer in Irvine,
CA. He is a past president of the
Orange County Intellectual
Property Association. Morland has
been an avid collector of small size
paper money for over 13 years. He
is particularly interested in U.S.
star notes and world error notes
including those featured in his new
book. He entered the paper money
hobby after his curiosity was
piqued watching a late night tele-
marketer describe a U.S. error
note. Morland’s book features a
variety of visually-compelling and
fascinating printing and human-
generated errors found in currency
issued by more than 70 countries.
More than 200 examples are illus-
trated in color.
Our 7th Annual SPMC
Authors Forum, another hit
*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 396
For the first time ever at an SPMC Authors Forum, three
co-authors presented their new book to the audience. First up
was:
George B. Tremmel
George B. Tremmel is a retired
information technology director.
His career took him to assignments
in the U.S., U.K. and Middle East.
He has lived, for the most part, in
the Carolinas since growing up in
Atlanta and graduating from
Georgia Tech in 1965. In 1975, he
received an MBA degree from the
University of South Carolina.
George has collected and studied
Confederate States paper money for
over 40 years. He has written two award winning books on
counterfeit currency of the Confederacy as well as a number of
articles for Paper Money. His first book won the Society's
Nathan Gold Award in 2004 and his second book was awarded
the Best U.S. Paper Money Book by the Numismatic Literary
Guild in 2008. Tremmel continues to share insights into
Confederate finance in his new book on IDRs coauthored with
messrs. Davis and Fricke.
Dr. John Martin Davis
Dr. John Martin Davis is an
attorney, a C.P.A. and president-
elect of the Texas Map Society.
Educated at Southern Methodist
University, and a veteran of the
U.S. Navy Judge Advocate General
Corps, Davis is managing director
of Davis, Clark & Co. C.P.A.s and
very involved in a host of commu-
nity activities, including as a direc-
tor of the Texas Heritage Archive
and Library and the Texas Historical Foundation. He is also
President of Dallas County Heritage Society’s “Old City
Park.” Marty has penned more than a dozen articles for Texas
Heritage, South Carolina Historical Magazine, and Paper Money.
He won a 1st Place SPMC literary award in 2007. Davis is
also the author of books published by university presses, and
had exhibited his family’s map collections throughout Texas
before donating them to Sul Ross State University.
Pierre Fricke
Pierre Fricke has been a collec-
tor since 1969, first specializing in
early large cents by variety, and then
Bust halves. In 2001 he began col-
lecting Confederate paper. Fricke
maintains a website devoted to
Confederate paper, and deals in the
series. He currently serves on the
SPMC Board of Governors. Pierre
wrote the acclaimed Collecting
Confederate Paper Money –
Comprehensive Edition (2005) and
Collecting Confederate Paper Money –
Field Edition (2008). Both books
won awards. His new book, with
co-authors George Tremmel and
Marty Davis, Confederate Treasury
Certificates: A Collector’s Guide to
IDRs debuted at Memphis,
expanding his “line” on
Confederate fiscal paper. Other
books will be developed over the
next decade, including his new
project History of Collecting
Confederate Paper Money to be
released at Memphis next year. v
Paper Money • September/October 2010 • Whole No. 269 397
Hands across the waters
SPMC & IBNS execs
partner for dual 50 fetes
REPRESENTING SPMC AND THEInternational Bank Note Society, respec-
tive presidents, Mark Anderson (left) and
Australian Peter Symes have been in conver-
sation for several months on possible joint
events each might take to his respective
boards for cooperative activities as part of
each organizations’ 50th anniversary in 2011.
The two met up once again at Memphis
in June to advance these talks informally,
including over dinner with several SPMC
board members in attendance.
As plans ripen, you’ll hear all about it
here in Paper Money. In the meantime wel-
come new SPMC member Peter Symes,
SPMC PM13323, into our fold. His mem-
bership was a gift from Anderson at the
show. v
*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 397
Paper Money • September/October 2010 • Whole No. 269398
The
Editor’s
Notebook
Fred L. Reed III fred@spmc.org
Taxis, wheelchairs & planes;
A Memphis trip remembered
IWANTED TO GO TO THE 2009 ANNUAL MEMPHIS PAPER MONEYshow to participate in the SPMC Authors Forum for my new book on Kansas
paper money, but I was worried about the stress of traveling since I am confined to
a wheelchair. I also wanted to attend one more show, probably to say goodbye to
old friends at what might be my last time attending, since travel continues to get
more difficult. So, I made hotel and air fare reservations way early to insure I’d get
a room at the inn. I also wanted to attend the auction which contained many
Kansas notes, finally appearing after four years of sequestration in a famous hoard.
For over 30 years the convention auctions had always occurred on Friday and
Saturday nights so, in order not to have to get up at 4:00 am to catch a flight to the
show Thursday, I booked flights that left Ft Lauderdale at 10:00 a.m. and were
scheduled to arrive in Memphis at 5:30 p.m. on Thursday the day before.
Several weeks later, the convention schedule came out and, unbelievably, the
auction I was interested in was scheduled for 7:00 p.m. on Thursday night! I wasn’t
scheduled to arrive at Memphis until 5:30 that night. We tried to change flights to
leave earlier which would allow for deplaning, wheelchair to baggage claim; wheel-
chair to taxi pickup, travel to hotel (about 25 min-
utes) check in, wheelchair to room and get to auc-
tion room by 7:00 p.m. The cost to change flights
was prohibitive, so, I resigned myself to accepting
that I would probably not make the auction.
As I thought it over I began to think that I might be able to get there for part
of the sale. Everything would have to go perfectly though.
And so, on Thursday morning we were picked up by an airport limo and dri-
ven to U.S. Airways departure gate. All our airlines had been notified that I
required a wheelchair and one was provided right away with an attendant, who took
charge; got the bag checked, got our boarding passes, got us through security and
out to the gate expeditiously. She left me in the wheelchair so my wife could move
me around and I would be ready to be wheeled down the boarding ramp to the
plane. This has been the drill at airports since I required use of the chair. And off
we went to Atlanta and from there to Memphis where, we were assured, there
would be chairs waiting for us.
Upon arrival at Memphis we had to wait for everyone else to deplane before
we could get up to leave (normal practice). There must have been a thousand peo-
ple on that plane as they just kept coming. Finally they were all off and we were
ready to go. Arriving I got the bid card and asked when the auction would begin as
it had not started. The auction lady said “right now” and headed for the podium.
My wife left to check us in, get something to eat and come back to the auction for
me. Just then lot #1 showed up on the screen. I had made it!
The show and forum were successes for me. Lots of congratulatory com-
ments on the book; requests for signed copies, etc. I had also entered a small
exhibit which won a BNR show award for the “most inspirational” display; an
award I had also received in 1980 at my first Memphis convention. Saw all my old
friends who were there and they all asked us to come back next year. Also bought a
couple of Kansas notes I wanted. Two days at the show and it was time to get ready
for the return trip on Sunday. It was to be another airplane trip from hell!
A taxi got us to the terminal and the driver went inside to ask for a wheel-
chair so I could get out of his cab. After a while he returned, without a wheelchair,
to report that I had to come inside to request one. So my wife went in. I was still in
the cab. The car was running, producing copious amounts of exhaust fumes and the
Nothing much on my mind
THE EDITOR’S NOTEBOOK WILL RESUME NEXTissue, as we yield our “five minutes in the sun” to sidecar
mate Steve Whitfield so readers can follow his convention
‘trip from Hell” to its successful conclusion below.
We’ve know Steve for 30 years. It was sure good to see him
at Memphis last year, especially since we played a small part in
helping him bring out his fine book. If we’d have known the
price he paid to come to the Authors Forum, however, we might
have considered scheduling it in Florida instead. v
It occurs to me...
Steve Whitfield
door was open. It was 95 degrees and extremely humid. Finally another airlines
attendant offered to help, before I was asphyxiated, and got me out of the cab and
into his wheelchair, chair #1. Then my wife and the cab driver arrived with an
Airways chair. I had to switch chairs for some unexplained reason to; chair #2.
Inside the terminal my wife finally found someone to help and we got to security. I
had to get out of the chair, the third time, (#3) and shuffle through the metal detec-
tor. At the gate the pusher “had to take the chair with her”, #4, and leave me in a
regular, immobile seat, again for no apparent reason. She promised to return
before boarding so I would have wheels (#5) to use the restroom, and be boarded.
She did come back, and so we boarded and the plane headed for Charlotte, N.C. It
was a small plane with zero padding in the seat cushions. It was like sitting on a
granite gravestone. A real pain in the ass! We were promised a wheelchair on
arrival at Charlotte, where we had 30 minutes to make our connection. Yeah, right!
At Charlotte we waited for everyone else to deplane while we waited; again,
there must have been at least a 1000 people on board, but finally the aisle cleared,
only to discover; surprise! no wheel chair. Finally the pilot had to go and get one
after repeated messages to the terminal were ignored. We finally got off and into
wheel chair, #6 and started up the ramp. At the top the pusher told us he would call
for an electric car for us and left us, abandoned. And we had only 25 minutes to
make our connection! My wife finally flagged an electric car going by, and I had to
clamber aboard transport #7. We drove at least three miles before the driver
stopped and we had to get off and transfer to another wheelchair, #8. It seems we
had arrived at gate Z-65 and our connecting flight would depart from gate B-3,
about 17 miles away.
We had to transfer again in order to take an elevator to another level, trans-
porter #9. At the new level our pusher said she would leave us and we would have
to take another electric car. So off she went. We had about five minutes to make
our plane and I was ready to give up, when miraculously another electric car came
by and I climbed aboard transport #10. Our driver drove at least a mile and a half
in the terminal, with horn blaring, people ignoring it, and finally arrived at gate B-
3. (Charlotte must be one of the biggest airports in the world.) They put me in
wheelchair #11, and rolled me down the ramp to the plane, (Transporter #12).
The plane was fully loaded and the passengers all seemed to be glaring at us in a
most unfriendly way as we apparently were holding up the plane. Anyway, we had
made it and were on our way home! The final plane, transporter #12, thankfully
had cushioned seats ahhhhh
Distances reported may have been slightly exaggerated by the writer. v
*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 398
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Paper Money • September/October 2010 • Whole No. 269 399
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*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 399
Paper Money • September/October 2010 • Whole No. 269400
*Sept/Oct 2010 Paper Money 8/9/11 12:01 PM Page 400
OUR MEMBERS SPECIALIZE IN
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Or Visit Our Web Site At: www.pcdaonline.com
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(630) 889-8207
Sept-Oct cover 8/10/11 5:52 AM Page 3
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