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Table of Contents
VOL. XXXII No. 3
WHOLE No. 165
MAY JUN 1993
1
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Do You Collect Paper Money
or
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aalAISI.,■■■•■■■•0111
SOCIETY
OF
PAPER MONEY
COLLECTORS
INC.
Paper Money Whole No. 165 Page 81
PAPER MONEY is published every other
month beginning in January by The Society
of Paper Money Collectors. Second class
postage paid at Dover, DE 19901. Postmaster
send address changes to: Bob Cochran,
Secretary, P.O. Box 1085, Florissant, MO
63031.
© Society of Paper Money Collectors, Inc.,
1993. All rights reserved. Reproduction of
any article, in whole or in part, without ex-
press written permission, is prohibited.
Individual copies of PAPER MONEY are
available from the Book Sales Coordinator
for $2.75 each plus $1 postage. Five or more
copies are sent postage free.
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tified and billed extra for them accordingly.
Rates are not commissionable. Proofs are not
supplied.
Deadline: Copy must be in the editorial office no
later than the 1st of the month preceding issue
(e.g., Feb. I for March/April issue). With advance
notice, camera-ready copy will be accepted up to
three weeks later.
Mechanical Requirements: Full page 42-57 picas;
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format. Single column width, 20 picas. Halftones
acceptable, but not mats or stereos. Page position
may be requested but cannot be guaranteed.
Advertising copy shall be restricted to paper cur-
rency and allied numismatic material and publi-
cations and accessories related thereto. SPMC does
not guarantee advertisements but accepts copy in
good faith, reserving the right to reject objection-
able material or edit any copy.
SPMC assumes no financial responsibility for
typographical errors in advertisements, but agrees
to reprint that portion of an advertisement in
which typographical error should occur upon
prompt notification of such error.
\stio
wAll advertising copy and correspondence should
be sent to the Editor.
Official Bimonthly Publication of
The Society of Paper Money Collectors, Inc.
Vol. )00{11 No. 3 Whole No. 165 MAY/JUNE 1993
ISSN 0031-U62
GENE HESSLER, Editor
P.O. Box 8147
St. Louis, MO 63156
Manuscripts, not under consideration elsewhere, and publications
for review should be addressed to the Editor. Opinions expressed
by the authors are their own and do not necessarily reflect those of
the SPMC or its staff. PAPER MONEY reserves the right to reject any
copy. Manuscripts that are accepted will be published as soon as pos-
sible. However, publication in a specific issue cannot be guaranteed.
IN THIS ISSUE
ARMANDINA I,OZANO
Gene Hessler
83
THE STORY OF "CRANKY TOM" HALE
Bob Cochran
86
WHAT IS A "BANK"?
Robert D. Hatfield
89
FRANK LESLIE'S CONFEDERATE NOTE
Brent Hughes
90
LAUNDERING OUR PAPER MONEY
Waldon Fawcett 95
THE PAPER MONEY LAUNDRY
Forrest W. Daniel 97
THE PAPER COLUMN
NATIONAL BANK NOTE SHEETS WITH BANK SERIAL
NUMBER 1000000
Peter Huntoon
100
NUMISART—AN APPROACH
K.S. Bauman
101
SYNGRAPHIC VIGNETTES
Robert Lloyd
103
SOCIETY FEATURES
NOTED & PASSED
104
MEET YOUR CHARTER MEMBERS 104
MEET YOUR NEW BOARD MEMBERS
105
NEW LITERATURE
105
NEW MEMBERS
106
MONEY MART
107
ON THE COVER: Armandina Lozano engraved this portrait of her sister, Orelia.
See page 83 for more about this engraver.
Inquiries concerning non -delivery of PAPER MONEY should be sent to the secre-
tary; for additional copies and back issues contact book coordinator. Addresses
are on the next page.
■••=11111,
SOCIETY OF PAPER MONEY COLLECTORS
OFFICERS
PRESIDENT
AUSTIN M. SHEHEEN Jr., P.O. Box 428, Camden, SC 29020
VICE-PRESIDENT
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TREASURER
DEAN OAKES, Drawer 1456, Iowa City, IA 52240
APPOINTEES
EDITOR GENE HESSLER, P.O. Box 8147,
St. Louis, MO 63156
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BOARD OF GOVERNORS
DR. NELSON PAGE ASPEN, 420 Owen Road, West Chester, PA
19380
CHARLES COLVER, 611 N. Banna Avenue, Covina, CA 91724
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C. JOHN FERRERI, P.O. Box 33, Storrs, CT 06268
MILTON R. FRIEDBERG, Suite 203, 30799 Pinetree Rd., Cleve-
land, OH 44124
GENE HESSLER, P.O. Box 8147, St. Louis, MO 63156
RON HORSTMAN, Box 2999, Leslie, MO 63056
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WILLIAM F. MROSS, P.O. Box 21, Racine, WI 53401
DEAN OAKES, Drawer 1456, Iowa City, IA 52240
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FRANK TRASK, P.O. Box 99, East Vassalboro, ME 04935
WENDELL W. WOLKA, P.O. Box 262, Pewaukee, WI 53072
The Society of Paper Money Collectors was organized in
1961 and incorporated in 1964 as a non-profit organiza-
tion under the laws of the District of Columbia. It is
affiliated with the American Numismatic Association. The
annual meeting is held at the Memphis IPMS in June.
MEMBERSHIP—REGULAR and LIFE. Applicants must be
at least 18 years of age and of good moral character.
JUNIOR. Applicants must be from 12 to 18 years of age and
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Members of the ANA or other recognized numismatic
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(914) 352.9077
Page 82 Paper Money Whole No. 165
by GENE HESSLER
Armandina Lozano
Paper Money Whole No. 165 Page 83
Few women in the world share the specialized talent of
ARMANDINA LOZANO
A
T THE AGE of five Ar-
mandina Lozano was
fascinated with the en-
graved lines, lines that were
raised, lines that you could feel,
on the portraits of the bank
notes in her native Mexico.
These notes were printed from
intaglio-engraved steel plates at
American Bank Note Company
in the United States. Although
all hand-engraving that will be
impressed on paper is done in
intaglio, this word has an in-
dividual connotation and de-
mands respect when applied to
security engraving. El Banco de
Mexico, where Armandina
Lozano was employed from
1978 to 1982, now produces
their own bank notes. As one of
just a few female engravers cur-
rently engraving portraits for
paper money and other security
documents, Ms. Lozano now
practices her highly-skilled art
for American Bank Note
Company.
There are and have been fe-
male engravers who work in the
security-engraving world; how-
ever, all are or were letter or
script engravers. It was not until
this century that a few women
made their mark as security por-
trait engravers.
At her home in Los Angeles, Armandina Lozano told me that
from the instant she first placed the graver, the primary engraving
instrument, in the palm of her right-hand it felt completely nat-
ural. Engraving continues to be the passion that dominates the
life of this extraordinary artist who, like other security engravers,
must create her work in reverse.
Following her art studies in the United States and Mexico, in-
cluding work at the Escuela Nacional de Artes Visuales at the
Universidad Nacional Autonoma de Mexico, Ms. Lozano was
sent to England and Italy by El Banco de Mexico to study secu-
rity engraving. She was one of four from 1,000 applicants to re-
ceive this honor. At Thomas de la Rue in London and the
Engraving School at La Banca de Italia in Rome she amazed her
instructors. After only three years Ms. Lozano was producing por-
traits that would take most ap-
prentice engravers an additional
two or three years to execute.
At her home, with a recording
of Claudio Arrau, one of her fa-
vorite pianists (and mine, too)
in the background, I took partic-
ular notice of two of her en-
graved portraits: Ernest
Hemingway and Ms. Lozano's
sister Orelia. The latter is an ar-
tistic expression of love for a
sister who is an archeologist and
designer of jewelry. The portrait
of her sister captures the beauty
which the camera could not do.
Beauty seems to be a family trait.
The Hemingway portrait was en-
graved for the U.S. Postal Service,
and appears on one of their
panels made for collectors.
Other subjects Armandina en-
graved for U.S. Postal panels in-
clude a female ice-skater, a male
ski jumper, four hockey players,
and sports legends Knute
Rockne and Lou Gehrig.
The portrait of Jenny Craig,
engraved for the company stock
certificate that bears the same
name, is one of Armandina's re-
cent security portraits. She con-
tinues to engrave additional
portraits for other stock certi-
ficates. The collecting of can-
celed bonds and stock certific-
ates continues to attract collectors. Consequently, within the next
year or two you should be able to purchase examples of her work
on stock certificates as they appear in the inventory of dealers
who specialize in these items.
Although other topics entered our conversations, engraving
was the paramount subject. The passion she has for this art form,
which can be traced to the mid-15th century age of Gutenberg,
becomes contagious. As one who studies the art of engraving, and
becomes excited when viewing excellent workmanship, I must
admit that I had trouble sleeping after studying the portraits of
Ernest Hemingway and Armandina's sister Orelia. Nevertheless,
we met the next day to continue our discussion of engraving.
Later, in an Italian restaurant, I was not surprised to discover
that Armandina was also fluent in Italian. Over dinner, among
Page 84
Paper Money Whole No. 165
The portraits of Ernest Hemingway and Lou Gehrig were
engraved for U.S. Postal Panels.
Ms. Lozano considers this portrait of her sister Orelia as
one of her best engravings.
This handsome portrait of Juan Rodriguez Cabrillo, who
discovered California in 1542, was engraved by Arman-
dina Lozano in 1984.
other subjects, she spoke of the high standards demanded by
her multi-lingual parents whose ancestry can be traced to pre-
Moorish Spain. Armandina wears a gold ring that bears the
family crest.
During our last meeting we spoke about her other artistic en-
deavors. Armandina paints in all mediums. With one excep-
tion she had only photographs of her work; it seems her
paintings sell as fast as she creates them. Armandina feels that
some of her best work consists of a series of 12 bold paintings
of boxers. She was quick to say that she was not attracted to pu-
gilism because of the violence, but found an anatomical dia-
logue between the two figures that was a natural subject for her
canvas. I forgot to ask Armandina if she sculpts—she probably
does.
Armandina Lozano also practices in another artistic medium
she is called upon as an art director for films. Two of about six
films she has been associated with are Dolores Mission, done for
Universal Studios and the Minister's Wife, an independent
production. She could work in this capacity more than she
does, but her first love, engraving, commands the attention of
Paper Money Whole No. 165 Page 85
a jealous lover. This prompted me to say to Armandina that in
my opinion most men would probably be intimidated by her.
I interpreted the blush that came over her face to be an affir-
mation.
Knowing of my background as a jazz trombonist, and as a
demonstration of her eclectic musical taste, Armandina
selected a recording of the legendary Miles Davis sextet as back-
ground for our last meeting. She was anxious to tell me that
within a few years she hopes to complete a series of engraved
portraits of some legendary jazz musicians.
I asked her how long it takes to engrave a portrait. The por-
traits for the U.S. Postal Service, she said, take less time than do
subjects for paper money and other security instruments. Por-
Armandina Lozano. She has engraved the principle portions of
bank notes for at least three foreign governments; and, as previ-
ously mentioned, stock certificates issued during the past ten
years can be attributed to Maney, as her friends call her.
As I left Armandina I noticed a book of Chopin Etudes on her
piano. Somehow I knew the answer would be yes when I asked
if she played piano. At one time she also studied dance. Arman-
dina Lozano is the consummate artist.
The apprenticeship for a security portrait engraver is about
ten years; Armandina completed her apprenticeship in less
time. She defied those, including some instructors, who said
she would never be accepted in the security engraving commu-
nity, an extremely specialized creative field that has historically
The shier and ce-shater were also engraved for U.S. Postal Panels.
traits for stock certificates and paper money, due to their com-
plexity, take longer to execute. Nevertheless, what takes most
engravers ten to twelve weeks to complete, this talented
woman often does in less time.
I was surprised when Armandina demonstrated how she
commences to engrave. From a photograph it is customary for
the engraver to make an outline-tracing of the subject to be en-
graved with a needle-like instrument onto a transparent sur-
face. These lines are filled with a red powder and the tracing is
placed on the plate, which has been covered with wax. The
image is now reversed. With a sharp point the engraver follows
the red lines to make contact with the plate. Etching acid se-
cures these lines while the rest of the plate is protected by the
wax. Armandina does not use powder; she merely presses the
outline onto the waxed surface. She also skips the etching acid
procedure. It is her opinion that the lines are cleaner if one
does not use etching acid. After the outline is made on the
plate, the wax is removed and she begins the detailed work of
engraving a variety of lines. These lines—some shallow, some
deep—are combined to create a three-dimensional effect. The
individual method adopted by Ms. Lozano probably reduces
the total engraving time by at least three days.
The United States priority and express mail postage stamps
reflect our need for rapid communication. Although only the
heads of the eagles on both are engraved, they are the work of
been dominated by men. She shares common traits with the
strong-willed nun, Juana Ines de la Cruz, who was born in
Mexico in 1651, and who expressed her feminine individuality
and that of other women through writing and poetry; her por-
trait was selected to grace the Mexican 1,000 peso in 1978, the
year Ms. Lozano began her engraving career with El Banco de
Mexico.
I would estimate there are about 30-45 security portrait en-
gravers in the world, and as stated previously, only a few are
women. Armandina Lozano is currently recognized as one of
the outstanding female portrait engravers, the only one to have
worked in the United States. Within this decade, among all
security engravers, she will be ranked as one of the best in the
world. ■
Read Money Mart
miiq 111. 1.J1i i il9111 , 1 1 11 I I
Page 86 Paper Money Whole No. 165
"A funny thing happened yesterday. A nice looking fellow came in and washed his hands and went away
leaving his overcoat."
The Story of "Cranky Tom" Hale,
And How He Was Captured by John Murray
Submitted
by BOB COCHRAN
Torn Hale was a well-known counterfeiter in the nineteenth
century. At the time these events took place, John Wilson
Murray was employed as a detective with the Erie, Pennsylvania
Police Department. The story of Tom Hale is quoted from
Memoirs of the United States Secret Service, by Captain George P.
Burnham. The capture of Tom Hale by John Murray comes
from Memoirs of a Great Detective. Incidents in the Life of John
Wilson Murray.
The accounts of Hale's arrest differ significantly in the two
sources. Both accounts place his arrest at about the same time,
early in 1870. Burnham places Hale in Ohio at the time of his
arrest, and implies that he was taken into custody by U.S. Secret
Service agents. As the title of this article states, Murray recounts
his personal experience in placing Hale under arrest in Erie,
Pennsylvania. Burnham states that the counterfeit currency in
question was 50-cent U.S. fractional currency notes; Murray
lists other notes found in Hale's possession.
"Cranky Tom" Hale
T
OM Hale was born in 1836, in Saratoga County, NY. His
parents died when he was thirteen, and Tom was taken
in by a kindly aunt. His aunt owned a large and valu-
able farm in Saratoga County, and she personally saw to the
farm's day-to-day activities. Tom was brought up in relative
comfort, and his aunt helped him to receive a good education.
When he was seventeen, Tom was placed in charge of running
much of the farm for his aunt.
Tom often had occasion to visit the Saratoga County Bank to
deposit money and to draw checks and drafts in his aunt's be-
half. After a few years, Tom's aunt turned the whole farm busi-
ness over to him. Sadly for her, it wasn't long after this that Tom
robbed her. One day he forged her signature to a check for
$300. The forgery was so good that it passed for genuine, and
he obtained the money from the bank. He then collected about
$200 that was owed to his aunt and left for New York City.
Tom gravitated to the "shady" side of the city, and he was
soon a leader among the thieves and rogues, planning and ex-
ecuting daring robberies. His sudden departure from Saratoga
County aroused suspicion, and the forged check was discov-
ered. He was captured and tried, and upon his conviction he
was sent to the State Prison at Clinton for a term of three years.
When he was released he immediately resumed his habits in
New York City. Hale developed an affinity for gambling, and as
much as he was able to obtain by theft he lost at the poker
table. One of his favorite hangouts was a bar at 16 East
Houston Street, operated by Ike Weber, a known counterfeiter.
Tom took a position as bartender in the establishment to oc-
cupy his spare time.
"Cranky Tom" Hale, Counterfeiter He got his nickname thusly—whenever the
authorities attempted to obtain a photograph of him, he would "crank" his fa-
cial features from normal, altering his appearance.
It didn't take Tom long to become involved with the counter-
feiters who frequented Weber's bar. Ike Weber produced coun-
terfeits of the 25 and 50 cents U.S. postal currency (fractional
currency issued from August 21 to May 27, 1863) and Hale was
part of the group getting it into circulation.
Tom became a wholesaler of Weber's later counterfeit U.S.
fractional notes, and one of his dealers was "Pious" John Dis-
browe. Disbrowe would go out into the "West" (as virtually any
area west of Philadelphia was known then) and establish
"agencies," and Hale would then send him the counterfeits to
disburse as fast as they could be manufactured. (Burnham
describes Disbrowe as "a pimp of the first water. He was osten-
sibly an active, prominent member of a Methodist Church in
New Jersey, leader of a choir, and the head of a nice family. He
could exhort and whine, and psalm-sing the leg off a brass
monkey) Disbrowe disposed of the counterfeits to the ped-
dlers, who "shoved" them generously along the lines of the rail-
roads in every direction.
RECEIVARLF FOR ALL UNITED STATES STAMPS
Paper Money Whole No. 165 Page 87
•7 Eir,„ ko A
R E C IVA .1:E I, R ALL IS ri:OrsTATLs sT,vmps W,"
A good candidate for the counterfeit 50 cent U.S. Fractional Currency notes Tom Hale was selling to
his dealers and shovers. These impressions appeared in various editions of Heath's Infallible Govern-
ment Detector. The top note is genuine, the bottom note is a counterfeit; the counterfeit plate for this
note is attributed to William Brockway, a known associate of Ike Weber, who supplied counterfeit notes
to Tom Hale.
According to Burnham, a "shover" was arrested, and he told
the authorities that he had received the counterfeit notes from
John Disbrowe. Disbrowe was arrested in Detroit, and he
promptly told the police that Tom Hale in New York was his
source of notes. A plan was developed (ostensibly by the Secret
Service) to get Tom Hale to come out "West" with a supply of
counterfeit notes, where he could be captured. Under direction
of the authorities, Disbrowe wrote to Hale that he wanted
$3,000 of the counterfeit fractional currency at once, and if
Hale would bring it out personally Disbrowe would pay him a
premium in "good" money for it, plus a part of his profits al-
ready in hand.
Burnham states that Hale took the bait, and started from
New York with $3,500 in counterfeit 50-cent U.S. fractional
currency notes (some seven thousand pieces). He was leery of
traveling all the way to Detroit however, and arranged to meet
an associate in western Pennsylvania, near the Ohio state line.
The associate was to convey the counterfeits to Disbrowe. For
some reason the associate failed to make the meeting
(Bumham implies that the Secret Service had a hand in the as-
sociate's failure) and Hale proceeded into Ohio, where he was
arrested. He was then taken to Pittsburgh where he was charged
with uttering and dealing in counterfeit money.
POKE SOLES, TOM HALE AND JOHN MURRAY
(The following account is quoted from the biography of John
Murray.)
Poke Soles was a "shover of the queer': An episode of his life
occurred at Erie (Pennsylvania), which reveals now for the first
time the story of Tom Hale, a counterfeiter, who subsequently
was a side-member of the United States Secret Service. Poke's
duties as a shover of the queer [or counterfeit] were to pass
counterfeit money.
"In the winter of 1869 and 1870 some $20 bills that were
queer appeared in Erie," says Murray. "Fred Landers kept a res-
taurant in Erie, and one day I happened to drop in, and he told
me of a fellow who had been in and ordered a light lunch and
paid for it with a $20 bill, and who bought a drink as he went
out and offered a second $20 bill to the bartender, who said he
could not change it. I looked at the bank-note Landers had
taken. It was a clever one, but it was queer. My experience with
counterfeiters in the special services of the United States was of
instant value. Landers described the man. I spotted him at the
railroad station and got him, but did not find any of the stuff
or counterfeit money on him. He was simply a shover, one who
passed the money, and he received only a couple of $20 bills at
a time.
Page 88 Paper Money Whole No. 165
"Few classes of crime are organized so scientifically as coun-
terfeiting. The man who makes the plates never does business
with the men who pass the money. The plate-maker is an en-
graver who usually gets a lump sum for his work. Those who
print the money are the manufacturers and they sell the queer
in wholesale quantities to dealers, who sell to retail dealers,
who have their shovers out passing the money. The man I got
was a shover. I locked him up and in searching him I found the
name 'Tom Hale, New York: I reported to Crowley [Murray's
boss] and sent a telegram addressed to Hale and reading:
'Come on. I am sick. Stopping at Morton House. Room 84!
"I made all arrangements with the hotel clerk to get track of
any one who called and asked for the man in room 84. No one
came. I kept the shover, whose name was Soles, locked up in
gaol. Landers and the bartender had identified him. A week
passed. It was the winter of 1870 and the trains were blockaded
and it snowed and blew and delayed all traffic. On the ninth
day a nice looking man walked into the Morton House. It was
bitter cold and yet he had no overcoat. He asked for Mr. Soles
in room 84. 1 was in the hotel at the time; the clerk tipped me
and I walked over and collared the stranger. I took him down
and searched him and locked him up. He had several hundred
dollars of good money on him, but no counterfeit money. I in-
tended to hold him while I hunted for his baggage, for at least
a man dressed as he was, would have an overcoat somewhere
near.
"The next morning Officer Snyder and I went to the railroad
station and began, from there, a systematic search for a trace of
the stranger's overcoat. In the morning we were in the habit of
stepping into John Anthony's German saloon for a mug of
beer. On that morning Anthony said: 'A funny thing happened
yesterday. A nice looking fellow came in and washed his hands
and went away leaving his overcoat!
"'Let me see it, John, said I.
"Anthony produced the coat. In the first pocket in which I
thrust my hand I found a roll of something wrapped in a hand-
kerchief. I drew it out and found $1,000 in counterfeit $20 and
$100 bills, with coupons attached to the ends. They were such
excellent counterfeits that I later passed one at a bank as a joke
and then told them of it. I took the coat to the lockup.
"'Hello, Hale; here's your coat', I said.
"'All right. Thank you said the stranger, who was Tom Hale.
"I said: 'That's your coat, Tom?'
"'Oh, yes, said he.
"Then I hauled out the counterfeit money from the pocket.
He then said it was not his coat. I made him put the coat on
and it fitted him perfectly. Then John Anthony identified him
as the stranger who had left the coat in his saloon.
"Soles was held for passing counterfeit money. He pleaded
guilty and was sent to Alleghany [Prison] for five years. The
United States authorities took Hale to Pittsburgh, then to New
York, and then to Washington!'
Mr. Wood, then the Chief of the Secret Service, felt that Hale
would be valuable in fingering some of the manufacturers and
large dealers in counterfeit currency in New York. Hale
promised faithfully to aid the Government officials, and he
clearly understood that if he didn't cooperate he would be
returned to Pennsylvania to stand trial.
When Colonel Whitely was appointed Chief of the Secret
Service (replacing Wood), he looked into this and other
pending cases, and quickly ascertained that "Cranky Tom" had
not performed his promises to the Government, but on the
contrary had been allowed to run free, by connivance with the
old officers (of the Secret Service), and was then actually in the
counterfeiting business again. Col. Whitely promptly arrested
him, and sent him to Pittsburgh where he was permitted to
withdraw his former voluntary plea of "guilty." A new trial was
accorded him, at the instance of the new Chief of the Division.
(Murray states that when Whitely sent for Hale and told him he
was doing nothing, "Hale practically told Colonel Whitely to
go to hell!')
His trial came before Judge McCandless of the Western Dis-
trict of Pennsylvania, in October 1870. In the course of "Cranky
Tom's" trial, it was shown that he had been arrested in another
district (Erie), and a motion was made by the defense to quash
the indictment against him, on the ground of non-jurisdiction
of the court at Pittsburgh. But the U.S. Dist. Attorney, H. Bucher
Swoope, Esq., claimed that it had also been already shown
upon the evidence that Hale had passed through the State of
Pennsylvania with this counterfeit money in his possession;
and he asked the jury, by their verdict, to assert that the state
should not be made a highway for the conveyance of counter-
feit money, anywhere.
Tom's lawyer, in closing for the defense, maintained that his
client was not guilty, as set forth in the indictment against him.
"What is he here for, then?" pertinently inquired the Judge. "It
is sufficient that he is here, and that the heinous charges against
him are fully supported by plenary proof'
Tom was speedily convicted and sentenced to ten years' im-
prisonment in the penitentiary at Alleghany City. He was also
to pay a fine of $2500; Hale was to stay committed until the
fine was paid.
Murray provides us with the final word on Tom Hale: 'The
last time I saw Tom Hale was about 1884. He was keeping a
dime lodging house on the Bowery in New York at that time.
He fared far worse in his sentence than did Poke Soles who
stood up like a man when he was caught and did his time. I un-
derstood Hale never set foot in Erie again and vowed he never
would. The most disappointed man was John Anthony, when
the owner of the overcoat was found and the $1,000 turned out
to be queer!'
(Note: The $100 notes "with coupons attached to the ends" re-
ferred to by Murray as having been found in Tom Hale's over-
coat are quite interesting. The description applies only to the
three-year interest-bearing notes, which were issued under the
Acts of July 17, 1861, June 30, 1864 and March 3, 1865. These
notes were the only United States issues which had coupons at-
tached to the notes. The coupons were used to collect the in-
terest on the notes at six-month intervals, and the last
installment of interest was collected upon presentation of the
note itself. Because the interest was payable to the bearer of the
note rather than to an individual, these notes circulated as did
the other legal tender notes of the period. However, these notes
created some problems for the Treasury Department; ac-
cording to a December 1864 report from Secretary Fessenden,
"though withdrawn to a certain extent while the interest is
maturing, they are liable to be periodically rushed upon the
markee'These comments would no doubt refer to the northern
public's confidence in the Union as the Civil War raged. Many
of the three-year interest-bearing notes were withdrawn and
replaced with the compound interest notes of the Act of June
30, 1864. Further, the interest accrued on the last issue of three-
year interest-bearing notes ceased on July 15, 1868. Since these
notes were worth more than their face value at the time of this
Paper Money Whole No. 165 Page 89
story (1870), a person holding one was, in effect, losing money
by not redeeming the note. As of July 1, 1869 there were some
$1,201,400 in these notes outstanding, consisting of $34,900 of
the 1861 notes and $1,166,500 of the 1864 notes. These totals
notwithstanding, it would seem to be at least unusual for
anyone to be holding these notes as late as 1870. Detective
Murray's comment about passing the counterfeit note (and we
assume he left the coupons attached) as a joke should not go
unnoticed. In retrospect we would think that the bank per-
sonnel would express some curiosity over the note.
Although Murray is quite specific in his description of the
"$100 bills with the coupons attached to the ends;' none of the
several contemporary and later counterfeit detectors consulted
mention the $100 three-year interest-bearing notes as having
been counterfeited successfully.)
SOURCES:
Burnham, Capt. G.P. (1872). Memoirs of the United States Secret Service.
Boston: Lee & Shephard.
Burnham, Capt. G.P. (1879). American Counterfeits. How Detected, and
How Avoided. Boston: A.W. Lovering.
Friedberg, R., Friedberg, A.L. I.S. (Eds.). (1978). Paper Money of the
United States. Iola, WI: Krause Publications (for the Coin and Cur-
rency Institute, NY).
Knox, J.1. (1978). United States Notes. New York: Sanford J. Durst Numis-
matic Publications. Second Edition, Revised.
Ordway, N.G. (1869). American Bond Detector. Washington, D.C.
Speer, V. (Ed.). (1905). Memoirs of a Great Detective. Incidents in the Life
of John Wilson Murray. New York: Baker and Taylor Company.
ACKNOWLEDGMENTS:
Thanks to Fred F. Angus, for providing me with excerpts from
the book about Murray. Thanks to Eric P. Newman and the Eric
P. Newman Numismatic Education Society, for providing
access to the copy of American Counterfeits. Thanks to Ron
Horstman for providing information about the three-year
interest-bearing notes from the American Bond Detector.
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