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Table of Contents
Official Journal of the
Society of Paper Money Collectors
VOL. XLIII, No. 6
WHOLE No. 234 NOVEMBER/DECEMBER 2004
WWW.SPMC.ORG
THE BEAUTY ND LORE: THE ALLURE OF PAPER MONEY
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and colleagues will thank you all
year long.
Just send their names and the
funds to Membership Director A
In.:,..7911/1"- Frank Clark (addr
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FEOE111111.11ESEEME NOTE
2 Rector Street, 12th Floor, New York, NY 10006-1844
TEL: 212-943-1880 TOLL FREE: 800-622-1880 FAX: 212-312-6370
EMAIL: info@smytheonline.com
WEBSITE: smytheonline.com
1:N,.
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\ MA
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Scott Lindquist
Our Outstanding Team of Experts Can Help You
Get the Most for Your Collection
You've spent years putting together an outstanding collection, and now
you are ready to sell. Will the people who handle the disposition of your
collection know as much about it as you do? They will at Smythe!
Autographs; Manuscripts; Photographs;
International Stocks and Bonds.
DIANA HER ZOG President, R.M. Smythe & Co., Inc.
BA, University of London; MA, New York University—
Institute of Fine Arts. Former Secretary, Bond and Share
Society; Past President, Manuscript Society; Editorial Board,
Financial History. Board Member: PADA.
U.S. Federal eT National Currency;
U.S. Fractional Currency; Small Size
U.S. Currency; U.S. MPC.
a MARTIN GENGERKE Author of U.S. Paper Money
Records and American Numismatic Auctions as well as numerous
articles in Paper Money Magazine, the Essay ProofJournal, Bank Note Reporter
and Financial History. Winner of the only award bestowed by the Numismatic
Literary Guild for excellence in cataloging, and the 1999 President's Medal
from the American Numismatic Association. Member: ANA, SPMC.
Small Size U.S. Currency; Canadian
Banknote Issues; U.S. Coins.
SCOTT L I N DQ U I ST BA, Minot State University,
Business Administration/Management. Contributor to the
Standard Guide to Small Size U.S Paper Money & U.S Paper
Money Records. Professional Numismatist and sole proprietor
of"Fhe Coin Cellar for 16 years. Life Member: ANA, CSNS. Member: PCDA,
FCCB, SPMC.
U.S. and World Coins.
ANDY LUSTIG has been dealing in U.S. and World
coins since 1975, and has attended more than 2,000 coin
shows and auctions. His specialties include U.S. patterns,
pioneer gold, and rarities of all series. He is a co-founder of
The Society of U.S. Pattern Collectors, a major contributor
to the 8th Edition of the Judd book, a former PCGS grader, and a co-founder
of Eureka Trading Systems. Member: ANA, GSNA, CSNS, NBS, ANUCA,
FUN, ICTA, and USMexNA.
Why do so many collectors and major
dealers consign to Smythe's Auctions?
• Competitive commission rates • Cash advances available
• Expert staff of numismatic specialists • Thoroughly researched
• Flexible terms and beautifully illustrated
• Record breaking prices catalogues
Antique Stocks and Bonds;
U.S. Coins; Paper Money.
STEPHEN GOLDSMITH Executive Vice President,
R.M. Smythe & Co., Inc. BA, Brooklyn College. Contributor
to Paper Money of the United States, Collecting U.S. Obsolete
Currency Financial History and Smart Money. Editor, An
Illustrated Catalogue of Early North American Advertising Notes; Past President
and Board Member, Professional Currency Dealers Association. Member:
PCDA, ANA, SPMC, IBSS, New England Appraisers Association.
U.S. Coins and Medals.
JAY E RLICHMAN Contributor to A Guide Book of
US. Coins and A Guide Book of British Coins. Assembled and
managed investment portfolios of U.S. coins. Employed by the
Federal Trade Commission as an expert witness on consumer
fraud. Member: ANA, PCGS, NGC.
Ancient Coins and Medals.
THOMAS T E SO R I ERO Proffesional Numismatist
for 38 years in New York. Ancient Greek and Roman coins,
medieval, world gold and silver, paper money. Long time
member of the New York Numismatic Society, involved
with the Membership Committee. Member: ANA,
ANS, AINA, FRNS.
Please call for our auction schedule.
We buy, sell, and auction the very best in Antique Stocks and Bonds,
Autographs, Banknotes, Coins, Historic Americana, and Vintage Photography
PAPER MONEY • November/December 2004 • Whole No. 234 401
SPMC 6000 'RE-BUILDING A GREAT SOCIETY FOR A NEW CENTURY" TM
AHALLMARK OF THE SPMC 6000 PROGRAM IS TO RETOOL THE SOCIETY FOR THE 21STCentury by increasing membership rolls to provide more and better services, products and programs formembers. This will increase value of membership and provide more bang for members' bucks. A key tothis is our annual Nathan Goldstein-SPMC Recruitment Award. This annual award is presented at the
Memphis Show, and recently has been won by SPMC dealer members who go out of their way to support SPMC.
We appreciate and applaud those efforts. (See page 476 for the current SPMC 6000 Recruiting Honor Roll)
The award memorializes the recruiting efforts of SPMC Charter Member Nathan Goldstein (shown below
left receiving a plaque from then SPMC President Frank Clark at Memphis two years ago), who in the Society's
earliest years "took the bull by the horns" and wrestled hundreds of paper money aficionados into the fold as paying
members of our fledgling group. Nate was the top annual recruiter in at least four of those beginning years (1965,
1966, 1967 and 1970). We say "at least" because historical records for some years are incomplete or lacking.
Nate's efforts, along with those since of other officers and members/dealers have provided the wonderful
Society, magazine and other benefits that we all presently enjoy. Now through SPMC 6000 we are specifically
challenging ALL members to sponsor at least two new SPMC members or give gifts to two of their family mem-
bers, friends, or colleagues who would benefit from SPMC membership. New recruiting brochures were included
in a recent issue of Paper Money. Those (officers excluded) who sponsor or gift at least two new members are eligi-
ble for a free souvenir card, AND also eligible for the Nathan Goldstein SPMC Recruiting Award.
So roll up your sleeves, and add your name to the distinguished group of annual recruiting award winners:
Tom Denly, Frank Viskup, David Hakes, Nathan Goldstein, Richard Balbaton, Stanley Morycz, Ron Horstman,
John Wilson, chief among them, whose efforts and zeal have helped make SPMC the great society we enjoy today.
Nathan Goldstein - SPMC Recruitment Award
Be It Resolved.. .
Whereas it has often been said that new members are the "life blood" of an organization, and SPMC is grateful to
members who "spread the gospel";
And Whereas recruiting was especially imperative at the onset of SPMC;
And Whereas SPMC Charter Member Nathan Goldstein (#133) was on the Board of Governors in the early years
(1964-1973);
And Whereas at that time he also penned the very popular "Paper Money Periscope" in Coin World;
And Whereas he laced his informative columns with references to SPMC, its benefits and our journal, Paper Money.
and at his own expense mailed Society brochures to hundreds of his readers who requested information on the
Society;
And Whereas Mr. Goldstein was named Chairman of the Membership Committee in 1969 to spur recruitment;
And Whereas his efforts were so fruitful that "Founding Fathers" twice awarded him SPMC Awards of Merit (1967 and
1973) for his recruiting work on behalf of the Society;
And Whereas Nathan Goldstein won from 4-6 (records in several years are fragmentary) recruitment awards in the
early years of the Society and many other years placed second or third on the recruitment list;
And Whereas his activities involved recruiting literally hundreds and hundreds of members to SPMC, many of whom
are still active in the Society these decades later;
And Whereas the SPMC Board of Governors still believes that new members are our Society's lifeblood and future;
And Whereas the SPMC Board of Governors desire to reinvigorate
active recruiting of new members so that SPMC may continue to grow
and prosper, and fulfill its chartered purposes;
And Whereas Nathan Goldstein's efforts and hard work on the Society's
behalf helped it to grow and succeed in its formative years, now these
many years later in honor of those efforts be it resolved that the SPMC
Board of Governors desire to rename its Vice Presidential Recruitment
Award as the Nathan Goldstein-SPMC Recruitment Award to honor Mr.
Goldstein's zealous efforts on behalf of SPMC and those future members
who excel in recruiting new members for the Society each year.
Unanimously adopted 6 June 2002 -- Frank Clark, President
tromorma woRriyaral of.*avur 0. WIWI.) *1*i 4 ,111:5,111A Unl :TM. Cif a-
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402 November/December 2004 • Whole No. 234 • PAPER MONEY
More "Greenbacks That Never Were"
by Michael Scalia°
Contract Historian for Byther Managing Collections at the Bureau of Engraving and Printing
RECENT DISCOVERY IN THE HOLDINGS OF THE BUREAU OF ENGRAVING AND PRINTING'S
historical collections has revealed variant essais never adopted for early U.S. Greenbacks. These include proofs of
$5 and $10 one-year interest-bearing Treasury Notes exchangeable for seven-thirty percent United States bonds.
The essais were to bear interest at the rate of 3.65 percent as authorized under the Act of July 17, 1861.
Collectors know that interest bearing U.S. Treasury notes are the rarest of all issues of U.S. paper money. Similar essai
notes are described in the new edition of Paper Money Contributing Editor Gene Hessler's U.S. Essay, Proof and Specimen
Notes (BNR Press, 2004). The $5 note is Hessler ITE2a; the $10 note is Hessler ITE4a. The new discoveries will be listed
in the future at Hessler ITE2b and Hessler ITE4b respectively.
The principal difference between the new discoveries and those already listed in the Hessler reference is the exchange-
able clause appearing on the essais' backs. The $5 and $10 essais listed in Hessler bear the obligation "Exchangeable at the
Treasury for Treasury Notes Payable Three Years After Date Bearing 7 3/10 Pr. Ct. Interest." As can be seen in the accom-
panying photo the new $5 and $10 discoveries have the obligation "Exchangeable at the Treasury for United States Bonds
Payable Three Years After Date Bearing 7 3/10 Pr. Ct. Interest."
The previously known essais (along with a similar $20 denomination also exchangeable for bonds) were originally pub-
lished in the pages of this magazine, Paper Money ( July/August 1990) after having first appeared in the 1986 Memphis
International Paper Money Show auction conducted by NASCA.
The Act of July 17, 1861, was passed by Congress in response to Secretary of the Treasury Salmon P. Chase's request
to borrow funds to finance the military buildup in the early days of the Civil War. The Act authorized Chase to borrow
$250 million by various means, including the issue of Demand Notes and interest bearing treasury notes.
Chase asked for permission to issue $10, $20 and $25 interest-bearing notes as well as those of larger denominations.
Eventually, however, no small denomination one-year interest bearing notes such as these essais were issued under the Act of
1861. Ten-dollar and $20-dollar one-year notes were issued under the March 3, 1863, appropriation as non-convertible
legal tender bearer notes. When the larger denomination ($50-, $100-, $500-, $1000- and $5000) three-year interest bear-
ing treasury notes issued under the 1861 Act did appear they were "Convertible into 20 Year 6 Per Cent U.S. Bonds." Each
403PAPER MONEY • November/December 2004 • Whole No. 234
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had a line on face for the name of the purchaser and another on back for the payee's endorsement upon redemption. These
notes accrued interest at the rate of 7.3% with five coupons for redemption of interest at six month intervals.
There had been ample precedent for the government issuing such interest bearing notes. The sale of interest bearing
notes had been a means of raising funds for the government since the War of 1812 and in intervening ante-bellum decades
(illustrated in Hessler's companion reference An Illustrated History of U.S. Loans (BNR Press, 1988). However, these differ-
ences in convertability clauses highlight a debate that raged within the Treasury Department, the halls of Congress and in
state houses and financial centers across the Union during the early days of the Civil War. Simply put it was hoped that
issuing these interest-bearing notes would be viewed as investment vehicles rather than currency -- that they would be pur-
chased and tucked away either in bankers' vaults or under mattresses. Small denominations were designed to be "patriotic
investments." Due to the extreme exigency of the times, to encourage this result the Treasury offered the highest rate ever
paid on U.S. treasury notes to that time.
In the meantime, the central government would receive the purchase funds for prosecuting the war, while bankers and
public would receive attractive investment paper. Greenbackers, mostly in the midwest, who favored currency supply expan-
sion favored fundability in legal tender notes, while more conservative bankers and the Treasury Department itself favored
convertability into long term bonds. Redundant currency, Secretary Chase and others argued, would damage government
credit, perhaps fatally. Most bankers supported the sale of interest-bearing treasury notes because it would permit the
Treasury to quickly reimburse them for the money they had already advanced to the government. They liked convertability
to bonds because this would extend the life of attractive (and presumably safe) government paper. The administration
favored bonds because it delayed redemption.
Included in the new discovery are two sheets of each denomination, with faces and backs printed on separate sheets;
additionally, one note has been detached from each original four-note sheet of faces and backs. The faces have holes
punched along the edge of each signature line to prevent the issuance of the proofs.
Contracts were let with two banknote printing companies in New York. At that time, the Government had no facili-
ties of its own for producing securities, so it turned to commercial banknote printers as it had in the past for the printing of
bonds and other securities. John J. Cisco, the Assistant Treasurer posted in New York City, concluded contracts with the
American Bank Note Company and National Bank Note Company for engraving and printing Demand Notes, three-year
bonds, one-year notes, and twenty-year bonds. All of these instruments were listed in the July 1861 legislation as options
that Treasury Secretary Salmon P. Chase could use for financing war and other Government expenses; that is, the Secretary
was authorized to issue any or all of the notes and bonds. Apparently, plans were made for the engraving and printing of all
the securities referenced in the legislation so each would be ready for mass production should the Secretary decide to issue
them.
As it turned out, both types of bonds and the Demand Notes were actually issued, but the one-year interest-bearing
notes were not. Instead, Chase opted for longer-term three- and twenty-year bonds to make up the bulk of his early war
'A#Ar /". •mr; or ft 4.,,A L" •
November/December 2004 • Whole No. 234 • PAPER MONEY
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finance program, with non-interest-bearing Demand Notes serving as an expedient method of paying Government creditors
and salaries.
The never-issued interest-bearing notes and the Demand Notes have similarities. Each of the faces of the interest-
bearing notes contains lathe work, some of which is printed in patented green ink, designated by the inscription "Patented
30 June 1857." This special green ink was used in conjunction with black ink as a counterfeit deterrent; attempts to scrape
off or chemically remove this type of green ink resulted in removing or altering the black ink or in damaging the paper.
(Before the introduction of the patented green ink, counterfeiters would remove any color elements from a note prior to
making black-and-white photo reproductions and later add the color elements to the photograph to make a fake note.) The
backs of the notes are printed in a darker shade of green ink, distinct from the patented green ink that appears on the faces,
and include counters, legends, and lathe work.
The $5 denomination of the interest-bearing note contains a small portrait of Albert Gallatin (the fourth Secretary of
the Treasury) and a vignette of an eagle, neither of which contains an engraver's name. The $10 note features a portrait of
George Washington; again, the engraver is unknown. The face of the $20 note has a vignette of a soldier and sailor, signed
by "Herrick," in all likelihood Henry W. Herrick, an American artist.
Like Demand Notes, the interest-bearing notes were engraved with blank lines for Treasury officials to actually sign
their names. Next to the lines were the inscriptions "for the Register of the Treasury" and "for the Treasurer of the United
States." Additionally, both the Demand Notes and one-year notes were printed in the same three denominations.
Although they were interest-bearing, the one-year notes, if issued, might have circulated like a general currency and
thus been the first Government circulating notes to feature George Washington and Albert Gallatin. If Treasury Secretary
Chase had chosen these notes over Demand Notes as part of his finance measures, they could well have been the first federal
government notes to feature the patented green ink. And with their all-green backs, they also might have been the nation's
first "greenbacks."
We now know, however, that these particular notes were never issued. As a result, they exist only as proofs of notes at
the Treasury Secretary's disposal. Fortunately for us, several samples survive to provide a bit more insight into the origins of
our federal paper money.
Editor's Note: In one of the inexplicable ironies of life, virtually simultaneously down to the week of publication this sum-
mer of SPMC member Gene Hessler's revised edition of his acclaimed U.S. Essay, Proof and Specimen Notes (BNR Press,
2004) -- 25 years after its 1st edition -- these variant essais should come to light. Their discovery, however, illustrates a
point well taken within the paper money research community -- keep one's eyes open and keep one's spade in the dirt;
buried treasures may be just under the next scoop of dust. -- Fred Reed
TERMS AND CONDITIONS
PAPER MONEY is published every other month
beginning in January by the Society of Paper
Money Collectors (SPMC). Second-class postage
is paid at Dover, DE 19901. Postmaster send
address changes to Secretary Robert Schreiner,
P.O. Box 2331, Chapel Hill, NC 27515-2331
© Society of Paper Money Collectors, Inc., 2004.
All rights reserved. Reproduction of any article, in
whole or in part, without express written permis-
sion, is prohibited.
Individual copies of this issue of PAPER MONEY
are available from the Secretary for $6 postpaid.
Send changes of address, inquiries concerning
non-delivery, and requests for additional copies
of this issue to the Secretary.
MANUSCRIPTS
Manuscripts not under consideration elsewhere
and publications for review should be sent to the
Editor. Accepted manuscripts will be published as
soon as possible; however, publication in a spe-
cific issue cannot be guaranteed. Include an SASE
for acknowledgment, if desired. Opinions
expressed by authors do not necessarily reflect
those of the SPMC.
Manuscripts should be typed (one side of paper
only), double-spaced with at least 1-inch margins.
The author's name, address and telephone num-
ber should appear on the first page. Authors
should retain a copy for their records. Authors are
encouraged to submit a copy on a 3 1/2-inch
MAC disk, identified with the name and version
of software used. A double-spaced printout must
accompany the disk. Authors may also transmit
articles via e-mail to the Editor at the SPMC web
site (fred@spmc.org). Original illustrations are
preferred but do not send items of value requiring
Certified, Insured or Registered Mail. Write or e-
mail ahead for special instructions. Scans should
he grayscale at 300 dpi. Jpegs are preferred. .
ADVERTISING
• All advertising accepted on space available basis
• Copy/correspondence should be sent to Editor
• All advertising is payable in advance
• Ads are accepted on a "Good Faith" basis
• Terms are "Until Forbid"
• Ads are Run of Press (ROP)
• Limited premium space available, please inquire
To keep rates at a minimum, all advertising must
be prepaid according to the schedule below. In
exceptional cases where special artwork or addi-
tional production is required, the advertiser will
be notified and billed accordingly. Rates are not
commissionable; proofs are not supplied.
Advertising Deadline: Subject to space availabil-
ity copy must he received by the Editor no later
than the first day of the month preceding the
cover date of the issue (for example, Feb. 1 for the
March/April issue). With advance approval, cam-
era-ready copy, or electronic ads in Quark
Express on a MAC zip disk or CD with fonts sup-
plied, may be accepted up to 10 days later.
ADVERTISING RATES
Space 1 time 3 times 6 times
Outside back cover $500 $1350 $2500
Inside cover 400 1100 2000
Full page 360 1000 1800
Half page 180 500 900
Quarter page 90 250 450
Eighth page 45 125 225
Requirements: Full page, 42 x 57 picas; half-page
may be either vertical or horizontal in format.
Single-column width, 20 picas. Except covers,
page position may be requested, but not guaran-
teed. All screens should be 150 line or 300 dpi.
Advertising copy shall be restricted to paper cur-
rency, allied numismatic material, publications,
and related accessories. The SPMC does not guar-
antee advertisements, but accepts copy in good
faith, reserving the right to reject objectionable
material or edit copy.
SPMC assumes no financial responsibility for
typographical errors in ads, but agrees to reprint
that portion of an ad in which a typographical
error occurs upon prompt notification.
PAPER MONEY • November/December 2004 • Whole No. 234
405
Paper Money
Official Bimonthly Publication of
The Society of Paper Money Collectors, Inc.
Vol. XLIII, No. 6 Whole No. 234 NOVEMBER/DECEMBER 2004
ISSN 0031-1162
FRED L. REED III, Editor, P.O. Box 793941, Dallas, TX 75379
Visit the SPMC web site: www.spmc.org
IN THIS ISSUE
FEATURES
Alabama and Chattanooga Railroad Scrip
407
By Dennis Schafluetzel
Tippecanoe & an Indian's Curse: Collecting Assassinated U.S. Presidents
414
By John Glynn
A High Tech Top Value: Canada's New $100
425
By Harold Don Allen
Intended Back Design for 1st U.S. Small Size Notes
432
By Gene Hessler
On This Date in Paper Money History
450, 452
By Fred Reed
Even Circulated Notes Have Stories to Tell
454
By Jason W. Bradford
Interest Bearing Notes: Yes, Virginia, This Santa Had Problems
463
By Dave Bowers
The Buck Starts Here: Some American Inventors on Paper Money
464
By Gene Hessler
The Paper Column: Changing Signatures & DC-NB Tie In
470, 471
By Peter Huntoon
Notes from up North: Global New Moneys
474
By Harold Don Allen
SOCIETY NEWS
P L A N A H E A
If you joined SPMC before Oct. 1, 2004, you must prepay 2005 dues now or
lose your membership -- You won't want to miss a single issue; so act NOW
Nathan Goldstein-SPMC Recruitment Award
401
George W. Wait Prize Official Announcement
421
What Paper Money Do You Like Best?
431
SPMC 6000 Goal: Create a More Balanced Awards Program
445
SPMC Awards Winner Announced at Memphis
445
Who Was Glenn B. Smedley?
446
ANA Honors Paper Money and Our SPMC Authors
449
Ohio Obsolete Book a Real "Heavy-weight contender"
453
Annual Index 466
Compiled by George Tremmel
President's Column 472
By Ron Horstman
Money Mart
472
Nominations Open for SPMC Board 475
New Members 476
SPMC Librarian's Notes 478
By Bob Schreiner
SOCIETY
OF
PAPER MONEY
COLLECTORS
INC.
BUYING AND SELLING
CSA and Obsolete Notes
CSA Bonds, Stocks &
60-Page Catalog for $5.00
Refundable with Order
ANA-LM
SCNA
PCDA CHARTER MBR
HUGH SHULL
P.O. Box 761, Camden, SC 29020 (803) 432-8500
FAX (803) 432-9958
SPMC LM 6
BRNA
406
November/December 2004 • Whole No. 234 • PAPER MONEY
Society of Paper Money Collectors
The Society of Paper Money
Collectors (SPMC) was orga-
nized in 1961 and incorporated
in 1964 as a non-profit organiza-
tion under the laws of the
District of Columbia. It is affiliat-
ed with the American Numismatic Association. The annual SPMC
meeting is held in June at the Memphis IPMS (International Paper
Money Show). Up-to-date information about the SPMC and its
activities can be found on its Internet web site www.spmc.org .
MEMBERSHIP—REGULAR and LIFE. Applicants must be at least 18
years of age and of good moral character. Members of the ANA or
other recognized numismatic societies are eligible for member-
ship; other applicants should be sponsored by an SPMC member
or provide suitable references.
MEMBERSHIP—JUNIOR. Applicants for Junior membership must be
from 12 to 18 years of age and of good moral character. Their
application must be signed by a parent or guardian. Junior mem-
bership numbers will be preceded by the letter "j," which will be
removed upon notification to the Secretary that the member has
reached 18 years of age. Junior members are not eligible to hold
office or vote.
DUES—Annual dues are $30. Members in Canada and Mexico
should add $5 to cover postage; members throughout the rest of
the world add $10. Life membership — payable in installments
within one year is $600, $700 for Canada and Mexico, and $800
elsewhere. The Society has dispensed with issuing annual mem-
bership cards, but paid up members may obtain one from the
Secretary for an SASE (self-addressed, stamped envelope).
Members who join the Society prior to October 1 receive the
magazines already issued in the year in which they join as avail-
able. Members who join after October 1 will have their dues paid
through December of the following year; they also receive, as a
bonus, a copy of the magazine issued in November of the year in
which they joined. Dues renewals appear in the Sept/Oct Paper
Money. Checks should be sent to the Society Secretary.
OFFICERS
ELECTED OFFICERS:
PRESIDENT Ron Horstman, 5010 Timber Ln., Gerald, MO 63037
VICE-PRESIDENT Benny Bolin, 5510 Bolin Rd., Allen, TX 75002
SECRETARY Robert Schreiner, P.O. Box 2331, Chapel Hill, NC
27515-2331
TREASURER Mark Anderson, 335 Court St., Suite 149, Brooklyn,
NY 11231
BOARD OF GOVERNORS:
Mark Anderson, 335 Court St., Suite 149, Brooklyn, NY 11231
Benny J. Bolin, 5510 Bolin Rd., Allen, TX 75002
Bob Cochran, P.O. Box 1085, Florissant, MO 63031
Gene Hessler, P.O. Box 31144, Cincinnati, OH 45231
Ronald L. Horstman, 5010 Timber Ln., Gerald, MO 63037
Arri "AJ" Jacob, P.O. Box 1649, Minden, NV 89423-1649
Robert J. Kravitz, P.O. Box 303, Wilton, CA 95693-0303
Tom Minerley, 3457 Galway Rd., Ballston Spa, NY 12020
Robert R. Moon, 201 Baxter Court, Delmar, NY 12054
Judith Murphy, P.O. Box 24056, Winston-Salem, NC 27114
Fred L. Reed III, P.O. Box 793941, Dallas, TX 75379-3941
Robert Schreiner, P.O. Box 2331, Chapel Hill, NC 27515
APPOINTEES:
PUBLISHER-EDITOR Fred L. Reed III, P.O. Box 793941,
Dallas, TX 75379-3941
CONTRIBUTING EDITOR Gene Hessler, P.O. Box 31144,
Cincinnati, OH 45231
ADVERTISING MANAGER Wendell A. Wolka, P.O. Box
1211, Greenwood, IN 46142
LEGAL COUNSEL Robert J. Galiette, 3 Teal Ln., Essex,
CT 06426
LIBRARIAN Robert Schreiner, P.O. Box 2331, Chapel Hill,
NC 27515-2331
MEMBERSHIP DIRECTOR Frank Clark, P.O. Box 117060,
Carrollton, TX 75011-7060
PAST PRESIDENT Frank Clark, P.O. Box 117060,
Carrollton, TX 75011-7060
1929 NATIONALS PROJECT COORDINATOR Arri "AJ"
Jacob, P.O. Box 1649, Minden, NV 89423-1649
WISMER BOOK PROJECT COORDINATOR Bob Cochran,
P.O. Box 1085, Florissant, MO 63031
PAPER MONEY • November/December 2004 • Whole No. 234 407
j
OHN C. STANTON'S ALABAMA AND CHATTANOOGA
Railroad Company issued scrip in 1869, initially for workers meal tickets
and later for paying workers. The National Bank Note Company in
New York printed the high quality scrip in denominations of 20, 25
and 33 cents.
Alabama and
Chattanooga Railroad
Scrip
By Dennis Schafluetzel
The predecessor to the Alabama and Chattanooga Railroad, the Wills
Valley Railroad Company, was chartered in Alabama in February, 1852, to con-
nect Gadsden, AL in the Wills Valley to the Nashville & Chattanooga Railroad
track. By 1860 the Wills Valley RR completed 12 miles of track from Trenton,
GA to the N&C RR at Wauhatchie, TN and then on the N&C to Chattanooga
or Nashville. This short track was used extensively during the Civil War to
deliver iron ore and coke to the Chattanooga iron smelter.
After the war, John C. Stanton, a promoter and contractor from Boston,
moved south to profit from rebuilding defunct railroads. In August of 1869
Stanton convinced the Chattanooga officials to transfer the city's stock in the
Wills Valley Railroad to Wall Street bankers issuing S10,000 in city bonds. He
convinced the Alabama reconstruction legislature to extend the right of way of
the Wills Valley RR to Birmingham and purchase the bankrupt North-East &
South-West Railroad. The railroads were reorganized as the Alabama and
Chattanooga Railroad Company under the control of John C. and his brother
D. N. Stanton. They promoted and received generous loans from the Alabama
legislature to complete the railroad.
The Alabama and Chattanooga Railroad Company issued scrip that was
hand signed by the AL & Chattanooga Railroad Company Local Treasure, H.
E. Waite. The vignettes are in black print. Backs of all three denominations are
identical. They indicate scrip was redeemable by the local treasurer on payday.
408 November/December 2004 • Whole No. 234 • PAPER MONEY
$0.20 G-1364 Sheep, black vignette
it -• L2, 'Aar pak, I .11,,1
',revile this; 1; ,r. payment to the
LArcitl e at s.
efiattatt4.4-tga, "1"*.tt rt.
Back of first issues with black vignette
$0.25 G-1365 chickens, black vignette
$0.33 G-1367 ducks black vignette
In February of 1870 after receiving more than $5 million in bonds from
the Alabama legislature, Stanton requested an additional $2 million. The bill
passed after several bribes were arranged. The money was not used to pay off
creditors or labors, but was used to purchase and begin construction for a
"Stanton Town" a large tract of land in Chattanooga. He built a freight depot,
an office building, a passenger depot, roundhouse, hotel, and numerous rail-
road shops.
(311 r& War payday
present this fir payment to the
'Freasttrer.
7.1ta tant)co■ -•-n, 'Venn.
Back of first issues with brown vignette, Receivers
$0.25 G-1366 Chickens, brown vignette, Receivers
PAPER MONEY • November/December 2004 • Whole No. 234
409
The interest of the first bonds became due in January, 1871. Stanton
defaulted because the company did not ever have any assets; everything was
borrowed. However, work on the rail line continued fueled by the scrip. In
May the road was completed from Chattanooga to Meridian, MS, some 300
miles. The company was declared bankrupt in June of 1871 and by August it
was being run by the court appointed receivers. Labors, contractors, suppliers
and the city felt the impact of the disaster. Massive unemployment ensued,
commerce fell and real estate prices collapsed.
The receivers issued similar Meal Tickets printed by the National Bank
Note Company in New York in denominations of 20, 25 and 33 cents. They
had the printed signature vs. a hand signature of the AL & Chattanooga
Railroad Company Local Treasure, Henry E. Waite. The vignettes are in
brown vs. black print and the word Receivers was printed above the vignette.
The backs of all three denominations are identical and similar to the first issue.
They indicate notes are redeemable by the Treasurer (not Local Treasurer) on
payday. The 20-cent Receivers meal ticket is not listed in Paul Garland's book
The History of Early Tennessee Banks and Their Issues. The 20-cent scrip is not
illustrated because it is very scarce. I have never found one for sale.
$0.20 G-unlisted Sheep, brown vignette, Receivers
The author and his collaborator Tom Carson are
pioneering CD book technology in the numis-
matic field. Their first release Chattanooga
Money was reviewed very favorably in this jour-
nal, not only for its research and intrinsic worth
as information, but because of its ease of modifi-
cation, favorable cost in comparison to print
technology, and diversity of application. So for
example, if any Paper Money reader can come
up with the missing 20-cent note that would
appear naturally at left in this article (or any of
the others on the co-author's 'shopping list' at
the end of this article), it can immediately be
integrated into an update version of the e-book.
This kind of shared activity truly makes SPMC a
community (special interest group) and allows
the journal to be a facilitator as well as a source
for the flow of information. To our minds, that's
what SPMC 6000 is all about -- more bang for
everybody's buck, more value for each member,
and more fun in this hobby. So find the note,
report it, we'll all profit in the end! -- Editor
fir )it14 gular payday
priEtte% al144ginetyment to the
Local ICI** 134404.
UhattanottN44brin.
1304 0.14ft
$0.25 G-1365 Face with over stamped back
410 November/December 2004 • Whole No. 234 • PAPER MONEY
$0.33 G-1368 ducks brown vignette, Receivers
Over Stamped Scrip discovered
Eight years later in 1879 J. C. Stanton ran for mayor of Chattanooga,
despite the hardship his AL and Chattanooga RR bankruptcy created for the
citizens of the city. The reverse of one $0.25 AL & Chattanooga scrip note
over stamped "Stanton's chickens come home to roost. Temple pays money."
was recently found. This, then worthless, note was probably over stamped and
issued by H. F. Temple's supporters during the election campaign. It assisted
in Temple's successful election.
$0.25 G-1365 Over stamped back
"Stanton's chickens / come home to roost. / Temple pays money"
Chattanooga Numismatic Items Electronic Book — needs your help.
Tom Carson and I have written an electronic book of Chattanooga
numismatic material. It includes obsolete bank issues from the Bank of
Chattanooga, Chattanooga branch of the Bank of East Tennessee and the
Union Bank of Tennessee. It also includes depression scrip, city scrip, compa-
ny scrip, coupons & certificates, private scrip, checks, railroad scrip, National
Bank Notes, tokens and medals from Chattanooga. The book/CD was released
BANK NOTE REPORTER
Hotel Reservations
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PAPER MONEY • November/December 2004 • Whole No. 234
411
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The Chicago Paper Money Expo, featuring two separate major auctions is sponsored by
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For more info about this show and others, visit our Web site at www.collect.conilshows
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412 November/December 2004 • Whole No. 234 • PAPER MONEY
June last year and is currently 700 pages with 1000+ color images. The CD will
continue to be updated beyond the current 6th version as we get additional
material.
Our intent is to include high quality color scans of all material that is
available. We need your help. If you have any of the following notes we need
scans or photographs. If you do not have the ability to scan or photograph the
items please contact us to work out a way to get your material included.
Anyone contributing material will be credited. Especially needed:
• Bank of Chattanooga Garland Numbers: G45, G56, and G90.
• Bank of Chattanooga Depression Scrip: $5, $10.
• Chattanooga branch of Union Bank of Tennessee: G132, G133.
• All Chattanooga 1870s City Scrip similar to G1298: $1, $2, $5, and $10.
• Railroads to or through Chattanooga:
• AL & TN: 20 cent with Receivers printed above vignette - unlisted
• East TN & GA: G1369, 1370, 1373, 1374, 1376, 1377, 1379.
• Hiwassee: $3 G-1385 • Memphis & Charleston: G-1392 to 1396
• Western & Atlantic: pre Civil War issues
• Wills Valley: G1494 to G1498, 1502, 1508, 1509.
• All company or private scrip from Chattanooga
• All scarce Chattanooga National Bank Notes
Please contact the author Dennis Schafluetzel at 1900 Red Fox Lane, Hixson,
TN 37343 or by e-mail at Dennis@Schafluetzel.org .
Bibliography
Paul E. Garland. The History of Early Tennessee Banks and Their Issues. Hampton, VA:
Multi -Print Inc. (1983).
Gary C. Jenkins. The Era of Funny Money Chattanooga Scrip. Chattanooga, TN: manu-
script copy (1980).
Zella Armstrong. The History of Hamilton County and Chattanooga Tennessee, Vol. I.
Johnson City, TN: The Overmountain Press (1993 reprint of 1933 original). •
MYLAR D® CURRENCY HOLDERS
PRICED AS FOLLOWS
BANK NOTE AND CHECK HOLDERS
SIZE INCHES 50 100 500 1000
Fractional 4 3/4 x 3 3/4 $18.50 $33.50 $150.00 $260.00
Colonial 5 1/2 x 3 1 /18 19.00 35.00 160.00 290.00
Small Currency 6 5/8x2 7/8 19.50 37.50 165.00 310.00
Large Currency 7 7/8 x 3 1 /2 22.00 41.00 184.00 340.00
Auction 9 x 3 3/4 24.00 44.00 213.00 375.00
Foreign Currency 8 x5 27.50 50.00 226.00 400.00
Checks 9 5/8 x 4 1 /4 27.50 50.00 226.00 400.00
SHEET HOLDERS
SIZE INCHES 10 50 100 250
Obsolete Sheet
End Open 8 3/4 x 14 1/2 $14.00 $61.00 $100.00 $226.00
National Sheet
Side Open 8 1/2 x 17'/2 15.00 66.00 110.00 248.00
Stock Certificate
End Open 9 1/2 x 12 1 /2 13.50 59.00 94.00 212.00
Map & Bond Size
End Open 18 x 24 54.00 235.00 385.00 870.00
You may assort note holders for best price (min. 50 pcs. one size). You may
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PAPER MONEY • November/December 2004 • Whole No. 234
413
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FLORIDA
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State & Territorial Issues
Scrip
Bonds
Ron Benice
4452 Deer Trail Blvd.
Sarasota, FL 34238
941 927 8765 Benice@Prodigy.net
414
November/December 2004 • Whole No. 234 • PAPER MONEY
Tippecanoe
& an Indian's Curse,
or two
Collecting Paper Money
Depicting Assassinated
U.S. Presidents
By John Glynn
William Henry Harrison,
"Old Tippecanoe"
T
HE DEATHS OF SEVERAL OF THE AMERICAN
Presidents have been linked to an ancient Indian curse, known as
the Indian revenge which dates from 1809 when tribes in Indiana
Territory ceded most of their land to the United States
Government. The Shawnee chief protested to Indiana Territory Secretary
William Henry Harrison to no avail.
A young Shawnee chief named Tecumseh dreamed of a
great, united Indian nation west of Ohio. He was deter-
mined to make the Ohio River the dividing line
between the lands of the Indians and the whites. He
and his twin brother who was a prophet recruited a
large band of young warriors to set up headquar-
ters at the mouth of the Tippecanoe River in
what is now known as Indiana.
William Henry Harrison (1773 - 1841)
In the autumn of 1811 at the time when
Tecumseh was away from headquarters on a
mission to enlist other Indians to his cause,
William Henry Harrison attacked the Shawnee
camp and routed them. As a result the Indian
army broke up into isolated segments of future
resistance, and Tecumseh's grand vision went up
in black cloud of gun smoke. Harrison was wounded
in the battle.
Thereafter Harrison's nickname became "Old
Tippecanoe." Partly on the strength of his victory at
Tippecanoe, Harrison became governor of Indiana, and later
President of the United States. Tecumseh, his dream of a united Indian State
shattered, joined the British Army in the war of 1812, and was killed in battle
on October 5, 1813.
The turning point for Tecumseh came from a strange direction: his twin
brother Tenskwatawa had a vision. The Great Spirit spoke to him and
sir// m./y/oi.
(;/ . cr/ (14-2-" 3"16141111 .9-4 -ie.
0=211 c.D1F
PAPER MONEY • November/December 2004 • Whole No. 234
415
demanded that the Indians abandoned all the White Man's ways and return to Generic scrip note payable at "One
ancient tribal tradition. Dollar Store," depicting William Henry
The Shawnee prophet, Tenskwatawa, survived and cursed Harrison, pre- Harrison, Ohio, $1 (Courtesy Wendell
dicting his rise to the Presidency in a year ending in zero and his death in Wolka)
office. Furthermore, according to Tenskwatawa's vision, henceforth, any presi-
dent elected in a year divisible by 20 was also destined to die in office. Indeed,
Harrison became the ninth President of the U.S. in 1840. He made an excep-
tionally long inauguration speech in March, 1841, in the biting cold and pour-
ing rain which left him with a chest condition. It turned to pneumonia, and he
died a few weeks later. Coincidence?
Wait, there's more .. .
• Abraham Lincoln, elected 20 years later in 1860 and re-elected in 1864,
was assassinated in 1865.
• James Garfield, elected President in 1880, was assassinated in 1881.
• William McKinley, re-elected in 1900, was assassinated in 1901.
• Warren G. Harding, elected in 1920, died of a stroke in 1923.
• Franklin Delano Roosevelt, re-elected to a third term in 1940, died of
cerebral hemorrhage in 1945.
• John F. Kennedy, elected President in 1960, was assassinated in 1963.
• Ronald Reagan, elected President in 1980, survived an assassination
attempt by John Hinkley in March, 1981. Hopefully his survival broke the
curse.
• George W. Bush, elected in 2000 and running again as this is written,
survives in office, although reported attempts on his life have been made.
Paper Money that depicts William Henry Harrison
No U.S. federal currency depicts William Henry Harrison, but his por-
trait does appear on many obsolete notes, mainly $10 issues from 41 branches
of the State Bank of Ohio. He also appears on:
Marion & Mississinewa Valley Rail Road Co., IN, $5 City Bank of Cleveland, Cleveland, OH, $10
Ohio, Indiana & Illinois Rail Road Co., IN, $2 Canal Bank of Cleveland, Cleveland, OH, $10
New York State Stock Bank, Rochester, IN, $2 City Bank of Columbus, Columbus, OH, $10
Southern Bank of Indiana, Terre Haute, IN, $1 Dayton Bank, Dayton, OH, $10
Tippecanoe Bank, Winamac, IN, $5 Bank of Marietta, Marietta, OH, $1
State Bank of Ohio (various branches and locations), OH, $10
Bank of Geauga, Painesville, OH, $10
Bank of Cincinnati, Cincinnati, OH, $1
Sandusky City Bank, Sandusky, OH, $10
Ohio River Salt Company, Cincinnati, OH, $1
Seneca County Bank, Tiffin, OH, $10
Bank of Cincinnati, Cincinnati, OH, $2
Erie & Kalamazoo RR Co., Toledo, OH, $1
City Bank of Cincinnati, Cincinnati, OH, $10
Erie & Kalamazoo RR Co., Toledo, OH, $2
Commercial Bank of Cincinnati, Cincinnati, OH, $10
Western Reserve Bank, Warren, OH, $10
Bank of Wooster, Wooster, OH, $1
Mahoning County Bk, Youngstown, OH, $10
Franklin Bank of Zanesville, Zanesville, OH, $10 and others in CT, ME and MN
416 November/December 2004 • Whole No. 234 • PAPER MONEY
Abraham Lincoln (1 809- 1 86 5)
In the four years after Lincoln was sworn in as the 16th President of the
United States, he led the Union (North) to victory over the Confederate States
in the Civil War (1861- 1865), a term of office which almost exactly coincided
with the length of the war. Lincoln had been targeted on several occasions.
One such attempt in 1862 was literally a whisker away from success, when a
bullet passed through his stove-pipe hat, but miraculously failed to draw blood.
Lincoln and his wife were expected to attend the performance of Tom
Taylor's comedy "Our American Cousins" starring Laura Keane at the Ford's
Theater that fateful night, April 14, 1865. The theater visit was public knowl-
edge, and had not escaped the attention of Lincoln's enemies with southern
sympathies. Chief among these turned out to be the actor John Wilkes Booth,
a man who regarded the President as the "devil incarnate." Not only did Booth
want revenge for the humiliation of the southern forces, but he also feared the
effects of Lincoln's plan to abolish slavery.
The President arrived at the Ford's Theater just after 8 p.m. The perfor-
mance had already started, but it was halted as soon as he stepped into the audi-
U.S. $20 Compound Interest Treasury
Note depicting Abraham Lincoln
(Courtesy Currency Auctions of
America)
torium. The orchestra played "Hail to the Chief," and the audience of 2,000
stood and cheered the man whom they regarded as America's savior. Lincoln
was shown to his private box and guided to a rocking chair, set back a little
from the edge of the balcony.
Lincoln liked the theater, which made it easy for Booth the actor. Booth
had performed in the theater before, and knew the layout with which to carry
out his mission. The assassin timed his arrival at the theater for 9:30 p.m. He
had done his groundwork well in advance. Having recently played in a produc-
tion at the theater, he knew many of the stagehands by name. Booth had even
sneaked into the theater earlier in the day to plan his strategy, during which
time he noted that the lock on the door of the President's box did not function
properly. Furthermore, he drilled a spy-hole giving him a perfect view of the
rocking chair allocated to the President. Booth also secreted a plank of wood,
which he would later use to jam the door behind him. The actor knew the play
well, and he had worked out certain lines spoken by the character, Brother
Jonathan, which were certain to bring the house down. That would be the
moment to shoot Lincoln. Silently he walked to the door of the box, fully pre-
pared to knock the President's personal guard unconscious. But Parker the
guard was not at his post. He had made the assassination unbelievably easy.
About 10:30 Booth made his way into the box choosing the moment
when all attention was fixed on the stage. He pointed the pistol to Lincoln's
head and fired. Lincoln slumped forward in his chair; Major Rathbone, also
seated in the box, attacked Booth, who responded by pulling a knife and slash-
ing the officer's arm. The assassin then leapt onto the stage, twisting his riding
11P B
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NOBODY
PAYS MORE
TROPHY NATIONALS
Buying All 50 States, Territorials, Entire State and
Regional Collections, Red Seals, Brown Backs,
Statistical Rarities, New Jersey.
Also Buying Coin Collections and Type
PAPER MONEY • November/December 2004 • Whole No. 234
417
* **********************
NUMISMANIA RARE COINS
P.O. BOX 847 -- Flemington, NJ 08822
Office: (908) 782-1635 Fax: (908) 782-6235
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418 November/December 2004 • Whole No. 234 • PAPER MONEY
spur in curtains as he fell. Booth landed awkwardly breaking his leg. As the the-
ater heaved with a panicked and confused audience, he managed to push a few
people out of his path and escaped limping to his horse and the safety of the
night.
Lincoln was lifted still in his chair to a nearby boarding house in Tenth
Street. The severely injured man remained alive fighting for his life for several
hours. The following morning Surgeon General Dr. Robert Stone pronounced
him dead. Vice President Andrew Johnson assumed the office as President.
U.S. Fractional Currency 50-
cents, 4th Issue, depicting
Abraham Lincoln (Courtesy
Fred Reed)
Lincoln's funeral train took 12 days to steam from Washington D.C. to
Springfield, IL where he was laid to rest in Oakridge Cemetery. Booth was
killed while resisting arrest 12 days later.
On the same day Lincoln was assassinated, Secretary of State William H.
Steward was attacked at his home by a knife-wielding assailant. He survived the
attack. Other conspirators' names began to surface. A total of seven names were
put forward as those who helped Booth in the assassination of Lincoln.
The seven conspirators were Mary Surratt, the only woman among the
conspirators. A 20-year-old Confederate soldier named Lewis Payne alias
Lewis Powell was charged with attempting to assassinate the Secretary of State.
Others involved were Samuel Arnold (age 31), and Michael McLaughlin (28),
both friends of Booth; George Atzerodt (30) a German carriage painter in
whose hotel room weapons and Booth's possessions were found; and, George
Spangler (39) a stage hand at the Ford's Theater, who held the reins of Booth's
horse while he went to kill Lincoln. Lastly two others: Dr. Samuel A. Mudd
(32) and David Herold. Herold rode on horseback with Booth the night of the
Lincoln's assassination. Both spent the night at Mudd's farm, during the escape
attempt. All were caught and found guilty. Surratt, Powell, Herold and
Atzerodt were hanged. The remaining three conspirators were given prison
sentences.
Paper Money that depicts Abraham Lincoln
A diverse and interesting specialized collection could be built exclusively
of notes depicting Lincoln. They include U.S. federal currency, obsolete cur-
rency and scrip, and college currency. Lincoln had already appeared on U.S.
currency in his lifetime, there being no prohibition against it at the time. In
fact, the President's portrait on government bonds and currency during the war
was both a patriotic gesture, and a measure to instill public confidence in the
financial instruments. Since his death, the popular Lincoln has appeared con-
tinuously on one or more issues of U.S. currency down to the present. Notes
depicting Lincoln include:
Fractional Currency, Fourth Issue, 50g
Silver Certificate, Series 1899, $1
United States Note, Series 1928-1963, $5
National Bank Note, Series 1929, $5
Silver Certificate, Series 1923 "Porthole Note," $5
Silver Certificate, Series 1934-1953C, $5
Federal Reserve Bank Note, Series 1914-1929, $5
Federal Reserve Note, Series 1914 and later, $5
Bank of Commerce, Georgetown, DC, $1
Vinson Blanchard, Abington, 1VIA, 50g
John Bohler, Springfield, MA, 25g
Merchant Bank, Trenton, NJ, $1
Allegany County Agricultural Soc., Angelica, NY, 50g
Adelphi Academy, Brooklyn, NY, $50
Lincoln Bank, Clinton, NY, $1, $2, $3, #5
W.P. Carpenter, Utica, NY, 25c
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PAPER MONEY • November/December 2004 • Whole No. 234 419
Bryant & Stratton Intern'l College Bank, NY, NY, $100
Bank of Pottstown, Pottstown, PA, $2
Eagle Bank, Providence, RI, $5
Rutland County Bank, Rutland, VT, $10
Demand Note, Series 1861, $10
United States Note, Series 1862-1863, $10
Interest Bearing Note, Series 1863, $20
Compound Interest Note, Series 1863, $20
United States Note, Series 1869-1880, $100
Gold Certificate, Series 1863-1922, $500
James Garfield (1831 - 1881)
Twnty years later the "curse" struck again. The next president to die in
office was James Garfield, who was assassinated by Charles Guiteau, a deranged
lawyer seven months after Garfield was elected to the Presidency in 1880.
Charles Guiteau had played a vital role in the successful 1880 campaign
for Garfield, he believed. He had written a rallying speech, which was potent
enough to sway the nation. His reward he believed would be the plum job of
Ambassador to France, and he would settle for nothing else. Garfield -- trou-
bled by the splintering of his own Republican Party -- paid little attention to
Guiteau's repeated requests for the job. When the job seeker realized he would
not get the Paris post, he brooded for months then put a plan into action.
On July 2, 1881, the President was setting off on a New England holiday
leaving from the Baltimore and Potomac railroad station. While waiting for his
train, dressed all in black, Guiteau waited until the President was just a few feet
away from him, then pulled a gun from his pocket and fired two shots at
Garfield. One hit the President in the back and the other in the arm. The
President was critically wounded and collapsed. Garfield was rushed back to
the White House. His assassin was apprehended in the ladies powder room at
the station. He made no attempt to escape.
For weeks the President was nursed, never leaving his sick bed. Desperate
Above: Adelphi Academy Commercial
Bank, $50 college currency, depicting
Abraham Lincoln (Courtesy Fred Reed)
National Bank Note,
Second Charter Period,
$5 depicting James
Garfield (Courtesy Tom
Minerley)
Nationtalearrency
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420 November/December 2004 • Whole No. 234 • PAPER MONEY
National Bank Note, Third Charter
Period, $10 depicting William McKinley
(Courtesy Peter Huntoon)
to save the President's life, his doctor called in Alexander Graham Bell, the
inventor of the telephone. Bell had created a metal detector, which doctors
thought might locate the bullet. Unfortunately the patient was lying on a
spring mattress, and there was enough metal to throw the detector in the oppo-
site direction. Eleven weeks after the shooting, the President died. Charles
Guiteau was tried and found guilty of murder. On June 30, 1882, he was exe-
cuted by hanging.
Paper Money that depicts James Garfield
Upon the tragic death of Garfield, his portrait was placed upon both
National Currency and Gold Certificates almost immediately:
National Bank Note, Second Charter Period (1882-1902), $5
Gold Certificate, Series 1882, $20
William McKinley (1843 - 1901)
The next U.S. President to be elected in a year divisible by 20 was also
the next Chief Executive to die in office, as predicted by the Indian curse.
William McKinley was re-elected in 1900 for a second term, but was gunned
down by anarchist Leon Czolgosz. McKinley had been a veteran of the
American Civil War, where he fought on the side of the Union. He was also
the President who engaged the Americans in the Spanish American War of
1898. Following the war, the Philippines, Cuba and Hawaii came under the
umbrella of the United States.
Not everybody in the States was pleased with the "Manifest Destiny" pol-
icy. Anarchists began to show their heads in America, including Czolgosz, a
dangerous anarchist whose aim was to shoot President McKinley. The
President's secretary George Cortelyou tried to talk him out of attending a
very long public reception at the Pan American Exposition in Buffalo, NY.
Meanwhile Leon Czolgosz booked himself into a small doss-house room above
a saloon in Buffalo. On Tuesday September 3, 1901, the anarchist purchased a
highly distinctive .32 caliber pistol, which he practiced handling and firing.
Then he formulated a plan to assassinate the president as he left his private rail
coach inside the exposition area.
When McKinley arrived on schedule at the Exposition, the doors were
opened to allow the public to get a closer look at the President. Czolgosz was
in the initial surge of people through the door, and positioned himself in a sin-
gle file awaiting opportunity to shake the President's hand. The assassin's pistol
was in his hand, wrapped up in a bandage or handkerchief. It looked as though
he had burned himself.
As he was next in line to meet the President, the gunman watched his
quarry shake hands with the person in line ahead of him. The well wisher
moved on, and the President extended his hand toward Czolgosz. Thrusting
PAPER MONEY • November/December 2004 • Whole No. 234
421
5th Annual George W. Wait Memorial Prize
Society of Paper Money Collectors
Official Announcement
Purpose: The Society of Paper Money Collectors is
chartered "to promote, stimulate, and advance the study
of paper money and other financial documents in all
their branches, along educational, historical and scientif-
ic lines."
The George W. Wait Memorial Prize is available
annually to assist researchers engaged in important
research leading to publication of book length works in
the paper money field.
George W. Wait, a founder and former SPMC
President, was instrumental in launching the Society's
successful publishing program. The George W. Wait
Memorial Prize is established to memorialize his
achievements/contributions to this field in perpetuity.
Award: $500 will be awarded in unrestricted research
grant(s). Note: the Awards Committee may decide to
award this amount to a single applicant, or lesser
amounts totaling $500 to more than one applicant. If,
in the opinion of the Awards Committee, no qualifying
applicant is found, funds will be held over.
Prior Award Winners: Three individuals have thus
far been awarded the Wait Memorial Prize. Each
received the maximum award. 1st annual Wait winner
was Robert S. Neale for a book on antebellum Bank of
Cape Fear, NC. The 2nd went to Forrest Daniel for a
manuscript on small size War of 1812 Treasury Notes.
Last year Gene Hessler was honored for a book on
international bank note engravers in progress.
Eligibility: Anyone engaged in important research on paper money
subjects is eligible to apply for the prize. Paper Money for the
purposes of this award is to be defined broadly. In this context
paper money is construed to mean U.S. federal currency,
bonds, checks and other obligations; National Currency and
National Banks; state-chartered banks of issue, obsolete notes,
bonds, checks and other scrip of such banks; or railroads,
municipalities, states, or other chartered corporations; private
scrip; currency substitutes; essais, proofs or specimens; or sim-
ilar items from abroad; or the engraving, production or coun-
terfeiting of paper money and related items; or financial histo-
ry in which the study of financial obligations such as paper
money is integral.
Deadline for entries: March 15, 2005
A successful applicant must furnish sufficient information to
demonstrate to the Society of Paper Money Collectors Awards
Committee the importance of the research, the seriousness of
the applicant, and the likelihood that such will be published
for the consumption of the membership of SPMC and the
public generally.
The applicant's track record of research and publication
will be taken into account in making the award.
A single applicant may submit up to two entries in a sin-
gle year. Each entry must be full and complete in itself. It
must be packaged separately and submitted separately. All
rules must be followed with respect to each entry, or disquali-
fication of the non-conforming entry will result.
Additional rules: The Wait Memorial Prize may be awarded
to a single applicant for the same project more than once;
however awards for a single project will not be given to a sin-
gle applicant more than once in five years, and no applicant
may win the Wait Memorial Prize in consecutive years.
An applicant who does not win an annual prize may sub-
mit an updated entry of the non-winning project in a subse-
quent year. Two or more applicants may submit a single entry
for the Wait Prize. No members of the SPMC Awards
Committee may apply for the Wait Memorial Prize in a year
he/she is a member of the awarding committee.
Winner agrees to acknowledge the assistance of the
Society of Paper Money Collectors and the receipt of its
George W. Wait Memorial Prize in any publication of
research assisted by receipt of this award and to furnish a copy
of any such publication to the SPMC library.
Entries must include:
• the full name of the applicant(s)
• a permanent address for each applicant
• a telephone number for each applicant
• the title of the research project/book
• sufficient written material of the scope and progress of the
project thus far, including published samples of portions
of the research project, if appropriate
Entries may also include:
• the applicant's SPMC membership number(s)
• the applicant's social security number
• the applicant's e-mail address (if available)
• a bibliography and/or samples of the applicant's past pub-
lished paper money research
• a photograph of each applicant suitable for publicity
• a publishable photograph(s) of paper money integral to
the applicant's research
• a statement of publishability for the project under consid-
eration from a recognized publisher
Judging: All entries must be received by March 15,
2005. All entries must be complete when submitted,
and sufficient return postage should be included if
return is desired. Address entries to George W. Wait
Memorial Prize, P.O. Box 793941, Dallas, TX 75379.
The single, over-riding criterion for the awarding
of the Wait Memorial Prize will be the importance of
the publication of the applicant's research to SPMC
members and the general public. All decisions of the
SPMC Awards Committee will be final.
First publication of the awarding of the Wait
Memorial Prize will be revealed in the May/June 2005
issue of SPMC's magazine, Paper Money, with subse-
quent news release to additional media.
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422 November/December 2004 • Whole No. 234 • PAPER MONEY
Philippine National Bank 5-pesos note
depicting William McKinley (Courtesy
of Gene Hessler)
McKinley's hand aside, the anarchist leveled the concealed gun at McKinley.
He fired twice: one bullet struck the President's breastbone, which was
removed; the other, pierced his stomach and could not be found! McKinley was
rushed to the hospital where surgeons performed an exploratory operation. It
was clear that the chest wound was largely superficial and would have healed,
but the shot through the stomach had caused far more serious damage. The
doctors decided that there was no chance of finding the bullet, which they sus-
pected was lodged near the spine. There was little alternative, but to sew up the
wound and hope for the best.
The nation anxiously waited for bulletins on the President's condition.
The first news was good. Additional bulletins were encouraging, indicating that
that McKinley was recovering rapidly. They were actually false hopes.
President McKinley's condition actually took a sudden turn for the worse. In a
few hours on September 14, 1901, he was pronounced dead! The post-mortem
examination revealed cause of death as gangrene poisoning.
Once Czolgosz fired the shot at the President, eight secret service agents
pounced on him forcing him to the ground. One took the gun from his ban-
daged hand, another hauled him to his feet. The feds then dragged him into a
secluded room a few yards away. The police managed to take Czolgosz to the
Police Headquarters, where he confessed to shooting the President. Tried and
found guilty, the assassin was executed in the electric chair on October 20th
1901 in Auburn, NY.
Paper Money that depicts William McKinley
Like his predecessor Garfield, who was also assassinated in office,
McKinley's image was placed on U.S. currency soon after his death. He
appears on:
National Bank Note, Third Charter Period (1902-1922), $10
Federal Reserve Note, Series 1928-1934C, $500
Gold Certificate, Series 1928, $500
Philippine Islands, Silver Certificate, Series 1903-1910, 5 pesos
Philippine National Bank, Circulating Note, Series 1916-1937, 5 pesos
Philippine Treasury Certificates, Series 1918-1949, 5 pesos
John F. Kenndy (1917 - 1963)
John Fitzgerald Kennedy was the 35th and youngest U.S. President. He
was also the first Roman Catholic to be elected to that office. Tragically,
Kennedy also became the youngest to die while in office. His death in Dallas,
TX on November 22, 1963, was witnessed by many, but no assassin was ever
tried for the murder. His alleged killer, Lee Harvey Oswald, was gunned down
while in police custody.
During his campaign for a second term, Kennedy choose to come to
Texas, known as the Lone Star State. Advisors warned Kennedy that this trip
could turn rough. Right wing Texas was not a place for a liberal President to
rely on. But Kennedy wanted to make the best possible entrance into the city of
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PAPER MONEY • November/December 2004 • Whole No. 234 423
Dallas where he was to hold a political rally. Upon arriving in Dallas from near-
by Fort Worth, the President ordered the bulletproof Perspex roof to be
removed so that the crowd would be able to see him more easily. The Secret
Service team was horrified.
Fears subsided, however, as the President's motorcade passed through
downtown to cheering throngs. Everyone, including the President, began to feel
easier as the crowd began to thin out near the end of the motorcade. Just before
it ramped up to speed Kennedy away to a speaking engagement, a sniper in a
high rise building behind them waited.
Another five minutes journey and the danger would have been all over.
Ahead loomed a rust colored warehouse, the last tall building on the route. The
President's limousine turned left and headed down a slight hill, when the alleged
sniper, Lee Harvey Oswald, fired three shots at the motorcade.
A bullet passed through Kennedy's neck. Another shot hit him in the back
of his head. This was the fatal one that struck home in the most sensational
assassination of the century. Texas Governor John B. Connally, who was riding
in the same car with the President was shot in the chest. Various theories were
put forward on who was responsible for the assassination. Some blamed the
communist government of Fidel Castro in Cuba; others pointed the finger at
the Russians. Some thought the Mafia was responsible, while other conspiracists
even blamed the U.S. CIA. Like the rest of the nation at the time, I was con-
fused then and still am today on who conspired to kill the President.
Lee Harvey Oswald was picked up by Dallas police after killing a local
policeman nearby, and named as the man who also murdered President
Kennedy. Oswald was a disaffected ex-U.S. GI, who had visited the Soviet
Union, espoused anti-American sentiments, and apparently possessed the requi-
site marksmanship skills. Two days later while in police custody, Oswald was
being moved to a tighter security jail when he was shot dead by a nightclub
owner named Jack Ruby. Oswald never confessed to the shooting.
The official government report on the Kennedy assassination, the Warren
Report (named after the Chief Justice who headed a blue ribbon, bipartisan panel
that investigated the shooting) stated that Oswald was the lone gunman in the
assassination. No one has ever stood trial for the murder of John F. Kennedy.
Paper Money that depicts John F. Kennedy
Kennedy's death was commemorated immediately on the U.S. half dollar
of 1964, but there is no legal tender currency that depicts him. However, he
appears on a lovely Giori $20 Federal Reserve Note test note face design, which
is being shared through the courtesy of author Gene Hessler. The design is in
the new edition of U.S. Essay, Proof and Specimen Notes, and since the note is by a
European designer it will also be in Gene's the International Engraver's Line.
The late President also appears on a "hell" note from China. Chinese peo-
ple are very religious by nature. The old religion (Taoism, based on local reli-
U.S. Federal Reserve Giori test note,
$20, depicting John F. Kennedy
(Courtesy Gene Hessler)
424
November/December 2004 • Whole No. 234 • PAPER MONEY
Chinese "hell" bank note depicting John
F. Kennedy (author's collection)
Ronald Reagan, recently deceased, has
appeared on a variety of "unofficial"
notes including political notes, theatri-
cal prop notes, and most prominently
on the fake green Ronald Reagan dollar
bill pinned to the wall of the television
production room as network ace pro-
ducer Jane Craig (Holly Hunter) hur-
riedly edits the "soldier coming home"
segment in James L Brooks' Broadcast
News (20th Century Fox, 1987). Since
only deceased individuals may be
shown on U.S. federal currency, Reagan
(who died June 5th) has been proposed
for enshrinement on the $100 FRN
which could look like the artist's con-
ception created by Editor Fred Reed for
this issue's cover.
gion) still motivates. A burial note (hell bank note)
of the value of one million yuan depicts Kennedy.
The Taoist believe that the spirit returns to the
earth on a particular day to see if they are still
remembered. Families are expected to offer various
gifts and special currency (burial notes). Each of the
offerings is burned since flames are thought to carry
material objects into the spiritual realm.
A so-called $1,000,000,000 (billion dollar)
note, commemorates the Apollo 11 Moon landing
and the U.S. Space Shuttle program. Of course, it
was Kennedy as President, who committed the U.S.
to make a journey to the moon. It carries a "Series 1998" designation, and is
issued in the style of contemporary Federal Reserve Notes. The note was
issued by "Money World U.S.A. Inc."
Ronald Reagan (1911 -2004)
"The Great Communicator" was elected President in 1980 and survived
an assassination attempt by John Hinkley in March, 1981. Did his survival
break the curse of Tenskwatawa? Twenty years again passed. George W.
Bush, who was elected President in 2000 and stood for reelection has been
rumored to have had assassination attempts twice. The first, by terrorists in
Italy when world leaders met in Rome. The second on September 11th, 2001,
when terrorists attempted to fly and crash a commercial airplane into
Washington, DC. but heroic actions by those on board caused it to crash short
of its mark. Hopefully, the Indian prophet's curse has been laid to rest for
good now -- finally!
REFERENCES
Blundell, N. World's Most Sensational Assassinations (1994).
Coulter, M.B. Vermont Obsolete Notes and Scrip (1972).
Durand, R.H. Obsolete Notes and Scrip of Rhode Island and the Providence
Plantations (1981).
Friedberg, A.L. and I. S. Paper Money of the United States, 15th ed. (1998).
Gribble, L. Stories of Famous Conspirators (1968).
Haxby, J.A. United States Obsolete Bank Notes, four volumes (1988).
Hessler, G. The International Engraver's Line (2004).
Hessler, G. U.S. Essay, Proof and Specimen Notes, 2nd ed. (2004).
Hoober, R. Pennsylvania Obsolete Notes and Scrip (1985).
Muscalus, J.A. An Index of State Bank Notes that Illustrate Characters and Events (1938).
Muscalus, J.A. Lincoln Portraits on State Bank Notes, College Currency, Scrip (1967).
Pick, A. Standard Catalog of World Paper Money, volume two, eighth ed.
Schingoethe, H. and M. College Currency (1993).
Wait, G.W. New jersey's Money (1976).
Wismer, D.C. Obsolete Bank Notes of New York (1931).
Wolka, W., Vorhies, J., and Schramm, D. Indiana Obsolete Notes and Scrip (1974).
Wolka, W., A History of Ninetenth Century Ohio Obsolete Bank Notes and Scrip (2004). •
IUNI)li7 it IMOILI;WIMSP.
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PAPER MONEY • November/December 2004 • Whole No. 234
425
A High-Teich Top Value
Canada's New $100.00
By Harold Don Allen
WHETHER THE PROPOSED NEW $100 RONALDReagan U.S. FRN becomes a reality or not, Canada's currencyenthusiasts now have a NEW $100 top value, only the sixthnote of this relatively lofty denomination since the Bank of
Canada, the nation's central bank, opened its doors and released its first legal
tender back in 1935. An exceptional range of anticounterfeiting elements and
approaches should assure the new note, one of five such "enhanced" denomina-
tions, significant collector interest, both at home and abroad. Universal public
acceptance could be a bit of a problem, however, $100 values of two recent
Canadian issues, the 1954 and 1988, having been sufficiently counterfeited that
a genuine note eventually became tough to spend.
A neighbourhood convenience store currently displays a decal akin to a
highway sign--a red slash across a red circle, superimposed on a black "100".
No words needed. The message: "No $100 bills."
The intaglio portrait, in brown, and the corresponding watermark, on
Canada's new note depict Sir Robert Laird Borden, Conservative prime minis-
ter from 1911 to 1920. Borden also was featured on two immediately preceed-
ing $100s, the 1975 issue, released in May, 1976, and the 1988 "Birds of
Canada" issue, released in December, 1990. Bank of Canada support literature
reminds Canadians that Borden led the country during World War I, success-
Combining intaglio printing with
holography, watermarks, see-through
numbers, windowed security thread,
fine-line printing, flourescence, and
braille indicators, Canada's $100 is
both attractive AND "state of the art"
security printing-wise.
LA SECURITE DU NOUVEAU BILLET DE 100$:
C'EST A NOUS TOUS D'Y VOIR
Protegez-vous des pertes associees a la contrefacon.
Empechez la mice en circulation de faux billets.
DES ELEMENTS DE SECURITE RAPIDES, FIABLES ET FACILES
A UTILISER
Le nouveau billet de 1005 comporte des elements de securite nouveaux et familiers afin
de reduire au minimum le risque de contrefacon. Votre temps out precieux, et votre
argent Test tout autant. II suffit d'un instant pour verifier l'authenticite d'un billet. Tout
le monde peut le faire! C'est aussi simple quo de compter la monnaie qu'on vous rend.
Vue ao Wale! torsrrd On hens levant one source de lurnieue.
NOUVEAUX ELEMENTS
On trouve des elements de securite as redo et au verso du nouveau billet de 100S.
0 Bancle holographique
Inclinez le billet et vous verrez des chiffres 100 et des feuilles d'erable aux couleurs ecla-
taxies «banger» a 'Interim de la bande metallique brillante qui figure an recto.
Les teintes passeront par toutes les couleurs de l'arc-en-ciel. Chaque feuille d'erable est
composite de deux couleurs distinctes. Si vous regardez attentivement, vous pourrez
observer des chiffres correspondant a la valeur de la coupure imprimes on petits caracteres
dans l'arriere-plan de la bande tridimensionnelle. Les bords de la bande soot courbes.
0 Filigrane
Tenez le billet devant une source de lumiere. et une petite image fantOrne du portrait appa-
raitra a gauche du dos chiffre 100. Vous remarquerez egalement le meme chiffre en plus
petit. Ce filigrane fait partie du papier et on pent le voir des deux oak du billet. Celui-ci nest
pas visible en Tabsence de lumiere.
VOTRE GUIDE DES ELEMENTS DE
SECURITE DU NOUVEAU BILLET DE 100$
La securite des billets de banque:
C'est a nous tons d'y voir
426
November/December 2004 • Whole No. 234 • PAPER MONEY
Bilingual bank literature describes the
security devices on the new notes
aimed at convincing public and mer-
chants that the newly introduced
$100s are more secure than the ram-
pantly counterfeited $100s the new
notes replace.
fully promoted Canada's interests during subsequent treaty negotiations, and
enhanced Canada's diplomatic reputation and status as a sovereign nation.'
The new Bank of Canada $100 note is the third denomination to be
released in what the bank has been calling its "Canadian Journey" series. The
Sir John A.Macdonald, purple $10 ("Remembrance and Peacekeeping" back) of
2001, and the Sir Wilfrid Laurier, blue $5 ("Children at Play"/winter sports
back) of 2002, by now both dominating their in-circulation denominations,
were discussed in these pages at the times of their release.
The back of Canada's new $100? "Exploration and Innovation" the cen-
tral bank identifies as its chosen theme--"represented by achievements in car-
tography and communication." A particularly early map of Canada, associated
with Samuel de Champlain, is paired with a traditional birchbark canoe, in
splendidly detailed miniaturization at lower left. A satellite image of the nation
is grouped with the Radarsat-1 satellite and a telecommunications antenna in
the remaining space. Lines from Miriam Waddington's poem, "Jacques
Cartier in Toronto," and its French-language translation by Christine Klein-
Lataud, are rendered in tiny lettering--an excerpt which "summarizes humani-
ty's eternal quest for discovery," a bank release suggests.
Back-of-the-bill design elements, including bilingual quotations, have
been well chosen for all three denominations thus far; and presented in fine
detail, I would venture to say. The supreme challenge in an undertaking of this
PAPER MONEY • November/December 2004 • Whole No. 234 427
An impressive range of visually excit-
ing and meaningful images are inte-
grated into the new Canadian $100's
design. Pop a ballyhooed "NexGen"
$100 out of your wallet and compare
the U.S. Federal Reserve Note to the
Bank of Canada's comparable value.
Which one looks like a $75 (exchange
rate) value to you?
sort must be two-fold, however: (1) to identify and to break down an overall
theme and to select a range of appropriate components; and (2) corresponding
to requirements of each denomination, so to assemble the chosen components
as to yield a pleasing entity, an optimal overall effect.
On the first point, Canada's new series may be said to have progressed
well, though, of course, all returns are not yet in, the $50 and $20 designs still
waiting in the wings.
Evaluation as to the second point must be at least as subjective, I suspect.
Study the current $100 reproduction and the $10 and $5 backs featured in ear-
lier issues and reflect upon the aesthetics involved. The winter activities on the
$5 I tend to consider the most successful back to date.
The Australians have been attempting interesting things with such
themed currency, their best efforts reflecting a standard hard to match. 2
Initial releases of the Bank of Canada $100 couple the face inscription,
"Issue of 2004," with the back notation, "Printed in 2003." Indication of the
year of printing is an innovation with this note series--and stops short of the
traditional European practice of indicating day, month, and year.
Full appreciation of anticounterfeiting aspects of this and other cutting-
edge currency--arguably a collecting specialty in itself--really requires exami-
nation and study of such bills "in the flesh," for feel and for appearance in nor-
mal light, with tilting, under ultraviolet, and in see-through situations. The
quality of reproduction in this publication, however, should give a fair impres-
sion of several of the attributes involved.
The raised features of intaglio printing, already familiar to Canadians,
can be readily sensed on the face of these new issues. For the $100, the Borden
portrait, the vertical lettering (bank name) at left, the Canadian arms, and the
bold denomination (lower right) are such products of steel engraving. Also
familiar would be the fluorescence of inks and, now, of fiber inclusions.
A panel above the intaglio "100" identifies the East Block of Parliament,
428
November/December 2004 • Whole No. 234 • PAPER MONEY
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PAPER MONEY • November/December 2004 • Whole No. 234 429
the background image, and does so repetitively in six lines of microprinting of
increasingly formidable miniaturization.
Security-related innovations for this most recent note release include the
sophisticated holographic stripe (vertical, at left), a "windowed" security thread
(vertical, at right on face, left on back), the watermarking (portrait and denomi-
nation), and a "see-through" 100, representing high-tech face-to-back registra-
tion.
The official release date for Canada's new $100 was March 17--but a fur-
ther week or so elapsed before notes reached teller level, and thus entered cir-
culation. Corresponding $100s of forerunner issues remain legal tender--if you
can find a taker--or, in any event, cashable in perpetuity at a bank.
Canadians, by and large, haven't been much given to big bills, at least of
late. . .though collectors do like them. The Queen Elizabeth II $1000 was dis-
continued in May, 2000, an intended slight to money launderers and to the
"under the table" trade. The $100, and even $50, have become tough enough
to spend that the credit card, debit card, and even personal cheque, have tended
to become preferred media of exchange.
For collectors who like their "hundreds," the Canadian denomination has
an interesting, even improbable, history.
The Dominion of Canada, Department of Finance, in 1872 released legal
tender $50, $100, $500, and $1000 denominations, but subsequent notes of $50
and $100 values were exclusively issues of the country's commercial ("char-
tered") banks. Such notes were not legal tender, but their acceptance, in fact,
was near universal. Canada's next legal tender "hundreds" were the initial
Bank of Canada release of 1935. 3
The Prince Henry, Duke of
Gloucester, 1935 issue was
unilingual, coming in English-
language and French-language
versions. Such notes are col-
lectible--though not on a budget,
especially in higher "investment"
grades. Some 21,875 English-
language "1935" $100s, and
4,375 of their French-language
counterparts, were placed into
circulation.
Serving into World War II
and the Reconversion years that followed, the bank's 1937-dated bilingual $100
depicted Sir John A. Macdonald, Canada's first prime minister. Serial number
ranges support a 17-year issue of 5,100,000 notes. The earliest of three signa-
ture varieties, the Osborne-Towers, with perhaps 70,000, are now proving to
be somewhat scarce. 4
The quite accessible $100 of the 1954-dated Queen Elizabeth II portrait
series, comes in two collected "types," the "devil at the queen's ear" illusion
and the subsequent modified-vignette version. Five varieties of vignette and
signatures are recognized. In just under 22 years, 23.7 million such $100s were
issued, roughly 10 per cent having been of the "devil" type.
The central bank's $100 revision of 1975, with upgraded security, was the
first of the Borden designs, and had a scenic (Lunenburg Harbour) back. The
note served for close to 13 years, with an issue total of 155.4 million.
The 1988-dated $100 revision features further security enhancement,
including an enlarged likeness of Borden. The note is in the Birds of Canada
series, and has a Canada Goose back. Totals issued to date approach 330 mil-
lion, as I calculate, but "high" numbers are not yet known, so a definitive tally
necessarily must wait.
Opposite top: Ages old fine line
intaglio engraving coupled with newer
security techniques such as hologra-
phy (center and bottom, showing how
difficult it is to render these 3-D
images optically) combine to make the
design hopefully impregnable to coun-
terfeiters.
For decades, the Canadian $100 note
would have been a commercial bank
issue, of which this Royal Bank of
Canada issue of 1927 is representa-
tive. The heraldry assembles the arms
of the (then) nine provinces. The por-
trait is the bank president Sir Herbert
S. Holt.
430
November/December 2004 • Whole No. 234 • PAPER MONEY
HE EAST BLOCK OF PARLIAMENT I:EDIFICE DE LEST DU PARLEMENT
l'EDIFICE DE LEST DU PARLEMENT - THE EAST BLOCK OF PARLIAMENT L'EDIFICE DE LEST D
, :i• THE EAST BLOCK OF PARLIAMENT L EDIFICE DE LEST DU PARLEMENT THE EAST BLOCK OF PARLIAMENT LIOIFICE OE
:71 / II , Cu ••11LIIMINT TNI IN•T •tOCN
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„3)
Microprinting on the new note's face
resembles an eye doctor's chart. Each
line is progressively smaller and more
difficult to discern and copy.
Moving briskly to circulate all five
"new look" releases, Canada's central
bank recently unveiled its Queen
Elizabeth II $20--the nation's most
used denomination. Our intrepid cor-
respondent Don Allen journeyed to
Ottawa to represent us at the press
preview in late August. At that time,
release of the new bill was slated for
Sept. 29. When the notes circulate,
Don will bring us a closer look.
Bank of Canada $100 note issues of 1935, 1937, and 1954 are work of
Canadian Bank Note Company, with an imprint to this effect on the face and
back of each note. "Borden" hundreds of 1975 and 1988 do not explicitly iden-
tify their security printer, but collectors recognize British American Bank Note
Company workmanship by the prefix lead letter A or B. The issue of 2004, at
least its first releases, are taken to be Canadian Bank Note production, lead let-
ter E or F.
Canada's new $100, and by implication the $50 and $20 that are yet to
come, incorporates several security features not to be found at $5 and $10 lev-
els. Fairly usual treatment internationally, as with Euro denominations, is to
reserve highest security for top values--with what wisdom I cannot be sure.
Watermarked paper for Canada's new $100 is of German origin.
The relative values of the Canadian and United States dollars are, of
course, free to vary, but the current exchange puts Canada's dollar near 75
cents, U.S.
Looking ahead .
Security features incorporated into Canada's latest $100 "are reliable,
quick, and easy for everybody to use and difficult for counterfeiters to repro-
duce," Bank of Canada governor David A. Dodge observed at the note's
"unveiling" in Halifax in late January. 5 "Canadians can have confidence that
their high-denomination bank notes will be readily accepted," the governor
added.
Those of us who, over years of viewing, collection, and reflection have
found deep fascination in bank note art
and craftsmanship, and in note security
itself, should look to this innovative,
high-tech note, and its role in future
commerce, 6 with considerable inter-
est.
Endnotes
1 Your Guide to Security Features on Canada's New $100 Bill, ten-page
leaflet, Bank of Canada (2004).
2 Australia's New $100 Note [Dame Nellie Melba / Sir John Monash
issue], six-page leaflet, Reserve Bank of Australia (no date).
3 For an instructive overview, see Robert J. Graham, ed., Canadian
Government Paper Money, 16th ed. Toronto: Charlton Press (2003), Pp. 322,
especially, "Bank of Canada Issues," pp. 171-320. The Canadian Paper Money
Newsletter, a benefit of Canadian Paper Money Society membership, provides
PAPER MONEY • November/December 2004 • Whole No. 234
431
quarterly catalogue updates as to prefixes, number ranges, and observed vari-
eties. The Society may be contacted through secretary-n-easurer Dick Dunn,
at Post Office Box 562, Pickering, Ontario L1V 2R7.
4 Harold Don Allen, "King George VI Portrait Series: An Accessible,
Subtly Challenging Canadian Note Issue," Paper Money, XLII, 5
(September/October 2003), pp. 259-268. The "Commerce and Industry" alle-
gory featured on backs of 1935 and 1937 $100s is reproduced on p. 264.
5 "The Bank of Canada Unveils New $100 Bank Note," one-page press
release (28 January 2004).
6 Rachel Boss, "The $100 Buck Stops Here," Toronto Star (29 January
2004), pp. A-1, A-20, considers note introduction from bank and law enforce-
ment perspectives.
IP
The note's windowed security thread
is impossible for a photo-digital scan-
ner to reproduce.
9
What paper money design(s) do you like best?
This issue of Paper Money is filled with articles on paper money designs: proposed or
realized, U.S., Confederate, obsolete, Canadian, worldwide, faces, backs, brand new,
antiquated--even struck in metal. So, the question arises, what designs turn you on?
Tell us why briefly, say 100-200 words or so. You may enter more than once. To be con-
sidered, entries must be postmarked by Dec. 31, 2004. All published entries will receive
an honorarium (a limited-edition surcharged SPMC souvenir card, one per entrant).
Notes may be U.S. or foreign, Confederate, obsolete, or fictitious (design your own).
All entries accompanied by a suitable illustration will appear in a future issue of Paper
Money. (Entries without such an illustration MAY appear in a future issue, too.)
BUT, you must be a paid up member of SPMC to qualify. (We'll believe you paid 2005
dues if you tell us you did, or are a Life Member.)
All entries become Society of Paper Money Collectors property. None can be returned.
Send entry via U.S. Post Office to the Editor at P.O. Box 793941, Dallas, Texas 75379-
3941 or via e-mail to fred@spmc.org. DO NOT SEND ORIGINAL NOTES!
SPMC 6000: Re-building a Great Society for a New Century TM
. ..... EMI . .. ........ NM .. .... II= a
1114111 WHIN • IIVIIP/P2
1••• -•
941F.171EUIVT11111.1111 -0,111YOSTNIK
432 November/December 2004 • Whole No. 234 • PAPER MONEY
Intended Back Design for
1st U.S. Small-Size Notes
Gene Hessler
Background
The first Philippine size (same size as
current U.S. currency) 2-peso bank
note printed by the U.S. Bureau of
Engraving and Printing.
T
HE SPANISH-AMERICAN WAR PEACE TREATY (DECEM-
ber 10, 1898) ceded Guam, the Philippine Islands and Porto Rico
to the United States. This same treaty relinquished Cuba to the
United States in trust for the Cuban people. The Act of March 2,
1903, "established a standard of value and provided for a coinage system in the
Philippine Islands, [and] authorized the Secretary of the Treasury to have cur-
rency notes printed upon request of the Philippine government" (History of
BEP 66).
Fearful of confusion with U.S. notes the first Philippine design was
rejected. A second design was accompanied by a statement dated May 6, 1903,
by the Director of the BEP. This was addressed to the War Department's
Bureau of Insular Affairs, the agency that would serve as liaison for the
Philippine Government:
I submit herewith [s] new model of a silver certificate for the Philippine
Islands of the denomination of two pesos. This model has been prepared after
careful consideration of the suggestions made by the Honorable Secretary of
War and yourself, the most important of which were that there should be a
marked difference between the Philippine and the United States certificate, so
that one could not be passed for the other, and there should also be a marked
difference between the denominations of the Philippine certificates, so that the
lower denominations could not be passed for the higher denominations. To
meet these suggestions the size of the certificate has been materially reduced
to a small oblong 6 1/4 in x 2 5/8
in., and an additional printing has
been added to the face, which in the
case of the two pesos certificate is
blue.
The first order for 2-, 5- and
10-peso silver certificates totaled
5,000,000 pesos; it was placed in
April 1903.* The first shipment
was sent from the BEP to San
Francisco on August 22, 1903; it
was shipped to the Philippines on
* In 1934 the BEP produced bank notes for Cuba. In 1945 plates were
prepared at the BEP for the Royal Siamese Government, however, these notes,
similar in appearance to military payment certificates, were printed by the
Forbes Lithograph Manufacturing Co. in Boston. The first bank notes for
Eritrea, dated 1997, were designed at the BEP by Clarence Holbert, however,
the notes were printed by Giesecke and Devrient in Germany.
PAPER MONEY • November/December 2004 • Whole No. 234 433
September 1st and issued in October (Shafer 1964, p. 21).
Secretary of the Treasury Franklin MacVeagh served from 1909-
1913 under President Taft. The estimated $600,000 saving from
reduced size Philippine notes prompted MacVeagh to change the
size of American paper money. The committee that would study
this possibility consisted of the Treasurer of the United States,
the Chief of the Secret Service, the Chief of the Division of
Loans, and the Director of the Bureau of Engraving and
Printing. A favorable report was presented and on Feb. 26,
1913, MacVeagh instructed the Bureau of Engraving and
Printing to proceed with designs to redesign U.S. paper
money:
I [MacVeagh] have caused this design to be prepared
for use in connection with a change in the size of United
States notes, gold and silver certificates and national bank
notes from their present dimensions to the dimensions of
Philippine certificates, and as soon as the engraving is complet-
ed you will at once prepare plates for the printing of the classes
above named of this reduced size.
Confirming my oral approval and instructions of January 31,
1913, the design prepared by Mr. Kenyon Cox, of New York City,
for use on the backs of all denominations of paper money is hereby
approved, and you are instructed to proceed immediately with the engrav-
ing of a die of this design, completing the work at the earliest moment possible
(History of BEP 66).
A week later the new administration appointed William G. McAdoo as
Secretary of the Treasury. Secretary McAdoo decided the proposal for small
currency should be reviewed; consequently, it was given considerably less
importance than the implementation of the new Federal Reserve System. The
new currency proposal was shelved at the outbreak of World War I.
On June 6, 1922, President Harding wrote to his Secretary of the
Treasury A.W. Mellon:
Personally, I have long since been inclined to favor the smaller-size bill.
I had an opportunity of seeing some of the Philippine paper currency when it
was first issued and thought it to be an ideal size. I wonder, however, if there
would not be a curious psychological effect if we were to reduce the size of the
currency at a time when there is a general complaint about the reduced pur-
chasing power of our currency (Shafer, pp. 151-152).
Secretary Mellon announced a new paper money series on Sept. 10, 1923;
the overall designs were the work of C.A. Huston and A.R. Meissner. The pro-
gram came to an end after some designs were executed. Two years later
Secretary Mellon appointed yet another committee; it recommended the adop-
tion of smaller size notes and the following portraits: George Washington for
the $1 note; John Garfield for the $2 note; and Abraham Lincoln for the $5
note.
On August 6, 1928, printing of small-size began. The 1928 Bureau of
Engraving and Printing Annual Report stated that new face designs similar to
large-size notes would be used with the exception of changes in portraits for
different denominations. Contrary to MacVeagh's 1913 proposal, the backs of
each denomination would be different: various public buildings would be por-
trayed.
Small-size currency was placed in circulation on July 10, 1929. The last
large-size notes were printed on November 1(backs), and December 15 (faces),
1928. The final order for large-size national bank notes was fulfilled on August
7, 1929.
Secretary of the Treasury
Franklin MacVeagh, engraved by
G.F.C. Smillie.
November/December 2004 • Whole No. 234 • PAPER MONEY434
Kenyon Cox
Labor (left), Peace, Plenty and
Prosperity (center) and Mercury (right).
This preliminary sketch that differs from
the final version was included in the
January 26, 1913, The Ohio State
Journal. The most noticeable difference
is in the figure of Labor on the left.
The Kenyon Cox Design
Secretary of the Treasury Franklin MacVeagh saw what elegant designs
Saint Gaudens created for our $10 and $20 gold coins in 1907 and decided
American paper money deserved new designs as well. MacVeagh sought the
advice of Edwin H. Blashfield, a member of the National Commission of Fine
Arts. In October of 1912 Cox was engaged to produce a classical design for the
backs of the new small-size notes. It was to be completed no later than
February 1, 1913, and the commission would pay $3000 (AAFAL, Oct. 10,
1912).
Cox assembled three females representing Peace, Plenty
and Prosperity in the center to form a classical pyramidal group-
ing (below). [Researchers have for years referred to the three
central figures as Plenty, America and Peace. In a letter dated July
21, 1913, to the Director of the BEP J.E. Ralph, the artist also
refers to America] Labor on the left and Mercury on the right
would complete this design (also below). Allyn Cox, the son of
the artist, posed for Mercury and his face was the model for
Commerce. (The preliminary sketches for this design are in the
Cleveland Museum of Art and are illustrated with permission in the
2004 edition of U.S. Essay, Proof and Specimen Notes.)
Kenyon Cox had just finished drawings of huge penden-
tives for the Wisconsin state capitol. These large seated figures
were ten feet high; the bank note design, when finalized, would
be, in contrast, two inches high (Morgan 199).
MacVeagh saw a preliminary sketch in December 1912
and was pleased. He said he would accept it with "the greatest
pleasure and without the slightest hesitation." In January the
Secretary wrote to Cox: "I more than ever congratulate myself
on my good fortune in finding you sufficiently disengaged to take up this
important work and it assures me of my good fortune in having been able to
clear the entire back of the note for your design, giving, in this way, the finest
opportunity that a currency note has ever furnished to an artist."
Cox wrote to a friend and said, "If the new administration doesn't upset
things, I think we shall have, at last, a paper currency of artistic merit worthy to
compare with the French (AAFAL, Feb. 1, 1913)." The artist was referring to
the notes he saw in Paris, among them the designs of Camille Ghazal (1825-
1875), who designed the French 5- and 20-francs, P(ick) 60 and 61. After his
return to the U.S. Cox must have followed changes in French paper money
design because he was aware of and extremely taken with Luc Olivier-Merson's
100-francs P78 (following).
The back design by
Kenyon Cox and the educa-
tional designs of his col-
leagues, Blashfield, Low and
Shirlaw were done in the
period known as the
American Renaissance
1876-1917. Artists that fur-
ther defined this period
include John La Farge and
Edward Simmons.
Since the Cox design
was so different from what
BEP engravers had executed
before--Marcus W. Baldwin
BANQUEDEFBANCE
1 6 4 1 8 5 3 3 5 0
ENT FRANCS
PAYABLES EN ESPPCES, ANTE, FORTI:UR
EC. 6=4=1939. EC.
LeScretai?r //,,/
PAPER MONEY • November/December 2004 • Whole No. 234 435
Luc Olivier-Merson's design on the 100
francs, P78 for France. The first issue was
dated 1906. The face with Agriculture
and Commerce was engraved by C.
Romagnol. The back with a Blacksmith
and Agriculture was engraved by F.
Florian and Ramognol.
called the design unusual--BEP Director J.E. Ralph suggested that he,
Baldwin, who was to leave on a vacation in early February, and Chief of the
Engraving Division G.F.C. Smillie visit Kenyon Cox in New York City. On
January 23 they boarded a train for New York and met with the artist at his
studio the following day.
On 27 January Director Ralph wrote a report to Secretary MacVeagh and
said "the design is beautiful in composition and treatment and would lend itself
to the engraver's art by its beauty of form and suggestion of lines. Mr. Cox pro-
nounces it the best piece of work he has ever produced." (These are the words
of Marcus W. Baldwin in a memo to Mr. Ralph, who transcribed them, word-
for-word, into his letter to the Secretary.)
"Though the design is out of the ordinary and usual treatment of bank
note vignettes in the matter of strong contrasts of light and shade, there will be
no difficulty in translating it in the style preferred by Mr. Cox by line engrav-
ing to steel plates" (L&M Jan. 27, 1913).
In a memo to Director Ralph, G.F.C. Smillie expressed admiration for
the design, "especially the composition and drawing of the central group. The
style of engraving for which Mr. Cox expresses preference, can be executed
with less difficulty than the usual hand note work, and therefore, incidentally,
presents fewer obstacles to the counterfeiter whether he be engraver or pho-
tographer. But, waiving the necessity for this additional protection to the note,
the work can be adequately rendered in the desired style and will afford plea-
sure in its execution" (L&M Jan. 27, 1913).
Mr. Cox was to bring his 6 1/2 by 2 1/2 foot pencil drawing to the Bureau
November/December 2004 • Whole No. 234 • PAPER MONEY
a few days later, however, Director Ralph authorized George L. Dant of the
engraving division to carry the design to make certain it was not damaged in
transport. Before the drawing was shown to the Secretary, Director Ralph said
"I will have a photographic reproduction of the drawing made of the actual size
of a note for your use at your conference with Mr. Cox" (L&M Jan. 27, 1913).
A drawing of the design arrived in Washington on January 30, and on
February 2, Director Ralph, G.F.C. Smillie and Marcus W. Baldwin met with
Cox at his hotel to discuss how his design was to be engraved (Morris 148).
Mr. Cox granted or perhaps sought an interview for a newspaper story.
This is surprising considering new designs are usually kept secret until the date
of issue is near. The article "Girls Enthroned on the new Currency, Designs
for the New and Smaller Money Uncle Sam is Soon to Give Us" appeared in
The Ohio State Journal on January 26, 1913.
When the interviewer asked "Will it look like money?" The artist replied,
"Well, it will look as paper money ought to look, according to modern stan-
dard of artistic taste...." With no hesitation he went on to say "American cur-
rency is clumsy and antiquated in style as compared with that of European
nations, France and England especially. The foreign bank notes, as a rule, are
economical in size, fine in texture, and simple, although with elegance and dig-
nity in the pictorial designs printed upon them."
After further criticism he cited excesses on U.S. paper money including
"a tangle of meaningless scrolls or large surfaces of heavily shaded engraving."
With some apparent knowledge of engraving the interviewer asked if the
design would make it easier to counterfeit. Mr. Cox replied to what he thought
a naïve question.
"Heavy shading would be no special obstacle to the counterfeiter. As a
matter of fact, the figures in my design will be quite elaborately modeled and
shaded, but in a fine, silvery tone—like that of an Albrecht Diirer wood engrav-
ing, for instance." Following a few comments about safeguards against coun-
terfeiting that are up to the BEP the artist continues. "What I am especially
grateful for is the fact that all these official features, and all the numbering, let-
tering and signatures will be on the face of the bill, leaving the back a clean
slate for my allegorical design."
Anticipating a question about the female model, Cox said, "please don't
ask me for the name and address of the model I used chiefly for my central fig-
ure of Miss America. She is a professional, and a New Yorker, and has figured in
other works of mine known to the public." The artist brought out a drawing of
a female. Surprised, the interviewer said "this is a nude...." "All my figures are
first drawn that way from life, in the nude. Then I make the drapery studies
separately, outline them on tracing paper and put them on their respective fig-
ures."
"Now, this all-round female model of mine, whom I posed for the first
study of the seated America, also furnished some hints for the other figures of
Peace and Plenty, though I had another model for them."
The artist explained that models are just that, models. "Some one imag-
ined that a female figure in a courthouse mural painting of mine was a portrait
of a certain well-known actress. It was not so; but the rumor spread, and caused
no end of trouble. The actress herself complained; the municipal body which
had given me the commission objected; and, finally, I was compelled to repaint
the picture, in order to obliterate a 'likeness' which, I had never had the
remotest intention of making, and which, as a matter of fact, did not exist."
During the interview Allyn Cox, the young son of the artist entered the
studio, and Kenyon Cox turned and said "here is my Mercury model."
The interview ended with this statement from the artist: "My design for
the new currency is as severely conservative as it can be, and yet possibly the
novelty of the bills may at first bring down criticism upon me as an iconoclast.
436
PAPER MONEY • November/December 2004 • Whole No. 234 437
Had I sought to do something really revolutionary I might have submitted a
cubist conception of a bank note or a post-impressionist figure group."
On January 28 Director Ralph wrote to Secretary MacVeagh referring to
an interview by Mr. Cox that appeared in the New York World. "Mr. Cox has
evidently given the paper a copy of his first sketch, as the figure of Labor on the
left in the final drawing which I saw on Friday is entirely different from that
shown in the newspaper clipping." Mr. Ralph went on to say that when he "saw
Mr. Cox on Friday he did not mention having given any matter to the press on
the subject, and if he had mentioned it I would have suggested to him the
advisability of waiting until you had had an opportunity to pass upon the
design." Apparently the drawing that appeared in the New York World was the
same as the one that was included in The Ohio State Journal.
Compelled as he was to receive recognition for his design, publication of
a version that was moderately different from the accepted version could have
been a way for the artist to protect himself from serious criticism or reprimand.
On January 31, 1913, Secretary MacVeagh sent a lengthy memorandum
to Director Ralph:
"The design prepared by Mr. Kenyon Cox, of New York City, for use
on the backs of all denominations of paper money is hereby approved, and you
are instructed to proceed immediately with the engraving of a die of this
design, completing the work at the earliest moment possible.
I have caused this design to be prepared for use in connection with a
change in the size of United States notes, gold and silver certificates and
national bank notes from their present dimensions to the dimensions of the
Philippine certificates, and as soon as the engraving of the die of the new
design is completed you will at once prepare plates for the printing of the
classes above named of this reduced size. In connection therewith, the follow-
ing instructions will be observed:
1. The engraving on the face of the notes will be 21/4 by 6 1/8 inches.
2. All denominations of United States notes, gold certificates, silver cer-
tificates and national bank notes will bear the design herein before approved
on the backs thereof with no other engraving thereon, and with nothing to
indicate the denomination, the only difference between the backs of the sever-
al classes being in the color in which they are printed, United States notes, sil-
ver certificates and national bank notes, series of 1902, to be printed in green,
gold certificates to be printed in orange, and national bank notes, series of
1882, to be printed in brown.
3. The faces of all denominations of all these classes of notes shall be of
the same general design as the design of the $1 silver certificate bearing the
portrait of Washington which I have this day approved and herewith transmit
to you. The engraving of the face of the $1 note should be commenced at once
and completed with the least possible delay, and designs for faces of other
denominations of this and other classes should be submitted for my approval
Die 8269
November/December 2004 • Whole No. 234 • PAPER MONEY438
G.F.C. Smillie,
engraver of the Cox design
as soon as practicable.
4. The faces of all notes shall be printed in black and the engraving shall
include the denominational numeral on the left side to balance the seal on the
right side as shown in the model of the $1 silver certificate approved this day,
the numeral to be inserted within a circle of the same diameter as the seal. The
seal and serial number will be printed by surface printing in colored ink, the
colors to be red for United States notes, blue for silver certificates, orange for
gold notes and blue for national bank notes as at present.
5. In engraving the faces for these new sizes of notes the facsimile signa-
tures of the Register of the Treasury and the Treasurer of the United States at
present engraved thereon will be omitted.
6. In designing the faces for these notes of the reduced size the plan
will be pursued of using the same portrait on notes of the same denomina-
tion in all classes, and portraits to be used accordingly are hereby designed as
follows:
$1 Washington $10 Cleveland $100 Franklin
$2 Jefferson $20 Jackson $500 Chase
$5 Lincoln $50 Grant $1000 Hamilton
7. Any text required by law that is now engraved on the backs of notes
will be engraved on the faces of notes of the new design and size.
8. To permit of the change in size of national bank notes without
replacing all of the plates for individual banks now in use you are authorized
and instructed to design the faces of national bank notes in accordance with
the new plan and in such manner that the title and location of the bank may
be imprinted thereon by surface printing."
As previously mentioned, the design was unusual and different
from other subjects on U.S. paper money. On February 1 BEP
engravers G.U. Rose, G.F.C. Smillie and M.W. Baldwin went to the
Library of Congress to study 16th century engravings with the intent of
borrowing some books and engravings for about two weeks (L&M Feb.
1, 1913). Handwritten on the memorandum are notations (dated
March 2, 1917) that the following prints were studied: St. Cecilia, Venus,
the Blessed Virgin and Lucretia [Marcantonio Raimondi after Raphael];
the individual artists were not identified.*
With the aforementioned prints from the Library of Congress in hand
engravers Smillie and Baldwin visited Kenyon Cox with a written message from
Director Ralph dated February 1, 1913. This was to make certain that the
artist was satisfied with the engraving style to be followed.
In a written reply dated February 3 to Mr. Ralph, Mr. Cox expresses
admiration for Lucretia [Raphael], the Judgment of Paris [Raphael] and Massacre
of the Innocents [Raphel and Rubens], both engraved by Marc Antonio and oth-
ers by Diirer, Mantegna and Lucas van Leyden. Cox was pleased and closes his
note by saying "Such hearty endeavor to understand and cooperate is rare for
an artist to find." (Marc Antonio, the engraver Smillie and Cox refer to
throughout, is Marcantonio Raimondi, b. ca. 1480, d. before 1534. This artist
is recognized for his engravings of the work of other artists. It would be advan-
tageous to show some of the 16th century work mentioned here, however,
these images are covered by copyright.)
A report of this meeting was given to Mr. Ralph by G.F.C. Smillie. In
addition to the artwork previously mentioned Mr. Sri-Lillie refers to a volume
entitled Prints of the British Museum Reproduced by Photography,New Series Part
III. Quoting Mr. Cox Mr. Smillie wrote: "For intensity of tone, the deepest
shadow under the draperies of the female figure (Venus & Cupid by Marc
Antonio) should be the deepest you render any of my drawing." Cox also men-
* After viewing paintings by these titles the name of the artist that seems
to be the appropriate has been inserted.
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PAPER MONEY • November/December 2004 • Whole No. 234
439
tioned David Playing before Saul and the Adoration of the Magi. Finally, Cox had
declared that Marcantonio's 2nd plate of the Massacre of the Innocents represents
what he wants in his bank note design. (To view an engraving of this artwork
on the Internet go to Google, click on images, type "Marcantonio Raimondi”
and click on the image above abbi.jpg.)
During the first week of February four members of The Commission of
Fine Arts, Edwin H. Blashfield, Thomas Hastings, Charles Moore and Pierce
Anderson were asked their opinion of the Kenyon Cox design. All approved,
nevertheless there were suggestions from Moore and Anderson; both thought
the shadows on portions of Mercury were too dark.
In Sol Altmann's copied and typed version of the Smillie diary there is an
entry for "Experimental die [8269] reproducing in style of Marc Antonio [sic]
the Kenyon Cox drawing;" the date is February 5, 1913. This incomplete die
included only the images of Labor, Plenty and Mercury. Although 85 hours of
engraving time was spent, there is no indication that this die was transferred as
the basis of the final die 8271, which was begun on 20 February.
On May 10 Director Ralph sent an early progress proof to Mr. Cox and
the artist replied with some suggestions. Mr. Ralph was reminded that Mr. Cox
would be going to Windsor, VT for the summer, and further communication
should be sent there.
Kenyon Cox sent a letter to J.E. Ralph in which the designer comments
on a second proof that was sent to him. He said it was "an improvement over
the first...the sparkle and silvery tone of the whole thing is admirable...the
work will reflect credit upon the Bureau...." Then came the qualifications.
The artist had suggestions for improving every figure except Mercury.
Here are his comments about America "The head of America is so good that
Labor and Plenty as drawn on the letter
Peace as drawn on the letter
November/December 2004 • Whole No. 234 • PAPER MONEY440
perhaps it would be better not to change it. The upper lip might be very slight-
ly thicker at the point marked, and the lower lip a trifle wider also, but unless
these changes can be made with the utmost delicacy they had better not be
made at all. The general expression is very good and overdoing of these
changes might spoil it" (LR June 21, 1913).
Other suggestions included demonstration drawings that the artist drew
on the letter pages:
"The head of Peace [shown left], which is one of those I last had in the
original design, is greatly improved, but the foreshortening is still not quite
satisfactory. The mouth is not quite in line with the eyes yet, and does not turn
around the head sufficiently. Note the direction of the dotted lines on this
rough diagram, and the sudden turn down of the far corner of the mouth to
bring it down to line. In the engraving these lines are not parallel but farther
apart on the left. This not only falsifies the perspective of the head but gives
the lower lip the air of being thrust up and out in a sort of one sided pout
which entirely changes the expression of the head. Also the chin and jaw,
where the arrow points, seems cut away a trifle, making the face a little round
and weak. I think this is, perhaps, a matter of a little too much shade rather
than an actual false line. Of course all these things, in this scale, are very
minute.
"In the head of Labor [shown on previous page] the shadow by the wing
of the nose is too long and runs down into the shadow at the corner of the
mouth, which gives the head a pudgy look. The shadow should be more
restricted, letting some light through between it and the other shadow where
the arrow points. The masculine look of this head is due to restricted and
clearly marked shadows with very pale half-tones making it firm and irregular
rather than round.
"In the head of Plenty [also shown on previous page] the shadows at cor-
ner of mouth and nose and under lip should be almost obliterated, leaving the
contours clear and open. It wants very slight modeling throughout. The brow
should be indicated as taking a higher arch, the upper lid ought to be more
level, and the triangle of the whole eye shorter. I have exaggerated this a trifle
in the diagram. The little sketch to the left is a caricature of that in the engrav-
ing. Of course the real differences are very slight, but an exaggeration is the
only way to show them." (LR Jan 21, 1913)
There are more suggestions from the artist, however, there is no need to
further show how demanding he was and how the engraver must be able to fol-
low directions and transform lines on paper to a variety of lines—shallow, deep,
wide, narrow, long and short—into a steel plate.
The last letter from Kenyon Cox that I could find, which relates to the
engraving of his design was dated July 29, 1913, and came from his Vermont
residence. The artist mentioned trouble with the head of Peace, but closed with
the following. "I hope Mr. Smillie may be able to understand this and give me
what I want as he has been able to do in the other heads. It is the last of my
demands upon him." G.F.C. Smillie must have been relieved to hear this.
What appears to have been a final proof was sent to Kenyon Cox on December
1, 1913.
The die that G.F.C. Smillie began engraving on February 20 was com-
pleted on August 17. The record sheet for die 8271 confirms that it took Mr.
Smillie a total of 368 hours of engraving to complete his work.
The project was completed under Secretary McAdoo, however he did not
execute the order of application of his predecessor. Establishment of the
Federal Reserve system, which required new paper money designs and the out-
break of World War I placed the plan for small-size notes on hold. As collec-
tors you know, the Kenyon Cox design was put to use as the back of the $100
Federal Reserve note and Federal Reserve Bank note (opposite).
Mr. Cox requested and received permission to show his drawing at the
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PAPER MONEY • November/December 2004 • Whole No. 234 441
Architectural League Exhibition. The artist was to be responsible for shipping
and insurance. In granting permission the new Secretary of the Treasury, W.G.
McAdoo wrote the following: "The Department is continuing its plans with
respect to new designs for paper currency, and for reasons which you will read-
ily appreciate I am permitting this exhibition only on condition that no pho-
tographs shall be taken of the drawing and that it shall be given no newspaper
notoriety" (LS Nov. 15, 1913).
This design was the only paper money image created by Kenyon
Cox, and in his "Notes on Line Engraving" G.F.C. Smillie wrote:
"The contention of Mr. Kenyon Cox that line engraving 'has no busi-
ness in the depiction of tone values'---that 'its function is in the field of deco-
ration' (stated to the writer in his studio, 1912) is without warrant or founda-
tion, and existent only in his personal opinion or prejudice. What limitation
can be placed legitimately upon the competent application of any medium of
representation? Why not deny to the painter depiction of aught but decora-
tions because he cannot give relief of sculpture--or, of sculptors because their
figures lack motion?" (Smillie 202)
Mr. Smillie goes on to say:
"It would be interesting to know how many painters have ever made
even a casual effort to know and appreciate line engravings. Is it reasonable to
expect that the charms of engraving are any more obvious than those of paint-
ing, sculpture, architecture? Is the untutored sense adequate to either the
appreciation or comprehension of the varied elements of beauty, the art, of
these products of the aesthetic sense? Then why should the untutored publish
their `un-appreciative' condemnation of what they have never studied, never
made effort to comprehend or discover its merit?" (Smillie 203)
The author of the present article has discovered from experience that it is
not uncommon for art critics and art historians to classify or pigeonhole securi-
ty line engravers as craftsmen and inferior artists, rather than acknowledge the
art form and the artists that produce it.
However, for Cox, an artist, to speak as he did about line engraving is
troubling. "The self-satisfied attitude of the painter towards the engraver is
somewhat comical. He refers to the 'mechanic' as a copyist" (Smillie 204).*
Nevertheless, Cox was pleased to have his artwork, transformed by an
engraver, placed on paper money. At the close of his July 21, 1913, letter to
Director Ralph the artist asked if a "final decision [had] been come to about the
signature? I should like to have my name go down with this if it can be done,
and I believe Mr. Fraser was allowed, or asked, to sign his nickel" (Smillie 202).
Mr. Cox did not get his wish. Many countries include names of designers and
engravers on their paper money and postage stamps, a custom which the pre-
sent writer wishes would be practiced in the U.S.
* At some time in the future I hope to present more of Mr. Smillie's com-
mentary on this subject.
The Cox design consisting of
Labor, Plenty, America, Peace
and Commerce was engraved by
G.F.C. Smillie and used on the
$100 Federal Reserve Bank Note.
442 November/December 2004 • Whole No. 234 • PAPER MONEY
Kenyon Cox, the Designer
Kenyon Cox was born on October 27, 1856, at home on Bazetta Road,
near the county fairgrounds in Warren, OH. He attended public school and
eschewed the mandatory subjects, but preferred to spend his time drawing. A
sickly child, Cox spent a lot of time in bed after age nine and saw the last of
formal schooling at age 14.
His stepfather Jacob Dolson Cox served in the Ohio Senate, became
major general during the Civil War and was governor of Ohio 1866-1868.
Then the family moved to Cincinnati where the senior Cox practiced law. It
was here that the young Kenyon had two bouts with a tumor that affected his
face and neck. Somehow he survived two operations, and during recuperation
the young artist spent time with pencil and sketch pad.
Cox attended art classes at the McMicken School of Design, which was
affiliated with the University of Cincinnati. German artist Frank Duveneck was
in Cincinnati between 1873-1875 and held evening classes at the Ohio
Mechanics' Institute; Kenyon Cox was one of 16 pupils who attended these
classes. The Spanish artist Mariano Fortuny was another influence on Cox and
his modernist colleagues.
In 1876 Cox went to Philadelphia to see the Centennial Exposition and
the following year enrolled at the Pennsylvania Academy. Kenyon Cox went to
Paris in 1877 and visited Italy in 1878 and returned in 1880. In Europe he
studied, absorbed, learned and lived a bohemian life on a shoestring. Most of
the time in Paris Cox was under the eye of Jean-Leon Gerome.
By 1883 Cox settled in New York City. He politely refused the hospitali-
ty of Will Low. Instead he settled in a small room on West 18th St. and took
studio space at 145 W. 55th St. Cox did illustration work for publications,
Century Magazine among them, and for a brief time he wrote articles for the art
press and some unsigned criticism for the New York Evening Post.
In 1885 Cox began teaching two evenings each week at the Art Students'
League. He believed and taught that drawing was the basis for all art. "It shapes
the senses, broadens the powers and stimulates the observation and the intelli-
gence, making of the student a finer and in every way more efficient being than
he could become without it."
Kenyon Cox was acquainted with sculptor Augustus Saint Gaudens dur-
ing their student days in Paris and later in New York. In 1887 Cox made a
"magisterial portrait" of the would-be designer of two U.S. gold coins. "The
sculptor helped Cox get illustration commissions, some of which involved his
own works" (Morgan 106).
Cox married a student Louise Howland King in May 1892. A leisurely
summer was planned when he received a commission to join other muralists to
decorate buildings for the World's Columbian Exposition in Chicago.
In 1895 Kenyon Cox was a founding member of The Mural Painters. In
addition to Kenyon Cox, mural painters in America included Edwin H.
Blashfield, John La Farge, William Morris Hunt, Will Low, George W.
Maynard, Walter Shirlaw, Edward Simmons and Edward 0. Walker. Low,
Blashfield and Shirlaw designed, respectively the $1, $2 and $5 1896
Educational Notes. Most of these artists, 10 additional painters and 22 sculp-
tors contributed to the artwork in the Library of Congress (Morgan 144).
With his murals Cox "had hoped to expand the individual's consciousness
always within a tradition that emphasized order and harmony," and Will. Low
"wanted uplifting, complex compositions to temper atomized individualism and
materialism" (Morgan 139). "From about 1895 to 1925 painters decorated
some 400 major buildings in the United States." (Morgan 139) By 1914 tastes
were changing and fewer large buildings were being erected; the decoration of
building interiors with murals was coming to an end.
On March 17, 1919, Cox died in New York City. The New York Times
PAPER MONEY • November/December 2004 • Whole No. 234
443
and the New York Tribune ran lengthy obituaries. His paintings, murals and
sculpture can be found in buildings and museums around the country.
Epilogue
One Sunday in June of 1981 I was watching 60 Minutes. A portion of the
taped-telecast took place in the U.S. Capitol, where, on a scaffold, high above
those walking below, Allyn Cox was interviewed. This artist and muralist, the
son of Kenyon Cox, was repairing one of the large murals. Mr. Cox was asked
about his work and I realized that he was the son of Kenyon Cox. Almost
immediately I wrote a letter to Mr. Cox and addressed it c/o of the U.S.
Capitol and assumed it would be delivered and hoped for a reply. A few weeks
later I received a response; Mr. Cox said he would be happy to meet with me
on my next trip to Washington.
I coordinated visits to the BEP
and the National Archives for a meet-
ing with Allyn Cox at the Cosmos
Club where he resided. (This club is
for men who have made contributions
to or who have received recognition in
the fields of science, literature and the
arts. The walls are covered with por-
traits of members who were Nobel
Prize recipients.)
I had questions about Kenyon
Cox, his father, his father's colleagues
and the design intended for the first small-size U.S. notes. During our conver-
sation in the garden of the Cosmos Club he told me about his father's respect
for French bank note designs, especially those by Luc Olivier-Merson (1846-
1920). For me and the collecting world this was new and exciting documented
information. The Kenyon Cox design as used on the back of the $100 Federal
Reserve note demonstrates the influence of the French paper money designers
especially Luc Olivier-Merson.
Allyn Cox, who was born in 1896, was a respected painter and muralist.
His portrait of Henry Clay can be found in the Senate Reception Room of the
U.S. Capitol. This painting is based on the work of George P.A. Healy. One of
the murals by Allyn Cox is the Burning of the Capitol by the British, 1814 on the
first floor in the east corridor of the House Wing of the U.S. Capitol. In the
latter years of his life he restored the murals in the Capitol until he was 85.
We exchanged letters after our meeting in Washington, however my last
letter to him was returned. That letter contained my response to his inquiry as
to whether I had any interest in his only proof of his father's design. The
unopened returned letter prompted me to telephone the Cosmos Club and I
was told that Allyn Cox had died; his obituary appeared in the New York Times
on September 28, 1982. The proof that had been offered to me was the only
example known to exist outside the BEP.
His obituary (Washington Post, September 28, 1982) read in part:
"In 1953, Mr. Allyn Cox was commissioned to complete the Rotunda
Frieze just under the dome of the Capitol. The paintings were begun in the
19th century by Constantino Brumidi, the Italian artist who spent much of his
professional life working on the Capitol. Brumidi died before the work could
be completed.
"This circumstance provided Mr. Cox with an ambition that began in
his boyhood: to complete what Brumidi had started. 'When I was very young,'
he said in an interview shortly before his retirement last April [1981], 'my par-
ents brought me here and showed me an empty space in the frieze under the
Rotunda dome. After that, I used to dream and dream of painting it one day."
Allyn Cox and the author
444 November/December 2004 • Whole No. 234 • PAPER MONEY
Allyn Cox, son of Kenyon Cox, painting a
mural in the U. S. Capitol that honored the
American Civil War and the Spanish-
American War. (Library of Congress photo)
To see the murals of Kenyon and Allyn Cox on the Internet, go
to Google and click on images and insert "Kenyon Cox" and "Allyn
Cox."
I wish to thank Cecilia Wertheimer, Curator of the Historical Resource
Center at the U.S. Bureau of Engraving and Printing for providing copies of
the correspondence that pertains to the creation of this design at the Bureau.
Sources
(AAFAL) Letters of Kenyon Cox at the Avery Architectural and Fine Arts Library,
Columbia University.
Hessler, G. Comprehensive Catalog of U.S. Paper Money. Port Clinton, OH: BNR Press
(1993).
The Engraver's Line. Port Clinton, OH: BNR Press (1993).
U.S. Essay, Proof and Specimen Notes. Port Clinton, OH: BNR Press (2004).
History of the Bureau of Engraving and Printing, 1862-1962. Washington, DC: U.S.
Treasury Department.
(LR) Letters received by Bureau of Engraving and Printing.
(LS) Letters sent by the Bureau of Engraving and Printing.
(L&M) Letters and memoranda within the U.S. Treasury Dept.
Morgan, H.W. Kenyon Cox, 1856-1919. Kent, OH: Kent State University Press (1994).
Morris, T.F. "Marcus Wickliffe Baldwin, Bank Note Engraver," The Essay Proof jou7nzal,
No. 43 (1954).
Shafer, N. Modern United States Currency. Racine, WI: Whitman Pub. Co. (1979).
Philippine Paper Money. Racine, WI: Whitman Pub. Co. (1964).
Smillie, G.F.C. "Notes on Line Engraving," The Essay Proof journal, No. 32 (1951).
Conversation and correspondence with Allyn Cox.
A N
A H E A
If you joined SPMC before Oct. 1, 2004, you must prepay 2005 dues now or
lose your membership -- You won't want to miss a single issue; so act NOW
PAPER MONEY • November/December 2004 • Whole No. 234
445
SPMC 6000 Goal: To Create
a More
Balanced Awards Program
AS PART OF ITS SPMC 6000 "RE-BUILDING a Great interest and involvement, while areas where Society membersSociety for a New Century" 1 ' campaign, our SPMC are most active are under-represented. Is there any wonder
Board is reevaluating the SPMC Awards Program. A vigorous that some have asked "What's in it [SPMC] for me?"
Awards Program is typical of a robust and growing society,
The Board's analysis has determined that a balanced pro-
and is vital to help SPMC achieve its SPMC 6000 goals.
gram would reward achievement in four areas (1) membership;
This is obviously true because an effective Awards (2) service; (3) individual recognition; and (4) scholarship.
Program (1) recognizes initiative; (2) rewards achievement;
A number of proposals have been made, some considered,
and (3) records for posterity the contributions by a variety of some referred for study, and others already implemented.
individuals in various ways to the long-term success of an Among the latter are the vitalized recruitment program, the
organization. development of our "Founder's Award" (over), improved and
The Board recognizes that the three legged stool of more plentiful recognitions for Society authors, the George
membership stands or falls based on all of its legs: (1) recruit- W. Wait Memorial Award and additional Paper Money
ment; (2) RECOGNITION; and (3) retention. It is hoped Education Committee research grants, special Peter Maverick
that involving and recognizing more Society members on a engraved souvenir cards as speaker awards, with additional
regular basis will increase satisfaction in belonging. As an souvenir cards for other contributions, our e$$ay contests,
example, more than 200 members who indicated willingness increased visibility through the Stephen R. Taylor Best of
have been recognized on their birthdays in the regular "On Show Exhibit Award, the Nathan Goldstein Recruitment
This Date in Paper Money History" calendar. Award, and additional Awards of Merit and HLMs.
As it has stood until recently, the Society Awards
Consideration will be given to such activities as topical
Program represents a melange of emblems of recognition not book and exhibiting awards, establishment of an SPMC Hall
clearly understood, somewhat out-of-date, and not serving as of Fame, initiation of a suggestion box, development of a
much of an incentive for involvement and contributions by President's Award, and recognition of longtime members.
rank and file Society members, let alone serving the best inter-
Your input can help. Write a Letter to the Editor. Run
ests of SPMC and implementing SPMC 6000, which seeks to for the Board. Volunteer to work on a committee. Recruit
improve member services and encourage SPMC growth.
your two new members or give two gift memberships this sea-
As can be seen below, the SPMC Awards Program is son. So stay tuned. We're aiming to change for the better.
unbalanced. Awards are clustered in areas of slight member
-- Fred Reed, Editor
SPMC Award Winners Announced at June Memphis show
THE FOLLOWING AWARDS WERE PRESENTED November/December; Milt Friedberg, "A Catalog of Knownat the 2004 Memphis International Paper Money Show: BEP Made Exposition Souvenir Handkerchiefs" July/August;
Nathan Gold Memorial Lifetime Achievement Award Joaquin Gil del Real, "Panama: Crossroads of the Americas; A
Established in 1961 and presented now by SPMC and the Numismatic Bird's Eye View" September/October; Lee
Bank Note Reporter to a person(s) who has made a concrete Lofthus, "Collecting Gettysburg Series of 1929 National Bank
contribution toward the advancement of paper money collect- Notes" May/June 2003.
ing. This year's winner is George Tremmel, author of the Nathan Goldstein SPMC Recruitment Award
ground breaking work Counterfeit Currency of the Confederate
Given to the person who recruits the most new members
States of America and frequent contributor to Paper Money, during the previous year. Once again, the awardee was Tom
including the compilation of the annual index.
Denly, who recruited 28 new members.
Awards of Merit Stephen R. Taylor Memorial Best-in-Show Exhibit Award
Tom Carson and Dennis Schafluetzel for their electronic
Awarded to the best exhibit at the International Paper
book (CD) Chattanooga's Money; Edward and Joanne Dauer Money Show in Memphis. This year's winner was Walter
for American History As Seen Through Currency; Guy Kraus for Allan for his exhibit "A.E. Foringer Designs Used on the
Mississippi Notes and Scrip; Robert Kravitz for A Collector's Canadian Bank of Commerce Notes."
Guide to Postage & Fractional Currency; Mike McNeil for The Dr. Glenn Jackson Memorial Award
Signers of Confederate Treasury Notes 1861-1865; Austin This award, for an article about bank note essais, proofs,
Sheheen for South Carolina Obsolete Notes and Scrip; Arlie specimens, and engravers who created them, went to Walter
Slabaugh for his ongoing research and writing efforts in the Allan for his extraordinary article in Canadian Paper Money
area of Confederate paper money as well as other areas.
Society Journal, Vol. 38, Serial No. 122, "A pictorial review of
Literary Awards the development of the Canadian Bank of Commerce note
First Place — Ron Horstman, "The Life and Hard Times issues that portray the paintings of A.E. Foringer."
of Ed Mays" May/June 2003; Second Place — Rick Melamed, Julian Blanchard Memorial Exhibit Award
"Inverted and Mirrored Plate Number Fractional Notes" Awarded to the exhibit in Memphis which best typifies
January/February; Third Place — John and Nancy Wilson, the relationship between proofs, specimens, essais, and bank
"Father of U.S. Fractional Currency--General Francis E. notes and other syngraphic items. This year's winner was
Spinner" January/February. Honorable Mention: Bertram Walter Allan for his exhibit "A.E. Foringer Designs Used on
M. Cohen, "Keep Makin' Mine Macerated" the Canadian Bank of Commerce Notes"
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GLENN EL SMEDLEY
446 November/December 2004 • Whole No. 234 • PAPER MONEY
WHO WAS GLENN B. SMEDLEY? IF GEORGE WAITand others may be said to have been the "brains" of earlySPMC, Glenn B. Smedley was certainly the Society's heart andsoul at the beginning. It may truely be said of Glenn that
"those who knew him best loved him most." Or as the poet said of Lancelot:
"He was first among equals."
"He was first among eauals If
Who was
Glenn B. Sme diey
Florida designer's Chris Rideout's con-
ception for the face of the SPMC
"Founder's Award" would be a silver-
plate plaque having an obverse simi-
larity to the nation's first federal cur-
rency designs. The date of the
Society's founding August 18, 1961,
appears above the portrait at left,
while its date of incorporation in
Washington, DC appears at top flank-
ing the eagle and shield. The recipi-
ent's name and date of award would
be engraved at bottom center.
SPMC's Founder Glenn B. Smedley was born July 13, 1902, in Lincoln
Country -- Sangammon County, IL. He lived in Chicago, employed as an
engineer for Commonwealth Edison. Married (Glenn's wife was Florence) the
couple had three daughters. Glenn retired in 1964. He moved to Colorado
Springs in 1977, and devoted the remainder of his days to numismatics.
In Paper Money #123, George W. Wait acknowledged Glenn as the
Society's "Founder," and also that the other members of SPMC's Founding
Fathers desired Glenn to have Charter Membership #1 "since it was his origi-
nal idea, but he modestly declined." Instead Glenn modestly favored the first
President (Hank Bieciuk) and VP (Tom Bain) having the first two Charter
Membership numbers, and thus he became Charter Member #3.
The story of SPMC's genesis is thus: During the August 24-27, 1960,
period, Glenn Smedley hosted an informal luncheon meeting at Statler-Hilton
hotel during a Boston ANA convention, which laid the foundation for the
Society of Paper Money Collectors. Present at that meeting in addition to
Smedley were four other collectors, incl. Bieciuk, Jim Curto (reports differ,
Wait reports Criswell), Julian Blanchard, and Wait. All present agreed it
would be a good idea. All that is except ANA, which regarded the development
of specialty organizations derogatorily for decades as "splinter groups."
Years later Smedley, himself, reminisced about that meeting (perhaps
charitably since many others had claimed to have been there at the start). In
Glenn's conciliatory view "perhaps there were a dozen individuals present at
the Society's birth." That's the kind of leader Glenn was.
At any rate, the following year ANA's show was to be held in Atlanta, and
Smedley called for a follow up meeting for those who had attended the Boston
luncheon and others "from whom he had heard in the meantime."
Editor's Note: Last year at its Nov.
21, 2003, Board meeting, the SPMC
Board unanimously approved a
"Founder's Award" in the shape and
form of a silver medallion of a
"paper money" design as our
Society's highest honor, to be annu-
ally awarded according to criteria to
be developed. The board also
appropriated funds to hire a compe-
tent designer and solicit bids for
coining the medallion plaque(s).
Shown here are two face designs:
one antique and a second one con-
temporary, and one reverse design
to be used with whichever face
design is adopted.
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PAPER MONEY • November/December 2004 • Whole No. 234 447
"I shall never forget receiving an invitation from Blaise Dantone to a
party at his home the very evening the meeting was supposed to be held,"
Smedley reminisced. "he [Dantone} solved the problem simply: 'Invite all
your paper money collectors to the party and hold your meeting here.' We
did, and it was a never-to-be-forgotten evening."
Others who were there have weighed in on that evening, including
Grover Criswell, Dave Bowers and Matt Rothert. According to Bowers, "A
steering committee composed of H.R. (Hank) Bieciuk, chairman, Dr. Julian
Blanchard, James J. Curto, Eric P. Newman and Glenn B. Smedley, was
charged to launch the group, which it did."
Thus on August 18, 1961, SPMC was born. That's why our SPMC logo
reads "1961" at its base.
Wait again later recalled: "Glenn Smedley should really be considered
the "Father of SPMC" . . . we offered #1 to Glenn Smedley since it was his
original idea, but he modestly declined with the suggestion that the President
and Vice President should have first consideration."
Further, on May 15, 1964, the Society of Paper Money Collectors was
incorporated in Washington, D.C. by Glenn, Toni Bain and George Wait.
(That's why the old style Demand Note type of Founder's Medal design also
carries this date in addition to the 1961 date.)
Although Glenn declined the first membership number, he quickly took
charge of the Society's modest treasury assuring the Society would get off the
ground. Glenn served SPMC as Treasurer 1961-1965 and as its President
1969-1971. He was also a Governor 1964-1977, our Awards Chairman (1970)
and Nominating Chairman (1969).
On August 11, 1967, SPMC awarded its first Honorary Memberships.
We honored Glenn, Mrs. C. Elizabeth Osmun (D.C. Wismer's daughter who
had become involved in the Society) and Tom Bain.
Glenn was also very active in his local Chicago Coin Club and Central
States Numismatic Society. He was "one of the most diligent toilers in the .. .
field," according to Ed Reiter who knew Glenn well, and was frequently recog-
nized as the "first" among his equals (who at the time it might be remembered
included a heady group of collectors, such as Alden Scott Boyer, Henri Ripstra,
M. Vernon Sheldon, Harold Klein, Col. James Curtis, Harry X Boosel, Lee
Hewitt, and Richard S. Yeoman).
Smedley began writing for friend Lee Hewitt's Numismatic Scrapbook
Magazine in 1947, and in 1948 dared to ask the galvanizing question of numis-
matic legend: "Are coin prices too high?"
Fortunately for the organizations in which Smedley became involved,
Glenn was a "doer" not just a "talker," he served as:
• Chicago Coin Club Secretary (1950)
• CCC Literary Award (1958)
• CCC "Chatter" Editor
Editor's Note: Both face designs for
the SPMC "Founder's Award" are
iconic -- in other words they employ
emblems, legends, and features sym-
bolic of the Society's history, as well
as Society logos.
Further historical data also appears
on the single back design under con-
sideration.
Eventually, the Board will determine
what the design of the award should
be, but Paper Money readers can
help their elected officers make a
good choice for our Society. E-mail
or write the Editor with your views,
which will be passed on to Board
members for their deliberations.
The designer's alternate conception
for the face of the "Founder's Award"
would be a design imitative of current
U.S. currency. The date of the
Society's founding and the award's
date would appear to the left of the
large portrait; Society logos would
replace seals, and the recipient's name
would be engraved at lower right.
OCIETY OF PAPER .4\1 COLLECORS"
"is organized to promote, stimulate and advance the study, knowledge and
collection of paper money its branches along educational, historic and
scientific lines." Articles of Incorporation, Washington, I). C., May 15, 1964
I lank Bieciuk, James Curio, Glenn Smedley, Julian Blanchard, George Wait,
Bill Corbin, Brent Illighes, J. Roy Noma, Chet Krause, 1). Wayne Johnson
"a motion to ... create a Founders' Award as I hr. SPMC. highest award" was
approved unanimously. SPMC Board Meeting, St. Louis, Nov. 21, 2003
SPMI'
'N113ERS' A WA 1 )
448 November/December 2004 • Whole No. 234 • PAPER MONEY
The designer's conception for the
back of SPMC's "Founder's Award"
silver currency medallion includes our
Society's purpose as outlined in its
articles of incorporation, a listing of
the first 10 SPMC Charter Members
who co-created our organization with
Glenn Smedley, and a commemorative
authorization for the award passed by
SPMC Board Members, November 21,
2003.
• CCC's first Medal of Merit recipient 1955 (initial award 1 of 3)
• CCC First Vice President
• CCC President (1960)
• CCC first Richard McP. Cabeen Silver Award recipient for
excellence in exhibits (1968)
• Central States Numismatic Society Board Member
• CSNS's first Medal of Merit recipient 1953 (initial award 1 of 6)
Glenn was also very, very active on the national numismatic scene. His
association with ANA was synonymous for decades. He received:
• ANA Medal of Merit (1953)
• ANA Governor 1953-1957; 1967-1973
• ANA First Vice President (1957-1959)
• ANA Farran Zerbe Award (highest ANA honor) 1960
• Assistant Editor of The Numismatist 1959-1966
• Glenn also wrote a monthly column "Numismatic Vignettes" for
The Numismatist July 1960-1985
• In 1962 Smedley co-edited the ANA's Introduction to Numismatics
• In April 1966 Glenn B. Smedley became Editor of The Numismatist,
serving until February, 1967
• Glenn was named a Krause Publications "Numismatic Ambassador"
in 1974
• He received the Numismatic Literary Guild's highest award, its
"Clemmy Award" in 1980
• Ed Reiter wrote a feature, "Who's Who in the Hobby" about
Glenn, which appeared in Numismatic News (March 22, 1980 p. 7)
• Glenn was inducted into ANA's Hall Of Fame in 1982
• For many years until his death, he was ANA's Public Relations
Director, and was very active in organizing its annual conventions.
In recognition of Glenn Smedley's many contributions to ANA and the
hobby, that organization created its Glenn Smedley Memorial Award ("in
memory of Glenn B. Smedley -- a collector's collector") which recognizes indi-
viduals who have devoted his/her efforts to the betterment of the ANA.
Nominees must be involved in volunteer service to the ANA on either a local,
regional, or national level. Nominees also must exhibit a positive attitude,
strong communication skills, cooperation and dependability -- that's just the
kind of guy Glenn was!
Acknowledging those who demonstrate Glenn's energetic and coopera-
tive spirit, the ANA annually presents its Glenn Smedley Memorial Award
medal "for distinguished numismatic service." Last year's recipients, honored
at the World's Fair of Money® in Baltimore, were: Donald E. Bailey, Larry
Nakata, David Schenk►an, David Sklow, Allan Van Vliet, and Fred Weinberg.
Those honored this year in Pittsburgh were Donald Carlucci, Gordon
Donnell, Greg Hunt, David Lisot, Dwight and Sahar Manley, Thomas
PAPER MONEY • November/December 2004 • Whole No. 234
449
Rockwell, Arno Safran, and Radford Stearns.
On December 31, 1987, SPMC's Founder Glenn B. Smedley died in
Colorado Springs. The memorial writer in Paper Money, Gene Hessler
remarked poetically at that time: "Glenn was thorough and exact in what he
did. Because of this, perhaps, he chose the very last day of the year as the
appropriate time to leave us." His obituary appeared in The Numismatist
February 1988 pg. 344-345. "In Memoriam, Glen B. Smedley, " appears in
Paper Money (1988, vol. 27, whole number 135, p. 87.
On September 25-26, 1981, Bob Medlar sold the Glenn B. Smedley
paper money collection, incl. die proofs, specimen notes, vignettes and Glenn's
Illinois obsolete notes. At a posthumous sale September 13-14, 1988, Bowers
and Merena sold additional items from the Smedley collection.
Among Smedley's contributions to numismatic literature are:
• US75.S6 Smedley, Glenn B. "Landseer paintings used on paper
money." 61p. ill. Reprinted from Essay-Proofjournal, Spring, 1959.
• RM35.B7S6 Smedley, Glenn B. "The works of Victor David
Brenner, a descriptive listing. Colorado Springs, American Numismatic
Association, 1983. [44]p. ill. Reprint of the articles first published in The
Numismatist. Issues: July 1983, Aug. 1983 and Dec. 1984.
From the A/VINUMSOC library, we find Smedley wrote for Essay-Proof
Journal, The Numismatist, Paper Money, Numismatic Scrapbook Magazine and
Coin World on many paper money topics. True to his Illinois roots, he also was
considered THE expert on works of Victor D. Brenner based on the multi-part
catalog he published on the Lincoln cent's designer in The Numismatist.
From the Paper Money index, we note some of his diverse interests also
included: the Bank of America, the National Bank of Chester, PA, and paper
money designer Walter Shirlaw. In addition, Glenn contributed various book
reviews to our journal.
In sum, Glenn's portrayal on our Society's "Founder's Award" would
enoble SPMC as much as it would memorialize a decent, fine, dedicated and
exemplary Charter Member -- who also incidentally happened to be our
Society's prime mover and its FOUNDER. -- Fred Reed, Editor
ANA honors Paper Money and our SPMC authors
S PMC'S JOURNAL PAPER MONEY RECEIVEDsecond place in the Specialty Publications Category
at this year's annual American Numismatic Association
Outstanding Club Publications Contest held during
the association's summer convention at Pittsburgh.
First place in the specialty club category was
awarded to Casino Chip and Token News, a quality full
color 128-page periodical, published by the Casino
Chip and Gaming Token Collectors Club. That
group's membership tops 3,000. Its magazine is edited
by Allan Anderson.
Third place in Paper Money's category went to
Errorscope, published by the Combined Organizations
of Numismatic Error Collectors of America. Its publi-
cation is edited by Frank Leone.
The ANA presented awards in four categories.
Publications were judged in local, regional, specialty
and electronic categories. A full year's run of an orga-
nization's publications are judged on general appear-
ance, newsiness, composition, aptness of illustrations
and relative interest. Judges consider (1) general
appearance/appeal; (2) organization; (3) consistency of
format; (4) presentation of club news; (5) presentation
of numismatic/scholarly info; (6) aptness/quality of
illustrations; (7) originality/creativity.
First place in the electronic newsletter category
was awarded to longtime SPMC member Wayne
Homren's E-sylum, which is published by the
Numismatic Bibliomania Society. That Sunday night,
weekly e-zine has become a "must read" clearing house
of numismatic information and research. Incidentally,
Homren was General Chairman of the successful ANA
show. Information is available from Wayne at whom-
ren@coinlibrary.com . NBS also publishes a quality
journal, The A.sylum, edited by David Fanning.
The high quality of this year's entries attests to
the robust and vigorous research and publishing activi-
ties of many collector groups across the country.
Never before in the history of our hobby has the dis-
semination of information been quicker, broader or
more insightful than at present. Numismatics, like the
general world, is experiencing an information age. +
450
November/December 2004 • Whole No. 234 • PAPER MONEY
On This Date in Paper Money History -- Nov. 2004
By Fred Reed ©
Nov. 1
1923 Frank Duffield publishes "Obsolete Notes With Portrait of Lincoln" in The
Numismatist; 1924 Silent screen drama Tainted Money premieres; 1928 Last large size
currency backs printed; 1949 SPMC member Robert Moon born; 1962 SPMC member
Scott Claxton born; 1982 Variable-rate Savings Bonds introduced;
Nov. 2
1863 Earliest plate date found on Nationals appears on some Original Series and Series
of 1875 notes; 1887 European songstress Jenny Lind, who appears on obsolete notes,
dies; 1983 NASCA sells proof notes from estate of bank note engraver Abner Reed;
Nov. 3
1775 New Hampshire Colonial Currency (FR NH142-152); 1779 New Hampshire
delegates meet at Exeter to support credit of Continental Currency; 1852 Banknote
engraver William F. Ford dies; 1944 Minneapolis Fed Bank President Gary Stern born;
Nov. 4
1842 Collector/poet Thomas Collier born; 1870 Colonial paper money enthusiast
Joshua Cohen dies; 1879 Dayton, OH saloon owner Jacob Ritty patents the cash regis-
ter; 1945 SPMC member Lynn M. Kelley born; 1980 SPMC rejects grading standards;
Nov. 5
1870 Kidder NGB deposits additional bonds to secure circulation; 1953 Marilyn
Monroe stars as Loco Dempsey in How to Many a Millionaire; 1968 Last delivery of
Series 1966 $100 USN; 1984 Dealer Benjamin Stack dies;
Nov. 6
1796 Numismatic subject Empress the Great (Catherine II) dies; 1901 S.H. & H.
Chapman sell of C.S. Wilcox Collection; 1972 First delivery 1969C $10 FRNs; 1984
First delivery 1981A $100 FRNs; 2001 Fed lowers rates to lowest level in 40 years;
Nov. 7
1727 Connecticut Colonial Currency (FR CT13-16); 1918 House Banking and
Currency Committee approves consolidation of national banking associations; 1950
First delivery 1950 $10 FRNs; 1979 Novelist John Updike laments new "hundred-cent
piece" in New York Times: "Uncle Sam has done our dollar in;"
Nov. 8
1862 U.S. Depositary Enoch T. Carson explains to Cincinnati merchants tardiness in
issuing Postage Currency; 1863 Alexander Gardner takes photo of Lincoln engraved for
Series 1882 $500 Gold Certificate (FR 1216) by Charles Burt; 1930 Dealer-collector
Aubrey Bebee weds Adeline Dorsey; 1935 SPMC member Stanley W. Scieszka born;
Nov. 9
1865 Dealer William H. Strobridge joins ANS; 1950 Treasury announces first delivery
of Series 1950 $5 FRNs; 1942 SPMC member Robert McCabe born; 1994 J.S.G.
Boggs paper money exhibit opens at University of Pittsburgh;
Nov. 10
1711 South Carolina Colonial Currency (FR SCI4); 1853 Upham and Russell,
Menasha WI issue "Change Tickets;" 1914 National City Bank of New York opens first
foreign branch of any NB in Buenos Aires; 1971 Last delivery of Series 1969 $5 FRNs;
1988 Gene Hessler releases An Illustrated History of U.S. Loans;
Nov. 11
1862 Note issuer W. Elliot Wooward holds numismatic auction in Roxbury, MA; 1988
SPMC board okayed insertion of a membership brochure in BNR; 1992 Amended
International Monetary Fund articles of agreement effective;
Nov. 12
1881 Lincoln National Bank of City of New York organized; 1944 SPMC member Jim
Davis born; 1963 First delivery Series 1953C $5 SCs; 1980 SPMC adopts policy of pre-
payment for advertising in Paper Money;
Nov. 13
1862 Chicago printer S.S. Millar advertises printing round cardboard change checks;
1876 Treasury Secretary Lot Morrill authorizes employment of Daniel Chester French
as sculptor at $8/day; 1923 Hjalmar Horace Greeley Schacht named Commissioner of
National Currency to restore confidence in German currency;
Nov. 14
1814 Reformed Dutch Church, Montgomery County, NY issues scrip for 6- and 12
1/2-cents; 1873 Artist and engraver Raymond Ostrander Smith born; 1986 SPMC
Board votes to cosponsor St. Louis Paper Money Show;
Nov. 15
1734 NY Colonial Currency (FR NY88-9I); 1873 Continental Bank Note Co. com-
mences printing black charter number Original Series NBNs; 1934 Marriner S. Eccles
begins tenure as Fed Chairman; 1997 SPMC Board raises LM fee to $500;
Nov. 16
1861 CSA reaches $2 million limit on interest-bearing treasury notes; 1935 M-G-M
releases Hal Roach comedy Hot Money; 1985 Larry Adams reelected SPMC President;
2001 R.M. Smythe Strasburg sale held in St. Louis after being cancelled due to 9/11;
Nov. 17
1776 Massachusetts Colonial Currency (FR MA246-253); 1874 Confederate note fac-
siinilist Samuel C. Upham patents a Liberty Bell bottle for the Centennial; 1932 SPMC
member Robert Wagner born; 1954 SPMC member Roy T. Epperson born;
Nov. 18
1880 Baltimore Hard Times storecard issuer John L. Chapman dies; 1928 Disney
Dollar innovator, movie producer Walt Disney releases Steamboat Willie; 1941 U.S.
agrees to purchase Mexican silver to stabilize peso;
Nov. 19
1862 NYC stationer Leeds & Franklin sell card for mounting monetized postage
stamps; 1862 Ferd. Mayer advertises to print small change bills for merchants; 1960
Society of Medal, Token and Obsolete Paper Money (TAMS) organized;
Nov. 20
1811 Tennessee charters state bank at Knoxville; 1861 CSA Treasury incinerates nearly
80,000 sheets of Manouvrier $10s; 1874 Engraver Charles Tappan dies; 1919 End of
Teehee-Burke combined tenure; 2000 NYSE occupies 30 Broad Street trading floor;
Nov. 21
1921 SPMC member Howard Schein born; 1928 John Pole becomes Comptroller;
1938 SPMC member Arthur Cohen born; 1958 SPMC member Tony Edgeworth
born; 2003 SPMC Board approves Founder's Award as Society's highest honor;
Nov. 22
1862 Contractor Butler & Carpenter deliver first Certificate 25-cent revenue stamps;
1912 Beginning of Napier-Thompson combined tenure; 1964 Money and banking
author Arthur Nussbaum dies; 1982 SPMC starts New Member Recruitment program;
Nov. 23
1730 General William Moultrie, who appears on South Carolina notes, born; 1804
President Franklin Pierce, who appears on New Hampshire obsoletes, born; 1945 B.
Max Mehl sells a portion of W.A. Philpott's collection;
Nov. 24
1852 Treasury Secretary Walter Forward dies; 1924 Treasury Secretary Charles
Fairchild dies; 1971 D.B. Cooper parachutes from jet aircraft with $200,000 ransom;
Nov. 25
1862 James McCloud, Lodi, WI issues circular change checks for 50-cents; 1874
Greenback Party organized, advocating payment of national debt in greenbacks and
suppression of NBNs; 1919 Longtime paper money dealer Art Kagin born;
Nov. 26
1807 Tennessee charters Nashville Bank, first in state; 1862 Butler & Carpenter deliver
Bond 25c revenue stamps; 1864 National Currency Bureau's S.M. Clark submits report;
Nov. 27
1850 John Sloan takes office as U.S. Treasurer; 1932 SPMC member and dealer Lowell
C. Horwedel born; 1967 Last delivery of Series 1963 $5 USN; 2002 World's largest
wooden nickel (13' 4" diameter) featured in Ripley's Believe It or Noe;
Nov. 28
1717 New York Colonial Currency (FR NY39-49); 1939 SPMC member A.A.
Armstrong Jr. born; 1979 Camden Company becomes SPMC printer;
Nov. 29
1775 Continental Currency (FR CC11-18); 1945 First delivery of Series 1934B $20s;
1973 Hobby Protection Act becomes law; 1975 Dealer-author Maury Gould dies;
Nov. 30
1870 First National Bank chartered in California (FN Gold Bank San Francisco #1741);
1894 Georgia Governor Joseph E. Brown, who appears on state notes, dies; 1935
Bolender sells Alexander P. Wylie paper money collection Part 1
A CHOICE UNCIRCULATED 1913 $50
GOLD CERTIFICATE REALIZED $6,325
A CHOICE UNCIRCULATED 1899 $5
SILVER CERTIFICATE REALIZED $6,440
pence.
:nn
F1 herd by,
B. FRANKLIN,
D. HALL.
ZO
First National Bank-
eanoarazo--
AN UNCIRCULATED LAZY DEUCE ON
KANSAS, ILLINOIS REALIZED $7,475
A CHOICE UNCIRCULATED PENNSYLVANIA
SIXPENCE NOTE REALIZED $2,070
C
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l highh:clil. shown h. /elude the 15°, ,
ERICAN NUMISMATIC
PAPER MONEY • November/December 2004 • Whole No. 234 451
AMERICAN NUMISMATIC RARITIES'
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LEGAL TENDER NOTE REALIZED $4,370
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452
November/December 2004 • Whole No. 234 • PAPER MONEY
On This Date in Paper Money History -- Dec. 2004
By Fred Reed ©
Dec. 1
1724 Connecticut Colonial Currency (FR CT9-10); 1801 Thomas T. Tucker takes
office as U.S. Treasurer; 1861 North Carolina authorizes $3 million in state treasury
notes; 1873 Printed but unissued $10 National Bank Circulating Notes bear this date;
Dec. 2
1859 Ohio state senator Alfred Kelley, who appears on state bank notes, dies; 1897 End
of Tillman-Roberts combined tenure as Register and Treasurer; 1985 Last delivery of
Series 1981A $20 FRN; 2003 Dedication of Harry W. Bass Jr. Library at the ANS;
Dec. 3
1828 Register of Treasury Noah Lemuel Jeffries born; 1862 Contractor Butler &
Carpenter deliver first Certificate 5-cent revenue stamps to government; 1877
Confederate Registrar Robert Tyler dies;
Dec. 4
1795 Scottish-born historian/essayist Thomas Carlyle, who expounded Protestant work
ethic, born; 1869 Series 1869 $100 U.S. note (FR 168) depicting Lincoln debuts; 1871
Comptroller redeems all National Gold Bank Notes delivered to Kidder NGB, Boston
(charter #1699); 1935 Treasury Secretary Paul O'Neill born;
Dec. 5
1973 Last delivery 1969B $50 FRNs; 1939 SPMC member Dave Schlingman horn;
1998 ANS hosts open house at new 140 William Street Financial District building;
Dec. 6
1862 Missouri Governor C.F. Jackson, who appears on state notes, dies; 1926 Feature
film Money to Burn released; 1934 Last 1928A $100 FRNs; 1963 SPMC's "Paper
Money Page" debuts in Coin World; 2002 Treasury Secretary Paul O'Neill resigns;
Dec. 7
1862 Janesville, WI Merchants Association issues corporate scrip; 1872 First National
Bank chartered in South Dakota (FNB Yankton #2068); 1918 Union general and pub-
lisher James Oliver Amos dies; 1998 Thomas A. Ferguson takes office as BEP Director;
Dec. 8
1775 Pennsylvania Colonial Currency (FR PA193-196); 1954 First delivery of Series
1950A $100 FRN; 1960 Last delivery of Series 1950B $50 FRN;
Dec. 9
1862 Numismatic Society of Montreal, Canada's first coin club, formed; 1948
Allegorical artist Alonzo Foringer on whose paintings many bank note vignettes relied
dies; 2002 ANS Editor Dr. Marie H. Martin dies;
Dec. 10
1917 James Wilmeth becomes BEP Director; 1927 SPMC member Robert N. Eddy Jr.
born; 1950 SPMC member Carmine Tabacco born; 1977 J. Roy Pennell resigns as
SPMC Publisher;
Dec. 11
1755 Virginia Colonial Currency (FR VA2); 1942 SPMC member Evan Smith born;
1974 Last delivery of 1969C $50 FRNs; 1987 Oliver Stone film Wall Street debuts;
Dec. 12
1786 Statesman William L. Marcy (FR 346) born; 1805 Wells, Fargo & Co. co-
founder Henry Wells born; 1814 City of New Brunswick, NJ issues scrip for 12 112
cents; 1856 U.S. Treasurer Frank White born; 1940 SPMC member Jim McKee born;
Dec. 13
1864 Ex-Treasury Secretary Salmon P. Chase sworn in as Chief Justice; 1873
Comptroller of Currency receives Series 1873 $10 NBNs; 1916 EAC founder Herbert
A. Silberman born; 1973 Congress establishes Treasury Historical Association;
Dec. 14
1895 BEP Director Edward McPherson dies; 1962 Last delivery of Series 1950C $100
FRN; 1976 First Treasury Bills in book-entry form sold; 2001 European nations dis-
tribute "Eurokit" of coins prior to Jan. 1st legal tender date for the euros;
Dec. 15
1863 First National Bank organized in WV (FNB Parkersburg #180); 1886 First 'pil-
lion share day on NYSE; 1928 Last large size currency faces printed; 1938 SPMC
member R.G. Lanphear born; 1951 SPMC member Albert F. Kaminsky Jr. born;
Dec. 16
1923 SPMC Charter Member Chester Krause born;1946 Last delivery of Series 1934B
$5 SCs; 1983 SPMC President Adams appoints Roger Durand Membership Chairman;
Dec. 17
1860 Congress authorizes $10 million in interest-bearing TNs; 1898 Dealer William
Harvey Strobridge dies; 1972 Elizabeth Ashley stars in Your Money or Your Wife;
Dec. 18
1865 Ohio Governor Thomas Corwin, who appears on obsoletes, dies;1968 SPMC
member Christof Zellweger born; 1977 Harold Hauser becomes SPMC Publisher;
Dec. 19
1831 Mississippi charters Commercial & Railroad Bank of Vicksburg with note issuing
privileges; 1861 CSA authorizes $10 million in TNs to pay advances from the banks;
1911 CSA Treasury and currency scholar Raphael P. Thian dies; 1925 SPMC member
Bennett Nathanson born; 1974 SPMC member Joseph B. English dies;
Dec. 20
1862 North Carolina authorizes $4.5 million in state treasury notes; 1924 Joseph W.
McIntosh begins tenure as Comptroller of the Currency; 1962 Russ Rulau joins staff of
Coin World; 1963 Civil War Philatelic Society adds numismatic division; 2002 Currency
speculator George Soros convicted of insider trading in Paris courtroom;
Dec. 21
1820 Alabama charters Bank of the State of Alabama at Cahawba; 1907 Washington
dealer and columnist Ben Douglas born; 1909 NASCA chairman, banker and politician
George W. Ball born; 1951 SPMC member Jerry Fochtman born;
Dec. 22
1696 Colonizer James Oglethorpe, who appears on obsoletes, born; 1803 Union gener-
al Joseph Mansfield (FR 185a-g) born; 1885 Frossard sells author William Lee's
Confederate note collection; 1944 SPMC member Judy Matherne born; 1994 Bentsen-
Withrow tenure ends;
Dec. 23
1809 Mississippi charters Bank of Mississippi at Natchez; 1857 Congress authorizes
interest-bearing TNs; 1874 NYSE recommends stock certificates with engraved values
and differing colors to prevent fraud; 1964 Ian Fleming's Goldfinger in general release in
U.S.; 1986 PCDA invites SPMC to be cosponsor of St. Louis Paper Money Show;
Dec. 24
1824 John Trumbull's Washington Resigning His Commission appearing on First Charter
$1000 NBN backs (FR 465) purchased; 1861 CSA authorizes additional $50 million in
treasury notes, 1936 Paper money dealer, SPMC president Dean Oakes born;
Dec. 25
1642 Mint Master Sir Isaac Newton, who appears on Bank of England notes, born;
1862 Revenue Act permits use of postage stamps to pay revenue taxes on documents;
1933 SPMC member Noel Williams born;
Dec. 26
1814 NYC Council authorizes additional municipal fractional scrip; 1928 SPMC mem-
ber Joseph B. Noll born; 1973 Merriam-Webster reveals that its authoritative dictio-
nary recognizes terms exonumia and exonumist;
Dec. 27
1857 Numismatic Society of Philadelphia has first meeting; 1945 IMF articles of agree-
ment enter into force, Bank for Reconstruction and Development created;
Dec. 28
1789 Ohio Senator Thomas Ewing, who appears on Ohio obsoletes born, 1862 U.S.
Depositaries publish rules for redemption of soiled postage stamps used as small change;
1992 IRS advisory letter confirms SPMC's non-profit tax exempt corporate status;
Dec. 29
1862 H.A.Hallerman (Hanover, IL) issues scrip "under the law of necessity;" 1864 CSA
Congress extends note funding from Jan. 1 to July 1, 1865, ironically by then war was
over; 1983 SPMC President Larry Adams offers Gene Hessler Paper Money editorship;
Dec. 30
1865 BEP Director Louis A. Hill born; 2001 Colombia seizes $41 million in counter-
feit U.S. currency;
Dec. 31
1763 New Jersey Colonials (FR NJ152-160); 1840 Mississippi extends Bank of State of
Mississippi charter; 1915 Danish film Penge (a.k.a. Money) based on Emile Zola novel
debuts; 2000 Chase Manhattan Corp. and J.P. Morgan & Co. complete merger; +
RTSMOUTH B ANCH,PORTSMOUTH
71 1.),Z1Z
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Association, which Wolka helped co-found.
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PAPER MONEY • November/December 2004 • Whole No. 234 453
Ohio obsolete book a real
IT'S AMAZING WHAT A DEDICATED (AND
yes--obsessed) person can accomplish given suffi-
cient time, energy, and incentive. SPMC member
Wendell Wolka's argument in favor of that thesis is his
recently released tome A History of Nineteenth Century
Ohio Obsolete Bank Notes and Scrip (SPMC, 2004).
This book is Herculean. It is bulked up like an
athlete on steroids. There's nothing fake about this
book, however, everything about this most recent
addition to the Society's Wismer Series is superlative.
The "Tale of the Tape" provides ample evidence: It
weighs in at about a ton, and measures out at a hefty
1041 pages. The book has 6,938 entries, representing nearly
1,100 issuers from 315 different cities and hamlets across the
Buckeye State. Nine hundred excellent, clear illustrations
(including the reviewer's favorite: a Cleaveland (sic) note that
is pieced together with thread just like a Continental) appear
throughout the text.
Features include a history of banking in the state includ-
ing galleries of State Bank of Ohio, free stock banks, and inde-
pendent bank currency designs, rarities, values, and a great
deal of data about individual issuers. The book also includes a
very helpful biographical section devoted to individuals depict-
ed on the state's notes, and indicies of towns and issuers.
This is Wolka's second state obsolete note catalog. In
1978 he co-authored the Indiana book with fellow Hoosiers
Jack Vorhies and Don Schramm. This time he decided to "go
it alone" (with help of course of dozens of collectors/institu-
tional collections) trying to make the state's 2003 bicentennial
and the first state convention of the Ohio State Numismatic
"heavy-weight contender"
Coverage is all the more impressive then, when one con-
siders that most notes listed are rare or very rare and seldom
seen. "Once you get past the dirt common notes, you go right
to rare," the cataloger reports. "I kept a census for six years
and based the rarities on this data. I probably looked at 50,000
to 75,000 notes during that time period," Wolka added.
SPMC board member/paper money dealer Judith
Murphy commented: "I have seen first hand the amount of
research Wendell was willing to do ... including looking at an
awful lot of notes over a period of years."
Copies may be available from some paper money book
dealers or purchased from the author for a measly $66 (incl.
S&H) at P.O. Box 1211, Greenwood, IN 46142. Make
checks payable to SPMC.
No lightweight this. "I still look at the book and shake
my head. . . its a big 'un!" the author admitted. Indeed.
Afterall as some say, in boxing "size matters."
-- Fred Reed
95 South Federal Highway, 3 oca Raton, FL 33432
P.O. Box 177, Boca Raton, L 9-0177 (mailing)
(561) 368-7707 (in Forida) • (800) 327-5010 (outside Florida)
(800) 826-9713 (Florida) • (561) 394-6084 (Fax)
Members of FUN, CSNA, ANA and PNG
454 November/December 2004 • Whole No. 234 • PAPER MONEY
Confederate/Civil War Special Issue Preview
Even Circulated Notes
Have Stories to Tell
By Jason W. Bradford
WHEN THE SOUTHERNMOST SEVEN STATES OFthe Union seceded in late 1860 and early 1861 to form theConfederate States of America, the newly established countryquickly began issuing paper currency to pay for its rapidly
increasing military and administrative expenses. Initially these notes pledged
that the C.S.A. government would repay the amounts promised on these fiat
issues within 12 months of the end of the war, and presumably the Southern
patriots believed that this meant that the debts would be paid in gold in a short
period of time. While the old saying that "one Rebel could whip 10 Yankees"
was not likely taken seriously, many Southerners believed that a quick war
would result in a strong, independent Southern nation.
The initial currency issues from the Confederacy's capital at
Montgomery began auspiciously, with four different denominations including
Coming to Paper Money in January
Our 2nd Confederate/Civil War Special Issue
Ad Deadline: Nov. 21 or until ALL space is G 0 N E
$50s, $100s, $500s, and $1,000s, all printed by the National Bank Note
Company of New York. Only 1,606 pieces of each of the $50s and $100s were
originally issued, and the two higher denominations were represented by issues
of an even smaller number of 607 examples each.
The capital was moved to Richmond after the state of Virginia (and three
other states) seceded in April 1861, in a move that was designed to honor the
new Confederacy's most populous and strategically important state. While this
move had later consequences regarding the South's ability to wage an effective
war against the North, the move also meant that future issues of Confederate
currency would emanate from Richmond.
Beginning with the first Richmond issues of 1861, Confederate currency
would be issued in many different formats and designs in the following four
years. Today collectors are provided with 70 different recognized major design
types to collect, almost 600 minor varieties, and countless signature combina-
tions, plate letters, and other minute differences that present even the most fas-
tidious specialist with limitless collecting opportunities.
PAPER MONEY • November/December 2004 • Whole No. 234
455
New Hampshire Bank Notes Wanted
Also Ephemera
I am continuing a long-time study on currency issued by banks in
New Hampshire, including state-chartered banks 1792-1865, and
National Banks circa 1863-1935. Also I am studying colonial and
provincial notes.
I would like to purchase just about anything in colonial and provin-
cial notes, nearly everything in state-chartered notes, and items that
are scarce or rare among National Bank notes. I am not seeking bar-
gains, but I am willing to pay the going price. I will give an immedi-
ate decision on all items sent, and instant payment for all items pur-
chased.
Beyond that, I am very interested in ephemera including original
stock certificates for such banks, correspondence mentioning cur-
rency, bank ledgers, and more.
With co-author David M. Sundman and in cooperation with a special
scrip note project by Kevin Lafond, I am anticipating the production
of a book-length study of the subject, containing basic information
about currency, many illustrations including people, buildings, and
other items beyond the notes themselves, and much other informa-
tion which I hope will appeal to anyone interested in historical
details. All of this, of course, is very fascinating to me!
Dave Bowers
PO Box 539
Wolfeboro Falls, NH 03896-0539
E-mail: qdbarchive@metrocast.net
456 November/December 2004 • Whole No. 234 • PAPER MONEY
This $50 Montgomery note was one of
the first Confederate currency issues,
and one of only four design types issued
from the Alabama city before the
Confederate capital was moved to
Richmond, VA. Any Montgomery issue
Confederate note is a desirable addition
to a collection.
By far the most popular method of collecting Confederate currency is by
major design type. In addition to the 70 recognized major design types, there
are a few "unofficial" issues that are traditionally collected with the regular
Confederate issues. These include the two unofficial "Essay" notes, Criswell
Types 47 and 48, which are extremely rare in any grade. Although traditionally
collected along with the rest of the Confederate series, it is just as well that one
may consider a collection "complete" without them, as only a handful of these
two types may appear on the market in the span of a generation or so.
The regular Confederate notes form an inviting "collector" series with
many common issues available to those with even modest budgets. A nice $5
or $10 1864 issue can be found in decent condtion for as little as $25 or $30,
but several issues are tremendously rare in any condition. These notes are
attractive and historic. At their time of issue the fortunes of war and rampant
inflation severely curtailed their purchasing power, limiting their circulation,
and leaving lots of excellent examples available for collectors today.
Collectors can look for major
design types and other minute
differences that present even the
most fastidious specialist with
limitless collecting opportunities.
The rarest and perhaps most famous of all the recognized Confederate
design types is Criswell Type 35 (Grover C. Criswell, Jr., Confederate and
Southern States Currency), the famous "Indian Princess" note. Low grade exam-
ples (many literally in rags and falling apart) can be found with some patience,
however, notes from this issue in grades above Fine are incredibly difficult to
locate. Any given collector may only have a few opportunities to own such a
note in his or her lifetime.
The first four issues of the Confederate government from Montgomery,
Criswell Types 1-4, are also formidable rarities, and patience may be required
by the collector who wishes to find one of each in high circulated grades.
Other particularly difficult issues to locate include the Criswell Type 11
17":704, "
v. -0FONALItty,, 786
eaaarlinIa
PAPER MONEY • November/December 2004 • Whole No. 234
457
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United States currency rarity. We can sell all of your notes!
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and Small Size Currency... National Bank Notes... Error Notes...
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Notes and scarce Foreign Bank Notes. We offer:
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Mail notes to:
Lyn Knight Currency Auctions
P.O. Box 7364, Overland Park, KS 66207-0364
We strongly recommend that you send your material via USPS Registered
Mail insured for its full value. Prior to mailing material, please make a
complete listing, including photocopies of the note(s), for your records.
We will acknowledge receipt of your material upon its arrival.
If you have a question about currency, call Lyn Knight.
He looks forward to assisting you.
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Currency Auctions
P.O. Box 7364, Overland Park, KS 66207 • 800-243-5211 • 913-338-3779 • Fax 913-338-4754
Email: lyn@lynknight.com • support@lynknight.com
www.lynknight.com
458 November/December 2004 • Whole No. 234 • PAPER
$5 note with Liberty seated beside an eagle in the center; the Type 12 $5 note
printed by J. Manouvrier of New Orleans; the Type 15 $50 issue with a steam
locomotive vignette; and the Type 27 $10 note with Liberty seated with an
eagle at the left of the note. Several other types are scarce, some usually only
available in low grades.
In addition to type collectors, some form sets that feature vignettes of
prominent individuals. While numerous vignettes were used on C.S.A. curren-
cy, including subjects that perhaps had nothing to do with the South or were
used on other ante-bellum private bank issues, many Southern heroes and gov-
ernment officials were honored on Confederate currency. While at first
thought he might be considered an odd choice to represent the Confederacy,
U.S. President George Washington was featured on four different issues
(Criswell Types 6, 7, 8, and 31). It must be remembered, however, that
Washington was a son of Virginia, and the Southern revolutionaries believed
that their struggle was akin to that of the infant United States against the
British Empire in the previous century.
Another Southern born U.S. president, Andrew Jackson of Tennessee,
was honored on the only Confederate $1,000 issue (Type 1). This choice
seems even more intriguing given the fact that his portrait is paired with the
Southern ideologue John C. Calhoun of South Carolina on this note, with
whom Jackson had a vehement political disagreement over the Tariff
Nullification Acts of 1833, a situation that nearly led to the secession of the
state of South Carolina some twenty-seven years earlier. Calhoun, the ardent
champion of Southern interests in the Senate and the ideological forefather of
the doctrine of States Rights that was held by many Southerners, also appears
on the 1862 $100 issue (Type 41).
Several Confederate government officials also appeared on C.S.A. cur-
rency issues, a practice that was similar to that of the United States during the
same time period.
• Vying for the most prolific appearances on Confederate currency are
Secretary of State R.M.T. Hunter with eight appearances (Types 24,
25, 26, 30, 46, 52, 59, and 68); and
• Secretary of the Treasury C.G. Memminger who also appeared on eight
different issues (Types 25, 26, 33, 34, 37, 53, 60, and 69). Hunter and
Memminger also appear on two notes (Types 25 and 26) together. If
however, the two "Essay" notes of 1862 (Types 47 and 48) are includ-
ed, Hunter gains two more appearances to reach a total of 10.
• Portraits of Confederate President Jefferson Davis, who hailed from
Mississippi, appear on six different issues, including four $50 notes
(Criswell Types 16, 50, 57, and 66) and two 50-cent issues (Types 63
and 72).
• Judah P. Benjamin, who served in various government posts including
Attorney General, Secretary of War, and Secretary of State, also
appears on six Confederate $2 notes (Types 38, 42, 43, 54, 61, and 70).
• C.S.A. Vice President Alexander H. Stephens of Georgia appears on five
issues (Types 20, 21, 51, 58, and 67).
• Lucy Holcombe Pickens, the wife of South Carolina Governor Francis
Winkinson Pickens, appears on five different C.S.A. issues, including
two $1 issues of 1862 (Types 44 and 45) and three $100 notes (Types
49, 56, and 65). Pickens was the only woman to grace the designs of
Confederate currency, and was chosen because of her graceful physical
and social attributes, not particularly as a personal honor but more as a
nod to the qualities of all Southern women who gave up much and suf-
fered much during the Southern struggle for independence.
• George Wythe Randolph, C.S.A. Secretary of War in 1862, is pictured on
three $100 notes (Types 49, 56, and 65).
Antique Currency, LLC
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Wareham Mass. Bank 1860's
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Dennis Coughlin
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wautomaboy@comcast.net
PAPER MONEY • November/December 2004 • Whole No. 234 439
Memphis Coin Club's
29th INTERNATIONAL
PAPER MONEY SHOW
June 17, 18, & 19, 2005
Cook Convention Center
255 N. Main St., Memphis, TN 38103-1623
Convention Hotel: MEMPHIS MARRIOTT DOWNTOWN
250 N. Main St., Memphis TN 38103, 901-527-7300
Paper Money Auction by R. M. SMYTHE & CO
2 Rector St., 12th Floor, New York, NY 10006-1844
1-800-622-1880
For information write: Mike Crabb, Show Chairman
P. 0. Box 17871, Memphis TN 38187-0871, 901-757-2515
Email: macjr1998@yahoo.com
For Exhibit information write: Martin Delger, Exhibit Chairman
9677 Paw Paw Lake Dr., Mattawan, MI 49071, 269-658-4234 czal
Delger's phone # was incorrect in the S/0 issue. It is correct above
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460 November/December 2004 • Whole No. 234 • PAPER MONEY
• Alabama Senator Clement C. Clay also appears on three $1 issues (Types
55, 62, and 71).
• Virtually unknown John E. Ward, a Southern diplomat who also served as
the U.S. Minister to China during the Buchanan administration,
appears on a single $10 issue (Type 23).
The Indian Princess note is considered
one of the rarest and most desirable
Confederate issues. Most known exam-
ples are heavily circulated or damaged
to one degree or another.
• Another intriguing figure who also appeared on Confederate currency
was the Reverend Alfred L. Elwyn, whose portrait as an infant appears
on an 1861 $10 issue (Criswell Type 24). The vignette was selected
unknowingly as simply a vignette of a child; it certainly would not have
purposely been chosen if it had been known at the time that the por-
trait was of Elwyn—who was a noted Philadelphia abolitionist!
• General Francis Marion of South Carolina, the famous "Swamp Fox" of
the Revolutionary War, appears on an 1861 $10 note (Type 30) as part
of the famous "Sweet Potato Dinner" vignette.
• And finally, we should not forget Major General Thomas Jonathan
"Stonewall" Jackson, whose fierce fighting spirit and military genius
were (and still are) admired by Southerners and Northerners alike.
Jackson appeared on the 1864 $500 note (Criswell Type 64), and was
the only Confederate General to be honored on currency issues by the
Confederate government.
Jackson died of pneumonia on May 10, 1863, weakened after being
wounded by "friendly fire" during the final stages of the Battle of
Chancellorsville on May 2, 1863, a battle that ironically was perhaps his great-
est military victory. When Jackson died, the South lost an able leader and dar-
ing military mind. General Robert E. Lee was quoted as saying that when
Jackson was shot, "He has lost his left arm; but I have lost my right arm."
Indeed, some historians believe that the outcome of the Civil War might have
been different had Jackson lived on to fight the rest of the war.
The Confederate States of America disintegrated after the surrender of
the Army of Northern Virginia in April, 1865. Collectors today can remember
this tragic era through the diverse issues of currency that were left behind by
this ephemeral government. While the causes and merits of the movement for
Southern independence and the ensuing Civil War have been debated for gen-
erations, Southerners and Northerners alike relish the opportunity to collect
these important reminders of the fragile economy of the Confederacy. For
Southerners, they are a tangible reminder of a past that is checkered by dark
failures and misconceptions, but also to a heritage that can be preserved
through remembering the legacy of our ancestors.
PAPER MONEY • November/December 2004 • Whole No. 234
461
CHECK THE "GREENSHEET"
GET 10 OFFERS
THEN CALL ME (OR WRITE)
FOR MY TOP BUYING PRICES
The Kagin name appears more often than any other
in the pedigrees of the rarest and scarcest notes
(U.S. Paper Money Records by Gengerke)
BUY ALL U.S. CURRENCY Good to Gem Unc.
I know rarity (have handled over 95% of U.S. in Friedberg)
and condition (pay over "ask" for some) and am prepared
to "reach" for it. Premium Prices Paid For Nationals
(Pay 2-3 times "book" prices for some)
BUY EVERYTHING: Uncut Sheets, Errors, Stars,
Special Numbers, etc.
Pay Cash (no waiting) - No Deal Too Large
I can't sell what I don't have
A.M. ("Art") KAGIN
505 Fifth Avenue, Suite 1001
Des Moines, Iowa 50309-2316 (515) 243-7363 Fax: (515) 288-8681
At 85 It's Still Time - Currency & Coin Dealer Over 50 Years
I attend about 15 Currency-Coin Shows per year
Visit Most States (Call, Fax or Write for Appointment)
Collector Since 1928
Professional Since 1933
Founding Member PNG, President 1963-64
ANA Life Member 103, Governor 1983-87
ANA 50-Year Gold Medal Recipient 1988
ThrliiiY '/T.rIhfirMce7«h`rirrt171,Arrfiffra,-;- feartpida 0(007603tRATIC 14TATIOI k TRE Y.:vrna) tetvnts.
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I
462 November/December 2004 • Whole No. 234 • PAPER MONEY
Major General Thomas Jonathan
"Stonewall" Jackson was honored on
this $500 note that was issued in 1864,
a year after his untimely death follow-
ing his victory at the battle of
Chancellorsville.
One notable Southerner, who, despite his absence on Confederate cur-
rency, perhaps remains the most visible historical figure of the South and the
Confederacy, was General Robert E. Lee. A story is told of a Communion
Sunday service at an Episcopal Church in Richmond only a couple of months
after the end of the Civil War. Prior to the emancipation of the slaves, it was
customary for black slaves and free blacks to sit in the balcony and receive com-
munion only after all of the whites had been served. At this particular service,
the white communicants were shocked when an elderly black man stepped for-
ward at the beginning of the service, before any whites had been served, to be
given the cup and bread by the presiding minister.
The minister and the white members of the congregation were visibly
distressed, and a nervous stillness pervaded the church. The silence was broken
when a gray haired white gentleman stepped forward out of his pew, walked to
the front rail, and knelt beside the black gentleman to receive communion. By
this simple gesture, this man gave an example to all Southerners that their
world had changed, and that they should accept it gracefully. He was, of
course, well known to all the communicants—it was none other than their
beloved leader Lee, himself.
Unfortunately, it was a lesson that would take many others more than a
century to learn. However, the horrors of slavery, and the disastrous conse-
quences of the Civil War cannot take away the fact that the history of the
Confederacy should be studied and cherished. The South may not have "risen
again," but Southerners (and all Americans from other regions of this country)
should never forget their history. Confederate currency remains one of the
most tangible reminders of this heritage, and we collectors are blessed to have
such a rich and diverse area to study and preserve for future generations.
Bibliography:
Criswell, Grover C., Jr. Confederate and Southern States Currency. 2nd revised
edition. Citra, FL: Criswell's and Criswell's Publications (1976).
Davis, Burke. They Called Him Stonewall. Short Hills, NJ: Burford Books,
(1999).
Freeman, Douglas Southall. Lee's Lieutenants. A one-volume abridgement by
Stephen W. Sears. New York: Scribner's (1998).
Friedberg, Arthur L. and Ira S. Friedberg. Paper Money of the United States.
16th edition. Clifton, NJ: The Coin & Currency Institute, Inc. (2001).
Kestenbaum, Lawrence. www.PoliticalGraveyard.com , Ann Arbor, MI (2001).
Texas State Historical Association. "The Handbook of Texas Online,"
www.tsha.utexas.edu/handbook/online, Austin, TX (2001).
Winik, Jay. April 1865: The Month that Saved America. New York:
HarperCollins Publishers, Inc. (2001)
ALI 1? .ityEit 11
Notes
-,,41t IL
By Dave Bowers
0k.
PAPER MONEY • November/December 2004 • Whole No. 234 463
Yes, Virginia, "Santa" Had Problems
(or at least the issuer of such bills did)
lip Y ANY ACCOUNTING ONE OF THE MOST
attractive motifs on obsolete currency is Santa Claus and
his reindeer. At least a couple of variations exist, one of which
was used with effectiveness on many notes issued by the White
Mountain Bank in Lancaster, NH. There are but two varia-
tions of the White Mountain Bank Santa Claus notes known
to me, one with a red overprint and the other with green,
Christmas colors purely by coincidence, I imagine. These bills
were produced from the mid-1850s through the early 1860s,
with those after about 1858 having the monogram ABCo (for
American Bank Note Company) as part of the motif.
In the annals of state chartered banks in New Hampshire
and elsewhere, quite a few were what examiners called "family
banks," largely owned or controlled by a tightly knit group
related by blood. Such
was the case with the
White Mountain Bank,
chartered on January 1,
1849, for $50,000. In
keeping with current
regulations of the state,
currency circulation was
permitted to the actual
value of the paid in stock,
and all bills were
required to be personally
signed by the president and countersigned by the cashier.
Named as the founding cashier was George C. Williams,
a prominent local citizen and son of Jared W. Williams, a
wealthy man who in 1847-1849 had served with distinction as
governor of the state. George was also an 1844 graduate of
Dartmouth College, a former member of the state legislature,
grand master of the Independent Orders of Odd Fellows for
the entire state of New Hampshire, and a prominent Free
Mason. From the outset, business was transacted in a satisfac-
tory manner by Williams. In this and many other places, the
cashier was, to adapt a pun, a "one-man bank," a person who
was often the only full-time employee, in charge of making
loans, cashing checks, issuing paper money, collecting debts,
sweeping the floor, and locking the door in the evening.
For the Williams family and White Mountain Bank prof-
its mounted, and dividends were paid. All was well. In 1857 or
1858, former governor Jared W. Williams became president of
the bank, joining his cashier son as a signatory on the curren-
cy. A pretty picture this was—highly esteemed father Jared
and faithful son George conducting an institution which took
care of most of the finances of the Lancaster district.
In spring 1859 state bank examiner Daniel P. Wheeler
visited Lancaster and was perturbed that $1,672 was overdue
in the loan portfolio. Sometimes good customers were slow in
paying, cashier Williams assured him, and there was no prob-
lem. In fact, only $500 was considered to be "bad," the cashier
attested. Profits had been accumulating in the meantime, and
in the past year 8% in dividends had been paid out. However,
in his confidential report Wheeler raised some questions.
The next year another auditor found more than $26,000
in problem loans, or more than a third of the entire portfolio
loans outstanding. By not charging off more loans to the loss
column, cashier George C. Williams was able to book quite
handsome "profits" for the bank, with dividends to sharehold-
ers (read, the Williams family) continuing at 8% in the most
recent year. Just $500 in loans was actually "bad," Williams
again stated. At that time $51,015 in signed bills existed, and
of this amount $39,100 were in circulation. There was a Santa
Claus in Lancaster, in fact, thousands of them, each on a $2
bill, this denomination being very popular.
On March 19, 1861, examiner Wheeler was once again
back in Lancaster, and found that the questionable loans,
instead of being decreased as recommended earlier, had actu-
ally increased. At this time, although a bank auditor might be
concerned, he had no police powers and could only make rec-
ommendations. Besides, in Lancaster he was up against the
formidable specter of a former governor of the state being
bank president and his son George, being one of the town's
most admired citizens, involved in many civic activities. The
bank's business continued to hum merrily onward.
By the examina-
tion of March 24,
1863, the records
showed that since the
bank had been found-
ed, some $98,000 in
bills had been print-
ed, and at the time
there were $47,793 in
circulation. The
cy" tileee; pesky loan portfolio
had not improved,
and now loans ranging from overdue to downright uncol-
lectible, many of them quite old, totaled $39,500, or 55% of
the loan portfolio. Obviously, things were going from bad to
worse, but there was nothing that the examiner could do
except, once again, to make recommendations.
In the meantime cashier George C. Williams had a side
business of his own, issuing scrip notes of values less than $1,
each redeemable in "current bank bills," but with no mention
of the White Mountain Bank, nor was there any record the
bank was involved. Similar to the bank-issued bills, each of
Williams' little scrip bills represented 100% profit if it was
paid out into circulation and not redeemed.
When Jared Williams died, the new president, William
Burns, found some surprises, to say the least. A subsequent
investigation revealed that Williams had an "overissue of
$53,000 in notes," not on the bank's records! Apparently these
were ordered from the American Bank Note Company, New
York, by Williams (as cashiers placed such orders), paid for by
him, but not revealed to anyone else! Perhaps that is why
today in 2004 the Santa Claus notes are not rarities.
The bank went into receivership, and was liquidated.
A Primer for Collectors
BY GENE HESSLER
November/December 2004 • Whole No. 234 • PAPER MONEY464
Some American Inventors
on Paper Money
oN THE BANK NOTES THAT CIRCULATEDin America in the 19th and 20th century, men and
women outside politics were recognized; some inventors
were among them. The portraits of Robert Fulton (1765-
1815) and Samuel F.B. Morse (1791-1872) appear on the
same note -- the back of the 1896 $2 Silver Certificate.
Fulton's portrait was engraved by Charles Burt. Engineer
and inventor Fulton launched his steamboat Clermont
190+ years ago in 1807. Many are unaware that this
American inventor was also a recognized painter.
The Charles
Schlecht engraving
of Morse is based
on a painting by
Benjamin West.
Morse is known for
his invention of the
electric telegraph.
As Fulton, Morse
was also an accom-
plished painter. A
Yale graduate and
a professor at New
York University, Morse was a founder of and served as the
first president of the National Academy of Design.
Considerably less expensive than the $2 Silver
Certificate with the portraits of Fulton and Morse is a
Bureau of Engraving and Printing souvenir card at less
than $10. As I have written on a few occasions, one can
enjoy the same engraved images on souvenir cards for
much less money than the actual note. Another portrait
of Fulton is on the $1 to $100 notes from the Fulton
Bank, New York (Haxby NY-1620).
Thomas Jefferson (1743-1826), in my opinion, was a
genius. His eclectic interests included architecture,
astronomy, agriculture and music. Monticello, the home
Jefferson built in Virginia, is replete with his inventions.
In addition to Series 1918 $2 Federal Reserve Bank
Notes, 5- and 25-cent Fractional Currency notes, a por-
trait of Jefferson can be found on some U.S. obsolete
notes including the International Bank, Washington, DC,
$5 and The Mechanics Bank, New Haven, CT $50 (CT-
280, G80).
Outside of 25- and 50-cent Postage Currency which
reproduces Civil War era postage stamps and $5 Abraham
Lincoln notes which display the Lincoln Memorial on
their backs, the Bicentennial $2 FRN, which has the por-
trait of Jefferson on its face and the signing of the
Declaration of Independence on its back, is the only one to
display an individual twice on one piece of U.S. paper
money. His portrait is on the face of Series 1976 and
1995 $2 notes, and also on the back as a member of
Congress as they assembled for the historic signing.
In 1831 Cyrus H. McCormick (1809-1884) invented
the reaper that bears his name. In 1847, with his brother,
he established a plant in Chicago; they were the most
extensive manufactures of harvesters in the world.
Although born in Virginia, a portrait of McCormick was
placed on the Citizens Bank of Louisiana, New Orleans,
(LA-15, $1, G2 & G4 and $5, G14a).
Most coin collectors recognize the name David
Rittenhouse (1732-1796) as a director of the U.S. Mint
from 1792-1795. Rittenhouse was a professor of
Astronomy at the University of Pennsylvania. Among his
inventions was the introduction of cross hairs on the focus
plane of transit instruments.
A Rittenhouse portrait is one of six on The Bank of
the United States, Philadelphia, US-3, $5 to $3000. The
others are
William Penn,
Thomas Paine,
Robert Fulton,
Benjamin
Franklin and
Robert Morris.
A reproduction
of the $1000
denomination
plagues paper
money dealers.
This copy, on
pseudo parchment-like paper, is most often used as a pro-
motional piece. These reproductions, bearing the infa-
mous serial number 8894, have no value.
Samuel Slater (1768-1835), engineer and inventor,
was born in England. In 1789 he decided to take his tal-
ent to America. After working for other manufacturing
firms in Rhode Island, he established the first spinning
factory in America in 1798. Slater also built mills in
Massachusetts. The textile mills that once dominated
New England owe their origin to Slater. A small portrait
appears on The Slater Bank (RI-205, $2, G4a and $10,
G8a).
The catalog numbers refer to James Haxby's monu-
mental four volume Standard Catalog of United States
Obsolete Bank Notes 1782-1866.
(Copyright story reprinted by permission
from Coin World April, 1997)
PAPER MONEY • November/December 2004 • Whole No. 234 465
BUYING AND SELLING
PAPER MONEY
U.S., All types
Thousands of Nationals, Large and
Small, Silver Certificates, U.S. Notes,
Gold Certificates, Treasury Notes,
Federal Reserve Notes, Fractional,
Continental, Colonial, Obsoletes,
Depression Scrip, Checks, Stocks, etc.
Foreign Notes from over 250 Countries
Paper Money Books and Supplies
Send us your Want List . . . or ..
Ship your material for a fair offer
LOWELL C. HORWEDEL
P.O. BOX 2395
WEST LAFAYETTE, IN 47996
SPMC #2907 (765) 583-2748 ANA LM #1503
Fax: (765) 583-4584 e-mail: lhorwedel@insightbb.com
website: horwedelscurrency.com
r
Always Wanted
Monmouth County, New Jersey
Obsoletes - Nationals - Scrip
Histories and Memorabilia
Allenhurst - Allentown - Ashuly Park - Atlantic Highlands - Belmar
Bradley Beach - Eatontown - Englishtown - Freehold - Howell
Keansburg - Keyport - Long Branch - Manasquan - Matawan
Middletown - Ocean Grove - Red Bank - Sea Bright - Spring Lake
N.B. Buckman
P.O. Box 608, Ocean Grove, NJ 07756
800-533-6163 Fax: 732-282-2525
NBUCKMAN@OPTONLINE.NET
WANTED!
Information on W.L. Ormsby and the New York Bank Note Company circa
the 1840s-1860s, personal information about Ormsby, examples of his
paper money (will buy the bills or would be delighted to correspond and
receive copies, and anything else).
I am planning to do a monograph on Ormsby.
Dave Bowers
P.O. Box 539 Wolleboro Falls, NH 03896
Qdbarchiye@metrocastnet
Buying & Selling
All Choice to Gem CU Fractional Currency
Paying Over Bid
Please Call:
916-687-7219
ROB'S COINS & CURRENCY
P.O. Box 303
Wilton, CA 95693
466 November/December 2004 • Whole No. 234 • PAPER MONEY
Annual Index to
Paper Money (#s 229-234)
Compiled by George Tremmel
Yr. Vol. No. Pg. Yr. Vol. No. Pg.
Abramson, Mike.
Collecting Paper Money "By the Numbers", illus.
ADVERTISING CURRENCY.
Wanted! Dry Buffalo Bones, Ronald Horstman, illus.
Allen, Harold Don.
A High-Tech Top Value Canada's New $100.00, illus
Notes from North of the Border:
A Brief Survey of Global Monies, New Challenges, illus.
Hone Your Collecting Instincts, illus.
Mini-collection, illus.
AUTOGRAPHED CURRENCY.
"In 55 Years You Can Assemble A Unique
Paper Money Collection", Al Munro, illus.
BANKS, BANKERS AND BANKING.
A Denton County NB Photo, illus.
A History of the National Banks of Troy, New York,
Thomas Minerley & Robert Moon, illus.
Bank Note Portraiture: The Ohio Experience,
Wendell Wolka, illus.
Carrie McBride, National Bank President,
Karl Sanford Kabelac, illus.
Elizabeth Lucas, National Bank President,
Karl Sanford Kabelac, illus.
Henry Well's Bank: The First National Bank of
Aurora, NY, Karl Sanford Kabelac, illus
Saratoga's Banks of Scoundrels, Tom Minerley illus.
Some History and Comments on the Merchants
and Planters Bank, Gary Hacker, illus.
The First National Bank of Edinboro, Pennsylvania,
Hal Russell Blount, illus.
"Wish You Were Here" Banks Depicted on Postcards,
Dave Bowers, illus.
Yes, Virginia, "Santa" Had Problems (or at least
the issuer of such bills did), Dave Bowers, illus.
Benice, Ronald J.
J.R. Powell's Multi-State Notes, illus.
Blount, Hal Russell.
First National Bank of Edinboro, Pennsylvania, illus.
Bolin, Benny.
Fractional Currency Manuscript Notes, illus.
Bowers, Dave.
Interest Bearing Notes:
Getting Rid of Paper Money, illus.
"Wish You Were Here" Banks Depicted on Postcards, illus.
Yes, Virginia, "Santa" Had Problems (or at least
the issuer of such bills did), illus.
Bowers, Q. David.
Waterman Lily Ormsby, Idealist, illus
Bradford, Jason.
Even Circulated Notes Have Stories to Tell, illus.
Clark, Frank.
About Texas Mostly:
A Denton County NB Photo, illus.
Looking Back: The Day They Opened the Money
Plant's Doors, illus.
Cochran, Bob.
Additions to Alabama Obsolete Notes & Scrip, illus.
Cohen, Howard E.
The "Broke" in Broken Bank
COLLECTING.
Collecting Paper Money "By the Numbers",
Mike Abramson, illus.
Even Circulated Notes Have Stories to Tell,
Jason Bradford, illus.
Hone Your Collecting Instincts, Harold Don Allen, illus.
"In 55 Years You Can Assemble A Unique Paper
Money Collection", Al Munro, illus.
Mini-collection, Ilarold Don Allen, illus.
Tippecanoe & an Indian's Curse or Two:
Collecting PaperMoney Depicting Assassinated
U.S. Presidents, John Glynn, illus.
Why Not Try Assembling a 5100 Small
04 43 230 113 Size Type Set?, William J. Lonergan, illus. 04
COLLEGE CURRENCY.
04 43 232 298 J.H. Sullivan Prospers from His Education,
Jeff Sullivan, illus 04
04 43 234 425 CONFEDERATE AND SOUTHERN STATES CURRENCY.
Blockade Runners of the Confederacy,
04 43 234 474 Austin Sheheen, illus. 04
04 43 230 151 Even Circulated Notes Have Stories to Tell,
04 43 232 313 Jason Bradford, illus. 04
COUNTERFEIT, ALTERED & SPURIOUS NOTES.
04 43 233 338 Some Unusual Fraudulent Obsolete Paper Money,
Bob Schreiner, illus. 04
Daniel, Forrest W.
04 43 232 297 WW I Liberty Theaters Smi'cage Books, illus. 04
04 43 231 163 Deerderf, Leslie.
Mascerated Currency Follow-up: Shredding Popular, illus. 04
04 43 229 3 ENGRAVERS & ENGRAVING AND PRINTING.
A Private Recognition, David Gladfelter, illus 04
BEP Research Revels 19th Century Variants
04 43 230 92 "Greenbacks That Never Were", Michael Scalia, illus. 04
Caught in the Act of Changing Signatures,
04 43 232 304 Peter Huntoon, illus. 04
Facing Future: New Museum Graces Western
04 43 231 204 Currency Facility, Bob Korver, illus. 04
04 43 232 255 How 12-Subject Plates Were Made & Why $5
Micro Back Plates Were Saved, Peter Huntoon, illus. 04
04 43 232 245 Intended Back Design for 1st U.S. Small-Size Notes,
Gene Hessler, illus. 04
04 43 231 218 Looking Back: The Day They Opened the Money
Plant's Doors, Frank Clark, illus. 04
04 43 230 152 More Musicians on Bank Notes, Gene Hessler, illus. 04
Some American Inventors on Paper Money,
04 43 234 463 Gene Hessler, illus. 04
Waterman Lily Ormsby, Idealist, Q. David Bowers, illus. 04
04 43 230 85 You are there: SPMC members witness BEP history
spanning 15 years Looking Back: The BEP's Western
04 43 231 218 Currency Facility Promised Diversity, Fred Reed, illus. 04
FRACTIONAL CURRENCY.
04 43 230 96 Fractional Currency Manuscript Notes, Benny Bolin, illus.
04
Private Fractional Scrip — Mavericks & Other
Idiosyncrasies, Wendell Wolka, illus. 04
04 43 232 286 Gladfelter, David.
04 43 230 152 A Private Recognition, inns 04
Glynn, Johns.
04 43 234 463 Tippecanoe & an Indian's Curse or Two: Collecting Paper
Money Depicting Assassinated U.S. Presidents, illus. 04
04 43 232 288 Hacker, Gary.
Some History and Confluents on the Merchants and
04 43 234 454 Planters Bank, illus. 04
Hessler, Gene.
Intended Back Design For 1st U.S. Small-Size Notes, illus. 04
04 43 232 297 The Buck Starts Here:
More Musicians on Bank Notes, illus.
04
04 43 233 364
Some American Inventors on Paper Money, illus.
04
The Smallest (Note-issuing) Countries, illus. 04
04 43 229 54 Horstman, Ronald.
Wanted! Dry Buffalo Bones, illus. 04
04 43 229 31 Huntoon, Peter.
The Paper Column:
A Floating Transfer of Charter Number, illus. 04
04 43 230 113 A Series of 1902 Vice President Note, Fairmont, WV, illus 04
Caught in the Act of Changing Signatures, illus.
04
04 43 234 454 Department of Redundant Duplication, illus. 04
04 43 230 151 District of ColumbiaNational Bank Note Tie In, illus. 04
How 12-Subject Plates Were Made & Why $5
04 43 233 338 Micro Back Places Were Saved, illus.
04
04 43 232 313 Invasion & Occupation Notes, North African
Yellow Seals, illus 04
Oklahoma Was Too Uncivilized to Uncivilized to Host
04 43 234 414 a National Bank, illus.
04
43 233 384
43 229 32
43 230 136
43 234 454
43 229 48
43 229 60
43 230 93
43 229 28
43 234 402
43 234 470
43 233 372
43 233 323
43 234 432
43 233 364
43 232 312
43 234 464
43 232 288
43 233 357
43 230 96
43 230 94
43 229 28
43 234 414
43 232 245
43 234 432
43 232 312
43 234 464
43 230 150
43 232 298
43 230 146
43 231 216
43 234 470
43 232 308
43 234 471
43 233 323
43 233 380
43 230 104
We are proud to continue the
numismatic legacy begun in 1933
Kagin's -- an established name for
conservative grading of quality notes.
We specialize in building U.S. Currency
collections of premium quality and rare notes.
Favorable terms to suit your needs.
98 Main Street #201
Tiburon, CA 1-888-8KAGINS
www.kagins.com
Call Judy
New CSA Currency and Bonds
Price Guide
"CSA Quotes" — A detailed
valuation guide: $20
• Written by a collector building CSA cur-
rency collection by variety. Also CSA
bonds.
• Useful for beginners as well as the most
advanced collector.
• Lists types, rare varieties, errors, in
grades G-VG to CU and "Scudzy" to
"Choice".
Long time variety collector (30 years) -- U.S. Large Cents, Bust
Halves, now CSA paper money and bonds. Member EAC,
JRCS, SPMC. From long time Louisiana family
Please send $20 to -
Pierre Fricke, P.O. Box 245, Rye, NY 10580
914.548-9815
pfricke@attglobal.net www.csaquotes.com ;
eBay "armynova"
PAPER MONEY • November/December 2004 • Whole No. 234 467
WANTED:
NATIONAL
BANK NOTES
Buying and Selling Nationals
from all states.
Price lists are not available.
Please send your want list.
Paying collector prices for better
California notes!
WILLIAM LITT
P.O. BOX 6778
San Mateo, California 94403
(650) 458-8842
Fax: (650) 458-8843
E-mail: Billtitt@aol.com
Member SPMC, PCDA, ANA
R-U Ritin' a Buk? I can help you... I
enthusiast-media.com ltd
We write right!'
Books, Magazines, Newsletters
That Connect with Readers
Fred L. Reed ill
Publishing Consultant/Editor
5030 North May Avenue # 254
Oklahoma City, OK 73112
E-mail: freed3@airmall.net
DO YOU COLLECT FISCAL PAPER?
The American Society of Check Collectors
publishes a quarterly journal for members.
Visit our website at
http://members.aol.com/asccinfo or write to
Coleman Leifer, POB 577, Garrett Park, MD 20896.
Dues are $10 per year for US residents,
$12 for Canadian and Mexican residents,
and $18 for those in foreign locations.
468 November/December 2004 • Whole No. 234 • PAPER MONEY
Yr. Vol. No. Pg. Yr. Vol. No. Pg.
04 43 231 189Peter Town National Bank Notes, illus
IN MEMORIAM.
A Memorial Tribute to "Mozart of Money": Tim Prusmack
John and Nancy Wilson, illus. 04
Louis F. Davison Sr. 04
Tim Prusmack 04
Death Claims Author — Martha Schingoethe 04
INTERNATIONAL.
A High-Tech Top Value Canada's New $100.00,
Harold Don Allen, illus
A Brief Survey of Global Monies, New Challenges,
Harold Don Allen, illus. 04
Hone Your Collecting Instincts, Harold Don Allen, illus. 04
Mini-collection, Harold Don Allen, illus. 04
Smallest (Note-issuing) Countries, Gene Hessler, illus. 04
Kabelac, Karl Sanford.
Carrie McBride, National Bank President, illus. 04
Elizabeth Lucas, National Bank President, illus. 04
Henry Well's Bank: The First National Bank of Aurora,
NY, illus 04
Korver, Bob.
Facing Future: New Museum Graces Western Currency
Facility, illus. 04
Lonergan, William J.
Why Not Try Assembling a $100 Small Size Type Set?, illus. 04
M4 E$$ay Contest Winners: "My Most Memorable Money"
Chriseof Zellweger (Winner), illus. 04
Terry A. Bryan (Runner-Up), illus. 04
Susan Renee Cohen (Runner-Up), illus 04
John ]. Nyikos (Runner-Up), illus. 04
Steve Whitfield (Honorable Mention), illus. 04
Dave A. Brase (Honorable Mention),illus. 04
Minerley, Thomas and Moon, Robert.
A History of the National Banks of Troy, New York, illus. 04
Saratoga's Banks of Scoundrels, illus. 04
Moon, Robert.
National Exchange Bank of Albany - A Hat Trick
of Title Layouts, illus.
Munro, Al.
"In 55 Years You Can Assemble A Unique Paper Money
Collection", illus. 04
NEW LITERATURE.
Fricke monograph provides up-to-date Confederate
pricing info, Fred Reed, illus.
04
Friedbergs Release 17th Edition of Paper Money of US,
Fred Reed, illus. 04
Guy Kraus' Mississippi Wismer book joins distinguished
series, Fred Reed 04
Here Comes Gene Hessler's EPSN #2, Fred Reed, illus. 04
Hessler updates classic work: Notes that might have been,
illus., Fred Reed
04
Kravitz New compendium makes good sense out of
small notes, Fred Reed, illus.
Liddell/Litt compile weighty, new NBN study,
illus., Fred Reed 04
McNeil Pens 'break-through' CSA book, Fred Reed, illus. 04
Sheheen Catalogs South Carolina Obsolete Notes
and Scrip, Fred Reed, illus. 04
Wolka's Ohio Obsolete Book "a real heavy-weight
contender", Fred Reed, illus.
OBSOLETE NOTES & SCRIP.
About the Cover: "Man Signing Bank Notes"
Owned by Rex Stark, Fred Reed, illus 04 43 229 4
43 232 265 Additions to Alabama Obsolete Notes & Scrip,
43 231 236 Bob Cochran, illus. 04 43 229 54
43 231 236 Alabama and Chattanooga Railroad Scrip,
43 232 319 Dennis Schafluetzel, illus 04 43 234 407
Another Way to Collect Obsolete Notes,
Steve Whitfield, illus 04 43 229 38
At Last: A Few Unreported Pennsylvania Notes,
Steve Whitfield, illus... 04 43 229 66
43 234 474 Bank Note Portraiture: The Ohio Experience,
43 230 151 Wendell Wolka, illus. 04 43 229 3
43 232 313 J.R. Powell's Multi-State Notes, Ronald J. Benice, illus. 04 43 230 85
43 230 150 Some History and Comments on the Merchants and
Planters Bank, Gary Hacker, illus. 04 43 232 245
43 230 92 Some Unusual Fraudulent Obsolete Paper Money,
43 232 304 Bob Schreiner, illus. 04 43 229 48
The "Broke" in Broken Bank, Howard E. Cohen 04 43 229 31
43 231 204 Two Notes, One Signature, Bob Schreiner, illus. 04 43 229 62
Where Are They Now, Steve Whitfield 04 43 229 76
WWI Liberty Theaters Smileage Books, Forrest Daniel, illus. 04 43 229 60
43 233 372 Reed, Fred.
About the Cover: "Man Signing Bank Notes"
43 233 384 Owned by Rex Stark, illus 04 43 229 4
ANA Honors Paper Monrey, SPMC Authors
04 43 234 449
43 230 130 Here Comes Gene Hessler's EPSN #2, illus. 04 43 231 226
43 230 131 Part 6: More Additions to A Catalog of SPMC
43 230 132 Memorabilia, illus. 04 43 229 75
43 230 133 Ohio Obsolete Book "a real heavy-weight contender", illus 04 43 234 453
43 230 134 On this Date in Paper Money History — Jan. 2004 04 43 229 65
43 230 135 On this Date in Paper Money History — Feb. 2004 04 43 229 67
On This Date in Paper Money History — Mar. 2004 04 43 230 99
43 231 163 On This Date in Paper Money History — Apr. 2004 04 43 230 101
43 232 255
On This Date in Paper Money History — May 2004 04 43 231 233
On This Date in Paper Money History — June 2004 04 43 231 235
On This Date in Paper Money History — July 2004
04 43 232 285
On This Date in Paper Money History — Aug. 2004 04 43 232 287
On This Date in Paper Money History — Sept. 2004 04 43 233 391
On This Date in Paper Money History — Oct. 2004
04 43 233 393
43 233 338 On This Date in Paper Money History — Nov. 2004 04 43 234 450
On This Date in Paper Money History — Dec. 2004
04 43 234 452
Who was Glenn B. Smedley?, illus. 04 43 234 446
43 229 43 You are there: SPMC members witness BEP history
spanning 15 years Looking Back: The BEP's Western
43 232 281 Currency Facility Promised Diversity illus.
04 43 233 357
Scalia, Michael.
43 229 27 BEP Research Revels 19th Century Variants
43 231 226 "Greenbacks That Never Were", illus. 04 43 234 402
Schafluetzel, Dennis.
43 233 381 Alabama and Chattanooga Railroad Scrip, illus 04 43 234 407
Schreiner, Bob.
Some Unusual Fraudulent Obsolete Paper Money, illus. 04 43 229 48
Two Notes, One Signature, illus
04 43 229 62
43 233 361 Sheheen, Austin.
43 230 93 Blockade Runners of the Confederacy, illus. 04 43 230 136
SOCIETY OF PAPER MONEY COLLECTORS.
43 232 264 $500 Research Grant Wait Prize Deadline (Fred Reed)
04 43 230 154
Ad Index 04 43 230 159
04 43
231
239
04 43 234 425
04 43 232 279
04 43 229 59
04 43 234 453
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PAPER MONEY • November/December 2004 • Whole No. 234 469
Yr.
04
04
04
Vol. No.
43 232
43 233
43 234
Pg.
319
399
479
Candidates Vie for Seats on SPMC Board, illus.
04 43 231 214
Confederate Treasury Correspondence on New CD,
(Bob Schreiner), illus.
04 43 232 264
Editor's Notebook (Fred Reed)
04 43 229 78
04 43 230 158
04 43 231 238
04 43 232 318
04 43 233 398
04 43 234 478
Fricke monograph provides up-to-date
Confederate pricing info (Fred Reed), illus.
04 43 229 43
Friedberg autographs monumental Fractional Currency
work (Fred Reed), illus. 04 43 229 46
Friedbergs Release 17th Edition of Paper Money of US
(Fred Reed), illus.
04 43 232 281
Gene Hessler Named Wait Award Winner
04 43 231 193
Guy Kraus' Mississippi Wismer book joins distinguished
series (Fred Reed) 04 43 229 27
Hessler updates classic work: Notes that might
have been, illus. (Fred Reed) 04 43 233 381
Information & Officers 04 43 229 2
04 43 230 84
04 43 231 162
04 43 232 244
04 43 233 322
04 43 234 478
Junior Member Sets High Collecting Goals
(Fred Reed), illus. 04 43 232 310
Letters to the Editor
04 43 230 158
04 43 231 188
04 43 233 399
Liddell/Litt compile weighty, new NBN study,
illus. (Fred Reed) 04 43 233 361
M4 May Contest Winners: "My Most Memorable Money"
Christof Zellweger (Winner), illus. 04 43 230 130
Terry A. Bryan (Runner-Up), illus. 04 43 230 131
Susan Renee Cohen (Runner-Up), illus 04 43 230 132
John J. Nyikos (Runner-Up), illus. 04 43 230 133
Steve Whitfield (Honorable Mention), illus. 04 43 230 134
Dave A. Brase (Honorable Mention), illus. 04 43 230 135
McNeil Pens 'break-through' CSA book (Fred Reed), illus. 04 43 230 93
Minutes [of] SPMC, Nov. 21, 2003, illus. 04 43 232 282
Money Mart 04 43 229 72
04 43 230 154
04 43 231 234
04 43 232 314
04 43 233 392
04 43 234 472
Nathan Goldstein - SPMC Recruitment Award, illus. 04 43 234 401
New compendium makes good sense out of small notes
(Fred Reed), illus. 04 43 229 59
New Members 04 43 229 74
04 43 230 156
04 43 231 236
04 43 233 394
04 43 234 476
Nominations Open for SPMC Board 04 43 234 475
North Carolinians Hear About SPMC (Paul Horner) 04 43 232 316
Paper Money Essay Contest, Topic: M4 04 43 232 241
Paper Money's Upcoming Publishing Program/
Ad Deadlines/Ad Rates 04 43 234 473
President's Column (Ron Horstman) 04 43 229 72
04 43 230 154
04 43 231 234
04 43 232 314
04 43 233 392
04 43 234 472
Research Exchange Inquiry (Fred Reed), illus. 04 43 230 142
Sheheen Catalogs South Carolina Obsolete Notes
and Scrip (Fred Reed), illus. 04 43 232 264
Speak Up: Is this an "urban legend" or simply
really bad taste? (Fred Reed), illus. 04 43 230 156
SPMC 6000 - "Re-building a Great Society
for a New Century" 04 43 234 401
SPMC 6000: Free Two-Line Classified Ad 04 43 231 234
SPMC 6000 Goal: To Create a More Balanced
Awards Program 04 43 234 445
SPMC All-Star List 04 43 234 476
SPMC Award Winners Announced June 14, 2004 04 43 234 445
SPMC Librarian's Notes: A Library Without Walls,
A Book Without Covers, (Bob Schreiner), illus. 04 43 230 148
SPMC Librarian's Notes - Lost information (Bob Schreiner) 04 43 232 318
SPMC Librarian's Notes (Bob Schreiner) 04 43 229 78
Yr.
04
04
04
Vol. No.
43 231
43 233
43 234
Pg.
238
398
478
SPMC Names "Best of Show" award after Steve Taylor, illus. 04 43 232 241
SPMC Research Grants Available 04 43 231 239
Sullivan, Jeff.
J.H. Sullivan Prospers from His Education, illus.
04 43 229 32
Tremmel, George.
Annual Index to Paper Money (2004)
04 43 234 466
U.S. NATIONAL BANK NOTES.
A Floating Transfer of Charter Number, Peter Huntoon, illus.04 43 230 146
A History of the National Banks of Troy, New York,
Thomas Minerley & Robert Moon, illus.
04 43 231 163
A Series of 1902 Vice President Note, Fairmont,
WV, Peter Huntoon, illus. 04 43 231 216
Department of Redundant Duplication, Peter Huntoon, illus. 04 43 232 308
District of Columbia - National Bank Note Tie In,
Peter Huntoon, illus. 04 43 234 471
National Exchange Bank of Albany - A Hat Trick of
Title Layouts, Robert R. Moon, illus. 04 43 232 279
Oklahoma Was Too Uncivilized to Host a National
Bank, Peter Huntoon, illus. 04 43 230 104
Peter Town National Bank Notes, Peter Huntoon, illus
04 43 231 189
Saratoga's Banks of Scoundrels, Tom Minerley illus.
04 43 232 255
The First National Bank of Edinboro, Pennsylvania,
Hal Russell Blount, illus.
04 43 231 218
U.S. SMALL SIZE NOTES.
Collecting Paper Money "By the Numbers,"
Mike Abramson, illus. 04 43 230 113
Intended Back Design for 1st U.S. Small-Size Notes,
Gene Hessler, illus. 04 43 234 432
Why Not Try Assembling a $100 Small Size
Type Set?, William J. Lonergan, illus.
04 43 233 384
U.S. SMALL SIZE NOTES - SILVER CERTIFICATES.
Invasion & Occupation Notes, North African Yellow
Seals, Peter Huntoon, illus 04 43 233 380
Weiss, Dale.
Just What's a Fella Supposed to Believe?, illus. 04 43 233 396
Whitfield, Steve.
Another Way to Collect Obsolete Notes, illus. 04 43 229 38
At Last: A Few Unreported Pennsylvania Notes, illus... 04 43 229 66
Where Are They Now 04 43 229 76
Wilson, John and Nancy.
A Memorial Tribute to "Mozart of Money":
Tim Prusmack illus. 04 43 232 265
Wolka, Wendell.
Bank Note Portraiture: The Ohio Experience, illus. 04 43 229 3
Private Fractional Scrip — Mavericks & Other
Idiosyncrasies, illus. 04 43 230 94•
I received my copy of the SPMC magazine today. Just a note to
add to Al Munro's magnificent article regarding collecting signatures
on paper money. Readers may be surprised to learn that the signature
of John W. Snow is an autopen (machine signature). Attached is
another example: they are exact reproductions (comparison above).
Several sellers on the Internet sell both Paul O'Neill Sr. and John
Snow autopens for $35-$65. It is almost impossible to receive an
authentic signature of these two persons by writing them in
Washington. You may get O'Neill if you can locate his home address.
-- Ray Anthony (SPMC #6300, PADA-UACC,
Manuscript Society, ANA LM
44&
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470 November/December 2004 • Whole No. 234 • PAPER MONEY
Caught in the Act of Changing Treasury Signatures
THIS INTERESTING PAIR OF NOTESshows the first step in the alteration of an Original
Series into a Series of 1875 plate. Here a Bureau
employee has obliterated most of the Colby-Spinner
signatures.
The treasury signatures were routinely updated to
those in office at the time the plates were altered. Also
the Bureau imprint was added above the title block. In
this case, Bruce-Wyman signatures were added indicat-
L7P--70._)
it THE PAPER COLUMN
,0,
by Peter Huntoon
ing that the plate was altered between April 1, 1883, and
April 30, 1885.
The signatures appear to have been ground off;
however, that is too strong a term. Rather they were
erased using some type of mild abrasive or polishing
wheel which left a myriad of fine scratches that picked
up the ink when the proof was made. Notice that the
titles under both officers names were also obliterated.
A little touch up
polishing probably
was performed to
catch the portions of
the signatures that
extended beyond the
abraded area and to
smooth out the coars-
er scratches. Then
appropriate rolls con-
taining all design ele-
ments that were dam-
aged, including the
line "with the U. S.
Treasurer a t
Washington," were
used to reenter those
elements. Rolls con-
taining each of the
required signatures,
the officers titles, and
the Bureau imprint
were used to transfer
that new information
to the plate as well.
The high pressures
involved in the trans-
fer process smoothed
out the surface of the
plate and obliterated the remaining scratches and rem-
nants of the old signatures.
There was a period when Bureau personnel made
proofs from the Original Series plates before altering
them into Series of 1875. Consequently those Original
Series proofs got preserved among the BEP holdings
now in the Smithsonian. However, proofs of work in
this intermediate stage are very uncommon. So far only
three have been found, all $5s, and all altered at about
the same time. They are: The First National Bank of
Maquoketa, Iowa (#999), The Farmers National Bank of
New Jersey at Mount Holly (#1168), and The First
National Bank of the City of Battle Creek, Michigan
(#1205).
The erasures on the Battle Creek plate appear to
have been made by a coarser tool, possibly even a hand
tool. That example is shown below in the blowup. +
* 0 i/•t f•,°1s
Signatures probably removed by hand tooling on Battle Creek plate
(above); and by a polishing wheel on Maquoketa plate (below).
03.10, tiae.
itraunin yi(gsw pp*.
7,y/ i ////t /kr
REGISTERED STOCK
PAPER MONEY • November/December 2004 • Whole No. 234 471
BEP engravers chose
the same District of
Columbia Seal that
appears on the backs
of National Currency
as an artistic vignette
for the district inter-
est check.
District of Columbia - National Bank Note Tie In
By Peter
FEATURED IS A PROOF FOR A DISTRICTof Columbia check prepared by the
Bureau of Engraving and Printing in the
late 1800s. Notice the imprint "Printed
at the Bureau of Engraving and
Printing" in the right border.
The District of Columbia seal,
the identical seal used on early
District National Bank notes, is the
visually dominant element.
The District of Columbia is a
ward of the federal government. In
fact, the people who live there have
no elected representative in Congress.
Next time you drive by an automobile
from there, notice the protest "Taxation
without Representation" impressed on
their license plate!
Being the charge of the federal government, it
Huntoon
was only fitting that many of the security items made for
the District were produced at the government's
premier printing facility -- the BEP. It was
only natural that when laying out this check
the Bureau employees reached for the exist-
ing readily available district seal. What
better ornament.
The check was used to pay the annu-
al interest on a loan floated by the
District. Notice that the space for the
signature is reserved for the Treasurer of
the United States, not some District offi-
cial. Talk about maintaining federal con-
trol!
The check is in the National
Numismatic Collections, National Museum
of American History, Smithsonian Institution.
The photo of the note is courtesy of David
Sundman, Littleton Coins.
472 November/December 2004 • Whole No. 234 • PAPER MONEY
The
President's
Column
By Ron Horstman
THE SOCIETY, TO BETTER SERVE THE MEM-bership, conducts regional meetings at the major shows.
In addition, where space permits, we set up an informational
booth to acquaint ourselves with current members and recruit
new ones. Thanks to our former President, Judith Murphy,
who administers this program. Wendell Wolka recently gave
an excellent talk at the ANA meeting.
At the PCDA show in St. Louis in November, Bob
Cochran will present an educational program; at the CPMX in
Chicago next March, Wendell Wolka will again speak and at
the CSNS show in St. Louis next spring, I will present a pro-
gram. The schedule of meetings can be found on the Society's
website. Anyone who wishes to speak at one of our meetings is
welcome and can arrange the schedule with Judith Murphy
whose address is on page 406.
Any member who wishes to conduct a regional meeting
can obtain sample copies of Paper Money from Bob Cochran
and applications from Frank Clark, whose addresses are also
listed on page 406.
This organization belongs to the membership and its suc-
cess depends on how well its members support it.
Best Wishes,
SOUTH BEND, INDIANA. Obsolete paper money from South
Bend or St. Joseph County wanted. Bob Schreiner, POB 2331 Chapel
Hill, NC 27515-2331; email: rcsch rei ner@mindspring.com (234)
PAPER MONEY BACK ISSUES FOR SALE. Issues from the 1970s
and 1980s. Send me your wants for quote freed3@airmail.net (237)
WANTED. OBSOLETES AND NATIONALS from New London
County CT banks (Colchester, Jewett City, Mystic, New London,
Norwich, Pawcatuck, Stonington). Also 1732 notes by New London
Society United for Trade and Commerce and FNB of Tahoka
Nationals #8597. David Hinkle, 215 Parkway North, Waterford, CT
06385. (249)
WAREHOUSE FIND. Civil War Encased Stamps: the Issuers and Their
Times (1995) by Fred Reed, 560 pages, autographed, $66 postpaid and
insured. P.O. Box 118162, Carrollton, TX 75011-8162 (239)
PAPER MONEY will accept classified advertising on a basis of 15c per word
(minimum charge of $3.75). Ad must be non-commercial in nature.
Word count: Name and address count as five words. All other words and
abbreviations, figure combinations and initials count as separate words. No
check copies. 10% discount for four or more insertions of the same copy.
Authors are also offered a free three-line classified ad in recognition of
their contribution to the Society. These ads are denoted by (A) and are run on a
space available basis. Special: Three line ad or six issues = only $20.50! (wow)
EUREKA SPRINGS, ARKANSAS Banknote wanted. Also any relat-
ed contemporary banking material. Martin Roenigk, 75 Prospect Ave.,
Eureka Springs, AR 72632. (479) 253-0405. mroenigk@aol.com (239)
WANTED. National Bank Note from The Manilla National Bank
(#6041), Manilla, Iowa, any denomination or condition. Lee Poleske,
Box 871, Seward, AK 99664 (236)
WANTED. National Bank Note from The Manilla National Bank
(#6041), Manilla, Iowa, any denomination or condition. Lee Poleske,
Box 871, Seward, AK 99664 (236)
KANSAS NATIONALS WANTED. Goodland #14163, Olathe
#3720, Pleasanton #8803. A.R. Sundell, Box 1192, Olathe, KS 66051
(236)
WANTED. $50 denomination, Bank of the Old Dominion, Branch
Bank at Pearisburg, VA (Jones-Littlefield BA30- or -27; Haxby G18a
or 18b) and Pearisburg, VA, Lybrook scrip (Jones-Littlefield PP1706
and 1707). J. Tracy Walker III, 2865 Mt. Aire Rock Ln.,
Charlottesville, VA 22901 (235)
MARYLAND OBSOLETE BANKNOTES WANTED. Charles
Sullivan, PO Box 8442, Gaithersburg, MD 20898 or e-mail
Charlessul@aol.com or phone 888-246-8040 (234)
BANK HISTORIES WANTED. Collector seeking published histo-
ries of banks which issued Obsoletes and/or Nationals. Also seeking
county/state/regional banking histories. Bob Cochran, PO Box 1085,
Florissant, MO 63031 e-mail: spinclin69@cs.com (234)
LINCOLN NATIONAL BANK. Collector desires notes, photos,
postcards, checks, memorabilia, metal coin banks, banking histories,
publications, or what have you? from Lincoln National Banks or
Lincoln State Banks or insurance companies, or other corporations
named for Abraham Lincoln for use in forthcoming book. Please
contact Fred Reed at P.O. Box 118162, Carrollton, TX 75051-8162
or freed3@airmail.net for immediate purchase (234)
WANTED. Canadian Chartered Bank Notes. Wendell Wolka, PO
Box 1211, Greenwood, Indiana 46142 (234)
WANTED KANSAS. Obsoletes Checks -- Drafts. S. Whitfield,
879 Stillwater CT, Weston, FL 33327
(234)
Ron
MACERATED MONEY
Wanted information on U.S. Chopped up Money.
Who made the items, where sold, and anything of interest.
Also I am a buyer of these items. Top Prices paid.
Bertram M. Cohen, 169 Marlborough St., Boston, MA 02116-1830
E-mail: Marblebert@aol.com
PAPER MONEY • November/December 2004 • Whole No. 234 473
Institution; (2) Lawrence Falater for research on a
Michigan NB; (3) William McNease on Series
691/701 MPCs, according to Paper Money Education
Committee chairman Benny Bolin. Information on
the program is available from Bolin at 5510 Bolin
Rd., Allen, TX 75002 or at smcbb@sbcglobal.net .
Coming to a mailbox near you
SPMC's Big Second
Obsolete Currency Special Issue
One of the most widely collected areas
for SPMC members is U.S. Obsolete Currency
and the great success of our 1st special issue
devoted to that vibrant field is testimonial to it
WANTED: Your outstanding research
& advertising for this issue
We know -- when history repeats itself -- this Special Issue will fill overflow
with interesting articles and advertising. If YOU want to be in that issue, get on the stick NOW
-- last time we had more ads/articles than we could print in a single issue!
DON'T WAIT AND BE LATE -- PLAN AHEAD & DON'T MISS OUT!
Announcing Paper Money's
Upcoming Publishing Program
January/February 2nd Confederate/Civil War issue
May/June 4th National Bank Note Issue
September/October Obsolete U.S. Currency
SPMC's special 80-page issues of its award-winning journal Paper Money
have become the "hot ticket" in the hobby
Reserve your advertising space now
Full Page rate $300
Quarter Page rate $100
Half Page rate $175
Contact Editor NOW
r
r
SPMC awards grants
to trio on diverse subjects
SPMC has awarded three $500 research grants for
2004: (1) Peter Huntoon for work at the Smithsonian
1
Deadlines are Nov. 15th (Confederate) & March 15th (NBN Ads) respectively
November/December 2004 • Whole No. 234 • PAPER MONEY474
Notes from
orth of the
Border
By
Harold Don Al n
A Brief Survey of Global
New Monies, New Challenges
C 0, WHAT'S NEW?" YOU, THE THOUGHT-
FUL observer of the world's folding money,
might reasonably be asking at this point. "Just about
everything, when you
pause to think about it," I
suggest.
Change, of late, in
"world paper," has had
two distinct dimensions.
Each, potentially, is of
great collector signifi-
cance.
One outstanding
aspect of change has been
the inauguration and
extension of latter-day
multinational currencies--
recall the storied "piece of
eight"!--a phenomenon
which has been with us
for some decades, but whose time may truly have come.
The Euro currency area, recently extended beyond 12
founding nations and with evident potential for further
expansion, immediately comes to mind. Euro coin and
note releases, collected intensively, can be challengingly
complex. Such established monetary unions as the
French Equatorial African, French West African, and
British East Caribbean, recast as significant post-colonial
entities, also attract collector specialization.
The second broad area of
currency-related innovation,
if anything more all-embrac-
ing, involves new materials,
devices, and approaches, both
to protect notes against wear
and tear and to enhance secu-
rity relative to the high-tech
counterfeiting that is both
feasible and near-universal
today.
Widespread changeover to wear-resistant, cost-effec-
tive polymer plastic, the Australian bank note innovation,
serves to broaden the very definition of "monetary
paper," mightn't you say?
Enhancement of bank note security supplements tra-
ditional fine engraving (portraiture, allegoricals, industri-
al and agricultural scenes), seals, signatures, serial num-
bers, lathework, tints, watermarks, and paper inclusions
(threads and fibers, planchettes, embedded strands) with
such technological extensions as optical devices, reflective
inks, microlettering, face-to-back registration, and
increasingly sophisticated UV-sensitive elements.
What to expect in a new issue? Note security, unde-
niably, will be the overriding consideration. That being
said, good security need in no sense preclude good over-
all design. An aesthetically pleasing synthesis of desired
elements often presents a distinct challenge . . . but all
periods have had their distinguished bank notes, for
which we give thanks. With intaglio accents, color
blends, and an unprecedented range of visual special
effects, the challenge and the potential for overall distinc-
tion never has been as great as today.
I reserve a special niche in my world collection for
such notes of outstanding workmanship and design. For
this column I've selected a cluster of world notes which
seem to reflect the best of the times.
Early international efforts of American Bank Note
Company are typified, for me, by a striking black and
gold South American classic, the Banco Oriental,
Montevideo, 10 pesos (un doblono de oro) of 1867.
Observe how the allegorical
duo (left), the national her-
aldry, lathework "counters,"
and meticulous lettering
come together in an out-
standing overall effect.
A rather different "look,"
as attractive in its way, char-
acterizes notes of French ori-
gin. Particularly effective use
PAPER MONEY • November/December 2004 • Whole No. 234 475
of strong colors is seen on later Banque de France releas-
es, which honor national figures. Pastels were featured on
earlier, frequently allegorical notes. The busy dockside
scene, an Algerian 100 dinars of 196-1 (opposite), exem-
plifies well integrated French work. The Euro has
replaced the franc, of course, but quality French bank
note design persists in local currencies where French
influence is traditional. Algeria is but one example.
The venerable Sveriges Riksbank, Swedish bank of
issue, recognizes leaders in national culture and science
on recent, locally-produced notes, depicting them in the
context of their work. Linnaeus (Carl von Linne, 1707-
1778), the Swedish botanist and physician remembered
for his scientific classification of living things, appears on
the current 100 kronor (above), a pleasing design.
Depiction of flora and fauna on national currency
has a distinct tradition, and several recent issues have
treated the theme rather well. Attractive art, strategic
open space, and good grouping of inscriptions highlight
an eight-value Sri Lanka series of such notes. The inex-
pensive 10 rupees of 1979 effectively represents the
approach.
The Swiss, who remain outside the Euro area, show
great resourcefulness
in several recent
issues, though they
do like their high
values. In vertical
format, the back of a
relatively affordable
20 francs recognizing
a Swiss composer
highlights a musical
score and (did you
identify them?) the
valves of a trumpet.
Close scrutiny of
such a note should
point up cutting-
edge characteristics
that few would-be
counterfeiters would
be in a position to
take on.
Official Notice:
Nominations Open for SPMC Board
THE FOLLOWING SPMC GOVERNORS' TERMS EXPIRE IN 2005:
Bob Cochran Gene Hessler
Arri Jacob
Tom Minerley
If you have suggestions for candidates, or if the governors named above wish to run for
another term, please notify Nominating Chairman Tom Minerley, 3457 Galway Rd., Ballston
Spa, NY 12020. Our election this year was the most hotly contest in recent history.
In addition, candidates may be placed on the ballot in the following manner: (1) A written
nominating petition, signed by 10 current members, is submitted; and (2) An acceptance letter
from the person being nominated is submitted with the petition. Nominating petitions (and
accompanying letters) must be received by the Nominations Chairman by March 15, 2005.
Biographies of the nominees and ballots (if necessary) for the election will be included in the
May/June 2005 issue of Paper Money. The ballots will be counted at Memphis and announced at
the SPMC general meeting held during the International Paper Money Show.
Any nominee, but especially first-time nominees, should send a portrait and brief biography
to the Editor for publication in Paper Money.
Nobody pays more than Huntoon for
ARIZONA & WYOMING
state and territorial Nationals
11.19.4
•r.
2592,3E
Peter Huntoon
P.O. Box 60850
Boulder City, NV 89006
702-294-4143
Alabama
Large Size
tw.Ef.f.R..tn '111,161.101)rs-
t 0,191.in XECIVIPTTIK,
<, 413313
mamma
',1W1111./24,11312:::'.:21-.72
Top Prices Paid
David Hollander
406 Viduta Place
Huntsville, AL 35801-1059
November/December 2004 • Whole No. 234 • PAPER MONEY476
NEW
MEMBERS
MEMBERSHIP DIRECTOR
Frank Clark
P.O. Box 117060
Carrollton, TX 7501 1
SPMC NEW MEMBERS - 09/08/2004
10824 Steven Glear, 206 Booneslick, St. Charles MO 63301
(C), Frank Clark
10825 Jack McNamara, PO Box 3186, Jersey City, NJ 07303-
3186 (C, Obsoletes), Bruce R. Hagen
10826 Anthony J. Conte (C & D), Website
10827 T.E. Terteling (C) Website
10828 Kris Oyster, 2817 Forest Ln, Dallas, TX 75234 (D,
US), Bob Cochran
J10829 Elliot M. Wehner, PO Box 194271, San Francisco,
CA 94119-4271 (C, MPC, AMC, & Related Items),
Website
10830 Ken Bishop, PSC 477 Box 35, FPO AP 96306-2735
(C, US Small), BNR
10831 Patrick W. McAuliffe (C & D), Website
10832 William G. Rau (C), Website
10833 James L. Gorham, 30 Seventh St, Waterford, NY
12188-2321 (C, US Small), Website
10834 Ronald J. Shiban (C), Website
10835 John Fletcher (C), Website
10836 Robert M. Hawes, PO Box 214005, South Daytona,
FL 32121 (C, All), John Wilson
10837 Bill Bauerband (C), Tom Denly
10838 Ronald Maniscalco, 22 Radisson Ln, Westfield, MA
01085 (C, 1960 - Present Foreign Notes), Website
10839 William L Lynch, 1339 Jarbridge Rd, Las Vegas, NV
89110 (C, US), BNR
10840 Zavie Kucer (C), Website
10841 Jason Sarasnick, 719 Washington Ave, Bridgeville, PA
15017(C & D, US Large), Frank Clark
10842 Mike Bloodsworth (C), Frank Clark
10843 Daniel Raiford, 400 N. Church St 715, Charlotte, NC
28202 (C, US Small, Gold Certificates), Tom Denly
10844 Michael Thomas, PO Box 345, Hardy, AR 72542 (C
& D, Obsoletes, Nationals), Website
10845 Phillip Chinitz, 511 East Fifth, Atlantic, IA 50022 (C
& D, US, Foreign), Tom Denly
10846 Allan J. Huitt (C), Judith Kagin
10847 Tom Kearney (C), Tom Denly
REINSTATEMENTS
3561 George LaBarre, PO Box 746, Hollis, NH 03049 (D,
Stocks and Bonds), Frank Clark •,;•
SPMC 6000 All-Star List*
* Tom Denly * * Bryn Korn *
* Allen Mincho * * Andrew Korn *
* Robert S. Neale * * Frank Clark *
* Bob Cochran * * Tom Minerley *
* Fred Reed * * Bank Note Reporter *
* Judith Murphy * * Wendell Wolka *
You are invited to visit our web page
www.kyzivatcurrency.com
For the past 5 years we have offered a good
selection of conservatively graded, reasonably
priced currency for the collector
All notes are imaged for your review
NATIONAL BANK NOTES
LARGE SIZE TYPE NOTES
SMALL SIZE TYPE NOTES
SMALL SIZE STAR NOTES
OBSOLETES
CONFEDERATES
ERROR NOTES
TIM KYZIVAT
(708) 784 - 0974
P,O, Box 451 Western Springs, IL 60668
Email tkyzivat@kyzivatcurrency,com
PCDA, SPMC
Buying & Selling
Quality Collector Currency
• Colonial & Continental Currency
• Fractional Currency
• Confederate & Southern States Currency
• Confederate Bonds
• Large Size & Small Size Currency
Always BUYING All of the Above
Call or Ship for Best Offer
Free Pricelist Available Upon Request
James Polis
4501 Connecticut Avenue NW Suite 306
Washington, DC 20008
(202) 363-6650
Fax: (202) 363-4712
E-mail: Jpolis7935@aol.com
Member: SPMC, FCCB, ANA
Pcd
United States Currency
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Carl Bombara
Selling
PAPER MONEY • November/December 2004 • Whole No. 234 477
The
Editor's
Notebook
Fred L Reed III fred@spmc.org
478 November/December 2004 • Whole No. 234 • PAPER MONEY
Get it Published Now
TENDELL WOLKA'S NEW A HISTORY OF NINE-
/ teenth Century Ohio Obsolete Bank Notes and Scrip (SPMC
2004) is a phenomenon: more than 1,000 pages and almost 7,000
different note listings. Were more notes issued within Ohio dur-
ing the obsolete era than other states or did Wendell dig deeper
than most other authors? My guess is the latter. As a well-known
and respected collector and author, Wendell would have access to
many collections. He is also a persistent, determined, and patient
worker whose goal was excellence. No near miss here.
He goes well beyond listing, describing, and estimating rari-
ty. Wendell included considerable history of the institutions and
people who issued notes. This kind of history research is tough--
it often requires going to local history repositories, an expensive
and laborious process. Burgeoning information on the Internet
helped. At SPMC's June 12, 2004, educational symposium on
publishing, he cited Internet-based genealogical records as an
especially valuable source, especially for scrip issuers.
Not all of us have the skills and determination of a Wendell
Wolka needed to produce a great book. But many have a story
worth telling and a desire to tell it. Unfortunately, most won't
"get around to it."
SPMC Librarian's Notes
By Bob Schreiner, Librarian
I know one collector whose persistence and deep pockets
have led to what I am certain is the best collection ever formed or
likely to be formed in one particular area. He has been talking for
years about writing a book. But I also know that because of other
interests and demands, he will never write that book. There is
always one more note to find and a little more research to do.
Because of his sense of ownership (and indeed he is the owner)
and sacrifice to form the collection, he has not permitted other
potential authors to scan or photograph the notes or even study
the collection closely. Many of the notes are unique or excessively
rare and not generally known. Because of his recognized willing-
ness to pay well for relevant material, newly discovered items tend
to gravitate his way without picking up a "public record" by means
of auction catalog or fixed-price list.
What is likely to happen--if he doesn't get help with the pub-
lication--is that one day he will leave us, and his heirs will disperse
a superb collection without proper documentation. He will never
have the legacy of producing a great book, and the rest of us won't
have access to the information.
It doesn't have to be that way. There are people with whom
one can partner and get the job done. Especially if the collection
is amassed and in one place! Modern high-speed scanners, com-
puter-based authoring tools, and modern printing technology
facilitate book producing in profound ways. People who are
familiar with these technologies are the kind of partners needed
by those who have the collection and the desire to publish, but
lack time or publication know-how to complete the job alone.
Find one of these people and get the job done. Don't wait
until you "get around to it." Don't remain confused how to trans-
late a raw collection into a book. Establish your place in paper
money history by publishing while the collection remains intact,
and while you are around to take rightful pride in the results.
The library catalog is on the SPMC web, spmc.org . I wel-
come your thoughts on library, web, and related areas. I can be
reached at POB 2331, Chapel Hill, NC 27515-2331, or email to
rcschreiner@mindspring.com .
Calling all SPMC C C C ers
Chrematophobia
I thought I knew it all, but I learned a new word recent-
ly: Chrematophobia (fear of money). It seems futurists are
the principal sufferers of this malady. Their phobic crystal
balls foresee imminent demise of money (as we knew it and
collected it in our lifetimes). Electronic blips will replace
cash, checks, credits and the other stuff of which our collec-
tions are comprised. Since it's hard to collect blips, I for one
am glad I am inoculated against Chrematophobia, aren't you.
Community
SPMC is a community of reasonably like minded indi-
viduals. Remember, my column G/F 2004) about gestalt. 2 +
2 = 5. In my younger days, my colleagues used to call this
synergy. A group can feed off one another and come up with
`stuff' that none of the individuals could collectively on their
own. Examples abound. Mike Scalia has a fine article in this
issue with input by Pete Huntoon, Gene Hessler and the
Editor. It's a better article now than any of us could have
written on our own. Is it perfect? No. Tell us something
else about the subject matter. If your contribution is worth-
while, we'll publish it too. Mike is already off on another
topic with the help of Society VP Benny Bolin. Dennis
Schafluetzel has an article in this issue. In addition to those
who have already given him input--one of his principal rea-
sons for sharing it with PM readers was to seek additional
input. Al Munro had an article in the last issue (remember
it? It was a dozy) and lo and behold PM reader Ray Anthony
has 'the proverbial rest of the story." John Glynn has an arti-
cle in this issue. Look at the photo credits (incl. Hessler,
Wolka, CAA, Minerley, Huntoon, the Editor). Dave Bowers
wrote about W.L. Ormsby and got neat followup from
Robert McCabe. I wrote a story asking for help in IDing
portraits on movie prop money and more than 50 readers
gave it to me! I could go on and on, but you either "get" the
idea or you don't. In a hobby where some sit on their hands,
close-lipped so they can out wit colleagues, others pitch in.
Covers
Since there are several articles on currency designs in
this issue (including a speculative Reagan C-note by yours
truly) it occurs to us to ask "What is Your Favorite Note
design" of all time (U.S. or foreign, obsolete or fantasy)?
Tell us in 100-200 words and send us an illustration if you
have one. We'll do a roundup style article of your submis-
sions in an upcoming issue and send you a souvenir card as a
modest "thank you." (See page 431)
Classifieds
Paper Money's classifieds ads produce results. "Money
Mart" is productive year-in and year-out. I continue to
get results from my ads. For pennies you have access to
nearly 2000 collectors. Seems a "no brainer" to me. +
HARRY
IS BUYING
NATIONALS -
LARGE AND SMALL
UNCUT SHEETS
TYPE NOTES
UNUSUAL SERIAL NUMBERS
OBSOLETES
ERRORS
HARRY E. JONES
7379 Pearl Rd. #1
Cleveland, Ohio 44130-4808
1-440-234-3330
lowswbikotwobb
L.S.CURRENCY
is Buying
Everything
-Still Paying Top Dollar for Rare Confede
U.S. Type, Obsoletes,
Nationals, and
of course, Santa Notes
404 229-7184
Box 031250, Irving, TX 75063
Kent Robertson. owner Itik!ti
PAPER MONEY • November/December 2004 • Whole No. 234 479
Have a Question?--clip and save
I If you have a question about the Society, contact the
appropriate officer for help. Please include a self-
addressed, stamped envelope (SASE) with your inquiry.
I Correspondence sent without this courtesy cannot be
I answered. Or you may inquire via e-mail. Postal
I addresses are listed on page 322.
▪ • Application for membership: Frank Clark or
frank_clark@spmc.org
• Status of membership, address change , non-receipt of
▪ magazine, or about the library or the SPMC web site:
I Bob Schreiner or bobs@spmc.org
1 • Inquiries about regional/annual meetings: Judith
Murphy or judith@spmc.org
• Matters relating to Paper Money articles or ads: Fred
I Reed or fred@spmc.org
I.
PLAN A H E Ad
If you joined SPMC before Oct. 1, 2004, you must
prepay 2005 dues now or lose your membership --
You won't want to miss a single issue; so act NOW
AD INDEX
AMERICAN NUMISMATIC RARITIES 451
AMERICAN SOC. OF CHECK COLLECTORS 467
BART, FREDERICK J. 477
BENICE, RON 413
BOMBARA, CARL 477
BOWERS & MERENA GALLERIES IBC
BOWERS, Q. DAVID 455
BOWERS, Q. DAVID 465
BUCKMAN, N.B. 465
COHEN, BERTRAM 472
COLLECTIBLES INSURANCE AGENCY 412
COUGHLIN, DENNIS 459
CPMX 411
CURRENCY AUCTIONS OF AMERICA OBC
DENLY'S OF BOSTON 413
EARLY AMERICAN NUMISMATICS 413
FRICKE, PIERRE 467
HOLLANDER, DAVID 476
HORWEDEL, LOWELL C. 465
HUNTOON, PETER 476
JONES, HARRY 479
KAGIN, A.M. 461
KAGIN'S 467
KNIGHT, LYN 457
KYZ1VAT, TIM 477
LITT, WILLIAM 467
LITTLETON COIN CO. 480
MARRELLO, RAY 459
MEMPHIS PAPER MONEY SHOW 459
NUMISMANIA 417
POLLS, JAMES 477
POMEX, STEVE 477
REED III, FRED L. 467
ROB'S COINS & CURRENCY 465
ROBERTSON, KENT 479
SHULL, HUGH 406
SMYTHE, R.M. IFC
SMYTHE, R.M 450
YOUNGERMAN, WILLIAM, INC. 453
(left to right) Josh Caswell, Jim Reardon,
Butch Caswell and Ken Westover
Littleton's experienced team of buyers.
Littleton
Coin Company
November/December 2004 • Whole No. 234 • PAPER MONEY480
Last Year Alone...
Littleton Spent More Than
$14 Million on U.S. Coins
& Paper Money!
We can afford to pay highly competitive buy
prices because we retail all the notes we buy.
David Sandman, President
ANA I* Member #4463;
PNG #510; Society of Paper Money
Collectors LM# 163; Member
Professional Currency Dealers Association
Over 150,000+ Littleton Customers
Want Your Notes!
Wide Range of U.S. Notes Wanted!
• Single notes to entire collections
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Why You Should Consider Selling to Littleton
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We buy for our retail customers - so we can pay more
• Fair appraisals and offers
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Over 56 years experience buying and selling coins
and paper money
Contact us:
Buyer Phone: (603) 444-1020
Toll Free: (800) 581-2646
Fax: (603) 444-3501 or
Toll-Free Fax: (877) 850-3540
Facts D97
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r I'm interested in selling paper money to Littleton. Please contact me regarding myEST•collection or holdings.
Fill out this coupon and
Fax Toll Free to
(877) 850-3540,
or Mail to:
Dept. f3YA305
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Name
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Realize Top Market Price for Your
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Let Our Success be Your Success! Consign with Bowers and Merena Galleries
We offer you the incomparable and very
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When the time to sell comes,
you want the highest price.
Perin
ether you are selling extras from your
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ALLEN MINCHO
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YES I am interested in consigning my currency to
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q I would like a copy of your next Auction Catalog. Enclosed
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2004
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